Showing posts with label sculptors. Show all posts
Showing posts with label sculptors. Show all posts

Saturday, March 04, 2023

Renowned Ukrainian sculptor exhibits at RBA Bicentennial

Ukrainian sculptor Alexander Lidagovsky is a guest exhibitor in the current RBA Bicentennial exhibition at the Mall Galleries. 

Iron Horse by Alexander Lidagovsky
Steel Corton
(Currently on exhibition in the RBA Exhibitions at the Mall Galleries)

He specialises in public art and has a number of much larger sculptures on the streets of Kiev.

Alexander Lidagovsky
with his Iron Horse

He's in this country because his studio in Kiev was destroyed within an hour of the Russian invasion. 

He's now living in Kingston - with his wife and daughter - while his two sons are fighting in the war with Russia. 

He's also working in a new studio and looking for new opportunities to exhibit his sculptures

Below you can see some of his sculptures in Kiev - as they were before he left.

Bio and social media details are listed at the end of this post.
 
There are many sculptures "on a rope". In almost all cases, balance is achieved by the fact that some part of the sculpture is below the rope and is heavier than the upper one. As an example, at least my Cherkasy sculpture "High Note" (violinist). Here is another solution. "The balance", 2013 bronze, steel, height-6m

Alexander Lidagovsky BIO:

  • 1961: born in in the city Huliaipole of Zaporizhzhia region, Ukraine. 
  • 1982-1987:  studied at the Kharkiv State Academy of Design

REFERENCE:

  • Facebook https://www.facebook.com/AlexLidagovsky/
  • Instagram https://www.instagram.com/alexlidagovsky/?hl=en


Monday, March 08, 2021

Mary Seacole Portrait Statue Commission

This is a Call for Entries for Sculptors. A campaign has been launched to install the first statue of a black woman to celebrate the life and work of Mary Jane Seacole (1805 – 1881) in the interior of in one of Liverpool’s most iconic buildings - the Grade I Listed St George’s Hall.

This is about how you can submit an expression of interest in fulfilling this commission. 

Mary Seacole
(credit: Mary Seacole Trust)


Below I've divided the information about this commission into:

  • About the Commission
  • About Mary Seacole
  • About St. George's Hall
  • What sculptors should do next
One of two known photographs of Mary Seacole,
taken for a 
carte de visite by Maull & Company in London (c. 1873)

About the Commission

Sunday, July 26, 2020

Commission an artist: 'Home is where the Art Is' (Series 2: Episodes 5-10)

I've now watched the entire second series of Home is where the Art is on BBC1 - and I have to say I'm impressed - and will comment further in a future post (see below)

part of the mosaic mural created and customised by Jim Anderson for the clients in Episode 10

The episodes in Series 2 are 

Today's post:
  • covers the second week and the artists in Episodes 5-10 (following on from last post Home Is Where The Art Is (Series 2)  
  • identifies both the commission brief and budget
  • lists where you can see their artwork and contact them:
    • Links to the artist's website is embedded in their name 
    • Links to a max of three social media sites are then listed below the name (Note: I only ever list Facebook Pages as accounts are personal sites - not for business)
    • those with asterisks were commissioned to make an artwork
  • plus images from their social media which 
    • indicates something of the programme, 
    • enables you to see the artwork 
    • and a lot more of their work
    • read what people thought of their time in the show and what they produced - if they were selected for the final two asked to produce a commissioned artwork.
    • and THE AFTERMATH of appearing on the programme! ;) 
Tomorrow's post will do the same thing and cover the third week and Episodes 6-15. 

It will be followed by a further post this week in which I'll
  • highlight my conclusions about the series as a whole
  • identify some TIPS for those wanting to apply for the next series (which I'm absolutely 100% sure will be commissioned)



Episode 5 (Budget £250 - £1,000)


Commission: a buyer who was born on the weekend of the moon landings wants to mark her 50th year with something out of this world.

The artists are:
One of the most interesting pieces of artwork I've ever seen!



....and another great end for a piece of very interesting textile artwork!




Episode 6 (Budget: upto £1,000)


Commission Brief: The buyers want to celebrate the day their lives changed forever, ten years ago, when they won the National Lottery (£12.4 million!)

The artists are:
Oddly nobody highlighted the artwork made - although both were impressive in different ways!

Otis Griffith with his metal sculpture


Episode 7 (Budget upto £1,500)




Commission Brief: the buyers want something uplifting for their home after a recent cancer diagnosis.

The artists are:
Stained glass for a clerestory light above a door by Annette Jackson

This was one programme where I came away thinking the winner is going to be getting a lot of commissions. Turns out I was right!



Episode 8 (Budget: upto £800)


Commission Brief: something to celebrate their 25th wedding anniversary

The artists are:


Not an untypical response from artists who made great and unusual work



Even the artist who didn't make the final cut has had lots of interest in her artwork and sales!




Episode 9 (Budget £1,000)


Commission Brief:  a young couple from Derby would like something to celebrate their upcoming wedding.

The artists are:
Ollie Hollins talking about how he created his sculpture for a couple who are about to be married




Episode 10 (Budget £700)


Commission Brief: The buyer is looking for a gift for her husband as a thank you for all he does for the family and to mark his long service to charity work.

The artists are:
This mosaic mural - created by Jim Anderson - was quite possibly one of the most customised pieces in the series to this point. I suspect if he'd' been on social media we'd have seen much evidence of people wanting one just like it for their family. Do take a look at his website!

Jim Anderson with part of the circular mosaic created for his clients





More posts about "Home Is Where The Art Is"


Series 2

Series 1

Some of you may recall my previous posts on the first series including

    Wednesday, July 08, 2020

    Home Is Where The Art Is (Series 2)

    This week the second series of Home is Where the Art is started up in the afternoons on BBC1.
    Nick Knowles returns with this inspiring series that challenges talented artists to make something amazing for the homes of people they've never met.

    Three artists must turn detective and try to work out the buyer’s taste by snooping around their house - but when the two sides finally do meet, who will deliver best on the brief and win the coveted commission?
    I was VERY critical of a number of aspects of the last series. So much so that my very post about it was titled Home Is Where the Art Is - needs a makeover!

    So when I realised that the second series was being broadcast I was intrigued to see if they'd tackled any of the issues I'd raised in my blog posts (which they could hardly miss since there on the front page of Google just under the listing for the programme!

    Episode Guide in the Radio Times online - today, tomorrow, Friday and Monday


    What's changed

    A number of aspects of the programme have changed - and I'll highlight them in the order I noticed them
    • They've gone from urban industrial warehouse to urban chic gallery setting!  But the presenter and format has very much stayed the same!
    • The locations for the clients seem to be more diverse. This is on the basis of three programmes which have had homes in Shropshire, Whitstable in Kent and the Wirral (across the Mersey from Liverpool). Last time it was VERY much oriented to northern locations - presumably because the company making the programme were working with commissioning executives based at the BBC Media City in Salford. (Amazing what moving the base of a company does for a wider perspective on the UK!)
    • The location of the homes of the artists are also more diverse. Last time they were typically around and about the area where the client lived. I think we're going to get the length and breadth of the UK this time around
    • The artists are very much professionals not amateurs - although, for a number, art is a second career.  Last time the call for entries for Series 1 was asking for amateurs - and a lot of amateurs applied - with some in the distinctly "hobby artist" category.  However a lot of professional artists who saw the call for entries realised what a great opportunity it was to market who they are, what they do and what their art looks like - and so they applied too! This time around the marketing asked 
    Are you a talented passionate artist?
    • The artists get PROPERLY NAMED 
      • in the credits at the end of the programme
      • in the credits on the BBC website page for their episode

    I claim a BIG victory!

    I made a VERY big thing about the lack of credits in the last series for some very good reasons which I explained in the Call for Entries for this series
    For all those saying that the names are said in the programme so why do they need the credits? 
    Well a number of reasons:
    • to respect the work of professionals - just as the credits at the end of the programme respect the work of the people behind the scenes who make the programme
    • two of the three are unpaid - and providing a named credit is fair exchange for the many hours given for free to make content for the BBC. Otherwise it's the equivalent of working for free for the exposure - but without the exposure in terms of a name to enable people to find you!
    • the names might be said - but nobody spells them out. In the first week there are THREE artists where I had to keep replaying the segment to listen to the names again and again - and even then finally identified them using information from elsewhere in the programme (eg "Gallery Windermere paintings cattle" got one of them).
    • the BBC is hypocritical and ignores its own rules when it suits it - such as making sure it gets great guests on the Graham Norton show - because they are only there to promote their latest whatever - and always do!
    So just as those in The Arts and Crafts House got named after I blogged about the disgusting lack of named credits (ditto Portrait/Landscape Artist of the Year) - this time the artists in Series 2 of Home is where the Art is are also getting their proper name credits.

    Which is how I know that the artists in the three episodes I've watched so far are as listed below. I found their websites - they're not listed on the BBC! That would be asking too much!

    LINKS TO WEBSITES are embedded in their names

    To be honest, the calibre of the artist's website says a lot about the calibre of the artist - which is as it should be. (With the notable exception of the artist for whom I'm guessing websites present a major challenge)  Those pondering on whether there might be a call for entries for a third series might want to have a think about that.

    Friday, August 16, 2019

    Sculpture at Wisley 2019

    Yesterday we went to RHS Wisley and found there is a Modern and Contemporary Sculpture Trail around the garden which includes works by Henry Moore.

    The exhibition of modern and contemporary sculpture around the 240 acre garden runs until 1 December 2019.
    Sculpture at Wisley 2019 features the work of seminal 20th and 21st century artists: Henry Moore, Lynn Chadwick, Tracey Emin, Phillip King, Henry Bruce and Philip Haas.
    In addition - formally opening tomorrow - the Surrey Sculpture Society Trail has other works by more local artists and continues until 22nd September.

    I've included images from both exhibitions below.  If you like sculpture, Wisley is well worth a visit in the near future while both Sculpture Trails are on.

    Henry Moore


    Draped Reclining Figure by Henry Moore
    next to the Jellicoe Canal
    Locking Piece by Henry Moore
    next to the Lake
    Large Standing Figure - Knife Edge 1976 by Henry Moore
    in the Bowes-Lyon Rose Garden
    This piece seems to have claimed by the kids as the Sculpture Play Park! It had kids around it all the time we were near it.

    The pieces have been lent to the exhibition by the Henry Moore Foundation at Hoglands

    (You can see more Henry Moore pieces at Hoglands in my blog post Sculpture in the garden at Hoglands, Perry Green and my Flickr set Henry Moore Sculptures, Hoglands, Perry Green)


    Lynn Chadwick


    Little Girl, I, II , III by Lynn Chadwick
    in between the Walled Gardens and the Lake
    Lynn Russell Chadwick, CBE RA (24 November 1914 – 25 April 2003) was an English sculptor and artist. He was known for his innovative bronze and steel sculptures of abstracted and expressive figures and animals.

    Henry Bruce


    There's a Giant's Chair by Henry Bruce at the top of the Mixed Borders Hill.

    Monday, April 29, 2019

    Commission an artist: 'Home is where the Art Is' (Episodes 11-15)

    This post is about 
    • my overall conclusions about Home Is Where The Art Is 
    • information and links about the artists participating in Episodes 11-15.
    If you want to find out the details of artists who participated in the first two weeks see below for the links to previous posts.

    In general, the series has been a real education in terms of the client's perspective
    • Overall some of the artwork during the course of the series has been simply stunning and very professional. By way of contrast, some of it has been distinctly amateurish.  
    • I've been amazed to find that both domestic and corporate clients can really like artwork which fails (from my perspective) to demonstrate any real skill or talent.  My view - and I'm entitled to it - is that what is considered to be quality art varies depending on your experience of looking at art and your perspective (likes and dislikes)
    • I'm wondering how many other people are like me and ended up, over the series as a whole, quite bemused by some of the choices of both artists and artwork. 
    • Notwithstanding commissions are always about personal choice and there is no right or wrong if it makes the client happy.
    The process of looking for the links has also clearly demonstrated how vital marketing and social media is for selling art and commissions
    • the extent to which some artists fail to design websites with commission clients in mind
    • why some people can make an income from commissions. This seems to correlate strongly with being organised and/or better at marketing and/or social media and/or getting the artwork out and shown wherever - including on BBC1!
    I also discovered a few things in the final week of Home Is Where The Art Is
    • One enterprising artist who participated in the programme has set up a Home Is Where The Art Is Facebook Page to promote the work of those participating. However that's going to be a lot of help to those artists who participated without a website or Facebook Page. One wonders who people are intended to contact them....
    • Next - some of the artists produced work for the commissions based on other work they had done previously. Now this is quite a common approach used by some artists - and one which is often used for clients who have a tight budget. However I'd hesitate before calling it "bespoke" unless it was unique in every respect and only available to that client. Of course it's quite different if the client requests "one like that but tailored to our preferences for colours / things which are important to us".

    Finally - some other individuals have also documented the details. But my posts remain the most comprehensive! :) 
    • below are website and social media links for the artists who participated in Episodes 11-15 in week 3
    • contact details are embedded in the artist's name
    • commissions details are provided if self evident

    Commission an Artist (Episodes 11-15)


    This is about the artists with a name in the end credits of Home Is Where the Art Is (Episodes 11-15). 

    It follows on from my previous three posts

    Episode 11



    Location: South Lake District
    Commission: up to £500
    Budget: a piece of art to celebrate their recent move, and in particular to thank their children
    Media represented: metal sculpture; glass or watercolour painting
    Outcome: BOTH pieces were bought

    Both artists sold their commissioned artworks.
    The Artists in Episode 11 were:

    Monday, April 22, 2019

    Commission an artist: 'Home is where the Art Is' (Episodes 6-10)

    This is about the artists with a name in the end credits of Home Is Where the Art Is (Episodes 6-10). It follows on from my previous two posts
    I've worked out what the credits in the end credits of each programme are about. They all seem to relate to all the OTHER professional artists whose artwork is on the walls of the homes of the buyer!

    Ironic or what?

    I'm actually quite getting into it as a programme - in part because it offers a real insight into the reasons why people commission artwork.

    However I'm not getting any better at guessing which artists the client will pick.  Nor working out why they love artwork which I think is awful!

    That said there is some excellent artwork on last week's programmes - but not all of it ended up in the clients' homes.


    Commission an Artist (Episodes 6-10)


    This is how the BBC describes the programme.
    "Home Is Where The Art Is" is inspired by the real world trend of commissioning artwork. Rather than spending money on ‘off the shelf’ pieces from the high street this series will show how accessible and easy it is to commission local artists to create beautiful, bespoke art for the home.
    As last week, links to websites and key social media are provided.
    • If the website has a commissions page this is included.
    • Contact links are embedded in the name

    WEEK TWO


    Episode 6


    Location: Oxfordshire
    Commission: an uplifting legacy piece celebrating the joy of life (for a couple where the husband had a terminal diagnosis) - and nothing muted
    Budget: up to £1,000
    Locations: identified throughout the home
    Media represented: metal sculpture, painting, textile art
    Outcome: both works made by the metal sculptor and textile artist were purchased

    The Artists in Episode 6 were:

    Sunday, April 14, 2019

    Commission an artist: 'Home is where the Art Is' (Episodes 1-5)

    If you're interested in the artwork produced by artists pitching for a commission in the BBC's new afternoon show "Home Is Where the Art Is" you can find out below:
    • What their names are 
    • Links to their website and social media
    • Who they are and what they do
    • How to contact them
    Patricia Lee (right) with the work commissioned by her client (left)
    I wrote about the BBC's new show in Home Is Where the Art Is - needs a makeover! in which I highlighted some concerns. One of these was the absence of any name credit in text in the programme

    For all those saying that the names are said in the programme so why do they need the credits?

    Well a number of reasons:
    • to respect the work of professionals - just as the credits at the end of the programme respect the work of the people behind the scenes who make the programme
    • two of the three are unpaid - and providing a named credit is fair exchange for the many hours given for free to make content for the BBC. Otherwise it's the equivalent of working for free for the exposure - but without the exposure in terms of a name to enable people to find you!
    • the names might be said - but nobody spells them out. In the first week there are THREE artists where I had to keep replaying the segment to listen to the names again and again - and even then finally identified them using information from elsewhere in the programme (eg "Gallery Windermere paintings cattle" got one of them).
    • the BBC is hypocritical and ignores its own rules when it suits it - such as making sure it gets great guests on the Graham Norton show - because they are only there to promote their latest whatever - and always do!
    I feel a letter to the Radio Times coming on.... ;)

    PS I feel like making a plea for rather less chainsaw wood sculpting!

    Commission an Artist 


    Links to websites and key social media are provided.
    • If the website has a commissions page this is included. 
    • contact links are embedded in the name
    It's really interesting to see the different way people approach providing information about commissions - and which are obviously more experienced at working to commission.

    I'm going to be updating this listing each Sunday with all the artists from the episodes in the previous week.

    WEEK ONE


    Episode 1: 


    Location: Burnley, Lancashire
    Commission: a gift his wife - reflecting their love for their cottage and its social history
    Budget: £200
    Media: none specified
    Media represented: Ceramics; wood sculpture, painting in mixed media
    Outcome: bought the ceramic jug with flowers produced by Sally Toms

    Tuesday, April 09, 2019

    Home Is Where the Art Is - needs a makeover!

    Yet another programme from the BBC about art and crafts - this one is called (groan!) Home Is Where the Art Is.


    The Title Image for the Programme
    This one's a bit different - because it's being broadcast every day for a fortnight - so I thought I'd give you
    • the idea behind the programme
    • a rundown of the basics of how each episode works 
    • the synopsis for each episode.
    • what's wrong with the process and programme - after watching two episodes
    However...

    YET AGAIN - the BBC is NOT providing credits that include the names of the artists participating/working in the show.  Every other professional - but not the artists!

    So I'm including the names of the artists in Episodes 1 and 2 under the synopses for those episodes below

    Home Is Where The Art Is


    The programme was commissioned by Dan McGolpin, Controller of BBC Programming and Daytime (salary £203,000) AS part of the factual and factual entertainment shows for BBC One Daytime. I shall be focusing some more on the word "FACTUAL" later.

    You can tweet him your thoughts about the show on @dnmcg!  Can I suggest something like
    "Why do you get paid £200,000 of taxpayer's cash to do your job and yet you won't give a named credit to artists appearing in 'Home Is Where the Art Is'"
    Here's the one paragraph synopsis
    In Home Is Where the Art Is, presented by Nick Knowles, amateur artists compete to win a special new commission for one paying homeowner. Three artists, whose skills range from everything from painting, metal work and embroidery to woodcarving and ceramics will get to snoop around a Mystery Buyers’ home before pitching their ideas. But which one will hit the brief and bag the commission?
    Interestingly the emphasis in the synopsis is on AMATEUR artists. I don't remember that being in the brief when they were seeing artists for the programme - see my blog post TWO NEW BBC Art Shows

    This was the advert for artists - no mention of amateur artists!


    This was the advert for those commissioning. Note the artists are now NOT "amateurs" - but rather...
    some of the UK's finest artists, from painters to potters, carvers to crafters, screen printers to street artists


    Seems to me we might be in the realms of the Advertising Standards Authority's Non-Broadcast Code for adverts in newspapers or journals.

    I'm just wondering how they validated their claims to the effect that these are "some of the finest"?  Would their defence be that this was an obvious piece of "puffery" I wonder?  No offence to the artists - I'm not disputing many are professional and produce excellent work - it's just I'm wondering why they should be described as finest. It just occurs that somebody thought this a logical extension of 'fine art'!

    To me, it's very clear from the advert and research for this blog post (eg I talked to artists who had talked to the BBC about participating in the programme) that
    • the BBC had no professional advice about commissioning art
    • the BBC have a gameshow mindset.  A number of people were very interested in how competitive the artists were and those who said 'not in the slightest' did not get on the show.
    • at the outset had done inadequate research into the process of commissioning artwork and typical budgets.  
    It's also very clear they had to change their mind about budgets as they progressed (see Episode synopsis below as to the fact they crept upto £1,000 from the £500 mentioned in the advert)

    It reminds me very much of crafts on the cheap i.e. the era of BBC when crafts were what you could make from two toilet rolls and some 'sticky back plastic'!

    Basic Principles of how it works

    At the end of this blog post is an extract from the official BBC letter and description to artists of how the show works.

    In summary
    • 'Somebody" responded to the commission adverts and has let the BBC know they want to commission an artwork - and have a set budget (it would appear this is non-negotiable)
    • BBC select three artists (painters, illustrators, pet portrait artists, textile artists, ceramicists, wood sculptors, metal sculptors) to come up with ideas for a pitch
    • Three artists then get to do a 'free' pitch for work
      • first they're allowed to snoop around the empty home to pick up on their tastes and preferences
      • then go away and work out what might work
      • present their pitch at their first meeting with the clients
    • Two artists are chosen to create a final artwork.
    • The Clients choose one artist - who gets paid the commission sum for the work (as opposed to what they'd normally charge for that amount of time, effort, expertise and materials)
    • The other artist is refunded the cost of materials.
    So basically "Through the Keyhole" meets "DIY SOS" (remember the instant artwork for people who get a makeover for their homes after a tragedy in their lives) to provide competition for "Money for Nothing"!

    I'm going to watch it - but I'm not overly optimistic I'll like it.  
    • The idea behind it - of revealing the scope for commissioning local artists to produce bespoke art is an excellent one. Unfortunately the game show tendency then takes over.
    • This is emphatically art for entertainment NOT education. I like the creativity aspects. I hate the game show elements.
    • After two episodes it's clear that on the whole it's also very far from factual - in terms of pricing.
    • Or as one artist who applied - and then rejected their programme format put it
    Watch this for entertainment, sure, but please honour and respect the skill, training, and talent that genuine artists and makers put into their work - and value it accordingly
    BELOW are the synopses for each episode re the commission and those making art in each episode.  The episodes are being broadcast in the afternoon at 3.45pm on BBC and then repeated the next day on BBC2 at 7.15pm

    Sunday, October 28, 2018

    Awards - Society of Wildlife Artists Annual Exhibition 2018

    This is about
    The exhibition is on at the Mall Galleries until 4th November 10am to 5pm (closes at 1pm on final day)

    I'm visiting two hospitals tomorrow(!) so my review of the exhibition may also be a little late in the day.

    Society of Wildlife Artists - The Awards 2018



    NEW The Terravesta Prize: £2,000 for the best work exhibited


    The "Hyrdrothermal Vent", measuring in excess of 6 feer high, made by Jill Moger is a quite extraordinary work - I've never ever seen anything quite like it. It's explained in the catalogue for the exhibition.

    A hydrothermal vent is a fissure in the earth's surface which typically form underwater along the ridges of tectonic plates which are diverging. Geothermally heated water issues from the vent. The assortment of animals surrounding them are referred to as hydrothermal vent communities.

    Winner of the Terravesta Prize
    Jill Moger SWLA, Hydrothermal vent

    Mixed media: stoneware & ceramic183 x 102 cm
    NFS

    Although reptiles and amphibians predominate as Jill Moger's subject matter, she has created sculptures of many other wild animals. She is particularly drawn to the variety of life on and around the world's coral reefs and has been creating a series of work on this theme. Coral reefs are seriously endangered due to global warming and pollution and Jill believes that artists can help to highlight this impending disaster through their work.
    Jill Moger is a self taught artist. She was a Vice President for Sculpture of the Royal Society of Miniature Painters, Sculptors and Gravers from 2009 to 2013. She exhibits annually with the Society of Wildlife Artists and the Royal Miniature Society and at galleries specialising in wildlife art around the UK.

    Website: http://www.jillmogersculptures.co.uk/
    Sponsor: https://www.terravesta.com


    Birdwatch Artist of the Year Award (£1,000 plus Swarovski equipment)


    The BirdGuides.com Birdwatch Artist of the Year Award
    Andrew Haslen SWLA
    Lesser Spotted Woodpecker
    Linocut (edition of 75, 9 available)
    One of my favourite artists won one of the top awards.

    Andrew Haslen was born in Essex in 1953. He lives in Suffolk, has a life-long love of nature and is totally self-taught. He was elected member of the Society of Wildlife Artists in 1988. He has been selected six times to exhibit at Birds in Art exhibition, Leigh Yawkey Art Museum, Wisconsin, USA.

    Website: https://andrewhaslen.com/
    Sponsor: https://www.birdguides.com/

    Mascot Media 'Nature in Print' Award


    Mascot Media Ltd 'Nature' in Print' Award
    Julia Manning, Artist, Returning Tide (Shetland)
    Wood cut | 60x70cm image size |Edition of 25
    This is the first time that Mascot Media have sponsored a prize.
    For the first time, we made an award at a show we've been attending for almost 30 years. The Mascot Media 'Nature in Print' award was for 'the most original, unusual or effective interpretation of the natural world using traditional printmaking techniques'. We chose a large woodcut by Somerset-based artist Julia Manning entitled 'Returning Tide', which features curlew over Shetland. We hope to feature this image and other of Julia's prints in the forthcoming 'Wings Over Water' book, due next May. 
    Julia Manning lives in Somerset and has been a painter/printmaker for 40 years. She is a member of The Devon Guild of Craftsmen, Somerset Printmakers, The Society of Wildlife Artists and of The Royal Society of Painter Printmakers. She has work in a number of prestigious collections.

    Website: http://www.juliamanning.co.uk
    Facebook Page: https://www.facebook.com/Julia-Manning-Artist-185487711478339/
    Sponsor: http://www.mascotmedia.co.uk

    The RSPB 'Love Nature' Award


    Kittie Jones Artist, Feeding Curlew
    Winner of the RSPB 'Love Nature' Award
    There are a huge number of paintings, prints and sculptures of birds at this exhibition every year.  This one came top this year!

    Kittie Jones is a fine artist based in Edinburgh. She graduated from Edinburgh College of Art and Edinburgh University in 2008. She works from her studio at Coburg House Art Studios in Leith and regularly exhibits around the UK. Kittie was elected as a professional member of the Society of Wildlife Artists in 2016.
    Website: http://kittiejones.com
    Facebook Page: https://www.facebook.com/kittiejonesartist/
    Sponsor: https://www.rspb.org.uk/

    Dry Red Press Printmakers's Award


    Dry Red Press Award
    Carry Akroyd SWLA, Windhover

    One of my favourite painter/printmakers who works in a variety of printmaking approaches.

    Website: https://www.carryakroyd.co.uk/
    Facebook: https://www.facebook.com/carry.akroyd
    Sponsor: https://www.dryredpress.com/collections/art-society-ranges-dry-red-press-award

    Birdscapes Gallery 'Conservation through Art' Award


    Birdscapes Gallery 'Conservation through Art' Award
    Esther Tyson RCA, Winter Sparrow
    oil (Sold)
    "For her masterful painting skill; her awareness that, in Nature, the ordinary is as important as the exotic; for her commitment to conservation-and-people projects around the world, and especially for painting sparrows!"Steve Harris, Birdscapes Gallery
    Esther Tyson lives in Matlock, Derbyshire. She graduated from the Royal College of Art in 2003 and now combines a studio with observational outdoor practice. Esther has been involved in projects within the UK and Worldwide, working alongside organisations such as Birdlife International (Nepal, Vultures), BTO (Senegal/Norfolk, Migration), DKM (Turkey), Esther Benjamin Trust (Nepal), Free the Bears (Phnom Penh), FFI (Cambodia), Salford Council (Salford), Royal Parks (London), SWLA, Natural History Museum (the Big Draw).

    Website:https://www.esthertyson.co.uk/index.html
    Facebook Page:https://www.facebook.com/Esther-Tyson-RCA-106998002656569/
    Sponsor: http://www.birdscapesgallery.co.uk/

    The Ian Langford Field Sketches Award

    The Ian Langford Field Sketches Award
    sketchbooks by John Steel

    In 2005, John Steel retired after 23 years working for Northumberland National Park as a ranger in the Cheviot Hills and latterly as park species and habitats officer.
    "During my work there was always the opportunity to observe and increase my knowledge and awareness of plants and animals. All my work is field-based. I like to get habitats correct and I spend a tremendous amount of time in the field. I never fail to find something of interest, even in the worst weather." The Journal
    Website: none
    Sponsor: Obituary https://www.theguardian.com/environment/2017/dec/26/ian-langford-obituary

    WildArt 2018 (competition for those aged under 19)


    WildArt2018 Age group Winners (left to right)
    under 8 category: Rosa Smith
    2-12 category - Clara Thorp
    13-18 category - Katie Bryan

    Richard Richardson Award - Katie Bryan

    The Artists at the Exhibition next week


    The artists are

    You can get into the exhibition for free by mentioning "Making A Mark" at the front desk - see
    Visit the Society of Wildlife Artists 55th Annual Exhibition for FREE

    Tuesday, July 31, 2018

    In plain sight - and invisible

    The title of this post is a quote from the Whoever Heard of a Black Artist? Britain's Hidden Art History programme on BBC4 last night - which you can watch on iPlayer.

    Very much recommended viewing for every artist, whatever your ethnicity, for an explanation of just how difficult it is to get your artwork seen when the art establishment ignores you - and even denies your nationality.

    However it was interesting to hear that there is a lot more work by black artists in British Collections than had been expected - but that it tends to be in the collection and NOT on show.

    I'm ashamed to say an awful lot of what I heard about was new to me. So I thought I'd create a set of links to the websites and more information about:
    • some of the artists who are mentioned in the programme 
    • notable events / exhibitions highlighted by the programme
    • some of the more famous black artists who latterly are known for their art first and their ethnicity second.
    Anybody who cares to suggest 
    • other websites relevant to the programme or theme is welcome to do so 
    • other artists who deserve to be added to the list
    please leave a comment with the information or name.

    Black Artists in the Programme


    It became very clear that black art in this context actually means art by anybody who doesn't fit in terms of a white western European origin.

    Older artists tend to be born elsewhere and come to Britain and younger artists are typically born here as the second or third generation family members of the original migrants
    Araeen has been among the first cultural practitioners to voice since the early 1970s the need of artists of African, Latin American and Asian origins to be represented in British cultural institutions.



    • Sonia Boyce MBE RA (1962 - present) currently Professor of Fine Arts at Middlesex University, London and Professor of Black Art and Design at University of the Arts London and co-ordinator of the exhibition at Manchester Art Gallery
    Sonia and her team have spent the past three years scouring public art archives to find out just how many works of art by artists of African and Asian descent the nation really owns. They have found nearly 2,000, but many of these pieces have rarely, if ever, been displayed before BBC
    • Lubaina Himid MBE (1954 - present) - first British black artist to win the Turner Prize (in 2017). British contemporary artist and curator; Professor of Contemporary Art at the University of Central Lancashire. Named named Artist of the Year 2017 by international art journal Apollo Magazine.



    Himid was appointed MBE in June 2010 for "services to black women's art", and won the Turner Prize in 2017. Tate bio
    Turner Prize 2017 - Lubaina Himid | Tate

    Tuesday, October 17, 2017

    An Apocalyptic Artful Autumn

    I went to Kew Gardens yesterday to view their new Artful Autumn exhibitions in the gardens. I hadn't quite bargained on getting Apocalypse Now thrown in for free!

    The weather was forecast to be warm and sunny and a great day to visit the gardens to see the sculpture and installations.

    However, we've lost confidence in the BBC Weather forecasts ever since the Met. Office lost the contract to provide the weather forecasts. We now find ourselves quite often photographing the BBC weather app showing one thing for a specific location and the weather doing something completely different.

    Yesterday was a case in point as the orange sun and the huge dust cloud descended on Kew as we walked around the gardens!  I must confess we spent an awful lot of time just staring at the sky as it got darker and darker!

    Below are some views of the various installations
    My favourite wood seat sculpture
    I'll touch on the Life in Death exhibition by Rebecca Louise Law later this week. Apparently it was very busy last weekend!

    Sculpture


    Kew Gardens is a brilliant location for a sculpture exhibition - if and when they are presented well.

    Two figures near the Palm House
    For me the absolute minimum is providing either an online guide or a leaflet for what you're seeing.  Plus a good and uninterrupted view of the sculpture in its setting.

    Instead,  all too often at Kew this Autumn, what I've found is:
    • a very unhelpful barrier around the sculpture which completely spoils the effect of the sculpture; and/or
    • placing an erect large announcement about what it is very close to the sculpture
    See below for examples. It's extremely difficult to get a good clean look at the actual sculpture - unless you look at it from an angle which is not the best!