Showing posts with label Threadneedle Prize. Show all posts
Showing posts with label Threadneedle Prize. Show all posts

Friday, December 20, 2019

After The Threadneedle Prize + a recap of past winners and what happened next

I'm wondering how many people are aware that the Threadneedle Prize has finished and there will be no more calls for entries


One view of the Last Exhibition

There's an announcement on the Threadneedle Page on the Mall Galleries website - but I'm not sure that it's had a high profile.
Between 2008 and 2018, Mall Galleries partnered with Columbia Threadneedle Investments to present The Columbia Threadneedle Prize: Figurative Art Today (formerly The Threadneedle Prize) which grew to become the UK’s leading competition for representational art. Over the decade, nine exhibitions featured over 750 works, through which over a quarter of a million pounds in prize money was awarded to the winners of the £20,000+ First Prize, and £10,000 Visitors’ Choice Award (since 2010)....
Having achieved its goal “to provide a showcase where figurative artists, working in a range of media, can excite, stimulate, and provoke in a way that encourages us to look anew at the world around us” (in the words of Lewis McNaught, the Prize’s founder and former Director of Mall Galleries), the competition concluded at Mall Galleries in September 2019 with ‘City of Shards’, a solo show by Ana Schmidt, the tenth and final winner.
BELOW I recap past winners with images of the paintings which won first prize - and where they are now.

  • It's interesting how some used the prize as a springboard for their development of their career while some have disappeared off the art scene ( at least online) and others have continued pretty much as before.
  • To my mind it serves to emphasise that the winning of a prize is not the ticket to success that people believe it to be. 
    • It requires a lot of time and effort after you win the prize to maximise its impact for the furtherance of a career in art.  
    • Having thought about where you want to be and what you want to do before you win a prize inevitably helps you make the most of a prize in terms of status - and the cash reward!
Lewis McNaught, Director of the Mall Galleries addressing those attending the 2016 Private View- encouraging them all to vote in the poll for the the £10,000 Visitors Choice Award
by identifying the painting they liked the best


So what happened?


I think it's very sad that we've lost this important and prestigious prize. Despite some hiccups I'm aware of (which I couldn't possibly repeat!) it made a very useful contribution to

  • highlighting the range and scope and styles of figurative / representational art. 
  • showing us larger and more impressive artwork than is typically seen in many other shows.
  • introducing us to many artists who don't typically exhibit in the open exhibitions of the national art societies - or show in London at all! (One of my favourites was 

I've known for some time the competition was not returning but that the organisers did not want to announce this until such time as the Ana Schmidt, the last winner in 2018, had held her solo exhibition (which happened this Autumn).

My recollection is that the reason for it ending is that it was a simple case of the Sponsor did not want to continue.

Given it started when we are experiencing the worst of the banking crisis, it seems very odd that another banker couldn't be found to sponsor the prize more than ten years later - but the demise of Prize comes at a time when there's been a changeover in Directors at the Mall Galleries and this prize was very much the initiative of the outgoing Director Lewis McNaught.

To my knowledge, most of the BIG prizes go through successive sponsors over the years. I guess I'm not the only person who remembers
  • a watercolour competition sponsored by Singer & Friedlander?
  • or a portrait competition sponsored by John Player? ;)
Below you can find
  • my list of blog posts about the Threadneedle Prize between 2008 and 2019 - which allows you to see the range of excellent artwork displayed over the years - and some very odd artwork too - as well as the sort of artists which got selected!
  • a recap of pics of the winners with their paintings
  • an update for the Threadneedle Prizewinners in terms of "Where Are They Now.....?"

2018 Threadneedle Prize

Winner of the Threadneedle Prize 2018: Ana Schmidt 
with her First Prize Award and her painting 
Ana Schmidt (Bilbao, Spain) won the First Prize with Dead End - an impeccably and impressively painted view of an urban space. I very much enjoyed her solo exhibition "City of Shards" earlier this year when she displayed more of the same. See 
Ana had a well established and well regarded practice prior to the exhibition and has continued in the same vein.

View of part of the City of Shards Exhibition by Ana Schmidt (September 2019)
Threadneedle Space, Mall Galleries
My paintings are realistic depictions of urban landscapes. I navigate manmade spaces to discover subjects of intrigue; then I record these detailed reflections of modern life, showing crumbling pavements, broken walls, graffiti-tags, ... In these images, the stuff of daily life counts as the subject, the “something” of the picture. Ordinarily we pass these objects by. We don´t give them credence as visual subjects for art. My paintings include abandoned spaces, rubbish and decay, objects that would barely constitute proper subjects for paintings. The landscapes I paint are often on the edge of cities, normally quite unattractive. They are places that have outlived their original purpose, to leave only traces of human activity. 
The Jackdaw Magazine, Nov/Dec issue 2019, London, UK
"Easel Words"

2016 Threadneedle Prize

Winner of the Threadneedle Prize 2016Salt in Tea by Lewis Hazelwood-Horner
Lewis Hazlewood-Horner won both the First Prize AND the Visitors Choice Award for his painting Salt in Tea. This painting was then exhibited at the Palazzo di Strozzi in Florence, Italy alongside Picasso and Kandinsky amongst others.

Lewis had a solo exhibition Beer and Guns in the Threadneedle Space in the Mall Galleries in September 2016 - see my blog post Impressive solo exhibition by 2016 Threadneedle Prizewinner

Beer & Guns by Lewis Hazelwood-Horner
After his Threadneedle Space show he exhibited in nine further shows in 2017 and 2018 (and needs to update his website for 2019!)

In 2017 he was also 
  • elected to membership of the Royal Society of British Artists
  • Highly Commended for the Royal Society of Portrait Painters' De Laszlo Medal for Excellence (to be awarded to an artist under 35 for the best work from life)
  • selected for the Ruth Borchard Self Portrait Prize Exhibition
He's also now represented by Thompson's Gallery and was featured in Artists and Illustrators Magazine in 2019.

This is his Facebook Page | Twitter | Instagram - and he continues to paint people involved in their occupations and normal working life



2014 Threadneedle Prize

[After this exhibition, the competition became a biennial - and added in a solo show for the winner]
Winner of the Threadneedle Prize 2014
Tina Jenkins with her painting "Bed Head"

Gloss paint and acrylic on plastic sheeting
170 x 170 x 8cm
£3,950 (sold)
Tina seems to have been mainly occupied with further academic studies since 2014.

She also won the Owen Ridley Award for an outstanding MFA project in 2014 and subsequently started doing her PhD in Practice Based Research in Fine Art at the University of Reading.  (see Linked In profile)

2013 Threadneedle Prize


The Threadneedle Prize 2013: Joint Prizewinner: Lisa Wright
Lisa Wright participated in a number of group and juried exhibitions in 2014 and 2015 but her website is offline and another page about her stops at 2015.

According to her Facebook account FUTURE FOREST is a collaborative installation project between Lisa and Tom Piper MBE (the poppies at the Tower man), which is part of the Centenary celebration of The Forestry Commission. Open at Thetford Forest, Suffolk until 30th May 2020.
READ Tower of London poppy memorial designer takes to the woods

The Threadneedle Prize 2013: Joint Prizewinner:
Clare McCormack
I can't find anything much online about Clare post 2013 - there again not everything materialises online!

2012 Threadneedle Prize

Threadneedle Prize Winner 2012
Ben Greener - "My Feet"
Ben Greener similarly seems to have disappeared from view. His website is offline. (Mind you I'm having a problem with Google refusing to show me websites which are not secure i.e. using htpps prefix)


2011 Threadneedle Prize



The Threadneedle Prizewinner 2011: Henriette Simson
Bad Government (After Lorenzetti)

Henriette Simson continued with her Practice-related PhD, Slade School of Fine Art, London (2010 - 2017 ). Her thesis title was Landscape After Landscape: Pre-Genre Italian Backgrounds in a Post-Genre Digital Age 2010 - 2011

She's had a number of exhibitions, the most significant of which appears to be Making Landscapes (2016 - 2017), HSBC Landscape Collection, HSBC Tower, Canary Wharf, curated by Jeremy Akerman

2010 Threadneedle Prize

The Threadneedle Prizewinner 2010: Patricia Cain
Building the Riverside Museum, Pastel, 110 x 170 cms, SOLD
Patricia Cain stands in front of her prizewinning work
which won the £25,000 Threadneedle Prize 2010
Patricia Cain is an artist whose artwork I see regularly in various exhibitions at the Mall Galleries.

Below are some of the things which have happened since winning the Threadneedle Prize in 2010:
  • elected to membership of both The Pastel Society and the New English Art Club
  • awarded the RSA Kinross Scholarship,
  • awarded the RSW Hospitalfield Residency,
  • 2011: regional prize winner in ING Discerning Eye
  • 2013: a finalist in the Arte Laguna Prize 2013 in Venice
  • 2014: 
    • selected for the Lynn Painter Stainers Exhibition
    • Conte à Paris Award, Pastel Society UK
  • 2015: exhibited at 
    • the Affordable Art Fair, Hampstead
    • the Contemporary Watercolour Society Competition held by the 
    • Royal Society of Watercolours at the Bankside Gallery
  • 2018: Finalist Derwent Art Prize


2009 Threadneedle Prize

The Threadneedle Prizewinner 2010: Sheila Wallis
Self portrait, oil on canvas, 20cm x 20cm
I guess 2009 was a bit of a highspot for Sheila Wallis  as she also won the Winsor and Newton Painting Prize and the Watts Painting Prize that year.

In 2014 she graduated with a Masters Degree in Fine Art (Distinction) from City and Guilds of London Art School

Sheila continues to paint, get selected for art competition/open exhibitions and runs a private teaching practice from her South London studio. Plus she is a workshop leader at Tate Modern.

UPDATE.....and a comment from Sheila


2008 Threadneedle Prize

Winner of the Threadneedle Prize 2008: Nina Murdoch
Untitled, Egg tempera, 152 x 122cm

Nina Murdoch joined the list of artists represented by the Marlborough Galleries in 2010 and has solo exhibitions with them in 2011 and 2014.  She experienced a crisis in her painting in 2014 when the glazing medium she had been using to keep her layers of egg tempera seperate was discontinued - and she started to explore alternative options.
Her website seems to have gone offline.



Sunday, February 25, 2018

Babel Britain wins £10,000 Threadneedle Visitors Choice Award 2018 for Emily Allchurch

Babel Britain (After Verhaecht) by Emily Allchurch
As I predicted, when I saw the Selected Artwork for The Columbia Threadneedle Prize 2018 Emily Allchurch has won a prize!
This is MY TIP for A PRIZE - because there is an explicit nod to art history, it's clever and technically much more than proficient, uses contemporary visual art media and provides an intelligent comment on contemporary society. It's a contemporary figurative artwork with a BIG 'C'.
Selected artists for Columbia Threadneedle Prize Exhibition 2018
When the Threadneedle Prize Exhibition opened to the public at the Mall Galleries, visitors to the 2018 Exhibition were asked to vote for the artwork they liked the best.

After the exhibition closed and all the votes had been counted, it was announced that Babel Britain (after Verhaecht) 2017’ won the £10,000 prize. 

I HIGHLY RECOMMEND you take a look at the larger image on the Threadneedle Prize website where you can zoom into the image

I actually found it very difficult to photograph it in the exhibition because it looked its best and most natural when you stood right in front of it.

I was quite perturbed after I saw what happened to it in this photo!
Closer in was better but still not quite right
I later found I hadn't had my camera on the best setting for what is essentially a digital photo collage as a transparency on a bespoke LED lightbox.

Nevertheless it is an extremely impressive artwork - and hopefully kicks into touch the notion that digital art software cannot produce good art.  It certainly lends a whole new meaning to the phrase "art from photos"!

My feeling is that visitors both appreciated the huge amount of effort that had gone into producing this artwork - but also its topicality and implied message within contemporary society - particularly in London post Grenfell.

About the Tower of Babel by Tobias Verhaecht


There are various online explanations of the story behind the Tower of Babel. The one by the Oxford Biblical Studies Online is perhaps one of the best.  Essentially it is a story which explains why God created people speaking different languages who did not understand one another (aka "the confusion of tongues")

Various artists have painted their own version of the Tower of Babel over the years.

Tobias Verhaecht (1561-1631) was a Flemish artist who painted several versions of the Tower of Babel. Here are just a couple of them.

Verhaecht babel-lille

Verhaecht babel

Personally I prefer the version by Pieter Brueghel in Vienna.

The Tower of Babel by Pieter Brughel
Kunsthistorisches Museum Wien Austria



ARCHIVE - The First 10 Years of the Threadneedle Prize




Posts on this blog about the first decade of the Threadneedle Prize.


2018 Threadneedle Prize

2016 Threadneedle Prize

2014 Threadneedle Prize

2013 Threadneedle Prize

2012 Threadneedle Prize

2011 Threadneedle Prize

2010 Threadneedle Prize

2009 Threadneedle Prize

2008 Threadneedle Prize


    Monday, February 12, 2018

    Review: The Columbia Threadneedle Prize 10th Exhibition

    This is the last week of the exhibition of the The Columbia Threadneedle Prize 2018 at the Mall Galleries. If you've not yet been it's definitely worth visiting.

    Preview/Awards Night - The Columbia Threadneedle Award 2018
    To my mind it's one of the better exhibitions in the history of the prize
    Visitors to the exhibition also get to decide who to vote for The Visitors’ Choice Award, a further prize worth £10,000 to the winning artist. The Visitors’ Choice Award winner will be announced at the end of the exhibition.

    I wrote as the exhibition opened about the shortlisted artists and the winner Ana Schmidt wins Threadneedle Prize 2018

    This post is about the exhibition itself. The exhibition is on until 1pm on 7 February 2018, Mall Galleries, The Mall, London SW1.  It's open daily 10am to 5pm and admission is free.

    About The Columbia Threadneedle Exhibition 2018


    The submission and the selection


    • It's the product of the selection of work from 4,118 submissions via the open entry - from 2,097 artists. 
    • Just 104 artworks by 95 artists were selected for the exhibition.
    • In percentage terms that's 2.5% of the artwork and 4.5% of the artists
    • The average number of works submitted were 1.96
    • Compared to 2016, the number of entries grew by 7.5% and the number of artists submitting work grew by 6.2% - so the competition remains an attractive proposition for figurative artists despite it now being a biennial.
    You can read profiles and visit the websites of the artists who had work selected for the exhibition in my post Selected artists for Columbia Threadneedle Prize Exhibition 2018.


    Media


    Interestingly this exhibition is dominated by oil paintings - including some very large oil paintings.  I discovered this by using the menu selector for the online exhibition. Why is it that oil is seen as the media that must be used for art competitions?

    (Left) Duff by Ruth MurrayOil on canvas, 210 x 150 cm £27,000
    (Right) Shallows by Helen Flockhart, Oil on linen, 105 x 155 cm £15,000 [SOLD]
    There were very few acrylic paintings - although one of them worn First Prize.

    More positively, there are a significant number of very impressive works in monochrome - using graphite, charcoal and/or pen and ink - although some are on oil.

    Wednesday, January 31, 2018

    Ana Schmidt wins Threadneedle Prize 2018

    This is about the winner of the £20000 Columbia Threadneedle Award 2018 for contemporary figurative and representational art - and the other five artists shortlisted as finalists.

    Dead End - an impeccably and impressively painted view of an urban space by Ana Schmidt (Bilbao, Spain) won the First Prize.  I'm really looking forward to her solo exhibition at the Mall Galleries. I think it's going to attract a lot of attention - and a lot of collectors of paintings of urban spaces.  How she manages to be an urban planning architect as well as a a very impressive painter is beyond me!

    I'm enjoying the fact that I got two of the six finalists right! (Plus note my comment right at the end!)


    Ana Schmidt with her First Prize Award and her painting 

    The Exhibition and the People's Vote Award £10,000

    The exhibition of all the selected artworks is on at the Mall Galleries until 17th February.

    There's one more major prize worth £10,000. The decision as to who gets that is determined by the result of the People's Vote by visitors to the exhibition

    My guess is it will be between Dead End and Babel Britain (After Verhaecht).  I'll certainly be torn which to vote for!

    The Awards Ceremony


    This year the sponsors of The Threadneedle Prize sought to change the way the winner is announced. So this year there was:
    • no announcement of the shortlisted finalists - until 7.30pm at the Awards Ceremony
    • no announcement of the winner until 8.00pm after the interviews with the finalists
    • even the winner did not know she had won beforehand!
    • meaning every artist who was exhibiting knew they were in with a shout of winning or maybe getting one of the runner-up prizes
    • and no dinner - and no clueless interviews by a nameless celebrity who I was not a fan of!
    • a mad scramble to get photos of the artists with their pics before they left....
    I like the idea of keeping everybody in suspense - and it certainly generated a good turnout.

    However, I think next time around it might be better if everything was moved back an hour so those with very long journeys and trains to catch to get home didn't shoot straight out the door after the announcement - including some of the prizewinners!

    The First Prize


    The winner of the First prize of £20,000 plus a solo exhibition at the Mall Galleries is Ana Schmidt.  This is what I had down as a profile for her
    Ana Schmidt - (Website in Spanish) born in Germany, her family moved to Vietnam and then Thailand before her sixth birthday. major in architecture and enrolled at the acclaimed Polytechnic University of Barcelona, ​​Spain. Realistic painter who presents reality without an obvious style or embellishment. Uses sketches and painting from life + photographs and colour and composition studies. Every time I look at her painting I like it. I'll be very interested to see what it looks like in the gallery. Take a look at more of her paintings - I find them very impressive.

    ‘Dead End’ | copyright Ana Schmidt
    acrylic, 165 x 114 cm
    £6,500
    During generations, mythology and narratives have had influence over our view of the world. We live in a world where narratives are constructed for entertainment and merchandising, not to explain our experiences. Our world needs myths, art…Dead End is about painted histories on the walls, allows ambiguity, but it also presents a second reality, the reflections on the water.
    Ana Schmidt
    I was pretty certain this extremely impressive work was going to get shortlisted - and when I saw it in person it's even better than the website version. It was interesting when asking others in between the interviews and the announcement, a lot thought this work was going to win.

    This is the sort of painting which makes me want to learn how to paint in acrylics. It's so much better than a photorealism or photography!

    The Finalists (£1,000 each)


    The five finalists who each won £1,000 were all women. Yet again the women do well in this exhibition. I'm not quite sure why.  Maybe more women create figurative art?

    They are:
    • Emily Allchurch 
    • Caroline Burraway 
    • Serena Curmi 
    • Cathy Lewis
    • Lois Wallace
    Below you can see them with their artwork (where I could get a photo) plus my profile of them which I did for the Selected Artists post. I've also got videos of the interviews but have not watched these yet - so maybe a link to these on YouTube later!

    Monday, January 08, 2018

    Selected artists for Columbia Threadneedle Prize Exhibition 2018

    Congratulations to all those artists whose artwork was selected to be shown in the Columbia Threadneedle Prize 2018 - with prizes worth £35,000. This blog post is about the artists whose work has been selected for the exhibition

    The focus of the exhibition is best new works of figurative and representational art

    The exhibition is at the Mall Galleries in central London. It's open from 31 January to 17 February 2018, 10am to 5pm (closes 1pm on final day) - and admission is FREE.

    The Columbia Threadneedle Prize website has a new design for the 2018 prize which I will review on Wednesday.  An innovation for 2018 is the publication of a virtual exhibition of the selected artwork where you can browse before the exhibition opens.

    Some submission and selection statistics


    • Over 4,000 people submitted digital applications and images of their artwork for the Columbia Threadneedle Prize 2018.
    • Nearly 700 were invited to submit their artwork for review in person by the Panel of Selectors.
    • Just 104 artworks were selected
      • That's c. 1 in 7 of those who made it through to Stage 2 and 
      • this is approximately 2.5% of the total entries.  The latter is not dissimilar to the success rate of those submitting to the BP Portrait Award.
    The number of artists selected is an even lower number of 95 artists as 8 artists have had more than one work selected.

    This year’s Panel of Selectors were:

    I think they've done a good job of giving us a good variety of styles of figurative and representational art - and a wide variety of subject matter. Although I detect a few sub-themes coming through - I have started to wonder if we are going to have a corner with very large paintings of architectural subjects!  Might be rather nice!

    The prizes


    The prizes are:
    • First Prize: £20,000 and a solo exhibition 
    • Visitors Choice Award £10,000
    • Five Shortlisted Artists: £1,000
    It doesn't say so on the website but Lewis told me before Christmas that the shortlisted artists won't be announced until later. I forget whether it's when the Exhibition opens or just before the Awards Dinner.

    Anyway - I'll be doing another blog post when the shortlisted artists names are announced.

    It's good fun in the meantime to see if you can spot those likely to be shortlisted!

    Selected artists


    Below are mini profiles of the artists. Links to the artists' websites are embedded in their names.

    It's a mammoth effort and takes me hours - I do hope you find it educational. The reason I do this is to encourage others to enter art competitions in furtherance of their art and careers as an artist. You can see
    • what sort of art education people have pursued and 
    • what sort of artwork they produce

    I lecture on artist statements and CVs and develop the mini artist profiles below in a very short space of time from the information provided on websites. Hence they they come with hints and tips for some!

    I sometimes feel by the end of what follows that I should be giving out an award for "best website" and "easiest to see who you are and what you do" website!

    The main difference for me this time around - apart from the improved websites - is the increase in people exhibiting who live in Europe. I wonder if this will continue post Brexit?

    A
    • Emiko Aida RE - Grew up in Tokyo where she did her first degree. MA Printmaking, Royal College of Art. Now an awardwinning printmaker and painter living in London who is a member of Royal Society of Painter-Printmakers. 
    • Emily Allchurch -  trained as a sculptor, First Class (Hons.) degree in Fine Art from the Kent Institute of Art & Design – Canterbury in 1996, and an MA from the Royal College of Art in 1999. Now uses photography and digital collage to reconstruct Old Master paintings and prints to create contemporary narratives.  Her work Babel Britain (After Verhaecht) is a Transparency on bespoke LED lightbox. This is MY TIP for A PRIZE - because there is an explicit nod to art history, it's clever and technically much more than proficient, uses contemporary visual art media and provides an intelligent comment on contemporary society. It's a contemporary figurative artwork with a BIG 'C'.
    Babel Britain ( After Verhaecht) by Emily Allchurch
    Transparency on bespoke LED lightbox (edition of 20, 10 available) 128 x 140 cm

    B

    Tuesday, June 27, 2017

    The Columbia Threadneedle Prize 2018 - Call for Entries

    This is about how to enter The Columbia Threadneedle Prize 2018 for the best new figurative and representational art - in 2D and 3D. The first prize is £20,000 and a solo exhibition.

    It covers:
    • Prizes and Selectors
    • Call for Entries
      • who can enter
      • what you can enter
      • how to enter
      • the timeline of key dates
    • Exhibitions
    Plus you can also see at the end my archive list of blog posts relating to past Threadneedle Prize exhibitions

    The Columbia Threadneedle Prize was established in 2008 as a partnership between Columbia Threadneedle Investments and Mall Galleries. Over the years it has changed but has become more and more important. It now brands itself as the UK’s leading competition for figurative and representational painting and sculpture.  

    I've been with this prize from the beginning - I cast the very first vote in the very first exhibition - and picked the winner! You can see an archive of my posts about the exhibition at the end of this blog.

    Prizes and Selectors


    Awards announcement at Threadneedle Prize 2016

    Prizes


    There are a number of prizes
    The Columbia Threadneedle Prize 2016 Winner - Lewis Hazelwood-Horner


    Selectors


    This year’s Panel of Selectors include
    The chairman of the panel is Lewis McNaught, Director of Mall Galleries (web page)

    Call for Entries


    Who can enter


    To enter this exhibition you need to be
    • an artist of any nationality,
    • aged 18 or over,
    • presently living or working in the UK or Europe (i.e. Artists living / working outside the UK and EU may NOT submit to The Columbia Threadneedle Prize)
    Those who have previously won a prize can submit up to five works but are not eligible to win a prize for at least three years after their award.

    If you live in Europe you can submit work but if your work is sold at exhibition you have a responsibility to register and account for UK VAT with H.M. Revenue & Customs and you need to do this before you submit your entry.

    What you can enter

    Monday, June 19, 2017

    Columbia Threadneedle Prize returns


    The Columbia Threadneedle Prize 2018 for the best new work of figurative and representational art launched today - however I was out and most of the rest of my week is committed with the BP Portrait Awards and exhibition reviews so I'll be reviewing the new exhibition website and doing my Call for Entries post a little later.

    You don't need to worry - the deadline for entries is 22 September 2017!

    However you can see
    • the launch video below 
    • images of selected works in previous exhibitions in the Archive on the website
    • past winners and my reviews and photos of past exhibitions (which give you a perspective on size of artwork) in my blog posts below



    Plus you can see in my blog posts below.......

    who has won the prize previously


    So far the gender ratio in terms of prizewinners is 6 women and 2 men (or 7 women if you count both of the double header win in 2013!)

    what previous exhibitions looked like 


    PLUS the solo exhibition by Lewis Hazelwood Horner, the last winner in 2016, can be seen in this post Impressive solo exhibition by 2016 Threadneedle Prizewinner

    Tuesday, September 20, 2016

    Impressive solo exhibition by 2016 Threadneedle Prizewinner

    Yesterday I was really impressed when I walked into the Threadneedle Space at the Mall galleries and saw Lewis Hazelwood-Horner's solo exhibition which is part of the The Columbia Threadneedle Prize 2016 which he won earlier this year(see Lewis Hazelwood-Horner wins £20,000 Threadneedle Prize 2016).

    Lewis Hazelwood-Horner and two of his large paintings about processing hops for beer.
    The idea behind the prize is that the winner gets a hefty cheque - which then gives him or her the time and space to paint - and then a one week solo exhibition later in the Threadneedle Space. This serves as a 'shop window' for the potential of the artist to impress art galleries, art collectors and those who might need want to commission a work.

    Well the exhibition by Lewis Hazelwood-Horner impressed me - and then some!

    Beer & Guns by Lewis Hazelwood-Horner
    It's one of the very best exhibitions I've ever seen in that gallery. It's well hung and 'hangs together' but it's the content which is amazing.

    Lobb the shoemakers and sleeping on hop sacks

    views of the hop fields and brewing process
    I've been bemoaning for some time that we no longer see narrative paintings which tell a story or document the present day - where we see ordinary people in their natural context.

    Instead we see landscapes without people, townscapes with anonymous people and portraits of individuals which rarely tell a story. It can get boring.

    What we get with these paintings is engagement with both the process, the people and the place. It's real life and it's a really valuable exercise to be documenting these processes in 21st century Britain.

    They're also very striking paintings - Lewis has a keen eye for a good composition and clearly demonstrates a real love of his media and painting.

    Friday, February 12, 2016

    Review: The Columbia Threadneedle Prize 2016

    The artwork selected for the Columbia Threadneedle Prize exhibition at the Mall Galleries is different from previous years - and I like it a lot better.

    Threadneedle Prize Exhibition: A view of the Main Galleryprior to the Preview
    Compared to previous years, the changes I noticed are that
    • the art - to my mind - is a lot more accessible. This is an exhibition which will be enjoyed by more people.
    • there's a huge diversity in interpretation of figurative and representational art. I'm guessing a lot of artists may well find it stimulates their own work. 
    • more drawings and paintings of figures and people
    Some very strong paintings of figures - both large....
    ...and small
    • a lot of very good drawings and display of draughtsmanship
    • more monochromatic artwork - with a great hang in the North Gallery
    Some impressive monochromatic and near mono drawings and paintings in the Far North Gallery
    • more works on paper 
    • media is much more mixed
    • a lot less sculpture
    only one piece of sculpture that I spotted
    • a much better fit with most people's understanding of figurative artwork
    First Prize on the left; shortlisted on the right
    This is also an exhibition which deserves to be seen by many of people who exhibit and who seek to exhibit artwork at the open exhibitions of the FBS Societies (and others) at the Mall Galleries because it stretches the boundaries of figurative while remaining accessible to all.

    North Gallery - First room
    North Gallery - second room
    To my mind it sets a very good benchmark for contemporary figurative art.

    It's also complemented by an extremely good exhibition in the Threadneedle Space.

    I'm certainly thinking about going back for another look - and I've already seen it twice!

    I'll be posting more pics from the exhibitions of artists with their paintings and purchasers with their new paintings on my Facebook Page over the next week.


    More about the Threadneedle Prize 2016