Herbert Smith Freehills Kramer Portrait Award 2026: SHORTLIST Announced

This is about the four artists shortlisted for the 44th edition of its prestigious Annual Portrait Award at the National Portrait Gallery in London. The Herbert Smith Freehills Kramer Portrait Award 2026 was  formerly known as the BP Portrait Award and before that the John Player Portrait Award - which is what it was called when I first started visiting.)

Some background

The Portrait Award has earned a reputation as one of the most important platforms for portrait painters. The highly competitive Award encourages artists over the age of 18 to focus upon, and develop, the theme of portraiture in their work. Since its inception, the competition has attracted over 50,000 entries from more than 100 countries and the exhibition has been seen by over 6 million people.

I'm pleased to see the NPG appears to have adopted my name for the competition ie The Portrait Award - as per my comment in this post last year!

Here's where I stand on the sponsor name. It's ludicrous. It's not a name which rolls off the tongue. People can never ever remember it and now they've added another name in!

Which is precisely why I will continue to refer to it as The Portrait Award at the National Portrait Gallery, sponsored by Herbert Smith Freehills Kramer Shortlist for the £66K HSFK Portrait Award at the National Portrait Gallery

Selection for the Herbert Smith Freehills Kramer Portrait Award 2026 

This post provides you with information about the four shortlisted artists, named today by the NPG,  and shows you images of their portraits.

Some facts:

• The Call for Entries produced 1,474 entries from Artists from across the world who uploaded a photograph of their finished painting to the National Portrait Gallery’s Competitions Portal for the initial judging of digital images
• Specifically, entries were received from 63 countries. 
• All entries were judged anonymously - which means it'll be interesting to see how many artists previously selected are selected again.
• The Selection Panel is an ALL FEMALE jury and appears to be "contemporary" in nature. Its members are: 
• Melissa Blanchflower - Senior Curator at the Turner Contemporary
• Es Devlin - digital artist and set designer, ;
• Amy Emmerson Martin - Contemporary Curator at the National Portrait Gallery (previously Assistant Curator of Contemporary British Art at Tate)
• Mary Evans - artist and Director of the Slade.
• Artists who made it through the digital judging round were invited to hand-deliver or courier their work to a venue in London for a second, physical round of judging
• A total of 52 portraits have been chosen for the exhibition which opens from 25 June to 7 October 2026 at the National Portrait Gallery
• The portraits by the four artists were chosen from the 52 portraits selected for final display. 
• Prizes comprise:
• first prize of £35,000 - one of the largest awards for any global art competition. 
• second prize of £12,000 
• third prize winner will receive £10,000
• young artist (aged between 18 and 30) prize- £9,000. This prize aims to profile talent and help support the career development of a young artist - one of the original priorities of The Portrait Award. 

The Shortlisted Portraits

Only one artist has previously been selected for this award/exhibition. Which means three appear to be total newcomers - although they may have previously submitted paintings but not got selected.

Three of the four paintings are concerned with portraits of individuals with a black heritage.

The italicised quotes are from the NPG Press Release and I assume are words constructed from what the artists have said about the sitter and their process.

Note: Having researched the artists I am beginning to wonder the extent to which the Judges (and all the shortlisted artists) read the Herbert Smith Freehills Portrait Award 2026 Rules. Specifically 2.2

2.2 The work entered should be a painting based on a sitting or study from life and the human figure must predominate.

 

Review: Royal Society of Portrait Painters Annual Exhibition 2026

Apologies for this late review of the Royal Society of Portrait Painters Annual Exhibition 2026. 

Post shoulder replacement sirgery, I'm still one finger typing - with the index finger on left hand holding down the shift key periodically - which is frustrating. Plus I ended up very tired from all my necessary outings last week and seem to be having another spate of surgery brain week this week - which makes getting started and writing anything difficult!

So this is going to be a short post. I may add to it later as I remember points I've forgotten!

If you'd like to see this exhibition, it's on at the Mall Galleries until Tuesday 19th May.

It comprises 208 paintings and drawings.

You can see 

• who won the awards in this blog post Royal Society of Portrait Painters Annual Exhibition 2026 | Award Winners
• my photos of the exhibition in albums on my Facebook Page. I try to snap every portrait in the exhibition - and then split them into albums by location
• East Gallery
• North Gallery

Just the West Gallery to go..... this is what it looked like last Sunday

view of the West Gallery

Key Points of Difference

I'm going to summarise what I saw as being the main differences from previous exhibitions

• It was another diverse and well hung exhibition. However it was only after I left and I started thinking about what was different that I realised the look of most of the exhibition has moved a very, very long way from the "stuffed shirt" main gallery that used to be the norm for very many years i.e. lots of commissioned portraits of eminent people in the government, forces, courts and education in very formal poses.

• there are still formal commissions - but most are so much more relaxed. Particularly as there are so many more women being portrayed in commissions! I particularly liked the two large portraits below - both by Jamie Routley RP

Two large naturalistic portraits by Jamie Routley

(left) Les Soeurs (The Sisters) by Jamie Routley RP 

Oil on linen, 100x110cm (105x115cm framed)

(right) The Winding Stair - Jesse Norman MP by Jamie Routley RP 

Oil on linen, 105x105cm (110x110cm framed)

• In part, I think this might well be because the artists are encouraging their clients to think out of the box rather than repeat "same as the last whoever" type portraits
• it really helps those who potentially want to commission - and make no mistake, this is primarily a marketing exhibition for RP members.
• I highly recommend, if there is no potential client in the commissions room at the back of the north Gallery that you have a look at the Commission Portfolio files if you want to see the range and calibre of artist on offer for potential commissions.

Portfolios for member artists and potential commissions

East Gallery - the Candidates Wall

• The East Gallery is a very high standard - and includes two former BP Portrait Award winners who are not RP members as artists selected from the open entry
• Wim Heldens (2011) - who I never met as I was "painting in Provence" - see Review: BP Portrait Award Exhibition 2011
• Craig Wylie (2008) - see Craig Wylie wins BP Portrait Award 2008 - which I remember very well as it was my first BP Portrait Awards night and the Chinese artist who won Young Artist of the Year beamed at me and said he read my blog before he tried again after missing out on selection the previous year!
  
• There's a fourth in the West Gallery! (see below)
• NOTE: There are three more BP Portrait Award winners in the exhibition - who are all RP members (Now HSF Award)
• Benjamin Sullivan RP (2017)
• Miriam Escofet RP (2018)
• Antony Williams NEAC VPRP (2024)

The two small paintings by the two former BP winners via the open entry are on this wall

• If you want to get noticed paint a very old artist. Which is what Neale Worley NEAC RP did in painting the centenarian figurative painter and multi award winner Anthony Eyton OBE RA RWA RWS - who is 103 next Sunday adnd has been painting for nearly 90 years! Neale won the President's Award for his effort. It's a very good painting - Anthony visits the Mall Galleries periodically and I saw him recently. Neale has also made a film about him.

SHOULDER REPLACEMENT: Half Way

It's now been three weeks since surgery ie HALF WAY through the official recovery period of sling wearing!  Pain has reduced and arm mobility is getting better. My one hand one finger typing is also getting faster! I can manage a left hand index finger on the Shift Key!

Last week was a big week for me as I went out five times on my own:

• Tuesday: Two week checkup with the clinical team at the Royal London:
• x-ray was done - which revealed nothing of concern
• silicon dressing came off, wound was inspected - looked very neat and nicely glued!
• bruises are now reducing and at the yellow stage
• my next appointment in six weeks time was booked
• Walked 2 miles back home from the hospital - along the quiet roads - photographing plants in season as I do most days on my walks

Laburnum tree in the Cemetery Park - as seen on my walk back from the hospital on Monday.
Probably Scottish Laburnum (Laburnum alpinum)

• Wednesday: In the afternoon I visited the extended Private View for the Annual Exhibition of the Royal Society of Portrait Painters. 
• Very civilised! Spreading the PV over several hours means there's more space to see the artwork on the walls. 
• Managed nearly three hours and took some photos.

Not quite time for the formal opening of the exhibition, speeches and awards ceremony
- but filling up

• Thursday: Visit to the Royal London again - this time to see the Physio
• reviewed the situation with me and how I was coping 
• added four more exercises to the my daily seven.
• Walked 2 miles back home from the hospital - along the quiet roads - taking more photos plants in season.  This habit started during Covid when I developed my Plants in Isolation series.
  

Iris foetidissima (Stinking Iris) in one of the parks I walk through

• Friday: Attended the May Meeting / AGM of the Chelsea Physic Garden Florilegium Society - at the Physic Garden which comprised:
• a wonderful talk about the strategic aims and future development of the garden within the context of a huge number of regulatory practices for a botanic garden by Emily Hazell, Head of Plant Collections
• send off for our Chair and Plant List Organiser
• AGM - at which I presented my Treasurer's report

The CPGFS Committee at the AGM 2026
My seat as Treasurer is on extreme left - but here I'm in unofficial archivist photographer mode

• Sunday: I returned to the Mall Galleries to take more photos of the RSPP Annual Exhibition and to see the exhibition with fewer people around.
• Bumped into Gail Reid, one of the past PAOTY Heat Winners - see Review: Episode 2 Portrait Artist of the Year (Series 10)
• who I've highlighted on this blog for her very useful posts about preparing for PAOTY - READ my blog post about her blog post about Preparing for Portrait Artist of the Year - Gail Reid shares her experience and tips.

A selfie with Gail Reid, Gail operating my phone!

This week is a much quieter week and I'll hopefully get some blogging done.

Next week, on Friday morning, me and my sling will be stewarding at the Chelsea Physic Garden Florilegium Society Stand in the Great Pavilion at the RHS Chelsea Flower Show. 

My visit to the RSPP Annual Exhibition was by way of a test to see if I could cope!

More travels with my sling (my official “don’t bump into me” sign!) to come....

SHOULDER REPLACEMENT: Two Weeks Later

It feels a bit odd to think two weeks ago, I'd been awake for four hours after completely out for the count for five hours, due to my shoulder replacement surgery having a major hiccup.

Tomorrow I go to see my Consultant at the Royal London who is part of a Barts NHS Trust team which focuses solely on trauma, elective shoulder, elbow, and hand surgery.  It's always nice to know they do these all the time!

What's changed?

• Pain is not quite so bad. I still take painkillers last thing at night - with the hope of a decent night's sleep plus when I need them during the day - but have stopped the routine four times a day.
• The alarming bruising is disappearing fast - from black to dark crimson to light crimson to hardly there
• I don't feel quite so post anaesthetic tired as I did for the first two weeks
• Actual sleep is still very variable but if active I don't get wiped out in the afternoon quite so much.
• The dressing is trying to come off - and my allergic itch is raring to go.
• Bought a second sling so that I can wash the first one. (Both by Willcom). this blue one is better for colder days. The first one I got is better when you need a more lightweight breathable sling for warm/hot days - experienced last week.
• the correct way to wear the sling remains a bit of a mystery after reading the diagrams and watching the videos. 
• Trying this new one with a different set-up.

my new second sling - which has a back strap (like my white one) which distributes weight better. 

• Developed a new wheeze this morning so I could wash my hair. 
• Took the sling off
• Tied my arm to my side using a belt - so I wouldn't make any "brain programmed to do this" movements - and it worked really well
• JR did squeezing shampoo into my hand and the big final rinse plus towelling dry my hair and then shaping a towel turban - and I was able to do everything else.

The Shampoo Belt! 

• Doing exercises pays dividends re movement and pain levels.  I'm not very good at the three times a day regular as clockwork - but I do more twice a day as I get changed to make up. 
• Doing regular walks is also helping - not least because it gets me outside! Not walking as far as normal - only did 15 miles last week - but this was an increase on the previous week! 
• I still cannot centre my bun - but at least it's up.

I walked 15 miles in week 2

This week I'm doing a lot of outings!

• Tuesday - see my consultant at Royal London - plus (I'm guessing I also get an x-ray to check what it looks like inside; plus they take the dressing off to take a look at the wound. I'm pretty sure I've got dissolving hypoallergenic stitches)
• Wednesday - go to Private View of the Royal Society of Portrait Painters Annual Exhibition at the Mall Galleries
• Thursday - start seeing the therapists re recovery of functionality and yet more exercises to do
• Friday - delivering my Treasurer's report to the Chelsea Physic Garden Florilegium Society AGM

I'm hoping I've got the energy for all of this - but will be erring on the side of caution rather than being silly.

I reckon I'll have earned a treat after all that! ;)

SURGERY + 11 Days Summary aka "it's a bit of a struggle!"

LEFT SHOULDER REPLACEMENT SURGERY + 11 Days

SUMMARY

Bottom line - it's a struggle but getting easier to cope with as the days go by. However immobilised on one side is no "walk in the park"!

• pain under control, so long as I remember/take meds on time! (plus logged on my medication record on Apple Health - to avoid not remembering what I've taken. Surgery was complicated.  From "going under" to "waking up back in recovery" took five hours so my brain is not great on memory right now
• my large haematoma above elbow crease much improved - gone from dense black to pale crimson. Icing works!
• discovered that the whole of the back of arm plus half left under boob is yet another big bruise - which oddly does not hurt! 
• doing my 7 exercises every day
• walking locally once a day.
• I am still getting/am VERY tired most of the time - and getting used to operating at about half normal speed
• took a week for me to get a decent night’s sleep - in my riser recliner so I’m immobilised (can’t roll on surgery arm) plus much much easier to get into sleep position and get up
• am managing - at a stretch - to get my hair up each day, but it involves neck contortions, head between my knees and one handed grip application. I now specialise in the slightly off centre bun!
• getting better at getting dressed and undressed - but it’s very, very, very slow (and tedious). no point in rushing. 
• Tank tops with built in boob support are a godsend! 
• Only very thin layers fit inside the immobilisation sling.
• Do NOT need/do shoulder surgery in winter - because you cannot get a coat on!

not the most flattering selfie I've ever taken!
just finished getting dressed / doing hair - hence grumpy face after long struggle
this is about as thick as the clothing layers can get
note the hair!

• No idea what I’m going to do if it rains (dump the stick so I can hold umbrella? Dump immobiliser so I can get in raincoat? Buy a waterproof poncho? Get very wet?). At the moment, any indication of rain means I cannot go out.
• getting better at cooking one handed - helped by fact left hand works (but doesn’t move so everything needs to be brought to it). Food has to be “eating with a fork or spoon” standard. Other than microwave (pasta / curries), my hot food is limited to frying two fried eggs with two buttermilk pancakes in film of butter - both of which I can cut up (sort of). When JR cooks for me, my plate arrives with all food cut up to fork sized pieces. 

four minute lunch

Next week I'll be back at art exhibitions - starting with the Royal Society of Portrait Painters Annual Exhibition 2026 at the Mall Galleries.  

• I'll be at the PV on Wednesday
• although earlier in the day and will be avoiding crowds at speeches/awards ceremony.

I can just about use a computer one handed - so I'll be trying to do some posts. Probably short.

my first tube ride - one stop only!

UPDATE: Artist of the Year 2026 Heat 2

A few updates following my visit to the afternoon session of the second heat of Portrait Artist of the Year 2026 at Battersea Arts Centre yesterday.

• numbers attending have increased a LOT since I last went to a heat. 
• I have lots of photos of the heat - which will NOT be posted until this episode is televised - except for a couple which are nothing to do with the art (see below). 
• They will enable all those applying for 2027 to see what it's really like when in terms of the other people on the set in the three "cheeses" (ie segments of the set)
• IMPORTANT NOTE: All those attending are welcome to take photos but are asked not to post them until after the episodes aired - so as not to spoil the episodes for viewers.
• I spotted one post on X yesterday by somebody who attended Heat 1 - who obviously hadn't got the message. I showed it to the Sky Arts people who will be contacting her.
• The era of long flowery dresses appears to be well and truly over. Yesterday we had short and very short pant suits and short socks (re The NEW Portrait Artist of the Year Judges)

front to back: The JUDGES: Katy Hessel, Eva Langret, Jonathan Yeo

• I will be making lengthy comments on colour and tone re this heat.
• I am surprised to report that Jonathan Yeo makes some very sound points.
• The Judges are generally quietly spoken and it's very difficult to hear what they say - so if you're going to future heats, I recommend you get as close as possible to where they stand to hear their comments when judging.
• Heat 2 will cause a major controversy when televised as whatever episode (they never broadcast in the order filmed) 
• the two people operating the Sky Big Boom Rig (the one that does the overhead and perspective shots) are two small women called Rachel and Capri! I was very seriously impressed with their control and navigation.
• This is the Smallrig Phone Rig (this one??) used by the chap taking pics for the Artist of the Year social media pages. 

Smallrig iPhone Rig for video and image capture while holding a mobile phone

• Ferne Cotton will be the Presenter for Landscape Artist of the Year 2027 (and won't appear in Portrait Artist of the Year at all)

the seating area in the very nice cafe

• Practical munching TIP: The ravenous hordes attending the morning session eliminated virtually all food in the very nice cafe at the Battersea Arts Centre. You would be well advised to bring your own lunch if travelling for an afternoon session

That's your lot of the edited highlights of Heat 2!

Life Events: It's been a while.

It's a long time since I've posted, caused by a variety of things. There are three very good reasons why I'm being quiet at the moment.

I needed a break. 

I'm in agony with pain in my lumbar spine at the moment. I sort of know what it is (osteoarthritis attacks for the third time) but that doesn't make it any easier, especially when it translates to sciatica.

Despite the pain I also have two major events to deal with. 

Major upheavals in the kitchen

First, my 1845 1.5" thick plaster ceiling in my kitchen has had to be replaced / replastered / repainted due to a flood from above. The flood was easy to deal with compared to what has had to happen because of it.

The whole process has been extremely unpleasant experience - you would not believe how far tiny particles of very old plaster can travel - or how many times you have to clean to remove them. Moving stuff (ie everything out) is a breeze compared to the cleaning up afterwards.

The ceiling is being repainted tomorrow morning - after which I can move everything back in.

I have to wait for the paint to dry to before I can then finish the cleaning (of the bottom cupboards which I can't reach because of the back and need help to do this!).

Shoulder replacement surgery

I'm still prepping for my shoulder replacement surgery. I need to be at the hospital by 7am on Monday morning.

Major Amazon order for aids went in - and kit arrived this week and I now have a way of getting into and out of bed with only one arm working. In theory I have a way of sitting up in bed to sleep - but that's not working too well.

I've also worked out what I forgot with the first order.

I did a trial walk in my sling yesterday - which is not easy to get on and causes problems when wearing. I cannot get a coat on over it or under it!!! I hope the hospital has a hypoallergenic LARGER version - I need a longer strap to keep it from slipping.

PS If you want to know what I'm faced with try dressing and doing ablutions with one arm/hand only!

I expect I'll start posting again in about a week's time.

A purist approach to media art societies

Every now and again I have a bit of a rant about one of my pet topics - media creep. This is one of them.

An art society is set up to serve a very particular group of artists - including specific media. Media Creep sets in as it the media eligible for use in a society exhibitions starts to become more broad and extended so that definitions of media become "more inclusive".  

I've often thought it's another way of avoiding setting up a society to tackle their particular preferred media.

Here's an example of my previous words on this topic - Acrylic Painting, Art Societies and Education (2022). Plus an extract which just about sums it up

In the UK we have acrylic crossing the oil and watercolour divide - and sometimes forgetting that

• those on the water side should NOT look like oils and
• those on the oil side should NOT look like watercolours.

Maybe it's a question of acrylic painters needing to achieve a much higher profile - in terms of an art society with a very clear focus and its own membership and exhibitions?

As I stated yesterday about the current RI Annual Exhibition

Virtually everybody in this exhibition is using either watercolour or (normal or acrylic) inks.
However 53 artworks are in acrylic. That's 11.5% of the artworks.

First up - I'm very much a "do what it says on the tin" sort of person. So please read this section with this in mind.

My one big gripe about media is that I think every artwork I see in the RI exhibition should demonstrate evidence of WATER. After all, this is a conglomeration of artists who create artwork in WATER COLOURS. The word water is important.

There are a number of artworks in the exhibition whose media description is as follows

Fluid acrylics and heavy body acrylic on wood panel

That to me is a very very long way from being a water colour painting.

A review of other FBA Art Societies

Let's look at some comparisons re FBA Societies - and how they have chosen to address media creep.

The Royal Institute of Oil Painters (ROI)

In the past, a few too many artworks in acrylic hung in the annual ROI exhibition - in my opinion. 

Or rather they could have done until the ROI finally outlawed acrylic (after I had a go at the ROI about its name and the media used in its exhibition - and kept repeating it in every review). 

I'm not quite sure when the ROI started to let people submit work in acrylics but I do wish they'd:

• either change their name
• or stick rigidly to this being an exhibition of oil paintings.

I think it's misleading to do otherwise... It needs to be one or the other. I was pleased to see the extremely high percentage of the exhibited work is in oils. Hopefully this is an aspect of the society that can be addressed over time. Review - Royal Institute of Oil Painters Annual Exhibition 2017

The acrylic painters then started using oils. Which is interesting.

 

The Pastel Society

The Pastel Society developed a  great approach to acrylic. 

Review: Royal Institute of Painters in Water Colours 214th Annual Exhibition (2026)

I think the 214th Annual Exhibition by the Royal Institute of Painters in Water Colours is probably the best RI exhibition I've seen by them at the Mall Galleries on two counts:

• excellent artwork
• extremely well hung - it reads very well throughout both the West and East Galleries and most of the North Gallery.

It also has the unique distinction of:

• a VERY colourful title wall in the West Gallery
• a monochrome title wall in the East Gallery

RI Annual Exhibition 2026: Very colourful end wall in West Gallery

RI Annual Exhibition 2026: Monochrome end wall in the East Gallery 

Also, given there are 462 artworks hung in the show, I can also say it's one of the very best hung exhibitions - of LOTS of artwork - that I've seen of the different FBA societies who exhibit at the Mall Galleries. 

Too often, I've found exhibitions with lots of artwork to be very difficult to look at because too little thought has been applied to how the works should hang. Indeed, I think maybe there should be a rule "don't come to the hanging if you haven't worked out what goes where if you are hanging in excess of 300".

I gather that the hang of this exhibition was planned in enormous detail by the new President Juliette Losq in her first year - and the effort has well and truly paid off.

It is certainly getting lots of visitors!

This blog post tells you:

• how to see the exhibition - whether or not you can visit it at the Mall Galleries
• how to check out the events during the exhibition
• how to check out the standard of work by artists applying to become a member
• observations about artwork in the exhibition
• what can be improved for next year

Plus an extra post tomorrow - about the name and the importance of water.

How to see the RI Exhibition

You can visit the RI 214th Annual Exhibition at the Mall Galleries until 11th April (however it is closed in Easter Sunday and Easter Monday).

• Venue: Mall Galleries, the Mall, London - North, East & West Galleries
  Hours: 10am - 5pm every day except Easter Sunday and Easter Monday when the Galleries are closed
• Dates: 25 Mar 2026 - 11 Apr 2026 
• Entry: Admission £7, Free for Friends of Mall Galleries and under 25s. Concessions available. No booking required.

You can also SEE ALL THE ARTWORK ONLINE

• via this Mall Galleries website - which also allows purchases online
• via my Making A Mark Facebook Page where I have created four separate albums for
• RI Prizewinners - Annual Exhibition 2026
• RI Annual Exhibition 2026 - West Gallery
• RI Annual Exhibition 2026 - East Gallery
• RI Annual Exhibition 2026 - North Gallery

One of my photos of two colourful walls in the North Gallery

A FREE Plein Air Painting Handout

This is about a FREE Plein Air Painting Handout by Michael Chesley Johnson - a very experienced American plein air painter and instructor in oils and soft pastels of repute.

His CV is impressive - see below to check out the credentials of the chap who is providing this handout for free.

He says 

This is the handout I give to my all-level plein air painting workshops. Although it covers only oil and pastel, the methods and information apply to all media. (Watercolor is a bit different, though!)

I'm not going to include the link to it here - however I will include 

• the link to the page that the handout is on - on his website
• the link to his Substack - which also includes a link which takes you to the website link above!

Content of the Plein Air Painting Handout

The headings and subheadings are:

MATERIALS

• Pastel: Basic materials and Procedures
• Oils: Basic materials and Procedures
• Note for acrylic painters

You’d think that, over 25 years, the handout would need updating, but I’ve found “how to paint” consists of some basic principles that, like the laws of phyics, don’t change. The only thing that might change are some of the products listed (which I have updated for this release.)

PLEIN AIR METHODS, TECHNIQUES & TIPS

• Purpose in Plein Air
• Principals to Capturing the Landscape Quickly & Accurately
• How to Paint - Not Draw
• Plein Air Tips (which are excellent! KT)
• Different Approaches to Interpreting Landscape Values
• Dominance & Contrasting Pairs
• Finding Color Harmony
• Color Harmonies
• To Match Any Color
• About Black
• Useful Resources for the Plein Air Painter

You can find his handout here

Paintings in the South West Gallery on Michael Chesley Johnson's website
- the application of media and techniques to landscape
Note how they all "read" really well even in a thumbnail version

About Michael Chesley Johnson AIS PAPNM

I'm going to use the words from his "about" page and will add a few bullet points and a few extra words!

Basically he is an all round "good guy" in terms of being a plein air painter and helping others to become one too - through a variety of channels.

What does he do?

• He paints primarily outdoors in oil, pastel or gouache, choosing locations from the American Southwest, Downeast Maine and the Canadian Maritimes. 
• He has been invited repeatedly to national plein air events:
• most recently was on the distinguished faculty of the annual Plein Air Convention & Expo in Denver, Colorado.
• He delivers plein air painting workshops across the U.S. 
• He is a frequent writer for 
• The Artist’s Magazine, 
• Pastel Journal, 
• Watercolor Artist and 
• PleinAir Magazine, 
• He is also the author of several books, including Beautiful Landscape Painting Outdoors: Mastering Plein Air.

Recognition and Awards

• Awarded Master Pastellist status by Pastel Artists Canada in 2008
• Signature Member of 
• the American Impressionist Society and 
• Plein Air Painters of New Mexico 
• plus a past signature member of several national organizations. (Read here to learn why I let these memberships lapse.) 
• Featured in The Artist’s Magazine in September 2013.
• His paintings 
• have appeared in many magazines 
• are in both corporate and private collections. 

Website:    https://www.mchesleyjohnson.com/

Facebook: https://www.facebook.com/mchesleyjohnsonstudio

Substack:  https://mchesleyjohnson.substack.com/ 

• you can subscribe on this page https://mchesleyjohnson.substack.com/about

Making A Mark still in Top 10 Art Blogs

I recently found out that Making A Mark is still in the top 10 of a list of art blogs from all over the world

Specifically they are #5 in the 60 Best UK Art Blogs and#10 in the 100 Top Art Blogs according to Feedspot. 

Not quite sure how they work out the rankings either and not quite sure how this happened but I'm happy that it did. 

Although I was #5 in the Vuelio's Art Blogs UK Top 10 in 2022

60 Best UK Art Blogs - according to Feedspot

The best UK Art blogs curated and ranked based on multiple factors, including content relevancy, subject expertise, posting frequency, and freshness of content. Blogs with highest credibility within the UK Art space are ranked higher. This list is updated regularly to ensure it reflects the most active, influential, and valuable UK Art blogs on the internet today.

In the 60 Best UK Art Blogs to Follow in 2026, Making A Mark ranks 5th!

5. Making a Mark

+ Follow Blog
Description A top art blog for artists and art lovers: news about major art competitions and exhibitions, interviews with artists, techniques and tips for art and business
Email ****@gmail.com
Location London, England, United Kingdom
Facebook 12.5KTwitter 3K Domain Authority 46

100 Best Art Blogs- according to Feedspot

The same principles apply in relation to how different sites rank within the 100 Best Art Blogs to Follow in 2026 - where Making A Mark is ranked 10th.

10. Making a Mark 

+ Follow Blog
Description A top art blog for artists and art lovers: news about major art competitions and exhibitions, interviews with artists, techniques and tips for art and business
Email ****@gmail.com
Facebook 12.5KTwitter 3K Domain Authority 46

This is despite a reduced level of posting in recent times due to the facts that:

• I got to 70 and decided if I was ever to retire I needed to make more time for me. This is despite the fact I took early retirement (knowing that severe osteoarthritis was a racing certainty for me) back in 2005 and started this blog a few months later
• I now need to walk a decent amount every single day to stop me from seizing up. I average between 5,000-6,000 steps
• Periodically I have to get ready for and recover from surgery. Like I said I always knew osteoarthritis was in my future. I didn't quite factor in the time needed for surgery!
• Not to mention other health hiccups. I was told I need an urgent MRI this morning! They're going to see if they can fit it in before surgery next month.

Although I do fewer posts now I do seem to get better audiences for the ones I do.

For the record, other art blogs "from the old days" also ranked as follows in all Art Blogs

1. Artsy

3. ARTnews

13. Artwork Archive Blog

14. Jackson's Art Blog

16. Artnet

23. Lines and Colors

24. Parka Blogs

26. Gurney Journey

38. Art Biz Blog

39. Art Marketing News Blog

40. Xanadu Gallery - Red Dot Blog

41. Artsy Shark

Note: I do find these inventories of blogs to be very useful. If you look at the Feedspot Instagram, you can see all the other categories which are ranked.