A comprehensive look at Turner - all my blog posts

This is the blog post I should have done yesterday - on the 250th anniversary of the birth Joseph William Mallord Turner on 23 April April 1775 in Maiden Lane in Covent Garden #turner250

Below is a list of all my blog posts about some aspect of Turner since I started writing this blog. They all include images of various works by Turner - and some even include my versions

Many of you will never have seen or read them.

However, beware the links to pages relating to the Turner Bequest at Tate Britain. They revamped their website - without bothering to do any 301 commands to take people from old URLs to new URLs. In part bebcause they've dumped a lot of their content relating to Turner which used to be on the website - which is a very great shame.

Turner on Making A Mark (2007-2025)

A drawing by JMW Turner
On the Washburn, under Folly Hall
British Museum

2007

• Turner Watercolours with Hockney and Shirley

2008

• Tonight Matthew I'm going to be JMW Turner..... includes one of my sketches of Turner paintings

A study of Turner's snowstorm seascape
coloured pencil on Arches HP, 8" x 10"
copyright Katherine Tyrrell

2010

• Exhibition review: Turner and the Masters at Tate Britain
• Talk and Draw at the National Gallery

The Fighting Temeraire (1839)

oil on canvas, 90.7 x 121.6 cm

Joseph Mallord William Turner

Turner Bequest 1856

2011

• Review: 'Watercolour' exhibition at Tate Britain
• Turner finished my sketchbook

2012

• A Picture of London

"The burning of the Houses of Parliament" by JMW Turner

2013

• 25th November 2013 - Who's made a mark this week? - featuring Turner and the Sea - a major exhibition of marine paintings which opened at the National Maritime Museum.

2014

• Royal Academy Videos: how we made Mr. Turner
• "Mr Turner" - a new film about JMW Turner

2015

• J.M.W. Turner's House in Twickenham - open today!
• Review of Ruskin's Turners at the Fitzwilliam Museum

Brunnen, Lake Lucerne in the distance c.1841-3,
J.M.W Turner (1775-1851).
watercolour over graphite, with pen, brown and black ink on paper
(touches of watercolour, verso, from next page)
height, 225, mm; width, 290, mm
Image: copyright Fitzwilliam Museum, Cambridge

2016

• Art History: JMW Turner and the Industrial Revolution

Rain, Steam, and Speed - The Great Western Railway
Location: Maidenhead Railway Bridge looking east,
across the River Thames​ between Taplow and Maidenhead
The bridge was designed by Isambard Kingdom Brunel and completed in 1838. 
Exhibited: Royal Academy in 1844
Collection: National Gallery

2018

• Visit the Prints and Drawings Room at Tate Britain

2019

• JMW Turner's Travelling Watercolour Paints

Watercolour palette owned by J.M.W. Turner, R.A.
175 mm x 148 mm x 4 mm

2020 

J.M.W. Turner (1775-1851), The Doge's Palace and Piazzetta, Venice, c.1840.
Image © National Gallery of Ireland

• J.M.W Turner and The Vaughan Bequest
• British Museum: Prints and Drawings - The Solution! - how to see some of his drawings and watercolours up close

2023

• Unseen Turner and Bonington watercolours now on display at the Wallace Collection

2025

• The Turner Prize Shortlist 2025 begs a question

Where you can see Turner's artwork

The Turner Society maintains a list of all the larger collections in public museums and galleries throughout the world, has a magazine and various events, walks, visits related to Turner. 

You can become a member of the Turner Society.

The Turner Prize Shortlist 2025 begs a question

Today is Turner's 250th Birthday. Two days ago, the artists shortlisted for Turner Prize 2025 shortlist were announced.

What is The Turner Prize?

What the Tate says - other than in this year's press release - is

The Turner Prize is awarded to a British artist. 'British' can mean an artist working primarily in Britain or an artist born in Britain working globally. The prize focuses on their recent developments in British art rather than a lifetime's achievement.

Very many well known artists - or ones who have gone on to become very well known - have won The Turner Prize in the past. You can see a list here.

The award in 2025 is £55,000

• £25,000 goes to the winner and 
• £10,000 each goes to the other shortlisted artists.

In the past, the prize has been criticised for having criteria which are unfocused i.e. how do they get from the vast range of contemporary art development in the UK to those artists who are shortlisted for this prize.

Can one determine purpose from those shortlisted this year?

One of the world’s best-known prizes for the visual arts, the Turner Prize aims to promote public debate around new developments in contemporary British art.

They are:

• Nnena Kalu, 
• Rene Matić, 
• Mohammed Sami and 
• Zadie Xa.

Nnena Kalu, Conversations, Walker Art Gallery, installation view.
Courtesy of the Artist and Walker Art Gallery, Liverpool.
Photo credit: Pete Carr.

the unveiling of the short list often occasions a fierce debate about the artists’ relative merits and sometimes about the very definition of art. 

My initial inclination is to think somebody is trying to make a point. Which is all art needs to have a message. 

I don't think it does. I think art can be very many things. What it emphatically does not ALWAYS need to be is something with "a message" - and yet this is what jurors always seem to like.

In 2025, art seems to have become something which can only be celebrated if the artist is marginalised in some way - in terms of heritage or gender or ethnicity. Maybe this is connected to the fact that this year the Turner Prize is associated with Bradford as the City of Culture - and one might expect some sort of respect for the diverse communities that live in Bradford. 

But should it reflect just one city or the nation as a whole?

Of very great and increasing concern to me is that art favoured by jurors often seems NOT to connect in any way with vast numbers of the British public.
In turn, this can then be exploited by extreme right wing political parties which leads to increasing numbers of people voting for them. That way lies fascism and all that goes with that - as we are seeing playing out right now in the USA. That is very much NOT the way I want to see the UK go.

I'm also left wondering if the jurors selected their four shortlisted artists before or after this headline from the Evening Standard - Visitor numbers plunge at London art museums as Tate galleries lose 2.7 million in five years (25th March 2025) - which really shocked me! (There will be another blog post on this topic and why numbers have dropped - which is pertinent to my comments above).

But who decides?

It seems to me that which artistic developments get noticed rather depends on who is judging the prize - and which organisations they are associated with. 

This year the members of the Turner Prize 2025 jury are:

Noli me Tangere revisited

On Easter Sunday in 2017, I published a post about Noli me tangere - suggested to be the first words words said by Christ on meeting Mary Magdelene in the Garden of Gethsemane.

The Latin words 'Noli Me Tangere' mean 'Do not touch me', and refer to the episode of Mary Magdalene's first encounter with Christ after his Resurrection. National Gallery

There have been very many drawings, paintings, fine art prints of the biblical scene of Mary Magdelene recognising Jesus Christ after his resurrection. It's an iconic and artistic motif which has continued for centuries. 

On this Easter Morning I've reprised the post:

• Today I've found the images (mainly in Wikimedia Commons) and put them in an album on my Facebook Page - with the details of each image from the original blog post.
• plus I've found a new image - by two past masters of Netherlandish art

Artworks have been produced by very many notable artists. My blog post documented various of the artworks in chronological order. They include: Giotto, Duccio, Fra Angelico, Memling, Botticelli, Dürer, Titian, Holbein, Poussin, Lorrain

This is an additional - and unusual - image. It was painted by BOTH Jan Brueghel the Younger, Peter Paul Rubens. Rubens did the figures and Brueghel did the landscape and plants. One interesting aspect is that Christ is portrayed as a gardener and while flowers are still in bloom the vegetables are ready to be harvested— which I gather is an allusion to Paradise.

Christ Appears to Mary Magdalene on Easter Morning (Noli me tangere) c. 1626
Jan Brueghel the Younger, Peter Paul Rubens
59.0 x 100.0cm, oil on wood
Kunsthalle Bremen - Der Kunstverein in Bremen

In addition, this Wikimedia Commons Category:Paintings of Noli me tangere has the paintings ordered by century in date order.

Going for Gold

I have an article in the June edition of Leisure Painters and The Artist Magazine. It's called "Going for Gold" - which is much shorter, snappier and better than my title which was "How to exhibit botanical art and win a medal"!

"Going for Gold" in the June Edition of The Artist Magazine

Essentially it's a synopsis of what you need to do:

• to be approved to exhibit at the RHS Botanical Art Show
• how to choose and develop an exhibit of 6 botanical artworks which might help win you a Gold Medal
• how to get a space at one of the shows - and what you have to do then in terms of delivery what is required

It also contains LOTS of tips - most of which came from RHS Gold Medal Winners who I've been interviewing for years!

You can order a copy of the magazine online

I was very chuffed to find that my credit for the article, rather than being just a small paragraph in italics at the end which explained who the author was, that I actually got a photo and links to my websites!! (see pic on right)

The RHS Botanical Art & Photography Show 2025

One of my major recommendations is that you should always try and visit the show before trying to get accepted.

You can learn such a lot about how to approach a major project from observation of the exhibitions which made it all the way through to the actual show. It's a bit like going to watch the Olympics if you are an athlete!

Which leads me to highlight that the RHS Botanical Art and Photography Show will be at the Saatchi Gallery in Chelsea between 13th June and 27th July 2025 - and will be open from 10am to 6pm each day. 

This year entrance is FREE for the first time and pre-booking is not required!
There is a suggested donation of £5.

Beyond The Prize

Beyond The Prize is a NEW and different sort of contemporary figurative art exhibition. It's all about 160 new artwork produced by over one hundred recent award-winning artists artists - and it opens at the Mall Galleries on Wednesday 16th April.

Bringing together the best emerging and established artists from art societies across the UK, the exhibition celebrates the impact of prizes and awards on their work, and their work on the world.

• The aim of the exhibition is to provide them with a showcase for their new works and to highlight figurative art as a thriving, contemporary art form. 
• The artists and artwork have been guest curated by Tabish Khan - an art critic who specialises in London's art scene. He is the visual arts editor for Londonist, a trustee of ArtCan, (a non-profit arts organisation that supports artists through profile raising activities and exhibitions), Discerning Eye, and is a member of The Critics’ Circle.

The exhibition is presented by the Federation of British Artists, a collective of leading art societies based at Mall Galleries. It is through the exhibitions and initiatives of the Federation - led by artists, for all - that more than £100,000 worth of prizes and awards, bursaries, residencies and scholarships are awarded to artists annually. Featured in this exhibition are many of these winners, plus award-winning artists from the Royal West of England Academy, Royal Scottish Academy, Royal Ulster Academy of Arts, and Wales Contemporary.

The artwork is already available to see - and buy - online. 

The exhibition is accompanied by an online series, featuring interviews with many of the exhibitors about their journey to the prize and beyond.  This includes their responses to the question:

"What impact do you think art has on the world, now, and in the future?"

There are also a number of events - listed after the details of the exhibition below.

The Artists in the Exhibition

The exhibition includes both emerging and established artists. Exhibitors are 

• award-winning artists from the annual open exhibitions of the art societies within the Federation of British Artists in 2023 and 2024, 
• plus winners of the gallery’s bursaries, residencies and scholarships over the same period.
• plus award-winning artists from the Royal West of England Academy, Royal Scottish Academy, Royal Ulster Academy of Arts, and Wales Contemporary.

If this exhibition continues beyond this year, it provides an enormous incentive for:

• artists to submit great artwork to FBA Exhibitions with a view to winning a prize
• a high standard of judging in relation to who wins prizes.

You can see the names of the artists in the online exhibition

However, very oddly, none of the listings provide any reference to the prize they won. Which I thought was the whole point of the show - to demonstrate that these are prizewinners!

I did ask the Mall Galleries for a copy of the list of the artists - but got an email back from the consultant who is doing their publicity saying she doesn't monitor her email account!!!

I think there are a few aspects which could be improved if this exhibition were to run again!

Artworks in the Exhibition  

There are 160 new artworks in the exhibition. 

Media

• 75 - oil or acrylic
• 26 - waterbased media (watercolour, gouache, pen and ink)
• 25 - mixed media
• 24 - dry media (pastel, charcoal, graphite)
• 6 - scultures
• 4 - prints

Subject matter

I'll be interested to see how these fare in the selling stakes as I know which category tends to generate the most sales - and it isn't Portrait and Figures.

• 61 - Portrait and Figure 
• 39 - Landscape and Cityscape
• 23 - Still life and Interiors
• 16 - Wildlife and Animals
• 11 - "Other" - including "Freemotion embroidery on painted silk"
• 1 - Abstract

Pricing

It's worth commenting on the pricing in advance. There are four approaches to pricing by different groups of artists who I would characterise as follows

• artists who are not willing to compromise their prices and choose to make them not for sale. The exhibition represents a marketing opportunity for commissions.
• artists who have stuck to their normal price range for size and media
• artists have have been optimistic as to who this exhibition might be marketed to, one way and another - who might have got rather ambitious / overly optimistic in their pricing and will very probably be disappointed
• artists who have read my blog posts on pricing for exhibitions at the Mall Galleries.

How to see the Beyond the Prize Exhibition