Showing posts with label drawing wildlife. Show all posts
Showing posts with label drawing wildlife. Show all posts

Wednesday, October 22, 2025

Review: 62nd Annual Exhibition of the Society of Wildlife Artists

The Annual Exhibition of the Society of Wildlife Artists has got off to an excellent start - with LOTS of red (and green) dots adorning various of the artwork hung in all three galleries at the Mall Galleries.

The end wall of the West Gallery

This is my annual review of the SWLA Annual Exhibition 2025. It's taken a long time to write at the same time as posting albums of photos of the exhibition and I'll probably come back and add bits in I've forgotten!

Except where otherwise indicated, quotations are from either the SWLA website or my past posts about this exhibition. They underline key points about the society and their particular approach to producing artwork and exhibiting

The Society of Wildlife Artists seeks to generate appreciation and delight in the natural world through all forms of fine art inspired by the world’s wildlife. SWLA website

In summary:

  • there are 363 framed artworks and 3D artworks in the exhibition - and you can see them online here
  • 71 were sold in the first six days (excluding the numerous sales of unframed prints) which 
    • equates to 20% of the artwork hung or displayed 
    • AND exceeds last year's total sales.
  • about 90% of the wildlife seem to be birds this year - there are lots and lots of birds from around the UK and further afield
  • there is also artwork portraying 
    • UK mammals including field mice, squirrels, hares, foxes, wolves, stags, otters, seals, slugs, butterflies and insects!
    • plus wild animals from other countries including elephants, pangolin, sting rays, jellyfish and octopus
  • the artwork is from life - not photos - and is based on artists working in the field to sketch and make studies. A number of the framed artworks are in fact studies made in the field - literally! To illustrate what happens the exhibition also has a display of many photographs of working in the field
It's worth remembering that it's not coincidental that the name of this annual exhibition is "The Natural Eye". This connects to the emphasis which the SWLA places on artwork conceived, started and sometimes developed to completion while observing wildlife "in the field / sea / air"
The exhibition opened on 16th October and is open every day 10am to 5pm until 25 October.
In my opinion, one of the best annual art society exhibitions at the Mall Galleries every year is that by The Society of Wildlife Artists. (Me  - in Call for Entries: Society of Wildlife Artists - Annual Exhibition 2025 
East Gallery Feature Wall

This review is a multi-media experience! I have published and annotated three albums of photos from each of the three galleries over the last three days and the links are below
Some of the comments I might have included in this post are actually in the annotations of individual photos in these albums.  So this is in effect a multimedia post!

Some of the artworks which stood out to me below are highlighted in these albums and below.

Wednesday, September 03, 2025

Wildlife Artist of the Year 2025 - now online

Next week the exhibitions for the David Shepherd Wildlife Foundation | Wildlife Artist of the Year 2025 open at the Mall Galleries on 9th September and continues for 5 days until the 13th September. (more details at end)

The exhibition offers a rich and varied display, featuring everything from bold oil paintings and intricate pencil drawings to eco-conscious sculptures and inventive mixed-media creations, all inspired by the beauty and fragility of the natural world. DSWF website
The Wildlife Artist of the Year 2025 exhibition features all the artworks selected across the nine competition categories. In the view of the competition judges, these represent the very best from thousands of international submissions.


However, you can now see which entries for the Wildlife Artist of the Year 2025 were selected for exhibition.  

Each year we ask the general public to vote for their favourite piece from Wildlife Artist of the Year. The winning artist receives our coveted DSWF People’s Choice Award AND each voter will be entered into a prize draw with the chance to win two tickets to the stunning black tie DSWF Wildlife Ball on Friday 7 November 2025 at The Dorchester in London, including a champagne reception, three course meal and entertainment. Please show your support for your favourite artwork by casting your vote. DSWF website
  • you have the option to buy - however all pieces sold prior to the exhibition have to stay on display during the 2025 exhibition and delivery will be confirmed and arranged after September 15th, 2025.
50% or more of the proceeds go directly to DSWF’s conservation efforts. Every purchase helps to secure a better future for endangered species, communities living alongside them, and our future generations. DSWF website

This annual exhibition is organised by the David Wildlife Foundation and has been going for years. It attracts top notch art from UK and international artists and a lot of collectors of wildlife art. If this is the sort of art that interests you, it's well worth a visit.

Event Details

  • LOCATION: Mall Galleries, London SW1 - see Google Map
  • DATE: 9–13 September 2025
  • TIME: 10am – 5pm (Tuesday 11am – 3pm)
  • ENTRY: Free – donations welcome in support of our conservation work

Monday, August 04, 2025

Call for Entries: Society of Wildlife Artists - Annual Exhibition 2025

If you want to enter the 62nd Annual Exhibition by the Society of Wildlife Artists the deadline for entries is 12 noon on Friday 22nd August 2025. (Apologies for this being rather later than usual)

In my opinion, one of the best annual art society exhibitions at the Mall Galleries every year is that by The Society of Wildlife Artists. 

That's because 

  • it's uncompromising about favouring artwork which has been created after studying your creature from life (i.e. it is very much NOT a fan of the type of hyperrealist artwork done from a photo without ever seeing the animal or studying it in the wild)
The Society of Wildlife Artists seeks to generate appreciation and delight in the natural world through all forms of fine art inspired by the world’s wildlife.
  • displays artwork in a wide range of art media (paintings, prints, drawings, sketches, sculpture, ceramics and other 3D artwork)
  • highlights a wide range of styles and colour palettes
  • includes artwork developed from projects undertaken by the society and its artists during the year
It is emphatically not boring!

Plus it also has that huge asset known as a solid set of followers and collectors who are both faithful to their preferred artists and are also very interested in new art by new artists.

"The Natural Eye" Annual Exhibition 2024 by the Society of Wildlife Artists
West Gallery at the Mall Galleries

Call for Entries: 'The Natural Eye'


It's worth remembering that it's not coincidental that the name of this annual exhibition is "The Natural Eye". This connects to the emphasis which the SWLA places on artwork conceived, started and sometimes developed to completion while observing wildlife "in the field / sea / air" (past CFE post on this blog)
You can find detail of the Open Call for Entries for the SWLA Exhibition on the Mall Galleries website.

Below this post covers:
  • what sort of artwork the SWLA want to see submitted by open artists
  • images needed
  • online submission only
  • who can enter
  • what you can enter
  • how to submit
Plus pics of the last exhibition and links (at the end) to my blog posts about previous exhibitions and the type of artwork hung.

Key Dates are as follows
  • Submissions open: Friday 23 May 2025, 12 noon
  • Submissions close: Friday 22 August, 12 noon
  • Notification of selection: Friday 5 September, 12 noon (log in to OESS)
  • Receiving Day (if selected): Saturday 4 October, 10am to 5pm
  • Private View (invite only): Wednesday 15 October, 2pm to 8pm, official opening at 3pm
  • Exhibition opens: Thursday 16 October, 10am to 5pm daily
  • Exhibition closes: Saturday 25 October, 5pm
  • Collection of unsold work: Thursday 30 October, 10am to 5pm

"The Natural Eye" Annual Exhibition 2024 by the Society of Wildlife Artists
End wall of the West Gallery at the Mall Galleries

What kind of image should you submit

The Society is seeking works that depict wildlife subjects and evoke the spirit of the natural world.
The Selection Committee welcomes:
  • All forms of two and three-dimensional artwork based on representing the world’s wildlife
  • Artists with fresh visions that show imagination, artistic ability, originality and creativity
  • Artworks that reveal a personal experience or true understanding of the subject
READ the "Exhibit with us" page on the SWLA website which provides excellent advice
 

Who can submit

Any artist aged 18 or over may enter, from anywhere in the world.

(If you are an international artist, you need to read the section on VAT)

What type of artwork can you submit - and what will get rejected

Monday, October 21, 2024

Review: 61st Annual Exhibition of the Society of Wildlife Artists

The Natural Eye 2024
61st Exhibition of the Society of Wildlife Artists
in the East Gallery of the Mall Galleries

I saw the Annual Exhibition 2024 of the Society of Wildlife Artists in two parts last week - however they were mixed up with blood tests, innoculations, the Van Gogh Exhibition and a rather remarkable exhibition of bronze desert plants in Chelsea.  So my brain was a tad overloaded last week! Which is why this review is rather late!

Also, this week, I'm having problems syncing my photos between iPhone and Macbook and then between Macbook and Facebook.  I've managed to get one album on FB so far - but the photos aren't all in the right order and some are missing - which I find intensely irritating. (If you saw my folder and file structures you'd know why - I'm VERY organised when it comes to photos and documents).

So - mega whinge out of the way - what I did think of the exhibition?

View of the West Gallery

First, a reminder of the SWLA aims which include 

seeks to generate an appreciation of and delight in the natural world through all forms of fine art based on or representing the world’s wildlife.

Through exhibitions and publications of fine art, the Society aims to further an awareness of the importance of conservation in order to maintain the variety of the world’s ecosystems and its wildlife.
As usual, the SWLA Annual Exhibition is possibly the most contemporary of ALL the FBA Societies (and others) exhibiting at the Mall Galleries

It includes paintings, drawings, collage, sculpture, original prints and animation! (I'm seeing more and more videos and animation in art shows). The work is of a very high quality and I'd highly recommend all those aspiring to be selected from the open entry and exhibit in the show to view a visit to the exhibition as a MUST DO if they are to get the scope and flavour of the exhibition.

Looking towards the end wall of the West Gallery

The 61st annual exhibition of the SWLA, The Natural Eye is open to the public until 27 October 10am-5pm (closes 1pm final day). 
Please note that the gallery is closed Tuesday 22 October for a private event.

I try to show people what it looks like with my photos. These will be going online just as soon as I can browbeat my devices and software to talk to one another!! Links below.....

Sunday, November 05, 2023

Review: 60th Annual Exhibition of the Society of Wildlife Artists



I can HIGHLY RECOMMEND this exhibition which is open daily 10am to 5pm and continues until Saturday 11th November. It opened last Thursday at the Mall Galleries  and continues until next Saturday and has events in the gallery next week  on the 6th, 7th, 8th and 10th November from sketches and linocuts to monprinting and wood carving.
The exhibition has over 430 works in the catalogue plus unframed project work from the Wadden Sea residency.

There are original prints, paintings, drawings, sculptures and animations on show including a hundred works by non members. The SWLA Bursary Scheme awarded 5 places on the John Busby Seabird Drawing Course and work from those artists will be on display. SWLA website
Medium and smaller works, together with smaller sculpture and drawings
tend to be located within the three smaller Galleries in the North Gallery.

You can view 
Below I'm going to comment on 
  • my overall impressions 
  • artwork I liked (to be added tomorrow - my other half wants his dinner!)
  • awards and prizes. 
  • and finally, new members and associates.

The Annual Exhibition is called The Natural Eye. This neatly encapsulates two important aspects of the exhibition:
  • firstly it's about very best of fine art inspired by the natural world
  • secondly, it's also about artwork which has been drawn, painted, printed or sculpted only after encounters with wildlife i.e. it's NEVER ever copied from another artist's photograph of a wild animal - and the members of the Selection Panel can definitely tell!
The latter reason is why you typically won't see a lot of endangered animals or big cats which are much photographed and omnipresent in other wildlife art exhibitions.

It's predominantly about wildlife art seen within the UK and Europe - with some relating to expeditions to other countries. The exhibition is also very popular with international artists and diversity of location of the wildlife is often related to it being local within the country where the artist lives. 

Overall Impressions


Part of the West Gallery during the Private View

One of the things which always strikes me, every single time I walk into 'The Natural Eye Exhibition' run annually by the Society of Wildlife Artists, is the sheer diversity of style and media in terms of the artworks selected for the show.

Style and Colour

  • It has a great deal of contemporary approaches to representational art (i.e. NOT hyperrealistic). This, I think, is linked in part to the fact that the SWLA very much encourages direct observation of wildlife and NOT copying from photographs. This is NOT an exhibition where an artwork looking like a photograph is seen as a compliment!
  • While there's a fair amount of realism, this is balanced out by a more gestural approach to artmaking.
  • Colour is accurate where realism is preferred - and palettes are pushed where the artwork is more stylised.

Types of Artwork

  • there's always a lot of very good sculpture - and this exhibition is not different. In part this is because the SWLA has a number of excellent sculptors as members - who make and create in diverse materials from scap metal to cobalt serpentine
Kodiak Brown Bear (Indomitable - head study)
by Nick Bibby SWLA
Bronze (edition of 9) 
I was rather glad I took the photo from this angle - where he looks a sweetie!
  • I always love looking at the fine art prints - and again the sheer diversity of approaches to making prints makes this an excellent show for anybody who loves printmaking (and they're having a number of events related to printmaking this coming week)

Media

  • There's a lot of mixed media - mixing watercolour or gouache with pencils of various kinds seems to be a favourite
  • Probably the most prevalent painting media is oil - but this in turn is painted on a variety of supports in a range of sizes.
There is also a LOT of red dots and sales seem to be going really well. However, given the quality of the artwork that's hardly surprising!

Artwork I liked

I liked:
  • The Young Hare by Tianyin Wang ASWLA (see below) - This eas a really sensitive treatment of this animal and the shape and posture are perfect.
  • Puffins over Coquet Island by Paul Henery SWLA  (see below) - This jumped off the wall at me - because of the flight of puffins coming towards me. Plus the fact it shows puffins in flight as opposed to waddling around on rocks. So impressive! Plus great landscape painting too.
  • Harvest Mouse by Simon Turvey SWLA - A harvest mouse in typical travel mode from one stalk to the next - blending completely into the background. I really appreciate artists who go to the trouble of demonstrating both character and habitat of wildlife.
Oil on board, 20 x 15 cm (32 x 27 cm framed)
  • The collection of Drypoint Prints (see below) by Marco Brodde - a Danish
    Wildlifeartist and naturalist living and working  around the Wadden Sea area, in Denmark. The Wadden Sea project and the artwork by SWLA artists associated with it have been facilitated by Marco. A clear demonstration below of the benefit of making a collection of prints by one artist.


PS. I want to add more - but that will need to wait until later - Sunday dinner is calling!!

Awards and Prizes

Saturday, September 16, 2023

Cy Baker: solo exhibition of wildlife art

Cy Baker - winner of Wildlife Artist of the Year 2022
demonstrating his art in his solo exhibition of his artwork 
in the East Gallery of the Mall Galleries

There's no mention on the Mall Galleries website or the David Shepherd Wildlife Foundation of the artwork being displayed by Cy Baker who won the Wildlife Artist of the Year Award in 2022 in the East Gallery of the Mall Galleries. 

It's even more odd given that when I visited on Tuesday, he had also sold all but one of his paintings and for not insignificant sums. 

Exhibition of paintings by Cy Baker - winner of Wildlife Artist of the Year 2022
in the East Gallery of the Mall Galleries

In fact, in terms of best selling wildlife art for significant sums this was where all the action was this week!

So below, is a short overview of Cy Baker and his artwork

This is a short video of how the exhibition came together at the Mall Galleries


You can see more of his solo exhibition at this link on his website.


Cy Baker - Wildlife Artist of the Year 2022.

Cy Baker was in the East Gallery, demonstrating how he creates his very effective paintings and I had a chance to talk with him and find out how he works and how he sells his paintings.

After winning David Shepherd’s Wildlife Foundations Wildlife Artist of the Year last year I chose to spend my winnings on visiting the project doing incredible work in Uganda. I was utterly blown away by the work being done to save these animals lives. All the work sold in this exhibition will have 50% of the sale money go directly to saving wildlife all over the globe.

His paintings

Cy Baker has been creating wildlife artwork on canvas using a biro and oil paint for c. 10 years.
  • He first creates a gesso surface on the canvas incorporating a very weak solution of Titanium white to produce a light buff finish
  • Then he uses a biro with lightfast ink to create a drawing on the canvas and a complete tonal pattern of his subject matter. He's stroking the biro onto the canvas and hatching where appropriate. It took some time to find a biro which worked well with canvas.
  • He then uses weak solutions of Winsor and Newton Titanium White to enhance the 3D nature of his paintings. In effect he "cuts in" with the white after the drawing has been developed.
This video has Cy talking about he uses his biro to create the artwork and how he creates his compositions which are a very strong feature of his artwork


About Cy Baker

He studied scientific illustration at Southampton Institute and Blackpool and the Fylde College of Art in the 1990s after which he worked for about five years as a freelance illustrator. 

He then worked fulltime in Customer Services for 14 years before giving up his job in April 2015 to try and make it as a full time professional artist. 

He's succeeded in getting noticed, being selected for open/juried exhibitions and winning awards - and selling his artwork!

How he sells his paintings

Cy has learned over the years how to sell artwork and how to make money (they're two different things!). He does not have a gallery and organises his own sales - and consequently has better control over his selling expenses.
  • He attends a number of Art Fairs where he is now a regular exhibitor and where his artwork sells well
  • He has a shop on this website where he sells original artwork, limited edition prints and open edition prints direct to customers
  • He also works on commission and describes the process on his website
He's also providing different offers for different pockets - with 
  • original artwork in different sizes
  • limited edition prints
  • open edition prints
Rather than having standard prices for specific sizes, he makes adjustments depending on the complexity of the work.

I'm a fan of his approach to creating consistent pricing and sales!
  • He's progressed to his current prices over a number of years having found the market for his work and fans who love to buy his artwork. 
  • He did NOT start out with a bang asking for a lot of money but rather found out prices worked in relation to generating consistent sales of his artwork. 
  • He now raises his prices in small incremental changes over time. 
Like I said he's sold all but one painting within 24 hours of the exhibition opening. I think he's got it about right!

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You can find Cy Baker on his:
  • Website https://cybaker.co.uk/
  • Facebook Page https://www.facebook.com/cybakerart (the banner is the piece which won him Wildlife Artist of the Year in 2022)
  • Instagram https://www.instagram.com/cy.baker/
  • You Tube Channel https://www.youtube.com/@cybaker2367

Monday, September 04, 2023

FINAL Call for Entries: Society of Wildlife Artists Annual Exhibition 2023

You have until 12 noon on Friday 8th September to get your entries submitted for the Open Annual Exhibition 2023 of the Society of Wildlife Artists.

For some completely unfathomable reason, I've only just realised that I somehow never did the Call for Entries for the Society of Wildlife Artists Annual Exhibition 2023 called "The Natural Eye".

So here's a reminder that the DEADLINE for ONLINE SUBMISSIONS ONLY is noon on Friday 8th September.

You can see images of the artwork in past exhibitions in my reviews listed at the end of this blog post

Sculptures and paintings from last year's exhibition

Call for Entries

"The focus of the Society’s year is the annual exhibition, The Natural Eye, featuring all art media. This is an open exhibition, held every autumn at the prestigious Mall Galleries in London. It is a showcase for the very best of art inspired by the natural world and is considered the foremost event in the British wildlife art calendar." - Harriet Mead, President

Below is the "what you need to know" to send in an entry.
See also 
https://www.mallgalleries.org.uk/open-calls/society-wildlife-artists-open-now


ARTISTS: Who can enterAny artist over 18 may submit.
  • It's is NOT restricted to artists who live/work in the UK.
  • If you're an international artist you can submit artwork to this exhibition - but first make sure you understand that involves.
ARTWORK: What can you enter

  • Work should be 
    • based on representing the world’s wildlife and
    • should have been completed within the last three years.
  • A maximum of six artworks - and if you are successful, all six will be hung!
  • All artwork must be for sale.
  • Acceptable media
    • Work may be in any medium including drawing, painting, sculpture and original prints (if prints, please detail edition and how many are available).
    • The SWLA is keen to embrace new and innovative mediums and will accept computer-generated images as ‘original prints’. However, a digital print is only considered an original print if it was created by the artist to be realised specifically 
      as a print.
  • Ineligible media
    • Reproductions of paintings or photographs will not be accepted.
    • Photographic reproductions or mechanical prints, giclée prints, etc., that are often promoted as ‘limited edition prints’ are not acceptable.
  • Inadmissible artwork
    • Work exhibited previously at Mall Galleries is not admissible.
    • botanical subjects, pets and domestic animals, 
    • art on decorative wares (such as vessels or tiles). 
    • Works depicting wildlife divorced from its environment or without place, setting or context are rejected in many cases. 
  • Artwork which will NOT be hung
    • Artworks that are poorly presented
    • or differ significantly from the photograph entered will not be exhibited.
ENTRIES: Deadline 


The deadline for all ONLINE SUBMISSIONS ONLY is 12 noon on Friday 8th September 2022 you need to 

  • complete the online form 
  • pay your submission fee 
  • upload your digital image(s) Images must be in JPEG format and under 5MB

MONEY: How much does it cost to submit an entry?

  • The submission fee is £20 per work (or £14 per work for artists aged 35 or under).

KEY POINTS ON PRICING - how should I price my art?

I've written many times about pricing for exhibitions at the Mall Galleries. While the Own Art option (of paying in instalments) is available, it's not obvious or well advertised and hence the 'nuts and bolts' are these
  • Most of the people who buy art at the Mall Galleries are characterised by me as being "Middle Class Middle England on Middle Income". You will have noted that they are just as concerned about the cost of living as everybody else. 
  • My advice is to submit your best work - because people will still be buying (just less than usual) / adding to their collections but do NOT be silly about prices. Do your research!
  • Commission is charged at a rate of 45%+VAT (except re foundry fees for sculpture - see detailed notes on the website)
  • Do not price above £2,500 UNLESS
    • EITHER you're either a well established artist with a very good following of active collectors (which applies to quite a few of the members)
    • OR it's an excellent artwork and you've sold at this price before
    • OR you don't mind insuring and shipping expensive artwork to the exhibition and then back to your studio if it doesn't sell
  • NOTE that:
    • most art sells for less than £1,500
    • the most popular price range is £501-£1,000
    • small works priced between £200 and £500 sell well
    • the minimum price is £200
    • EXCEPT for Prints: framed £120, unframed £95 - but note that buyers are NOT charged for postage and packaging of unframed prints and your pricing for unframed prints needs to take this into account
SELECTION

  • The Selection Committee is formed of artist members of the Society.
  • Your notification of whether you've been successful and been selected to hang in the exhibition is Friday 22 September
  • The selectors' decisions are final and no feedback is provided.

DELIVERY & COLLECTION

EXHIBITION at the Mall Galleries


Why enter this exhibition


Sculptures and paintings from last year's exhibition

This is a very popular exhibition with a lot of art collectors who visit every year. It regularly achieves good sales from the display of c.350 original artworks from both members and non-members including paintings, drawings, original prints and sculptures.

The Annual Exhibition is called The Natural Eye and I've always thought this neatly encapsulates two important aspects of the exhibition
  • firstly it's about very best of fine art inspired by the natural world
  • secondly, it's also about artwork which has been drawn, painted, printed or sculpted only after encounters with wildlife i.e. it's NEVER ever copied from another artist's photograph of a wild animal - and the members of the Selection Panel can tell!
The latter reason is why you won't see a lot of endangered animals or big cats which are much photographed and omnipresent in other wildlife art exhibitions.

Although art is submitted by members and artists who live all over the world, most of the artwork is typically much more focused on the wildlife in their own localities - whether on the land, in the sky or in the water - or in places they've travelled to in order to see the birds or animals.

Birds is another aspect you need to know about. This exhibition is BIG ON BIRDS!  Those who enter open wildlife art competitions will know there is a very large subset of fanatical birders who create art - and this exhibition is no exception.



My blog posts include images of artwork in the annual exhibitions:

2022

Monday, October 17, 2022

Review: Society of Wildlife Artists Annual Exhibition 2022

I visited the 59th annual exhibition of the Society of Wildlife Artists last Friday. I'd recommend all those who enjoy wildlife art visit 'The Natural Eye' exhibition which continues in all three galleries at the Mall Galleries before it closes on 22nd October. 

It contains well over 300 artworks - paintings, drawings original fine art prints and sculpture - by members, associates and selected artists from the open entry.

Paintings by Andrew Haslen SWLA and scrap metal Sculptures by Harriet Mead PSWLA

You can also view 
There's also a range of events during the course of the exhibition - with four left this week. Last week, I listened as Robert Greenhalf SWLA explained to visitors how he created his linocut prints

Below you can find my review. 

I've also uploaded my photos of the exhibition into Facebook Albums - and these expand on points made in my review.

Review: Society of Wildlife Artists Annual Exhibition 2022

General 


The artwork is, as usual, very good. The marketing less so. I expand on both below.

I had a general impression while walking around the exhibition that the overall size of artwork was maybe smaller this year. I wouldn't find this in the least bit surprising if artists are trying hard to keep their artwork affordable in the context of the current economic challenges.

What I did see were a LOT of red spots - mostly for smaller artwork priced at less than £500.

I applaud the SWLA for consistently sponsoring bursaries and projects recording habitat and species and the environmental challenges to species diversity - which you can see in the North Gallery.

Artworks


Sculpture by Adam Binder and original prints by various artists


This is always an excellent exhibition - primarily because it promotes artwork by those take inspiration from the natural world who work primarily from life in terms of observation in the field, rather than meticulous copying of photographs. 

This leads to a great range in terms of diversity of styles.

Hind by Kendra Haste ASWLA
painted galvanised wire and steel frame

The exhibition also  includes the Out of the Frame room which shares fieldwork made by SWLA artists who visited the UNESCO World Heritage Site in Denmark in May for the second part of the SWLA Wadden Sea Project. 



However, it includes an awful LOT of artworks which feature birds. I'm well aware that some ornithologists are avid art collectors and birds typically sell well. 

Wednesday, December 22, 2021

Book Review: Natural History Illustration in Pen and Ink by Sarah Morrish

Natural History Illustration in Pen and Ink by Sarah Morrish is a book by a well educated and very experienced natural history illustrator who writes extremely well - and it shows on every one of its pages making it joy to read.


Combine science with art and journey through nature

One of the things which distinguishes this book is it's written by somebody who has 

  • qualifications in education, science (ecology, conservation) and art (botanical illustration) and 
  • lots of experience of 
    • natural history illustration, 
    • pen and ink as a medium and 
    • teaching students in class, online and through written materials  

Sarah Morrish has created a very informative book on a topic which is not well covered in art instruction literature.  It is packed full of very educational content - nothing is vacuous or vague. The quality of the content is matched by it also being a very well structured and designed book with an excellent range of images. Sarah understands very well how to make a complex topic accessible and easy to digest by students looking to learn about or improve their skills and techniques in pen and ink illustration of the natural world

Her skills in this area have been endorsed by the Natural History Museum London which has commissioned her to produce online learning resources on the theme of natural science illustration for their Introduction to British Natural History Studies Training Course in 2021 - which is a super endorsement of her skills in this area.

Her book also usefully includes image contributions from some very impressive artists and illustrators working in this field from around the world who are both experienced and experts in their respective fields within natural history. I knew some but not all of them and I loved being introduced to artists who were new to me. 

Her book is, for me, a very refreshing change from my absolute bête noire i.e. art instruction books written by people who don't know their subject as well as they need to if they want to teach others and/or books where the flow of the content is poor and not well written.


What I really liked about the book

At the beginning two things stood out for me. There's a 

  • useful discussion about the depiction of nature and wild life which explores the parameters of the subject and how it can be represented
  • a timeline of the development of illustration using pen and ink which I've not seen before.
Other aspects I particularly liked 
  • Her very useful summaries of key points in a chapter. It's so easy to lose these when the text is so packed full of information. These 
  • Her summary checklists of things to think about with respect to different aspects of pen and ink illustration of natural history - e.g. the use of photography - which go from the basic and generic to the particular relevant to the subject matter and its particular challenges.
  • Very good discussion of the range of art materials, tools and equipment available to the pen and ink illustrator including:
    • Her emphasis on using the right tool for the job and 
    • her discussion of the very wide variety of both pens and nibs and inks available to the pen and ink illustrator
  • an excellent set of illustrations of different examples in relation to both techniques and subject matters
  • Her very clear illustrations of the differences between different techniques of contour hatching, cross hatching and stippling.
  • Her very clearly annotated pen and ink drawings which explain the use made of different mark-making techniques 
  • it includes a very useful section on Composition which focuses on how the principles and elements translate into this subject area and media
  • The huge diversity of subject matter illustrated in the book demonstrates how fascinating this aspect of art can be for those interested in nature and natural history. It includes specimens which I've never seen included in any art instruction book before.
  • The step by step exercises - which do not try to be lowest common denominator exercise for those new to the subject or media and instead clearly indicate a clear aim and scope plus a recommended and precise skill level needed prior to trying the exercise.
  • Her tips go way beyond the technical aspects of illustration. Sarah has some really great tips concerning the collection, presentation and storage of specimens found in the field. You just know these have been learned the hard way! The practical tips are in no way sanitised - she warns you when a specimen is going to smell!
  • I love the stories behind the development of some of the drawings of how specimens or habitats were encountered and approaches used to collect information for subsequent illustrations.

In conclusion......

Essentially this book is an excellent resource and reference book. It is
  • an excellent and comprehensive instruction book which is packed full of quality content that is both well organised and well written 
  • very practical - with lots of useful information and tips
  • packed full of illustrations and images which inform, educate and inspire
  • suitable for any committed art students from secondary school to the third age
My art instruction books of choice many years ago used to be those produced by Watson Guptill (The Drawing Book etc) because they were comprehensive, objective and authoritative. I can pay this book no higher compliment then to say it very much reminds me of the quality of those publications about various art and media topics - including the book on pen and ink! 

I'm very much looking forward to her next book.

About Sarah Morrish

Sarah Morrish is a widely-respected artist, illustrator and tutor, with many years of teaching experience. With a working background in ecology and conservation, she aims to raise awareness of the beauty and fragility of nature in all its forms. She is a member of the American Society of Botanical Artists, the Guild of Natural Science Illustrators, the Chelsea Physic Garden Florilegium Society and a Fellow of the Linnean Society.

You can find out more about Sarah Morrish - and the other methods she uses to teach natural history and botanical illustration in the links below

BOOK SUMMARY:


Publisher ‏ : ‎ The Crowood Press Ltd 
Publication date: 10 August 2021 in UK; 1 January 2022 in USA
Language ‏ : ‎ English
Paperback ‏ : ‎ 208 pages | Dimensions ‏ : ‎ 22 x 1.27 x 27.99 cm
Kindle Edition: File size ‏ : ‎ 63415 KB | Text-to-Speech ‏ : ‎ Enabled | Screen Reader ‏ : ‎ Supported | Enhanced typesetting ‏ : ‎ Enabled
ISBN-10 ‏ : ‎ 1785009222 | ISBN-13 ‏ : ‎ 978-1785009228

READ a review of this book published in the magazine for the members and patrons of the Natural History Museum which was written by one of the ecologists working at the Museum
As an ecologist, I appreciated the section dealing with legalities and best practice when collecting subject material. This is so important, but could have been glossed over so easily.

The book is available from a number of sources:
(Note: the Amazon links are my Associate links)

Tuesday, October 19, 2021

Review: Society of Wildlife Artists Annual Exhibition 2021

Yesterday I visited the Society of Wildlife Artists Annual Exhibition at the Mall Galleries - the 58th Annual Exhibition of the SWLA.

The exhibition showcases the very best of art inspired by the natural world and includes drawings, paintings, original prints and sculptures from both members and non members of the Society.

It opened last week (but I was at an Online Conference for four days and Monday was the earliest I could make it) and continues in all three galleries until 1pm on the 24th October. Otherwise it's back to normal opening hours - 10am to 5pm.

The end wall of the West Gallery - with paintings by Andrew Haslen SWLA

If you aspire to exhibit in this exhibition, it's ESSENTIAL that you see the very high standard of artwork included in the exhibition - by both members of the Society of Wildlife Artists and those selected from the Open Entry (see Call for Entries: Society of Wildlife Artists Annual Exhibition 2021)

If, like me, you're still being very careful re social contacts, then it's nice to know that the galleries are large and there's lots of space for those attending - and everybody wears a mask!

If you can't get to see it right now, I've uploaded my photos of every wall of the exhibition to three Facebook Albums - so you can see what you're missing!


You can also 
  • view the President's tour of the exhibition (above)
  • view the exhibition in 3D Online. Matterport still have not resolved the hyper-brightness of images in the Wet and East Gallery - although views of artwork in the North Gallery are much closer to reality. I think the quantity of white walls is overwhelming the 3D software!
  • see all the artworks on exhibition via the Mall Galleries website - although you see them in isolation and not within the context of something that provides insight as to size (apart from the dimensions of course!)

This post about The Natural Eye exhibition, on the SWLA website, introduces particular features of the artwork and how/why it was developed. Much kudos to the Society for actually having a commentary on their own exhibition on their own website before the exhibition opened! I've grown tired of there being rather too many Societies which are far too slow in updating their websites to provide complementary marketing of the exhibition - and the artwork of their artist members!

Overview

I'm pleased that more people are going to get to see the show this year. I saw it last year - but many people didn't travel (including many members) and the ravages of 'you know what' meant it closed early (see  SWLA's new website and annual exhibition closing early).

I'm afraid, exhibition views are now more limited for me. I always used to walk round exhibitions three times - but now I have to be careful how many steps I take before my bone on bone ankle seizes up! (see Ever so slightly distracted - from a year ago!) Plus I get very tired.... Which is partly why I now take more photos - to remind myself of what I've seen.

That said, I do jot notes and this is my take on the exhibition overall
  • the quality of work generally is very good - with some work being excellent
  • there's a huge variation in style and media used for the drawings, paintings fine art prints and sculpture on display
Some smaller works - fine art prints and sculpture in the North Gallery

  • the Hang seems different this year - with more themes and series apparent on the walls. I queried this with Harriet Mead, President of the SWLA and this year there was a different hanging team - and Harriet got involved too! The most difficult wall to hangs the end wall in the West Gallery - because it's seen from afar by everybody entering the gallery - and MUST be interesting,. This year it was almost "off the wall" with colour! (see image at top)

Screen prints of birds by Robert Gillor PPSWLA MBE
  • I thought I saw rather fewer fine art prints - which saddened me as I always enjoy seeing the prints in this show. I think it's because one member chose to do oil paintings rather than prints and another chose to do rather smaller artworks as prints compared to previous years. That said, there are some extremely affordable unframed prints to be had - so much so that I think buying groups of prints would be the best approach!
  • Part of the exhibition have a strong maritime theme
Maritime themes involving wildlife - in the East Gallery


Paintings of urban foxes and other wild life by John Dobbs SWLA
and sculpture of Wild dogs by Nick Mackman SWLA

It's also worth remembering that its' not coincidental that the name of this annual exhibition is "The Natural Eye"
  • I always used to think this was a play on visual art and nature. 
  • I'm now more convinced than ever that's just as much about the emphasis which the SWLA places on artwork conceived, started and sometimes developed to completion while observing wildlife "in the field / sea / air"
Impressionistic drawings, paintings and sculpture - from observation - in the East Gallery 


SWLA are not looking for photorealistic artworks. They're looking for artists who OBSERVE wildlife - in the raw and in its natural habitat! Indeed I'd go so far to say, with some degree of certainty, that being very photorealistic might mean an artwork in the open entry might get passed over pretty quickly.....


The Natural Eye Drawing Bursary


I wrote about how to apply for this bursary back in April - see The Natural Eye Bursary 2021 - Call for Entries

The North Gallery has a display of the sketchbooks and drawings produced by previous bursary winners. It's a good platform for getting noticed - if you produce good work.

The Natural Eye Drawing Bursary


The Natural Eye 2021 Prizes & Awards 2021


You can read about the prizewinners on this page.

The Birdwatch and Swarovski Optik Artist of the Year Award

A prize of an ATS 80 HD spotting scope with 25-50x zoom eyepiece (with a value of £2,430), plus subscription to BirdGuides/Birdwatch

Across the bay by Liz Myhill

Across the bay by Liz Myhill

Liz Myhill is a Scottish artist and a native of the Isle of Skye in Scotland
....whose observational works span a wide range of subject matter, gathered through working directly from life. The act of walking, watching and recording numerous facets, whether fleeting or through lengthy study, allow her to gain a connection and sense of place. Although often an end in themselves, these field works are also developed into paintings and printmaking.
Liz exhibits her work throughout the UK, regularly showing with societies such as the Royal Scottish Academy, Royal Scottish Society of Painters in Watercolour and Royal Glasgow Institute of the Fine Arts. She has also received a number of awards.

The BIRDscapes Gallery 'Conservation through Art' Award

Steve and Liz Harris have decided to increase the prize fund for this year to £1,000.

The Decline of Eels by Julia Manning SWLA

This is a simply STUNNING series of images of the life cycle of the eel on its travels - with some very cautionary tales of what can happen to the eel en route. (You can see a number of pics of this series in my East Gallery album)

The Decline of Eeels by Julia Manning SWLA
I started this project in response to being part of a funded project for The Somerset Wildlife Trust, called The Somerset Brilliant Coastline. Quite by chance, last September, Andy Don, an International Eel Expert came to my studio to buy another print for his collection. Over a cup of coffee he told me about what he did for a living and how eels had declined in the last 40 years and especially here in Somerset. This was a perfect subject for me to explore for this project.
I wanted to make people from Somerset and further afield aware of what we could be losing, by impediments to eel migration, such as weirs and other man-made structures, also the mortality caused by being drawn into lethal intakes such as pumping stations, hydropower plants and nuclear power stations.
This PDF file provides an explanation (at another exhibition)
  • how the series came about
  • all the individual pieces in the series
Julia Manning is an artist and printmaker based in Somerset. She studied fine art at Bath Academy of Art, Corsham and "for over 40 years I have earned a living with a paint brush!" She's a member of The Devon Guild of Craftsmen, Somerset Printmakers, The Society of Wildlife Artists and of The Royal Society of Painter Printmakers.

This is the background to the award
The Conservation through Art Award, sponsored by The BIRDscapes Gallery, acknowledges an artist’s efforts in using their art to help conserve the natural world. It also directly benefits wildlife by the prize money being shared equally between the artist and a nature conservation body of the artist’s choosing. This year’s Award goes to an exceptionally deserving candidate.

Her powerful body of work is both visually exciting and dynamic, leading the viewer to look more closely at what is portrayed. Her thought-provoking commentary on the plight of a threatened British species and its environment, is a huge conservation message contained within the appealing images of a skilled printmaker.

RSPB Award

Smew sailing through by Ben Woodhams SWLA

Smew sailing through by Ben Woodhams SWLA

Ben Woodhams
is an English artist and illustrator currently living and working on the Danish island of Bornholm in the Baltic Sea. His practice is founded in direct observation and he specialises in birds, working primarily in watercolour.

Larson-Juhl Award

To celebrate drawing or dry media, draughtsmanship and capturing ideas as an art form, £500 worth of Larson-Juhl materials to the winner and a feature in their '4Walls' magazine

All works by Tianyin Wang

Three large charcoal drawings by Tianyin Wang - the shoal of fish and the two birds.

Tianyin Wang is an artist working primarily in charcoal drawing.

Born in 1986, he is currently based in London, UK. He graduated with a BA (Illustration) from Arts University Bournemouth in 2009. Between 2009-2015 he worked as a digital-based editorial illustrator. From 2015, Tianyin started to develop his unique charcoal drawing technique using a combination of different charcoals to achieve a distinctive look. 
You can follow him on Instagram

Dry Red Press Award

The winning work reproduced as a greetings card

Great Crested Grebes with Yellow Water Lilies and Banded Demoiselles by Brin Edwards SWLA

Great Crested Grebes with Yellow Water Lilies and Banded Demoiselles 
by Brin Edwards SWLA


Brin Edwards works from his straw bale studio in Assington near Sudbury in the heart of rural Suffolk. He has been a member of the SWLA since 2005 and has served on SWLA Council for many years

Panorama of the exhibition in the West Gallery

REFERENCE: Society of Wildlife Artists

My blog posts include:


2021
2020
2019
2017
2016 - Review - Society of Wildlife Artists 53rd Annual Exhibition
2015 - Review: Society of Wildlife Artist's 52nd Annual Exhibition (2015)
2014 - Video: 2014 Exhibition of the Society of Wildlife Artists
2013 - Review: 50th Annual Exhibition - Society of Wildlife Artists
2013 - If you want a lot of people at the Private View......
2013 - Society of Wildlife Artists - a new book and a bursary
2012 - Review: 49th Annual Exhibition - Society of Wildlife Artists
2011 - Review: Society of Wildlife Artists - Annual Exhibition
2009 - Society of Wildlife Artists - Annual Exhibition 2009
2008 - 45th Annual Exhibition of the Society of Wildlife Artists
2007 - Society of Wildlife Artists at the new Mall Galleries