John Hersey, an artist used to working with charcoal, created the pastels as a result of his enquiry into the nature and properties of colour.
The pastels appeal to colourists as they provide strong pigment colour with a soft pastel performance. The pastels are pigment rich, have very little binder and are developed as a series of hues. Many of the pastels are pure and single pigments which are then blended with a little white (chalk) to create the tints.
"The pigments used are the traditional ones: Cadmium (with a limit of 0.01% or 100ppm soluble Cadmium), Cobalt, Oxide of Chromium, Viridian, the Ultramarines, Cobalt Chromes, the natural and synthetic Iron Oxides, Titanium Dioxide and China Clay. These colours have stood the test of time and are very durable and lightfast."The sets are based on Hersey's theory about colour integration hence the title - Unison. The cycles of hues and tint variations were influenced by the light in Northumberland which show the colours of nature very clearly. For me, this approach also explains why - in my experience - all the colours work so well with one another - as demonstrated by my plein air painting of the lake temple, Pura Ulun Danu Bratan, near Bedugal in Bali (below) which mixes shades from the the red earth and red sets with blues, blue greens and yellow greens.
Unison pastels are hand-made in Northumberland. The process used to produce them means they are considerably softer than many of those made in factories. Rather than being compressed and extruded from a pastel mixing machine and chopped into uniform lengths by another machine, each stick is hand-rolled and air-dried. Consequently they're not a uniform shape although each stick measures approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Pastel colour sets are then packaged in a robust black cardboard box with good quality foam insert which provides a protected home for 18 pastels.
My sixth post in this series combines the Red, Red earth and Brown Earth pastels. I have to confess I was a bit worried about how to cover the brown ones as I don't use them a lot. But they seem to fit in happily next to the Red Earth set. One of the worries of many people, on the other hand, is how some pigments cope with light over time. I have Devon Camellias #1 under glass on the wall of my sitting room for about 12 years with no obervable deterioration. The reality is that pastels are lightfast rather than fugitive if pigments are well chosen.
Artwork: click on the small images to see a larger painting
Pura Ulun Dana Bratan 19.5" x 25.5"
Devon Camellias #2 19.5 x 25.5"
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