SURGERY + 11 Days Summary aka "it's a bit of a struggle!"

LEFT SHOULDER REPLACEMENT SURGERY + 11 Days

SUMMARY

Bottom line - it's a struggle but getting easier to cope with as the days go by. However immobilised on one side is no "walk in the park"!

• pain under control, so long as I remember/take meds on time! (plus logged on my medication record on Apple Health - to avoid not remembering what I've taken. Surgery was complicated.  From "going under" to "waking up back in recovery" took five hours so my brain is not great on memory right now
• my large haematoma above elbow crease much improved - gone from dense black to pale crimson. Icing works!
• discovered that the whole of the back of arm plus half left under boob is yet another big bruise - which oddly does not hurt! 
• doing my 7 exercises every day
• walking locally once a day.
• I am still getting/am VERY tired most of the time - and getting used to operating at about half normal speed
• took a week for me to get a decent night’s sleep - in my riser recliner so I’m immobilised (can’t roll on surgery arm) plus much much easier to get into sleep position and get up
• am managing - at a stretch - to get my hair up each day, but it involves neck contortions, head between my knees and one handed grip application. I now specialise in the slightly off centre bun!
• getting better at getting dressed and undressed - but it’s very, very, very slow (and tedious). no point in rushing. 
• Tank tops with built in boob support are a godsend! 
• Only very thin layers fit inside the immobilisation sling.
• Do NOT need/do shoulder surgery in winter - because you cannot get a coat on!

not the most flattering selfie I've ever taken!
just finished getting dressed / doing hair - hence grumpy face after long struggle
this is about as thick as the clothing layers can get
note the hair!

• No idea what I’m going to do if it rains (dump the stick so I can hold umbrella? Dump immobiliser so I can get in raincoat? Buy a waterproof poncho? Get very wet?). At the moment, any indication of rain means I cannot go out.
• getting better at cooking one handed - helped by fact left hand works (but doesn’t move so everything needs to be brought to it). Food has to be “eating with a fork or spoon” standard. Other than microwave (pasta / curries), my hot food is limited to frying two fried eggs with two buttermilk pancakes in film of butter - both of which I can cut up (sort of). When JR cooks for me, my plate arrives with all food cut up to fork sized pieces. 

four minute lunch

Next week I'll be back at art exhibitions - starting with the Royal Society of Portrait Painters Annual Exhibition 2026 at the Mall Galleries.  

• I'll be at the PV on Wednesday
• although earlier in the day and will be avoiding crowds at speeches/awards ceremony.

I can just about use a computer one handed - so I'll be trying to do some posts. Probably short.

my first tube ride - one stop only!

UPDATE: Artist of the Year 2026 Heat 2

A few updates following my visit to the afternoon session of the second heat of Portrait Artist of the Year 2026 at Battersea Arts Centre yesterday.

• numbers attending have increased a LOT since I last went to a heat. 
• I have lots of photos of the heat - which will NOT be posted until this episode is televised - except for a couple which are nothing to do with the art (see below). 
• They will enable all those applying for 2027 to see what it's really like when in terms of the other people on the set in the three "cheeses" (ie segments of the set)
• IMPORTANT NOTE: All those attending are welcome to take photos but are asked not to post them until after the episodes aired - so as not to spoil the episodes for viewers.
• I spotted one post on X yesterday by somebody who attended Heat 1 - who obviously hadn't got the message. I showed it to the Sky Arts people who will be contacting her.
• The era of long flowery dresses appears to be well and truly over. Yesterday we had short and very short pant suits and short socks (re The NEW Portrait Artist of the Year Judges)

front to back: The JUDGES: Katy Hessel, Eva Langret, Jonathan Yeo

• I will be making lengthy comments on colour and tone re this heat.
• I am surprised to report that Jonathan Yeo makes some very sound points.
• The Judges are generally quietly spoken and it's very difficult to hear what they say - so if you're going to future heats, I recommend you get as close as possible to where they stand to hear their comments when judging.
• Heat 2 will cause a major controversy when televised as whatever episode (they never broadcast in the order filmed) 
• the two people operating the Sky Big Boom Rig (the one that does the overhead and perspective shots) are two small women called Rachel and Capri! I was very seriously impressed with their control and navigation.
• This is the Smallrig Phone Rig (this one??) used by the chap taking pics for the Artist of the Year social media pages. 

Smallrig iPhone Rig for video and image capture while holding a mobile phone

• Ferne Cotton will be the Presenter for Landscape Artist of the Year 2027 (and won't appear in Portrait Artist of the Year at all)

the seating area in the very nice cafe

• Practical munching TIP: The ravenous hordes attending the morning session eliminated virtually all food in the very nice cafe at the Battersea Arts Centre. You would be well advised to bring your own lunch if travelling for an afternoon session

That's your lot of the edited highlights of Heat 2!

Life Events: It's been a while.

It's a long time since I've posted, caused by a variety of things. There are three very good reasons why I'm being quiet at the moment.

I needed a break. 

I'm in agony with pain in my lumbar spine at the moment. I sort of know what it is (osteoarthritis attacks for the third time) but that doesn't make it any easier, especially when it translates to sciatica.

Despite the pain I also have two major events to deal with. 

Major upheavals in the kitchen

First, my 1845 1.5" thick plaster ceiling in my kitchen has had to be replaced / replastered / repainted due to a flood from above. The flood was easy to deal with compared to what has had to happen because of it.

The whole process has been extremely unpleasant experience - you would not believe how far tiny particles of very old plaster can travel - or how many times you have to clean to remove them. Moving stuff (ie everything out) is a breeze compared to the cleaning up afterwards.

The ceiling is being repainted tomorrow morning - after which I can move everything back in.

I have to wait for the paint to dry to before I can then finish the cleaning (of the bottom cupboards which I can't reach because of the back and need help to do this!).

Shoulder replacement surgery

I'm still prepping for my shoulder replacement surgery. I need to be at the hospital by 7am on Monday morning.

Major Amazon order for aids went in - and kit arrived this week and I now have a way of getting into and out of bed with only one arm working. In theory I have a way of sitting up in bed to sleep - but that's not working too well.

I've also worked out what I forgot with the first order.

I did a trial walk in my sling yesterday - which is not easy to get on and causes problems when wearing. I cannot get a coat on over it or under it!!! I hope the hospital has a hypoallergenic LARGER version - I need a longer strap to keep it from slipping.

PS If you want to know what I'm faced with try dressing and doing ablutions with one arm/hand only!

I expect I'll start posting again in about a week's time.

A purist approach to media art societies

Every now and again I have a bit of a rant about one of my pet topics - media creep. This is one of them.

An art society is set up to serve a very particular group of artists - including specific media. Media Creep sets in as it the media eligible for use in a society exhibitions starts to become more broad and extended so that definitions of media become "more inclusive".  

I've often thought it's another way of avoiding setting up a society to tackle their particular preferred media.

Here's an example of my previous words on this topic - Acrylic Painting, Art Societies and Education (2022). Plus an extract which just about sums it up

In the UK we have acrylic crossing the oil and watercolour divide - and sometimes forgetting that

• those on the water side should NOT look like oils and
• those on the oil side should NOT look like watercolours.

Maybe it's a question of acrylic painters needing to achieve a much higher profile - in terms of an art society with a very clear focus and its own membership and exhibitions?

As I stated yesterday about the current RI Annual Exhibition

Virtually everybody in this exhibition is using either watercolour or (normal or acrylic) inks.
However 53 artworks are in acrylic. That's 11.5% of the artworks.

First up - I'm very much a "do what it says on the tin" sort of person. So please read this section with this in mind.

My one big gripe about media is that I think every artwork I see in the RI exhibition should demonstrate evidence of WATER. After all, this is a conglomeration of artists who create artwork in WATER COLOURS. The word water is important.

There are a number of artworks in the exhibition whose media description is as follows

Fluid acrylics and heavy body acrylic on wood panel

That to me is a very very long way from being a water colour painting.

A review of other FBA Art Societies

Let's look at some comparisons re FBA Societies - and how they have chosen to address media creep.

The Royal Institute of Oil Painters (ROI)

In the past, a few too many artworks in acrylic hung in the annual ROI exhibition - in my opinion. 

Or rather they could have done until the ROI finally outlawed acrylic (after I had a go at the ROI about its name and the media used in its exhibition - and kept repeating it in every review). 

I'm not quite sure when the ROI started to let people submit work in acrylics but I do wish they'd:

• either change their name
• or stick rigidly to this being an exhibition of oil paintings.

I think it's misleading to do otherwise... It needs to be one or the other. I was pleased to see the extremely high percentage of the exhibited work is in oils. Hopefully this is an aspect of the society that can be addressed over time. Review - Royal Institute of Oil Painters Annual Exhibition 2017

The acrylic painters then started using oils. Which is interesting.

 

The Pastel Society

The Pastel Society developed a  great approach to acrylic. 

Review: Royal Institute of Painters in Water Colours 214th Annual Exhibition (2026)

I think the 214th Annual Exhibition by the Royal Institute of Painters in Water Colours is probably the best RI exhibition I've seen by them at the Mall Galleries on two counts:

• excellent artwork
• extremely well hung - it reads very well throughout both the West and East Galleries and most of the North Gallery.

It also has the unique distinction of:

• a VERY colourful title wall in the West Gallery
• a monochrome title wall in the East Gallery

RI Annual Exhibition 2026: Very colourful end wall in West Gallery

RI Annual Exhibition 2026: Monochrome end wall in the East Gallery 

Also, given there are 462 artworks hung in the show, I can also say it's one of the very best hung exhibitions - of LOTS of artwork - that I've seen of the different FBA societies who exhibit at the Mall Galleries. 

Too often, I've found exhibitions with lots of artwork to be very difficult to look at because too little thought has been applied to how the works should hang. Indeed, I think maybe there should be a rule "don't come to the hanging if you haven't worked out what goes where if you are hanging in excess of 300".

I gather that the hang of this exhibition was planned in enormous detail by the new President Juliette Losq in her first year - and the effort has well and truly paid off.

It is certainly getting lots of visitors!

This blog post tells you:

• how to see the exhibition - whether or not you can visit it at the Mall Galleries
• how to check out the events during the exhibition
• how to check out the standard of work by artists applying to become a member
• observations about artwork in the exhibition
• what can be improved for next year

Plus an extra post tomorrow - about the name and the importance of water.

How to see the RI Exhibition

You can visit the RI 214th Annual Exhibition at the Mall Galleries until 11th April (however it is closed in Easter Sunday and Easter Monday).

• Venue: Mall Galleries, the Mall, London - North, East & West Galleries
  Hours: 10am - 5pm every day except Easter Sunday and Easter Monday when the Galleries are closed
• Dates: 25 Mar 2026 - 11 Apr 2026 
• Entry: Admission £7, Free for Friends of Mall Galleries and under 25s. Concessions available. No booking required.

You can also SEE ALL THE ARTWORK ONLINE

• via this Mall Galleries website - which also allows purchases online
• via my Making A Mark Facebook Page where I have created four separate albums for
• RI Prizewinners - Annual Exhibition 2026
• RI Annual Exhibition 2026 - West Gallery
• RI Annual Exhibition 2026 - East Gallery
• RI Annual Exhibition 2026 - North Gallery

One of my photos of two colourful walls in the North Gallery

A FREE Plein Air Painting Handout

This is about a FREE Plein Air Painting Handout by Michael Chesley Johnson - a very experienced American plein air painter and instructor in oils and soft pastels of repute.

His CV is impressive - see below to check out the credentials of the chap who is providing this handout for free.

He says 

This is the handout I give to my all-level plein air painting workshops. Although it covers only oil and pastel, the methods and information apply to all media. (Watercolor is a bit different, though!)

I'm not going to include the link to it here - however I will include 

• the link to the page that the handout is on - on his website
• the link to his Substack - which also includes a link which takes you to the website link above!

Content of the Plein Air Painting Handout

The headings and subheadings are:

MATERIALS

• Pastel: Basic materials and Procedures
• Oils: Basic materials and Procedures
• Note for acrylic painters

You’d think that, over 25 years, the handout would need updating, but I’ve found “how to paint” consists of some basic principles that, like the laws of phyics, don’t change. The only thing that might change are some of the products listed (which I have updated for this release.)

PLEIN AIR METHODS, TECHNIQUES & TIPS

• Purpose in Plein Air
• Principals to Capturing the Landscape Quickly & Accurately
• How to Paint - Not Draw
• Plein Air Tips (which are excellent! KT)
• Different Approaches to Interpreting Landscape Values
• Dominance & Contrasting Pairs
• Finding Color Harmony
• Color Harmonies
• To Match Any Color
• About Black
• Useful Resources for the Plein Air Painter

You can find his handout here

Paintings in the South West Gallery on Michael Chesley Johnson's website
- the application of media and techniques to landscape
Note how they all "read" really well even in a thumbnail version

About Michael Chesley Johnson AIS PAPNM

I'm going to use the words from his "about" page and will add a few bullet points and a few extra words!

Basically he is an all round "good guy" in terms of being a plein air painter and helping others to become one too - through a variety of channels.

What does he do?

• He paints primarily outdoors in oil, pastel or gouache, choosing locations from the American Southwest, Downeast Maine and the Canadian Maritimes. 
• He has been invited repeatedly to national plein air events:
• most recently was on the distinguished faculty of the annual Plein Air Convention & Expo in Denver, Colorado.
• He delivers plein air painting workshops across the U.S. 
• He is a frequent writer for 
• The Artist’s Magazine, 
• Pastel Journal, 
• Watercolor Artist and 
• PleinAir Magazine, 
• He is also the author of several books, including Beautiful Landscape Painting Outdoors: Mastering Plein Air.

Recognition and Awards

• Awarded Master Pastellist status by Pastel Artists Canada in 2008
• Signature Member of 
• the American Impressionist Society and 
• Plein Air Painters of New Mexico 
• plus a past signature member of several national organizations. (Read here to learn why I let these memberships lapse.) 
• Featured in The Artist’s Magazine in September 2013.
• His paintings 
• have appeared in many magazines 
• are in both corporate and private collections. 

Website:    https://www.mchesleyjohnson.com/

Facebook: https://www.facebook.com/mchesleyjohnsonstudio

Substack:  https://mchesleyjohnson.substack.com/ 

• you can subscribe on this page https://mchesleyjohnson.substack.com/about

Making A Mark still in Top 10 Art Blogs

I recently found out that Making A Mark is still in the top 10 of a list of art blogs from all over the world

Specifically they are #5 in the 60 Best UK Art Blogs and#10 in the 100 Top Art Blogs according to Feedspot. 

Not quite sure how they work out the rankings either and not quite sure how this happened but I'm happy that it did. 

Although I was #5 in the Vuelio's Art Blogs UK Top 10 in 2022

60 Best UK Art Blogs - according to Feedspot

The best UK Art blogs curated and ranked based on multiple factors, including content relevancy, subject expertise, posting frequency, and freshness of content. Blogs with highest credibility within the UK Art space are ranked higher. This list is updated regularly to ensure it reflects the most active, influential, and valuable UK Art blogs on the internet today.

In the 60 Best UK Art Blogs to Follow in 2026, Making A Mark ranks 5th!

5. Making a Mark

+ Follow Blog
Description A top art blog for artists and art lovers: news about major art competitions and exhibitions, interviews with artists, techniques and tips for art and business
Email ****@gmail.com
Location London, England, United Kingdom
Facebook 12.5KTwitter 3K Domain Authority 46

100 Best Art Blogs- according to Feedspot

The same principles apply in relation to how different sites rank within the 100 Best Art Blogs to Follow in 2026 - where Making A Mark is ranked 10th.

10. Making a Mark 

+ Follow Blog
Description A top art blog for artists and art lovers: news about major art competitions and exhibitions, interviews with artists, techniques and tips for art and business
Email ****@gmail.com
Facebook 12.5KTwitter 3K Domain Authority 46

This is despite a reduced level of posting in recent times due to the facts that:

• I got to 70 and decided if I was ever to retire I needed to make more time for me. This is despite the fact I took early retirement (knowing that severe osteoarthritis was a racing certainty for me) back in 2005 and started this blog a few months later
• I now need to walk a decent amount every single day to stop me from seizing up. I average between 5,000-6,000 steps
• Periodically I have to get ready for and recover from surgery. Like I said I always knew osteoarthritis was in my future. I didn't quite factor in the time needed for surgery!
• Not to mention other health hiccups. I was told I need an urgent MRI this morning! They're going to see if they can fit it in before surgery next month.

Although I do fewer posts now I do seem to get better audiences for the ones I do.

For the record, other art blogs "from the old days" also ranked as follows in all Art Blogs

1. Artsy

3. ARTnews

13. Artwork Archive Blog

14. Jackson's Art Blog

16. Artnet

23. Lines and Colors

24. Parka Blogs

26. Gurney Journey

38. Art Biz Blog

39. Art Marketing News Blog

40. Xanadu Gallery - Red Dot Blog

41. Artsy Shark

Note: I do find these inventories of blogs to be very useful. If you look at the Feedspot Instagram, you can see all the other categories which are ranked.

Landscape Artist of the Year: A Celebrity Twist!

The Sky Arts website recently announced innovations for the next round of Landscape Artist of the Year.

At the weekend we heard - via the main Sky Arts website only - that:

• Fearne Cotton is to join as a new celebrity Co-Host
• More Celebrities will be involved in every episode - talking about their landscape
• Still no announcement about the Judges for LAOTY although we now know who two are.

Image for Series 12 - using submissions from Series 11

However, what is very weird is that 

• they have added text to the page, 
• without removing images and text associated with previous incarnations. 
• Hence we have two lots of text describing the format of one programme in two different ways!

A New Co-Host

Fearne Cotton is to be a new Co-Host for Series 12 which will be filmed this summer.

She a long-standing British TV presenter - mainly associated with the "popular tv" end of the market with mainstream broadcasters.

She also describes herself as Mother, Broadcaster, Writer, Founder.

View this post on Instagram

A post shared by Sky Arts Artist Of The Year (@artistoftheyear)

Since finishing The Fearne Cotton Show (2009-2015) for BBC Radio1 she has branched out on her own and now hosts an award-winning podcast Happy Place (on YouTube, Spotify and Apple Podcasts. Her Happy Place Brand has since expanded into:

• a wellbeing brand including
• a book club,
• an annual festival and
• a marketplace that champions small businesses that are female-led, minority-owned, and/or based in the UK.

In other words, treading the well trodden path of celebrities who now need to differentiate themselves - while remaining popular - and generate their own audiences in the new social media world. 

“I am thrilled to be joining Landscape Artist of the Year as part of the presenting team at Sky Arts. Art is such an important, emotive and expressive medium for me and I know that the audience is just going to be absolutely blown away by the level of enthusiasm and passion that we see from the artists taking part in the show. I can’t wait to be part of that journey and to help them tell their stories.”

She also comes with:

• 1.1 million followers on Facebook
• 3.9 million followers on Instagram
• 113k subscribers on YouTube

Which makes her very good fit with lots and lots of women over the age of 30 who like watching Landscape Artist of the Year.

I can see why she could be attracted to LAOTY and why Sky Arts might be attracted to her. 

Casting now depends on social media following - as well as the ability to do the job!

Plus - and this makes her sound a very positive addition - she's a celebrity who can paint!!!

Review: UKCPS Silver Anniversary Annual Open Exhibition 2026

After 25 years, the UKCPS is celebrating its Silver Anniversary with its first exhibition at the Mall Galleries.

It's always been an ambition of the UK Coloured Pencil Society (UKCPS) to hold its Open Annual Exhibition at the Mall Galleries. Making it to its 25th Birthday seemed like an opportune time to spend some money and celebrate in style.

UKCPS Annual Open Exhibition
Part of the Hang in the West Gallery

For those UKCPS people not familiar with me or my blog (although I gathered from the PV on Tuesday night that a lot were), I am 

• a coloured pencil addict and a past signature member of UKCPS. I've written about its exhibitions a lot over the years (see the list of blog posts at the end which also give an insight into artwork in past exhibitions)
• somebody who reviews ALL the national art societies which exhibit at the Mall Galleries - and has done so for nearly 20 years. So I've got a very good basis for saying how this exhibition compares with the norm at the Mall Galleries.

History of the UKCPS Society

The Society was founded in 2001 by Bob Ebdon and Pat Heffer.

The UK Colour Pencil Society (UKCPS) was founded in 2001 by Bob Ebdon, spurred by a letter in A&I magazine from Pat Heffer (who became a founder member, enthusiastic supporter and finally President). A few people sharing their interest of colour pencil art, who had never met except via the Internet, started the Society and it was launched at Patchings Art Centre in Nottinghamshire. The Society has grown over the years: the second issue of the quarterly magazine (September 2001) reported they had just reached the 100 member mark, and now there are just over 750 members.

I was also a coloured pencil fan and found them online a little later and subsequently became a member and exhibited with them between 2007-2010. After that I gradually withdrew as a member from all national art societies I belonged to so as to be able to do better reviews of their exhibitions!

The society is different in some ways from other national art societies.

• anybody can become a member
• recognition of expertise and contribution is made through
• becoming a Signature Member (which I became in 2009 - see my blog post Signature membership)
• progressing to Silver Signature status (pictures accepted into 5 exhibitions within 10 years) and Gold status (pictures accepted into 10 exhibitions within 15 years.)
• it holds three exhibitions each year
• an open exhibition for all artists using coloured pencils - which is competitive
• an online exhibition for all members
• members only exhibition held at the Derwent Pencil Museum, Keswick. (This year it will be 31st August to 30th October 2026)

In June 2018 it was granted charitable status - with an objective of:

• promoting the art of drawing for the public benefit through the use of colour pencils
• holding a public exhibition at least once a year to showcase work and provide tuition
• help educate the public how to use colour pencils

The definition of a coloured pencil for the purposes of the exhibition is 

"wood-cased, wax- or oil-based colour pencil"

i.e. pastel pencils are excluded.

The 25th Annual Exhibition of the UK Coloured Pencil Society

Venue: Mall Galleries - West and North Galleries
Dates: Open from Tuesday 17 March 2026 - Saturday 21 March 2026,
Hours: 10am to 5pm

Workshops: click for more information

How the work was judged

• One member and two independent artists selected the artwork for the open exhibition.
• Another artist judges the selected artwork for awards. This year it was Curtis Holder - a leading exponent of coloured pencil artwork.

You can see all the artwork in the exhibition in two ways:

• In the albums of my pics that I've uploaded to Facebook - just click the link in the listing below. BTW, if I like a work I tend to take a photo of it on its own.
• UKCPS Annual Exhibition 2026 - West Gallery
• UKCPS Annual Exhibition 2026 - North Gallery
• Via the UKCPS website where all images of all the artwork are now uploaded

BEST PICTURE IN SHOW

Where ­Time ­Rests by Pauline Stuart

(which I had spotted as a "go back and look again" pic!)

Facebook now only allows 63 characters for visible description

Facebook has made a terrible decision to limit the number of visible characters on posts of pics or links to a Facebook Page (124 characters with spaces in this sentence)

That includes spaces!

So the opening sentence of this blog post would be halved on Facebook. (this sentence is 69 characters with spaces - so you wouldn't see all of this short sentence)

Why is this happening?

Here's Google AI's explanation of what Facebook if trying to do.  

But you do agree with their reasoning? Read on to find out some of my thoughts on the imploications....

Is Facebook trying to behave exactly like an Advertiser?

In effect it is treating every post by all normal Facebook subscribers as if it was an advert.

It seems to want to get us to write ADVERT TITLES for each FB post!

Is it possible that is so they can sneak in more advert content and we won't notice.

Is it possible that it is trying to create more clicks to its site so it can show advertisers a click heavy profile?

Compare Facebook with Instagram

It's very similar to the truncated text associated with an Instagram pic. (73 characters including spaces)

Maybe Facebook is trying to be more like Instagram?

Thing is they are demographically quite different. The big difference being that users of Facebook tend to be older and don't skip or skim text the way those under 40 do.

Older users are readers - and they like to see text.

So maybe Facebook is trying to win back younger users?

However maybe Facebook is also alienating its older users (like me) at the same time?

Compare Facebook with Google

Title Links (Blue Links): Approximately 50–60 characters (or around 600 pixels).

Google AI tells me that the character limit allowed for the title associated with a weblink is 50-60 characters

Hence, one might conclude that Facebook wants us to write titles as the text for the first 63 characters of the description of what a pic is or where a website link leads

Conclusion: we need to get a lot smarter about writing text TITLES for our links or pics on Facebook Pages.

However Google has the advantage that it also shows text AFTER THE TITLE - with no "read more" prompt. i.e. we get to see more text when viewing a link in the Google Search Engine

These are called snippets and there has always been a limit on how many characters get displayed

So what does Google have to say about the ideal length of descriptions (snippets) after the title of a website link?

Something completely different from Facebook!

Guess who's more experienced in the search engine aspects of what gets people to open posts?

Bottom line - Google Search allows at least TWICE THE NUMBER OF CHARACTERS ALLOWED BY FACEBOOK.

Which is WHY the search description for this blog post reads

Facebook wants titles not text for posts on Pages. Check out the changes re text length and compare to what Google thinks is best.

Who do you think understands responsiveness to search engine links better?

Google or Facebook?

FINAL Call for Entries: New England Art Club Annual Exhibition 2026

You have until 12 noon on Friday 20th March to submit your entries for the New England Art Club Annual Exhibition.

While the seriously committed will have submitted their entries already, there's still time to submit that work which you are pleased with.

Historically, the New English Art Club was founded by a group of artists dissatisfied with the entrenched attitudes of the Royal Academy

Today, its intent is spelt out by its President Patrick Cullen

At the heart of the NEAC is the search and propagation of meaningful, resonant art. It is committed to authenticity through the observation of life, as well as the task of articulating and communicating ideas with the beauty of skilful language.

FINAL Call for Entries: NEAC Annual Exhibition 2026

Entries from open artists are welcomed.

The NEAC Annual Exhibition is a showcase not only for its members but also for aspiring artists: with a history going back more than a hundred years, it is an opportunity for work to be seen alongside some of the best artists today.

I describe the process below. Here are the links to all relevant pages

• This is the official call for entries https://www.mallgalleries.org.uk/open-calls/new-english-art-club
• This is the official entry portal https://mallgalleries22.oess1.uk/
• you need to locate the correct exhibition as this is the entry portal for all FBA Exhibitions at the Mall Galleries
• UNFORTUNATELY the Full Details, Entry Terms & Conditions is a pop-up page and is NOT a downloadable PDF. Which means if you want to make a record for your files / notes - you have to copy and paste into Word - and then you can print it.

NEAC is not an art society which is afraid of colour!
(NEAC Annual Exhibition 2025: End of West Gallery)

If you want to know what NEAC is about, take a look at my pics of the 2025 Annual Exhibition

Last year, the exhibition 389 artworks which included a lot which were big to very big - which made the hang look very crowded to me

Guidelines re Sales and Pricing

You can see the nature and price of the artworks which sold in 2025 by right clicking HERE and opening in a new tab

• 60% were painted in oils
• just over 20% were landscapes and cityscapes
• just over 10% were portraits
• just over 10% were still life
• the remainder covered marine and coastal (4), other (1) and abstract (2)

In terms of sales, 17 of the 50 sales were by open artists - and the majority were by women. I think it not unlikely that most of the sales were heavily influenced by women too.

For the record, although I've not crunched the numbers for 2025, there are some guidelines for open artists if you want to achieve a sale

• sales drop off once you breach £1,500 which I've identified for a long time as an important threshold for sales (i.e. not a lot above this, and these are mostly by members)
• OPEN ARTISTS tend to do better in the £500-£1000 price range and pricing - and this is consistent across a number of the art societies exhibiting at the Mall Galleries