Thursday, August 06, 2026

Portrait Award 2026 - Artists with their Paintings (Women)

Portraits of Women is my fourth category of the different types of portraits seen at the HSFK Portrait Award Exhibition at the National Portrait Gallery.

My series Artists with their Paintings is organised according to the nature of their subjects.
  • This excludes all portraits which were self-portraits by women artists. These can be seen in my last post about Self Portraits - see below.
  • It does however include portraits of daughters which I missed when doing the Children and Parents post!
My other published and planned posts are

Other posts are:

COMING SOON: to be published
  • Portraits of Men and Groups

Portraits of Women


In general, the portraits of women are either full body or upper torso - painted in a variety of styles. Their artists are mostly women - but there are also some men painting women.

This post starts with two adult daughters missing from the children post. I think because both seemed so grown up it didint occur to me that they could also be children.  It is however interesting that yet again, this first parent painting a child is a woman.

Zena Assi


I'm not gonna straighten my hair
Oil, acrylic and ink on canvas, 2025
© Zena Assi

This is another child that I missed from the Children and Parents post! I will add this one in to that as well. (I'm only just reading some of the labels in detail as I'm working through the posts). 
Sitting in a meditative pose, Zena Assi's daughter returns the viewer's gaze with a calm defiance. This portrait by the Lebanese painter celebrates her daughter's choice to no longer straighten her naturally curly black hair; 'a small gesture' that 'speaks volumes about embracing difference and celebrating one's origins'. 
Zena Assi - Born in Lebanon, in 1974, Zena Assi now lives and works in London. She graduated with honors from l’Academie Libanaise des Beaux Arts (ALBA), worked in advertising and taught in different universities. 

Her artwork has long explored urban tensions, memory, exile, interior architectures, and fragmented identities. There are not many portraits on her Instagram account.

Many of her pieces are repeatedly shown in different international auction houses and are part of various public as well as private collections. Her work has been seen
in solo and group exhibitions in Europe, the Middle East and the USA including at the 57th Venice Art Biennale (2017), the Summer Exhibition at the Royal Academy of Arts, London (2020, 2022, 2024, 2025), and the MOCA Museum of Contemporary Art in Saudi Arabia (2025).

I like the full on uncompromising steady gaze of the sitter - which feels right with the age her daughter appears to be - and her mode of sitting.

TIP: One of the aspects which make a portrait very effective is when the posture and attitude of the sitter seems to sit well with the age they appear to be.

Paul Aston


Paul Aston The Costumer
The Costumer
Oil on board, 2025
© Paul Aston

Paul Aston Instagram (b.1966) undertook a BA (Hons) degree in fine art from Leeds University. He is now a figurative oil painter working in Cambridge
His portraits of people stammering have helped to broaden the debate around speech diversity and have been used by speech and language therapists and stammering support groups to challenge preconceptions about stammering. He has spoken at conferences about his work and appeared on podcasts.
In 2023 he was a contestant in the Sky Arts Portrait Artist of the Year competition using a portrait about stammering. Aston also took part in the stammering pride exhibition Wouldn't You Like to Talk like Us? jointly with Conor Foran at the City Lit, London, 2024 and the Space to Stutter joint exhibition at the Whitney Museum of American Art, New York, 2025.

Strictly speaking I should have spotted this was a portrait of his child, but rather than amend yet more posts, I'm including her here.

In this portrait, Paul Aston depicts the 'resilience' of his child, who is a costume
designer. 
  • The abstract shapes in the background of the portrait are taken from cut out patterns of eighteenth-century men's coats. These reference his subject's  profession. 
  • What's also interesting is the significant contrast between the very fine brushwork used to depict the intricacy of the tattoo and the loose brushwork used for her clothing. 
It is also a good portrait of his daughter!

Paul Benney

Fiona
Oil on canvas, 2025
© Paul Benney
Paul Benney (Instagram) b.1959
  • Currently holds the mantle of "most selected artist never to have won the Portrait Award (when sponsored by BP). Previous exhibitor nine times: 1994,1996 (Winner – BP Visitors’ Choice),1997 (Winner – BP Visitors’ Choice), 1998, 1999, 2000, 2008, 2010, 2014.
  • He has worked as an artist and musician in both the U.S. and U.K.
  • He has painted many prominent political and cultural figures. His work is represented in public collections world wide including The Metropolitan Museum of Art, The National Gallery of Australia, The National Portrait Gallery, The Royal Collection, and a plethora of other prominent private and corporate collections.
  • He is also the artist who was chosen to paint the State Portrait of HRH Queen Camilla. (see my blog post The Coronation Portraits and The King's Tour Artists - at Buckingham Palace
His sitter Fiona is pictured below with her famous big brother ex-politician / podcaster Rory Stewart.
READ MORE......>>
Posted by Making A Mark on Thursday, August 06, 2026 0 comments
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Sunday, August 02, 2026

Portrait Award 2026 - Artists with their paintings (Self Portraits)

"Self Portraits is my third category of portraits seen at the at the HSFK Portrait Award Exhibition at the National Portrait Gallery.

This is always a very popular category - but you have to do something different to get noticed!

Other posts are:

COMING SOON: to be published
  • Portraits of Women
  • Portraits of Men
  • Portraits of Groups
As I have previously stated, one of the purposes of this NEW APPROACH is to enable artists intending to apply next year to look at what got selected this year in relation to one of these groups. 

You get to check out size, style and levels of proficiency - and how they frame!

This year, in this category we have:
  • 2 men and 6 women
  • 3 UK artists and 5 International Artists
  • women appear to be less afraid of hands - from a variety of perspectives
  • most portraits are head, shoulders and hands with just one fully body self portrait
I'm also posting larger images os some of the portraits to my Making A Mark Facebook Page with shorter profiles.

All my photographs were taken at the Private View and Press View associated with the opening of the exhibition back in June.


Self Portraits


Remigijus Gataveckas
Genealogical Deformation (2025)
Oil and mixed media on canvas
© Remigijus Gataveckas
The portrait plays with distortions in space and degrees of resolution. Visible traces of the process by which paint has been applied, scraped away and reapplied make the image appear active.
Algirdas and Remigijus Gataveckas (Instagram) are identical twins and First time exhibitors.

They were born in 1985 in Alytus, had a difficult childhood spent at the Alytus state orphanage (1993-2004) and now live in Vilnius. 

The identical twins form an inseparable creative duo - and the portrait is a self portrait of the twins. (Don't ask me which is which!)
  • Algirdas Gataveckas studied 
    • at Alytus Art School and earned a Bachelor's (2004-2008) and 
    • a Master's (2008-2010) in monumental art (fresco-mosaic) at the Vilnius Academy of Arts. 
    • He's recently been awarded a Doctor of Arts (fine arts). 
  • Known for their hyperrealistic large-scale colored-pencil drawings and their socially engaged murals, the Gataveckas brothers tackle themes such as child abandonment, poverty and family memory.
Growing up in a children’s home was not a distant biographical background. It was a daily reality that shaped how we think, work, and relate to others. From this experience comes our focus on time, attention, and the relationship between the one who depicts and the one who is depicted.

Many of our works demand slow, uncomfortable looking. This responds directly to the emotional absence and institutional coldness we experienced as children. We want to create situations where the image cannot be quickly consumed. The viewer is asked to stay (Interview)        
  •  Their work has been seen in exhibitions including Figurativas at MEAM Barcelona (2025) and Why Is It So Hard to Love?, at MO Museum, Vilnius (2020).
  • In 2019 they were invited to paint the official portrait of the President of the Republic of Lithuania, Dalia Grybauskaite and, in 2017, received Medals of the Order of Merit for Lithuania.
The Gallery Label says this about the artwork
Visceral and compulsive, the raised texture of this canvas is sculptural, making the surface of the painting key to understanding its meaning. The product of a collaboration between identical twins Algirdas and Remigijus, who after a difficult childhood lived in an orphanage in the Lithuanian city of Alytus, the work is an examination of 'inherited experience and relational dynamics'. The portrait plays with distortions in space and degrees of resolution. Visible traces of the process by which paint has been applied, scraped away and reapplied make the image appear active.

 

Hannah George
Mummy needs a break
Acrylic on Board, 2026
© Hannah George

Hannah George-Long (Instagram) - b.1988, she works as Senior Talent & Community Manager @ Hermès. She undertook a BA (Hons) degree in fashion, media and promotion at Huddersfield University but is self-taught in relation to art.  and is an artist on the weekend. Her work has been seen in the Royal Academy of Arts' Summer Exhibition in 2021 and in group exhibitions in London - but not, as yet, on a website!

However her portrait got to be on a poster on the Underground - specifically Platform 5, Westbound Central Line, Liverpool Street station

I could have included this in the "Children and Parents" category.

The label says
Closely cropped, this inventive self-portrait offers an intimate window into the complex emotions experienced by a mother, sixmonths postpartum. The composition, in which Hannah George dramatically casts her hand across her face, is vulnerable pressing her eyes shut as she navigates a significant transition. 
"The distortion of my face reflects how unfamiliar I felt in my own body, caught between who I was and who I was becoming. Through this altered perspective, the work became a way to explore a different view of myself."
on Platform 5, Westbound Central Line, Liverpool Street station

TIP: One of the major bonuses of this art competition is if your painting gets chosen for the postcards (sold at the Gallery) or the advertising posters hung around London - with a lot on the underground.


Haley Hasler

[THIS IS AN UPDATE DUE TO OMISSION]

Pieta with Home Life
Oil on canvas. 2025
© Hayler Hasler

Haley Hasler (Instagram) (b.1971) is an American artist who works exclusively in self-portraiture. 

Her art education included a Bachelor Fine Arts (BFA) degree in painting at Indiana University followed by an MFA in painting from Boston University. Her work has been seen in solo exhibitions in the United States and the West Indies and in numerous group exhibitions in the US, winning the Alexander Rutsch Painting Award 2023 and in the Colorado Contemporary Award 2021.

Her self portrait paintings are very theatrical / allegorical and quite unlike any other contemporary portrait paintings I've ever seen - and I like them! I recommend a viewing of her website! She seems to have a thing about holding hens and cockerels. I am also a big fan of her portrait "Portrait with Fire Chief"! ;)
Haley Hasler works exclusively in the realm of the painted self-portrait and represents herself as a central point in an endlessly revolving domestic drama. Hasler illustrates the joys, fantasies, theatrics, realities and challenges of being both a devoted mother and an artist in a world that tells women that they can have it all with a flourishing career and parenthood.
In this particular portrait, the artist returned to it several times across two years. Initially inspired by the idea of grasping a rooster while baring one breast, the composition gradually evolved to include a swarm of household objects, creating an increasingly ambiguous setting. 

To capture the floating objects, Hasler suspended items in the air with strings and painted them from life.

Karin Neijenhuis


Useless, Part II, 2024 by Karin Neijenhuis
oil on linen, 60 x 60cm
© Karin Neijenhuis

Karin Neijenhuis is a Dutch artist and one of the many international artists who enter this competitiom. She was born 1974 in Breda in the Netherlands, where she still lives. She studied applied sciences at the University of Breda. In terms of art 
  • Her focus is on portraits. She primarily paints portraits in oil on canvas or panel.
  • Her work is realistic, often colorful, and narrative in nature. 
  • She draws her inspiration from everyday life - her own and that of those around her.
  • She likes to expose those parts of daily life which others would like to hide!
Her self portrait is described as "Domestic Drama as its finest". I particularly admire the design and composition with the viewer looking up past the underside of the ironing board - which is incidentally imacculately painted!

I'd recommend taking a look at her other self-portraits on her website

Her work has been seen in group exhibitions including 
  • the Dutch Portrait Award (2021, 2023), 
  • the Almenara Art Prize, Spain (2023, 2024, 2025) and was 
  • a finalist in the Figurative Art Amsterdam Award, 2025.
(For the record, I gave up ironing years ago after I discovered that a 1600 spin speed, a jolly good shake and the use of a hanger for drying makes most creases drop out!)

Caroline Pool

Dark Passenger
Oil on canvas, 2024
40 x 30cm
© Caroline Pool

Caroline Pool (Instagram) b.1985. She grew up in Bangkok, Thailand before moving to England. She now lives who now lives and works in South Shropshire. Her art education comrpises 
  • foundation studies at Central St Martins, London, 
  • followed by a BA (Hons) degree in illustration at the University of Brighton.
She is now a a multi-award winning Artist. Her work has been seen in numerous group shows including the annual exhibitions of the Royal Academy of Arts, the Society of Women Artists, the Discerning Eye and the Royal Society of British Artists. More recently, she has participated in this year's series of Extraordinary Artists

Some of you may also remember her from Series II of Portrait Artist of the Year. and my post Review: Episode 3 of Portrait Artist of the Year 2024 (Series 11). 

The gallery label says
Intensity reverberates through this self-portrait, from the flexed arm to the steadfast stare beyond the picture plane. In this unusual work, Caroline Pool is off centre. Instead, the shiny, wrinkly texture of her oversized green jacket consumes the canvas and sitter, offset by an orange woolly beanie. Pool holds the coat over her chin, drawing further attention to her unblinking gaze outward, her defensive stance suggesting the focus of this portrait is beyond what we can see. 'There's an element of metaphorically standing on a precipice', the artist says, with past shadows cast whilst also staring into the abyss to start something new. 

 TIP: SMALL PORTRAITS - Size and Framing

The Support is slightly bigger than a sheet of A4.  The head and hand only is probably no bigger than 10% of the total support which is 40x30cm.  The main area of interest is maybe no more than 20% of the support

This means if you are going to paint small you need to be very confident and experienced in your technique. Going smaller is never easy. In some ways it's far more difficult that painting life size.

Frames are VERY important for small paintings. You can kill a small painting stone dead by choosing the wrong frame. This frame is what I would call "masterful restraint" It does the job and complements the colours but in no way does it overpower the portrait


Anji Richards

Red shoes, Acrylic on canvas © Anji Richards
Red shoes, 
Acrylic on canvas, 2026
61 x 76.3cm unframed
© Anji Richards

Anji Richards (Instagram) has entered twice before, once in 2022 when she did not get shortlisted and this year - when she was. 

Born in 1967, she  gained an HND in fashion design from the London College of
Fashion and a National Diploma in fine art from Central Saint Martins. Her work has
been seen in solo exhibitions in the Tate Library and Chelsea Arts Club, and in group exhibitions at the Mall Gallery, Bristol Art Gallery and the Camberwell Arts Festival.
Red Shoes explores the longstanding evolution of Black style through dandyism - a rebellious fashion movement formative of Black identities and rooted in resistance across African diasporas in Europe and the Americas. 
Anji Richards inserts herself into this complex, longstanding history as a
female dandy, boldly pairing a tailored suit with red platform heels, gazing outward in quiet defiance. Taking inspiration from the 2025 Met Gala Superfine: Tailoring Black Style, she painted this self-portrait from photographs taken by her husband, settling on this seated pose as the most dynamic composition.

TIP BOLD COLOUR

Never ever be afraid to use bold colour. Just be careful not to use so much in such a way that it hurts our eyes.  I love colour, but go OTT r use it in an inexperienced way and I can't look at your painting - and you won't be getting any comments from me beyond "Ouch!"

Angie gets it just right. 


Doris Rose

[THIS IS AN UPDATE DUE TO OMISSION]

Stripes
Oil on copper panel, 2025
© Doris Rose

Doris Rose Instagram (b.1991) is a Canadian contemporary-realist portrait painter based in Ontario. She has a BA in fine arts from Ontario College of Art and Design, University, Toronto, Canada. She has 250K+ followers and 150M views, she shares her art and process with a global community.

This is how she shared what the opening week of the exhibition was like for all the artists

Her work has been seen in the annual exhibitions of the Royal Society of Portrait Painters 2024 and 2026, the Self-Portrait Competition of the Portrait Society of Canada (Online), 2025 and the Toronto Outdoor Art Exhibition, 2013.

This is a portrait which is both distorted and absolutely fascinating.
The approach to developing it as a self portrait is also fascinating. Her aim was to visually convey her personal experience of living with chronic migraine disease and ADHD. She wanted to explore the internal distortion caused by her neurological and sensory symptoms, and so deliberately chose a striped shirt to add to the dizzying nature of the portrait.

The portrait
  • combines painterly technique and themes of double exposure, a photographic process where two images are layered onto a single frame. 
  • is painted with oils onto a copper panel, which highlights the layering and opaque qualities of the material. 

Ran You


North Wind
Acrylic on canvas, 2026
50 × 60 cm
© Ran You

Ran You  (Instagram) was born in Beijing, China, in 1991. 
  • Graduated with a BA degree in oil painting from the Central Academy of Fine Arts in Beijing. 
  • Now lives and works in Hamburg, Germany.
His works have been seen in institutions including the Today Art Museum and the National Exhibition Centre of China National Academy of Painting, both in Beijing, and Group Global 3000, Berlin.

North Wind depicts Ran You and his partner against the backdrop of a snowy,
mountainous landscape. He is strongly influenced by Northern Renaissance paintings, and thus captures the psychological conditions that he and his partner, who is a composer of classical music, face as Chinese artists living in Europe. 

The artist notes that
'set against a turbulent global political climate, the painting conveys a shared sense of pessimism, as if winter were approaching.' 

also a very sage remark about his portraiture and this painting

To me, portraiture is not simply about presenting a face, but about making visible something beyond appearance — the presence of the human spirit. What matters is how a person bears the weight of their own existence — not merely in a psychological sense, but in a way that makes both reality and painting worth looking at.My next post is  

My next post is about portraits of women - which was the point at which I realised I'd missed two self portraits out of this post!


REFERENCE: HSFK Portrait Award 2026


A LOT of artists have told me over the years - in the Private/Press Views - that they know who I am - "You're Making A Mark!" and have read a lot of my posts - and that in short is why I do them....

These are the posts I've published this year so far - there's more to come (in italics). You may think this is totally OTT. However this has been a very popular international art competition for very many years - and I think it's worth it!
to be published:
  • Portrait Award 2026 - Artists with their paintings (Women)
  • Portrait Award 2026 - Artists with their paintings (Men)
  • Portrait Award 2026 - Artists with their paintings (Couples and Groups)
  • Review of Portrait Award 2026: What's changed and what's not
  • Portrait Award 2026: The 10 portraits I liked the most
Posted by Making A Mark on Sunday, August 02, 2026 0 comments
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Saturday, August 01, 2026

Portrait Award 2026 - Artists with their paintings (Older People)

This is my second post about artists selected to exhibit at the HSFK Portrait Award Exhibition at the National Portrait Gallery. 

This post is about portraits of Older People.

Other posts are:

COMING SOON: to be published
  • Self Portraits
  • Portraits of Women
  • Portraits of Men
  • Portraits of Groups
This NEW APPROACH also allows people intending to apply next year to look at what got selected this year in relation to one of these groups. You get to check out style and proficiency!

I'm also posting larger images to my Making A Mark Facebook Page with shorter profiles.

My photographs were taken at the Private View and Press View associated with the opening of the exhibition back in June.

Portraits of Older People


IMPORTANT NOTE: 
  • Three of the four artists shown below have known their subjects for very many years. In two instances they are painting parents.
  • Two of the four portraits below include two people. It's unusual for a portrait selected for this competition to involve more than one person - although that might say more about what is submitted rather than what is selected. 
  • It's not unusual for there to be paintings of older people in this competition and those who paint older people seem to do well. 
The first portrait in this post is by the second prizewinner, Chloe Cox - who painted two people she did not know before she painted them! Just to prove that an observed association does not always apply!

Chloe Cox

Judges Note: Second Prize 
Chloe Cox's "What's Mine is Yours" is a beautifully painted and life-affirming double portrait, notable for its exceptionally accomplished technique and sensitivity of handling. 

The judges were particularly struck by the sense of joy and uplift that the work conveys, as well as the palpable connection and love between the sitters.
What's Mine is Yours
Oil on canvas (2024)
90 x 60 cm | 35.4 x 23.6 in
© Chloe Cox

Chloe Cox (b.1997) is a self-taught artist who studied English literature with creative writing. She was invited by His Majesty the King to create a new portrait for the Royal Collection Trust for the exhibition Windrush: Portraits of a Pioneering Generation, seen at the Palace of Holyroodhouse and the National Portrait Gallery, London (2023-24). She was included in the Jackson's Art Prize 2025, winning the People's Choice Award.

This portrait is of two people that Chloe Cox did not know. 

She was invited to take part in the BBC television series Extraordinary Portraits and this led to Chloe Cox being paired with Marva and Lionel Warmington to create their portrait. 

The couple have fostered more than 200 teenagers over the past 30 years, providing culturally sensitive care for vulnerable young people from a variety of backgrounds. Cox was filmed meeting the Warmingtons for their sitting as their conversation helped her decide on a format for the portrait. She says: 
'What struck me most was the balance between Marva and Lionel as a couple. She is more outgoing and full of ideas. He is the quiet, steady presence. I felt the portrait needed to show that harmony. Their love story hasn't just sustained their marriage, it has created stability and belonging for hundreds of young people."
The emotional content of the relationship between these two individuals also reads extremely well - and is unusual in the context of this competition. Question: Do you need two people to convey emotional content?

Also, I note from the photo above that the heads are both close too life size, maybe a tad larger, which means on the wall they "speak to you" very easily.

In addition to the Judges Comment above, I think the Judges may well have also been rather impressed by her handling of their heads, hair and their hands. So here's two close-ups that I took!  I also thought the careful consideration given to the tonal palette was very helpful. Nothing jarred the eye.


Marva and Lionel Warmington - Heads
from
What's Mine is Yours
Oil on canvas (2024)
90 x 60 cm | 35.4 x 23.6 in
© Chloe Cox

Marva and Lionel Warmington - Hands
from 
What's Mine is Yours
Oil on canvas (2024)
90 x 60 cm | 35.4 x 23.6 in
© Chloe Cox

TIP - Be sure to pay particular attention to the skin of older people and their heads and hands. Heads, hair and hands are basics which you must get right. Those grey hairs, saggy bits and wrinkles have all been hard earned over the years and deserve to be rendered both faithfully and sympathetically - which Chloe did extremely well!

I'm not in the least bit surprised that Chloe Cox was a prizewinner. She deserved it. After the third prize announcement, I really did not know which portrait was going to get the top prize.

Rosie Phillips

READ MORE......>>
Posted by Making A Mark on Saturday, August 01, 2026 0 comments
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Friday, July 31, 2026

Portrait Award 2026 - Artists with their paintings (Children and Parents)

Posting my photographs of artists with their portraits selected for the the HSFK Portrait Award at the National Portrait Gallery is an absolutely mammoth exercise. This year I confess I found it daunting!

I've been doing photos of the artists with their portraits in the Portrait Award exhibition for very many years - and it's not a post I want to give up on doing. However this year 

  • I took more photographs than ever more 
  • and was posting in the June Heatwave which then became the July Heatwave - so starting this post has been somewhat daunting for me as I don't function at all well in heat (I've no thyroid and the medication for normal times does not seem to be so effective in constant very hot weather)

That's why why I've taken so long to start it in this heatwave which has been running since the exhibition opened!

In the end I've decided to go with the same format as last year - which has been amended to make it more manageable.  Each group now gets its own post 

  1. Portraits of Children (and Parents)
  2. Portraits of Older People
  3. Self Portraits
  4. Portraits of Women
  5. Portraits of Men
  6. Portraits of Groups
This also allows people intending to paint a subject akin to one of those groups to look at what the competition which got selected looked like this year.

I'm also posting larger images to my Making A Mark Facebook Page with shorter profiles.

The profiles are part based on those developed for my two former posts and part based on the labels in the gallery


You can vote for the People's Choice Award at the Gallery and also online.
The exhibition continues at the National Portrait Gallery until 7th October 2026 - and then goes on tour.

Portraits of Children (and Parents)


One of the things I noticed about this year's exhibition was how many more portraits there were children and parents. There are eight portraits of children (and parents) in total in the exhibition.

I'm used to seeing the odd child but not this many. Interestingly 
  • they make for some of the most relaxed looking portraits
  • they also seem to be connected to the artist wanting to record forever a time that is passing - which is a jolly good reason for a portrait
TIP: Note that, with the exception of one portrait, the artist is painting their own child / children.

Adebanji Alade


Copycats, 2025 by Adebanji Alade
© Adebanji Alade

Adebanji Alade PROI - (First Time Exhibitor) B. 1972 in Nigeria. He did an HND
in fine art at Yaba College of Technology, in Nigeria followed by a diploma in portraiture at Heatherley's School of Fine Art, London.

Adebanji is a professional artist, teacher, author and television presenter (BBC One Show). He has a studio on Lots Road in Chelsea, London. He is also the founder of The Addictive Sketcher movement, seen on television and in books. His work has been seen in numerous exhibitions including the annual exhibitions of the Royal Institute of Oil Painters (2007-2026) and he is now the current President of the Royal Institute of Oil Painters. 

I first met Adebanji years and years ago. I think I've known him almost as long as I've had this blog! I've also seen this portrait before - and I think it's wonderful. It was exhibited at the Annual Exhibition of the Royal Institute of Oil Painters last November and it just blew me away.

His family have always been a very big part of who Adebanji is and this is a really great record of his two kids painting with him at home when they were small.
The viewer's eye darts across the canvas, delighting in details such as the translucent drapes, the glossy reflection on the television screen and the range of colour cluttered across the domestic interior. Portraying himself and his children engrossed in the act of painting, Alade 'reveals how children copy their parents, whether good or bad, they are copying what they see more than what they are told!'
I expect his next submission to be of his lovely wife!
 

Frances Bell

 
READ MORE......>>
Posted by Making A Mark on Friday, July 31, 2026 0 comments
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Friday, July 24, 2026

HEADS UP - HMRC Self Assessment: Payment on Account due 31 July

I find that tax is a matter that few artists become expert on as they are starting out - or sometimes at any point of their careers!

This is a HEADS UP for British artists! If you are 
  • EITHER: self-employed as an artist 
  • OR are employed AND earn more than £1,000 from your art, 
then you have a tax payment coming up! 
The deadline for your second payment on account is 31 July each year
HM Revenue & Customs (HMRC) requires individuals to make advance payments towards their next tax bill if you are self-employed or have untaxed income. (HMRC - Payments on Account)


How do "payments on account" work?

Payments on account based on your estimated tax bill and are 
  • advance payments towards your next Self Assessment tax bill (including Class 4 National Insurance if you’re self-employed).
  • split into two equal instalments due each year on 
    • 31 January (final payment for previous year plus payment on account for current tax year) and 
    • 31 July 
  • Each payment is worth 50% of your previous year's total tax bill
So if you completed and submitted your HMRC Self Assessment Form by 31st January this year, then you know how much you paid in tax and hence how much you have to pay (ie half of less years' bill)
How payments on account are calculated
  • Payments on account are calculated based on your estimated earnings (usually the amount you earned the previous year). Each payment is usually half of the tax you owed the previous year.
  • If you actually earn more than estimated, you may still have tax to pay on top of your payments on account. This is known as a ‘balancing payment’.
  • If you earn less than estimated, you may be able to claim a tax refund. (HMRC - Payments on Account)

Am I automatically exempt?

However, you are automatically exempt if either of the following apply:
  • Your last Self Assessment tax bill was £1,000 or less
  • 80% or more of your total tax is already deducted at source (e.g. through PAYE on an employment income)
If your income has dropped, then you can apply to reduce these payments via 

How to pay HMRC

They spent a lot of money developing the HMRC app
- and they're rather keen you should use it

TIP Speaking personally, the only way I ever make a tax payment is via a device which allows me to print off the payment details and create a PDF for my tax files.
Posted by Making A Mark on Friday, July 24, 2026 0 comments
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