Saturday, February 07, 2026

LAST CALL FOR ENTRIES: Jackson's Art Prize 2026

The deadline for entries for Jackson's Art Prize 2026 is 2nd March 2020 (5pm).

This post looks at Jackson’s Painting Prize 2026 and, in summary
  • who can enter
  • what you can enter
  • why enter
  • how to enter (registration / timeline / digital images etc)

Call for Entries: Jackson's Art Prize 2026



The intentions behind the Jackson's Art Prize are:
  • to bring together a global community of creatives and
  • showcase the work of artists of all ages and abilities.
The annual award welcomes 
  • entries in all two-dimensional media including painting, drawing, and original printmaking 
  • from amateur to professional artists.
There are lots of prizes - which are mainly art materials, although there is a £6,000 cash first prize.


Who can enter

  • Open internationally to artists of all ages and abilities

What type of artwork can you enter?

  • Artworks created in two-dimensional mediums eg painting, drawing, printmaking
  • About any theme or subject matter
  • Artworks for the competition must be submitted by the artist who created it. 
  • All work must be your own intellectual property. 

This is what the competition does not accept
  • Three-dimensional or sculptural work
  • Digital, computer manipulated, or AI art
  • Pure photography
  • Digital prints e.g. giclĂ©e
  • Artworks of an inappropriate or offensive subject matter will be removed from the competition.
  • artworks that directly copy other people’s work (this does not include artistic interpretations) or works that are made from a tutorial.
There will, of course, be some silly idiot who will think it's OK to try and smuggle some AI artwork in. Personally I'd award a "Great Big Wally" Award to anybody who did so and name and shame on social media.

You can see past entries and winners on the Jackson's Art Prize Instagram account 

The quality of the photograph of the artwork


Thursday, February 05, 2026

Review: Episode 4 of Landscape Artist of the Year Series 11 (2026) - Skiddaw

This week, for the fourth episode of Landscape Artist of the Year the artists are back in the Lake District to paint Skiddaw which lies just north of Keswick. 

This is my review, which covers the location, artists, wildcards, heat paintings, who got shortlisted and who won the heat. Plus the themes I found cropped up throughout the programme. 

WARNING: Go and get a cup of tea or coffee and sit down. This is a very long one!
I got half way through this post and decided to call it THE MEGA WHINEY post. I really, really, really want to stop whining and complaining. Please!

There will be yet more screaming - for various reasons....

If you anticipate wanting to enter for next year
  • At the bottom of this post you will also find links to my REVIEWS of all previous episodes in Series 11.
  • Plus you can find all my REVIEWS of previous LAOTY Series from Series 4 (2018) TO Series 10 (2025) - which ALL have lots of tips - on my Art on Television page.

Episode 4: Skiddaw


LAOTY 2026: Episode 4 - Skiddaw Fell
The wildcards arriving - with Skiddaw in the background
aka "Look no houses!"

    Location and Weather

    The 931-metre (3,054 ft) summit of Skiddaw is traditionally considered to be the fourth-highest peak and the sixth highest in the UK. Its slopes are grassy towards the bottom and the ridges are covered in ice-shattered scree and stones towards the top. It's located in what are called the Northern Fells

    Up until the middle ages, its slopes were covered with a temperate rain forest. The Cumbria Wildlife Trust has an appeal for a 100 year project to help restore the Skiddaw Forest to its slopes 

    I think they relocated the LAOTY Pods from the edge of Derwent Water to the other side of Crow Park and then turned them around so they were facing the view of Skiddaw above the town of Keswick.

    Interestingly Skiddaw actually looks very like Croagh Patrick (to be painted for the Commission) - so this was "the ideal audition". Except it wasn't.....

    I'm guessing the pods were located where it was flattest. That's because I was somewhat surprised at the angle of the location. I was expecting them to be more turned towards Skiddaw - on the extreme left in the pic below - instead of being lined up in front of the town of Keswick. 

    Wildcards and Pods
    trees in the foreground, Keswick in the middle ground
    and then Skiddaw in the background

    This was another very hot day - as happened for the first episode at Derwent Water. I'm not going to repeat all the hot weather recommendations from previous episodes of this series.

    Episode 4: The Artists in the Pods


    Episode 4: The Heat 4 Artists - out of their Pods and waiting to be shortlisted

    Episode 4 pod artists are listed BELOW in the alphabetical order of their surnames.
    • Including a synopsis of their background
    • Links to their websites (if they have one) are embedded in their names.
    • Social media platforms are also referenced - but typically only one
    The artists are:
    • Ian Dowding - a former chef / restaurateur from East Sussex who is a self taught artist, painting in acrylics.  (no social media relating to art that I can find)
    • Stephanie Euphemia (Instagram) - a professional artist from Shropshire. She's a  landscape artist who specialises in oil painting en plein air - and has exhibited in various art galleries in England. She's also a former tennis player who gave up a corporate career to become an artist. She brought her daughter to the heat.
    Stephanie and her mini-me
    I had such an incredible experience meeting the judges, painting alongside the other artists (and my miniature artist who decided she wanted to get in on the action) and loved seeing all of the different artistic interpretations of the Skiddaw Mountains.
    • Alison Paterson Mars - a local farmer, Alison lives and works in the rural, rolling, windswept and little known farming country of the Solway, between the high hills of the northern Lake District and the enclosing Cumbrian coast. She produces expressionistic paintings using dramatic colours. She exhibits in and around the Lake District/Cumbria. She comments on her website as follows...
    It was the hottest day of the year. There were 8 of us artists who were given a pod to work in, there were also 50 others -‘ the wildcards’ who had to fend for themselves, and sit out in the sun, We’d to be there for 7am and it was after 7pm when I left, so it was a long day. Everyone had a brilliant time and we were well looked after. 
    • Cathy Pearce (Instagram) -a professional landscape painter from Wiltshire. She has been working in pastels for the last 13 years. As she says, there can be more pure pigment in a pastel than in oil paint. She had an article about Achieving Vibrancy in Pastels in The Artist magazine last year. I was very pleasued to have it confirmed that she was using Unison Pastels - which are made in Northumberland and are my pastel of choice too! I bought my first sets in the Lake District! Plus Clairefontaine Pastelmat. I've had my eye on her very striking submission (in the introduction image) from the beginning of this series. I'd wondered if it was pastels and if they were Unison! She has artwork currently exhibited in The Pastel Society Annual Exhibition at the Mall Galleries (link is to the photo in the FB Album of her artwork!) Plus this is her explanation as to how.
    Yay - I found a pic of the Unison Pastels!!
    I've got all those boxes too!
    • Scott Simpson (Instagram) He was born in Aberdeen and has Scots Singaporean heritage. He graduated from Grays School of Art at Robert Gordon University. He is an award-winning painter now based in Alloa, Scotland. His drawings and paintings are, at the fundamental level, based on nature and seeing the world at a walking pace. He has exhibited at the Royal Scottish Academy, Society of Scottish Artists and Aberdeen Artist Society on several occasions. This is an interview with him
    • Dan West (Instagram) - Dan, age 24, is an emerging artist from Teddington who currently works full time in the marketing, branding and graphic design of events. He attended Esher College before studying marketing at the University of Portsmouth. He first appeared on LAOTY as a wildcard when he was 22. He works in graphite and coloured pencils. His artwork is a leisure time activity but goes way beyond the normal standard of leisure artists - particularly in relation to composition which is very good. He also does album cover designs for musicians.
    His main body of work focuses on the relationship between people and their environment, finding stories in every day life. Dan's work varies in size and material, with a consistent eye for narrative. (his website)
    This was one of the most surreal experiences of my life and it is quite the memory to look back on. I’ve watched the show with my family for years and to have the opportunity to compete on it alongside a group of passionate and inspiring artists was amazing.

    Episode 4: Submissions

    Monday, February 02, 2026

    Call for Entries: Trinity Buoy Wharf Drawing Prize 2026

    The Trinity Buoy Wharf Drawing Prize 2026 is now OPEN for entries
    • from artists and drawing practitioners 
    • from anywhere in the world
    • for a chance to be of the UK’s leading open exhibition dedicated to drawing,
    • with a new first prize of £15,000.
    This is one way of reading what you need to do ALL ON ONE PAGE!

    You are
    • you are invited to submit up to three drawings 
    • Deadline for entries: Stage 1 digital submissions online must be completed by Tuesday 9 June 2026 at 5pm.

    Things you need to know 

    (the) exhibition has an established reputation for its commitment to championing excellence and promoting and celebrating current drawing practice in the UK.

    The Trinity Buoy Wharf Drawing Prize

    ....offering artists the opportunity to showcase their drawings in the UK’s leading open exhibition dedicated to contemporary drawing,

    The Trinity Buoy Wharf Drawing Prize exhibition and awards are supported by the Trinity Buoy Wharf Trust.

    It's a prize which has had many names in its time - see the end for more about its background.

    The Trinity Buoy Wharf Drawing Prize 2026 Exhibition


    The selected drawings will be included in a high-profile exhibition held as follows
    • VENUE:  Buoy Store, Trinity Buoy Wharf, 64 Orchard Place, London E14 0JY from Thursday 
    • DATES: 17 September – Sunday 4 October 2026 
    • TIME: open daily from 11am to 6pm.

    It will also tour to various venues in the UK until 2027.
    • The annual open exhibition is led by its Director, artist, curator and educator, Professor Anita Taylor who has held various posts in art education. 
    • The exhibition will be accompanied by a fully illustrated publication and a programme of educational and engagement activities, including a symposium at Trinity Buoy Wharf.
    View of the exhibition in 2024

    The Prizes


    In 2026, there will be a new prize structure and awards with a total value of £18,000:
    • Trinity Buoy Wharf Drawing Prize 2026 - £15,000 - open to all artists with drawings shortlisted for the prize
    • Trinity Buoy Wharf Student Award - £2,000 - All students registered on a degree programme in the Academic Year 2025/26 who submit an entry
    • Three Boroughs Award - £1,000 - open to all those living and/or working in the London Boroughs of Tower Hamlets, Newham and Greenwich boroughs 

    How to Enter

    Saturday, January 31, 2026

    20 years of Making A Mark

    Making A Mark has now been published for 20 years. 


    I meant to highlight the big birthday at the beginning of January - and then forgot!  I think I'm one of a very few art bloggers left from the art blogging explosion of c.20 years ago. (I must do a blog post about who's left!)

    I was three months into early retirement in January 2006 when I started this blog as a way of recording what I was trying to do in terms of getting back to my art after a fairly intensive career in government and management consultancy which hadn't left a lot of time for anything else. (If you want to know more about me, try this page!)

    I trialled it in December and then went public at the beginning of January.

    What it turned into over time was a platform with a very strong emphasis on trying to help other artists with their own art and an educational slant

    If you are a regular reader I hope you've had some benefit.

    Incidentally, there's been a few side effects 
    • I now know an absolutely phenomenal number of artists from across the UK - and across the world.  As you can see from the stats below I have a very global following. 
    • Some I only know online. Many I have actually met. Unfortunately, I've got to that age where I know the face if I've met you before but the name only comes along about two minutes later! 
    • One of the very weird side effects of all this is that complete strangers now come up to me in the middle of central London and say "You're Making A Mark!!". The first time it happened I was crossing Trafalgar Square!

    What follows are 
    • some edited highlights about how the blog progressed in the last 20 years - and
    • what Google AI has to say about it. (That was really interesting!)
    • I also added in some PICS and links to the latter so you can get a flavour of what the archives hold
    Plus here are some stats:
    • there are now 4,720 published blog posts!  That's an average of 236 blog posts a year or an average of 0.65 blog posts a day for the whole 20 years!
    • nearly 27 MILLION pageviews - which averages out at more than a 1 million pageviews a year
    • over 6.5 MILLION visitors - a lot of you kept coming back for some reason!
    • Plus this blog has been no 1 on Google for the words "Making A Mark" for very many years
    Making A Mark Statistics as at 31st January 2026
     

    2006-2011


    The first 5 years were spent 
    • writing a blog post every single day - I kid you not. Check out the numbers on the months on the blog archive in the right hand columns
    • doing major projects each year - and then blogging about them
    • starting and then developing "Who's made a mark this week?" which highlighted the activities of other artists which generated a lot of engagement and followers - but fell by the wayside when others switched to instagram and stopped long form blogging
    • writing about major exhibitions and art competitions n London. I'd worked out how to get into the press views because my blog was doing so well
    By January 2011 I wrote Making A Mark achieves #2 in Top Ten Blogs of 2010!

    This is what Google AI had to say about 2010
    Based on the archives of the Making A Mark blog, the most significant and engaging content in 2010 revolved around the annual art blog awards and in-depth reviews of art books, particularly regarding colored pencils and watercolours. 
    • Top 10 Art Books Series (2010): Katherine Tyrrell's specialized posts, such as "Top Ten Art Books in October," were major, highly interactive, and resource-heavy posts for the blog.
    • Making A Mark Awards 2010: A major, popular series at the end of the year included the nomination and voting posts, such as "Nominate the Best Art (Place/Landscape) on a Blog in 2010" and "Best Picture of 2010 on an Art Blog".
    • Art Competition Coverage: Throughout 2010, posts analyzing major competitions, such as the BP Portrait Award 2010 (noting a record number of entries), were highly read; specifically "BP Portrait Award 2010 - Shortlist announced," was also a significant, high-traffic topic in April 2010
    • In 2010, the Making A Mark blog was recognized for its high-quality, research-based content, achieving the #2 spot in top ten art blogs.

    This is the link to my Best Books label - for those who like reading about art books. 

    Making A Mark Awards 2010: Here's what happened at the end of the Year


    2011-2015

    Friday, January 30, 2026

    Goodbye - ALL THREE Artist of the Year Judges


    So it's not just Bye Bye to Kate Bryan. Kathleen Soriano and Tai Shan Shierenberg will also NOT be the Judges for the next Series of Portrait Artist of the Year.

    Which makes me wonder whether Kathleen and Tai are also not filming Landscape Artist of the Year later this year too. (There's no statement on either of their Instagram accounts)

    So, first the announcement and then a recap of where we are at.....
    There have been a LOT of changes.....

    The Announcement


    This was the announcement on Instagram - which dropped late yesterday afternoon

    The text says

    After 12 brilliant series of Portrait Artist of the Year, we say Goodbye to our wonderful Judges, Kathleen Kate and Tai. Thank you so much for your expertise and insight. For championing creativity, supporting artists and bringing such wisdom and art to the show. You'll be hugely missed.

    More Portrait Artist of the Year Announcements to follow.
    I would add that almost every artist I've talked to who has been on the show (and that's a lot of people) have been very complimentary about the production team and the judges.

    The Changes


    I think first of all, we need to remember that Stuart Prebble (1951-2025), the man who invented Portrait Artist of the Year (and LAOTY)
     and who had a very illustrious television career before reinventing himself as a producer and starting Storyvault Films with some friends, died in August 2025.

    One of the things I think - and I emphasise "think" - is happening is that there has been a change at the helm and they want a new crew.

    That's just my hypothesis.

    But it's not unusual in these circumstances.

    12 years with more or less the same format and people means 

    • a series can begin to look "tired" and in need of a bit of a "pick me up" 
    • and/or starts to lose viewers 
    • and/or applicants
    • which prompts the identification of a need for an overhaul. 
    What's currently being proposed is that the PAOTY series remains the same - with 72 artists participating across the 8 heats, while LAOTY changes to 10 artists across the whole series- and the terms and conditions have been changed along with the deadline for entries.

    (This last paragraph has been updated since original publication)

    Why have a Refresh?