Tuesday, February 10, 2026

The NEW Portrait Artist of the Year Judges

The announcement of the NEW Judges for Portrait Artist of the Year was rather weird in terms of timing and what appeared when.

So I decided to defer comment until sure everything that was being published had been published. So below is:
  • An Overview of "What Happened?"
  • The NEW Judges of Portrait Artist of the Year
  • The Major Disconnect around Portraiture re. PAOTY
  • New Judges for Landscape Artist of the Year?
The New Judges for PAOTY in 2026

Commentary on the new format of LAOTY - which has also been announced (on 20th January by Artist of the Year, Tai-Shan Shierenberg and Stephen Mangan) - and what happens re the Judges for that will follow.


What Happened?


There has been a lot of clamour on social media for the Judges to be changed - for various reasons - for quite a while (that's years!).  So it's now happening - but the media roll-out could have been better organised. It has the feel of something which had a few hiccups along the way

My timeline of info (coming and going out) went something like this
  • On 9th January, we had the announcement from Kate Bryan on Instagram that she was longer participating in Artist of the Year. 
    • This appeared on her Instagram Account but NOT the Artist of the Year Accounts. 
    • Which is very unusual, media teams usually arrange to sync re the announcement of any change when this has been a negotiated and amicably agreed. 
    • It also didn't appear on the accounts of the other two Judges. Make of that what you will.
Normally any well planned announcement goes live contemporaneously. (my blog post)
  • The explanation for no announcement from Storyvault Films was probably because they were in the throes of the media publicity run-up to the new series of Landscape Artist of the Year - and you do NOT run two big stories at the same time! I kept looking - in the days afterwards - but the LAOTY news continued to predominate (as one would expect) 
  • On 15th January I published that Kate Bryan is no longer a Judge for Artist of the Year referencing her Instagram post and highlighting that
    • it had previously been announced that she was stepping down from Landscape Artist of the Year - but would carry on with PAOTY
    • but it now included to Portrait Artist of the Year too!
  • On 20th January - once LAOTY was underway, we got another major change announced completely out of the blue - about a major change to Landscape Artist of the Year 
  • Then 0n 29th January an announcement about a refresh and a change in Judges for Portrait Artist of the Year dropped - on Instagram

  • Followed by my post on 30th January Goodbye - ALL THREE Artist of the Year Judges (which I had drafted late the previous evening and set up to publish at 9:30am.
  • Followed 30 minutes later at 10am on 30th January, by the announcement of the NEW Portrait of the Year Judges. Here's the Facebook Announcement 

By which point I'd decided to give Artist of the Year a bit of a break re announcing changes on my blog - just in case there were any more!!

The NEW JUDGES for Portrait Artist of the Year


There are three new Judges for Portrait Artists of the Year. Below I will 
  • summarise the three new Judges below with links to their websites and social media.
  • followed by a commentary by me re the type of Judge that has been chosen and what I'm calling "The major disconnect around Portraiture"
I think Storyvault Films have basically gone with a "more of the same" BUT "bigger and better" than the three existing Judges. They have certainly updated with new younger models.

However they have not introduced more artists and I think the ratio is the wrong way round. Two well established and reputable portrait artists plus a heavyweight in the curatorial/commercial world would be a better balance in my view.

Monday, February 09, 2026

Call for Entries: Portrait Artist of the Year 2026

The deadline for entries for Series 13 of the televised art competition "Portrait Artist of the Year" is Friday 20th February 2026.

Good job I didn't write this any earlier - they've changed all the Judges since I did! More about the new Judges tomorrow.


This post is about:
  • The nature of this art competition
  • WHO can enter
  • HOW to enter
  • What the day of filming is like - and how long it lasts!
  • Plus TIPS about this art competition
  • AND TIPS about juried art exhibitions and art competitions generally (at the end).

Quotations below are from the Terms and Conditions of the competition or as indicated.


This is a televised competition. Artists enter with a self-portrait created within the last 5 years. They are selected on merit by our panel of expert judges. At the heats they are given four hours to paint a surprise celebrity sitter. The heat winners get to compete at the Semi-Final. Three of the Semi-Finalists go through to the Final but only one is selected as the overall winner.

Filming of Portrait Artist of the Year is planned to take place at Battersea Arts Centre in April 2026.

How this art competition works 


This is an art competition as a television show. 

Entries for the competition closes at 12:00pm (midday) on Friday 20th February 2026 (“the Closing Date”). Entries received after this date and time will not be considered. 

These are the Terms and Conditions

Filming of Series 13 of Portrait Artist of the Year is planned to take place at the Battersea Arts Centre in April 2026. (see below for dates in April)
  • In effect this is a 'reality' show (i.e. real people/artists) as a knock-out competition for portrait artists.
  • Nine artists compete in each heat - which are held between 14th and 23rd April
You agree to use Your best endeavors to be available for any alternative and/or additional dates requested in March, April, May, June, July, and August 2026.
  • there are three surprise "celebrity" sitters (some you will know/ some you won't!)
  • each sitter has three artists drawing / painting / printing their portrait - in various 2D media
  • you have just four hours to complete a portrait - which is essentially 2 hours before the lunch break and 2 hours afterwards. (However artists can and do continue painting throughout the lunch break - when there is no sitter in front of them)

    The Shortlisted Artists will have a maximum of 4 hours over a 5-6 hour period (or such other period as the Producer at its discretion may determine) to complete their Heat Artwork.
The panel of Judges may take the Shortlisted Artists’ Portrait Entry(s) and their Additional Works of Art into consideration during this judging process, and all of the criteria for judging and the decisions of the Judges shall be at the discretion of the Judges and the Producer and shall not be not open to dispute or discussion 
- except by me "after the event"

  • The Sitter gets to choose a portrait - and if it's your portrait this is gifted to the sitter. (Make sure you get a photo of yourself with the sitter and the portrait!)
  • The Heat Winner - from a shortlist of three - goes through to the Semi-Finals

TIPS: Artists have just four hours to complete their portrait. HOWEVER:
  • you will be interrupted by presenters and/or or Judges who will talk to you during the four hours
  • people with cameras and sound recording equipment will be filming around you ALL THE TIME and sometimes you won't be able to see the sitter - or will need to move (see below)
  • You will be at some distance from the sitter - much further than with normal portraits - and you can't move your setup in to get closer. (check the distance between artist and the sitter when you watch the programmes)
  • It's a good idea to bring a digital device to take a photograph for when you can't see the sitter properly - or you can't see the details of the face clearly enough.
Filming of Series 9 Heat 1

  • Eight heat winners get to compete at the Semi-Final on Wednesday 29th April 2026
If You are chosen as a Semi Finalist or Finalist and are asked to travel away from home or are invited to 8 attend the Final, the Producer shall supply and pay for Your reasonable and pre-agreed travel and hotel costs. (T&Cs para 41)
  • Three people from the semi-finals are selected for the Final on Tuesday 19th May 2026 at a location in London (which may or may not be Battersea Arts Centre) which involves:
    • a commission to be completed between the semi final and the final(essentially in about two weeks)
A space of the contributor’s choice in which to complete this artwork, where a timelapse camera can be rigged, must be provided free of charge by the contributor to film any or all of this process.
  • four hours to complete the portrait of the celebrity sitter in the final. I think the condition below is new. The second option has never been used before.
The Producer may ask
  • all of the Finalists to depict the same Portrait of a Sitter at the Final Location,
  • or each Finalist may be required to depict different Sitters at the Final Location.

The Prize

The winner is awarded a commission - worth a taxable fee of £10,000 - to create, complete and deliver a portrait of a notable person for a (usually) prestigious organisation - selected by the Producer - by a specified date.

If you want to know why the prize money is taxable see my page on my website Art Business Info for Artists about Tax on art awards and prize money
If You are chosen as the Winner, You must be available between the Final Date and the end of July 2026 to produce the Winner’s Prize Artwork on exact dates to be determined by the Producer.

 

Who / how / what to enter

Saturday, February 07, 2026

LAST CALL FOR ENTRIES: Jackson's Art Prize 2026

The deadline for entries for Jackson's Art Prize 2026 is 2nd March 2020 (5pm).

This post looks at Jackson’s Painting Prize 2026 and, in summary
  • who can enter
  • what you can enter
  • why enter
  • how to enter (registration / timeline / digital images etc)

Call for Entries: Jackson's Art Prize 2026



The intentions behind the Jackson's Art Prize are:
  • to bring together a global community of creatives and
  • showcase the work of artists of all ages and abilities.
The annual award welcomes 
  • entries in all two-dimensional media including painting, drawing, and original printmaking 
  • from amateur to professional artists.
There are lots of prizes - which are mainly art materials, although there is a £6,000 cash first prize.


Who can enter

  • Open internationally to artists of all ages and abilities

What type of artwork can you enter?

  • Artworks created in two-dimensional mediums eg painting, drawing, printmaking
  • About any theme or subject matter
  • Artworks for the competition must be submitted by the artist who created it. 
  • All work must be your own intellectual property. 

This is what the competition does not accept
  • Three-dimensional or sculptural work
  • Digital, computer manipulated, or AI art
  • Pure photography
  • Digital prints e.g. giclée
  • Artworks of an inappropriate or offensive subject matter will be removed from the competition.
  • artworks that directly copy other people’s work (this does not include artistic interpretations) or works that are made from a tutorial.
There will, of course, be some silly idiot who will think it's OK to try and smuggle some AI artwork in. Personally I'd award a "Great Big Wally" Award to anybody who did so and name and shame on social media.

You can see past entries and winners on the Jackson's Art Prize Instagram account 

The quality of the photograph of the artwork


Thursday, February 05, 2026

Review: Episode 4 of Landscape Artist of the Year Series 11 (2026) - Skiddaw

This week, for the fourth episode of Landscape Artist of the Year the artists are back in the Lake District to paint Skiddaw which lies just north of Keswick. 

This is my review, which covers the location, artists, wildcards, heat paintings, who got shortlisted and who won the heat. Plus the themes I found cropped up throughout the programme. 

WARNING: Go and get a cup of tea or coffee and sit down. This is a very long one!
I got half way through this post and decided to call it THE MEGA WHINEY post. I really, really, really want to stop whining and complaining. Please!

There will be yet more screaming - for various reasons....

If you anticipate wanting to enter for next year
  • At the bottom of this post you will also find links to my REVIEWS of all previous episodes in Series 11.
  • Plus you can find all my REVIEWS of previous LAOTY Series from Series 4 (2018) TO Series 10 (2025) - which ALL have lots of tips - on my Art on Television page.

Episode 4: Skiddaw


LAOTY 2026: Episode 4 - Skiddaw Fell
The wildcards arriving - with Skiddaw in the background
aka "Look no houses!"

    Location and Weather

    The 931-metre (3,054 ft) summit of Skiddaw is traditionally considered to be the fourth-highest peak and the sixth highest in the UK. Its slopes are grassy towards the bottom and the ridges are covered in ice-shattered scree and stones towards the top. It's located in what are called the Northern Fells

    Up until the middle ages, its slopes were covered with a temperate rain forest. The Cumbria Wildlife Trust has an appeal for a 100 year project to help restore the Skiddaw Forest to its slopes 

    I think they relocated the LAOTY Pods from the edge of Derwent Water to the other side of Crow Park and then turned them around so they were facing the view of Skiddaw above the town of Keswick.

    Interestingly Skiddaw actually looks very like Croagh Patrick (to be painted for the Commission) - so this was "the ideal audition". Except it wasn't.....

    I'm guessing the pods were located where it was flattest. That's because I was somewhat surprised at the angle of the location. I was expecting them to be more turned towards Skiddaw - on the extreme left in the pic below - instead of being lined up in front of the town of Keswick. 

    Wildcards and Pods
    trees in the foreground, Keswick in the middle ground
    and then Skiddaw in the background

    This was another very hot day - as happened for the first episode at Derwent Water. I'm not going to repeat all the hot weather recommendations from previous episodes of this series.

    Episode 4: The Artists in the Pods


    Episode 4: The Heat 4 Artists - out of their Pods and waiting to be shortlisted

    Episode 4 pod artists are listed BELOW in the alphabetical order of their surnames.
    • Including a synopsis of their background
    • Links to their websites (if they have one) are embedded in their names.
    • Social media platforms are also referenced - but typically only one
    The artists are:
    • Ian Dowding - a former chef / restaurateur from East Sussex who is a self taught artist, painting in acrylics.  (no social media relating to art that I can find)
    • Stephanie Euphemia (Instagram) - a professional artist from Shropshire. She's a  landscape artist who specialises in oil painting en plein air - and has exhibited in various art galleries in England. She's also a former tennis player who gave up a corporate career to become an artist. She brought her daughter to the heat.
    Stephanie and her mini-me
    I had such an incredible experience meeting the judges, painting alongside the other artists (and my miniature artist who decided she wanted to get in on the action) and loved seeing all of the different artistic interpretations of the Skiddaw Mountains.
    • Alison Paterson Mars - a local farmer, Alison lives and works in the rural, rolling, windswept and little known farming country of the Solway, between the high hills of the northern Lake District and the enclosing Cumbrian coast. She produces expressionistic paintings using dramatic colours. She exhibits in and around the Lake District/Cumbria. She comments on her website as follows...
    It was the hottest day of the year. There were 8 of us artists who were given a pod to work in, there were also 50 others -‘ the wildcards’ who had to fend for themselves, and sit out in the sun, We’d to be there for 7am and it was after 7pm when I left, so it was a long day. Everyone had a brilliant time and we were well looked after. 
    • Cathy Pearce (Instagram) -a professional landscape painter from Wiltshire. She has been working in pastels for the last 13 years. As she says, there can be more pure pigment in a pastel than in oil paint. She had an article about Achieving Vibrancy in Pastels in The Artist magazine last year. I was very pleasued to have it confirmed that she was using Unison Pastels - which are made in Northumberland and are my pastel of choice too! I bought my first sets in the Lake District! Plus Clairefontaine Pastelmat. I've had my eye on her very striking submission (in the introduction image) from the beginning of this series. I'd wondered if it was pastels and if they were Unison! She has artwork currently exhibited in The Pastel Society Annual Exhibition at the Mall Galleries (link is to the photo in the FB Album of her artwork!) Plus this is her explanation as to how.
    Yay - I found a pic of the Unison Pastels!!
    I've got all those boxes too!
    • Scott Simpson (Instagram) He was born in Aberdeen and has Scots Singaporean heritage. He graduated from Grays School of Art at Robert Gordon University. He is an award-winning painter now based in Alloa, Scotland. His drawings and paintings are, at the fundamental level, based on nature and seeing the world at a walking pace. He has exhibited at the Royal Scottish Academy, Society of Scottish Artists and Aberdeen Artist Society on several occasions. This is an interview with him
    • Dan West (Instagram) - Dan, age 24, is an emerging artist from Teddington who currently works full time in the marketing, branding and graphic design of events. He attended Esher College before studying marketing at the University of Portsmouth. He first appeared on LAOTY as a wildcard when he was 22. He works in graphite and coloured pencils. His artwork is a leisure time activity but goes way beyond the normal standard of leisure artists - particularly in relation to composition which is very good. He also does album cover designs for musicians.
    His main body of work focuses on the relationship between people and their environment, finding stories in every day life. Dan's work varies in size and material, with a consistent eye for narrative. (his website)
    This was one of the most surreal experiences of my life and it is quite the memory to look back on. I’ve watched the show with my family for years and to have the opportunity to compete on it alongside a group of passionate and inspiring artists was amazing.

    Episode 4: Submissions

    Monday, February 02, 2026

    Call for Entries: Trinity Buoy Wharf Drawing Prize 2026

    The Trinity Buoy Wharf Drawing Prize 2026 is now OPEN for entries
    • from artists and drawing practitioners 
    • from anywhere in the world
    • for a chance to be of the UK’s leading open exhibition dedicated to drawing,
    • with a new first prize of £15,000.
    This is one way of reading what you need to do ALL ON ONE PAGE!

    You are
    • you are invited to submit up to three drawings 
    • Deadline for entries: Stage 1 digital submissions online must be completed by Tuesday 9 June 2026 at 5pm.

    Things you need to know 

    (the) exhibition has an established reputation for its commitment to championing excellence and promoting and celebrating current drawing practice in the UK.

    The Trinity Buoy Wharf Drawing Prize

    ....offering artists the opportunity to showcase their drawings in the UK’s leading open exhibition dedicated to contemporary drawing,

    The Trinity Buoy Wharf Drawing Prize exhibition and awards are supported by the Trinity Buoy Wharf Trust.

    It's a prize which has had many names in its time - see the end for more about its background.

    The Trinity Buoy Wharf Drawing Prize 2026 Exhibition


    The selected drawings will be included in a high-profile exhibition held as follows
    • VENUE:  Buoy Store, Trinity Buoy Wharf, 64 Orchard Place, London E14 0JY from Thursday 
    • DATES: 17 September – Sunday 4 October 2026 
    • TIME: open daily from 11am to 6pm.

    It will also tour to various venues in the UK until 2027.
    • The annual open exhibition is led by its Director, artist, curator and educator, Professor Anita Taylor who has held various posts in art education. 
    • The exhibition will be accompanied by a fully illustrated publication and a programme of educational and engagement activities, including a symposium at Trinity Buoy Wharf.
    View of the exhibition in 2024

    The Prizes


    In 2026, there will be a new prize structure and awards with a total value of £18,000:
    • Trinity Buoy Wharf Drawing Prize 2026 - £15,000 - open to all artists with drawings shortlisted for the prize
    • Trinity Buoy Wharf Student Award - £2,000 - All students registered on a degree programme in the Academic Year 2025/26 who submit an entry
    • Three Boroughs Award - £1,000 - open to all those living and/or working in the London Boroughs of Tower Hamlets, Newham and Greenwich boroughs 

    How to Enter