The 63rd Annual Exhibition of the Society of Wildlife Artists is currently at the Mall Galleries
It's also the last exhibition of Harriet Mead as President of the SWLA, a role she has fulfilled extremely well for the last 17 years. She steps down at the AGM in November 2026.
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Harriet Mead with six of her sculptures of wildlife created from welded found metal Five of which have already sold! |
The exhibition also saw the launch of the SWLA's new book about its Massingham Heath Project which started in May 2025. The book is available to buy at the exhibition
The Massingham Heath Project will see over thirty of our member artists follow the seasons and changing flora, fauna and landscape of an exciting rewilding project in West Norfolk.
This is a review of this exhibition which continues until Saturday 10th October.
About the Exhibition
There are either 359 exhibits in the show which creates a good show on the walls without the exhibition seeming too overcrowded.
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| There are a lot of birds in the East Gallery |
Artwork includes oils, watercolours, acrylics, pastels, drawings, sculpture, original prints, mixed media and animation.
Much of the sculpture is beyond competent and some is extremely spectacular such as the cranes in the East gallery (see above)
One aspect I particularly like about this show is there are so many
excellent fine art prints (84 in total) which can be much more affordable - and sometimes smaller and easier to find a home for on your walls. These include Serigraphs, Etchings,Etching and monoprints, Etching and Aquatints, Linocuts and Reduction Linocuts, Lithographs, Collographs, Drypoints, Drypoint and chine colle, Monotypes, Mokuhanga (Japanese woodblock), Mokulito (wood lithograph) and Screenprints
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| Some of the prints plus a snake |
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| More prints |
What distinguishes the artwork in this wildlife art show is that it is based on actual observation of the subject, rather than the conversion of a photograph into a drawing, print or painting. The selectors are always looking for the signs that an artwork is based on personal and real observation.
Harriet Mead drew my attention to a submission by a new artist on the end wall of the West Gallery. This is not normally an exhibition where you see big cats or tropical animals. Yet this was a painting of Tiger Cubs. As Harriet said to me, you could tell straight away that this was based on observation in real life. It turned out the painting was was by an Italian artist who had visited Vietnam and come across captive cubs.
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Tiger Cubs by Francesco Calistri (Italy) oil and acrylic on canvas |
All the artworks are for sale and many of the artists can (and are) commissioned.
The trend I observed last year towards more smaller - and more affordable - medium and small size artwork seems to have continued - which I think is very sensible in the current economic context.
Nearly 80% of the 72 artworks sold in the first five days are priced at less than £1,500 with most sales being for less than £1,000. This in part reflects changes in sizes of artwork.
You can see the artworks: