Showing posts with label making a mark guide. Show all posts
Showing posts with label making a mark guide. Show all posts

Monday, May 05, 2014

How do you market an exhibition or open studios?

Here's a reminder of some material I highlighted on this blog some time ago.  This has been prompted by the fact that I've had about four different versions of the same question asked today - which all relate to how do you market art via an exhibition or open studios.

So here are links to my pdf article guides (on my website) about press releases and publicity. The titles contain the link to the page where you can download the free guide.

Neither guide is specifically about open studios but information contained in the guides is relevant to such events.


The art of writing a press release


Who is this guide for?What does this guide cover?
This Guide explains what you need to know if:
  • you’ve ever written a Press Release but lacked guidance on how to go about it; or
  • if you’ve issued a Press Release but it failed to achieve the impact you had hoped for; or
  • one day soon, you think you might want to write a Press Release......

This Making A Mark Guide provides guidance on 
  • the really important and really difficult bit - being creative
  • the essential but technically difficult bit - how to stick to the 'rules' of writing a press release so your press release gets read!
  • the boring but very necessary bit - how to make sure it ends up in the right place
All on no more than two sides of A4 - just like a good press release!

How to get publicity for art competitions and open exhibitions



Who is this guide for?What does this guide cover?
This spreadsheet is for:
  • organisers of art competitions and open exhibitions
  • Board / Committee members of relevant art societies or organising groups
  • people who think there's some scope to improve on current perfornance

It helps you to:

  • identify how to get publicity for an art competition or open exhibition
  • how to keep costs down and get publicity for free
  • how to make sure your marketing is both efficient and effective
This Making A Mark Guide provides a checklist of various action points - plus notes - associated with:
  • managing who organises the marketing
  • making the most of the opportunities for free publicity
  • obtaining, sizing and processing images for publication
  • information that needs to be published for artists and exhibition visitors
  • organising an informative press release and press preview
  • making the most of the presentation of prizes



Tuesday, February 11, 2014

A Compendium of Colour

This is the second in my compendium posts about Popular Art Topics from the Archives. This one is all about colour.  Feel free to bookmark it!

(ie I've got my head down writing my book about drawing and sketching!)

It's maybe worth mentioning that my blog posts about colour and colour theory also got the thumbs up from James Gurney in the Internet Resources about Colour identified in his book "Color and Light - A Guide for the Realist Painter" which I'm also very happy to recommend!
makingamark.blogspot.com - Various resources for artists, including summaries about colour theory with additional linksJames Gurney
Goethe Colour Diagramsin the first plate of Zür Farbenlehre (Theory of Colors) (1810)
courtesy WebExhibits - Colour Vision and Art
Curated by Michael Douma

What is Colour? (9th June 2008) 

Sets out the seven ways I've decided to try and answers the question "What is Colour?"

Colour - a scientific perspective (10 June 2008)

This post focuses on the science of colour – in simple terms:
  • The defining characteristics of colour
  • How colour is made
  • How we see and think about colour

Colour - a materials perspective #1 - pigments and dyes (25 June 2008) 

This post provides a materials perspective on colour for artists and a basic overview of pigments and dyes.

Colour - pigments and related colours (26 June 2008)

I want a table which tells me all about different colours - and relates pigment to colour names to chemical names and then explains what all that means. But can I find one on the internet? (Note: I was well advanced with this table but then lost if when a computer blew up and haven't had the heart to try and reinstate it!)
Every pigment has an international classification and standardised name but not every colour is what it says it is.

Hues - a systems perspective (8th July 2008) 

A detailed examination of systems which explain primary colours

Describing a colour space - there's more than one colour wheel! (10 July 2008) 

About a Matrix of Theories about Colour Space - which is the method I've adopted to categorise some of the people who have tried describe colour in terms of spatial relationships - to describe a colour space.

A Matrix of Colour Space Theories (pdf file) (2008) 

Table of colour theories organised by approach to colour theory - additive, subtractive and partitive
How to identify complementary colours in the context of different shapes which explain colour theory
This post is an attempt to redress the balance on the paucity of online information about analogous colours - but it also recommends other sources of even better advice and information!

Colour Schemes: Split Complementaries, Triads and Tetrads (18 July 2008) 

Discusses and explains three colour schemes used by professional artists:
  • Split Complementary - a colour plus the two colours either side of its complementary colour 
  • Triad - any three colours which are equidistant on the colour wheel
  • Tetrad - any four colours which are equidistant on the colour wheel

Symbolic Colour (24 July 2008) 

This post provides an overview of some of the meanings of different colours - and the origins of some of those meanings.

Why your colours onscreen don't look the same when printed (10 March 2011) 

Have you ever wondered why your images onscreen don't come out looking the same when printed? This post discusses: how the CMYK model works; why RGB files don't look like CMYK files and how to convert an RGB file to a CMYK file for printing purposes
Lots of photos of pigments and some links to websites which describe and record Artists' Colourmen.

Wednesday, January 23, 2013

Numbers for Artists: How to work out profit from an art sale

Following on from yesterday's post How to calculate the cost of entering a juried art exhibition this post looks at profit

I've finally got round to doing something I intended to do after a post I wrote in 2009. That dealt with How much are you paying yourself?

How to Work Out Profit from an Art Sale

I've now revised this and published it as a "Numbers for Artists" Guide - called How to Work out Profit from an Art Sale.
  • This is for Artists wanting to understand the full costs which supported your creation of an artwork and how much profit they made from a sale 
  • It identifies 
    • a full cost approach to calculate actual profit from the sale of an artwork 
    • enables an estimate of an artist’s hourly rate of pay
As with yesterday's guide, you can find this on the Making A Mark Guides section of my Making A Mark website - click the link in the title of the Guide to access it.

Compare hourly rates of pay

You can also compare hourly rates of pay to the median hourly rates of pay in £ recorded for artists / graphic designers in the UK via the Payscale website.  (Note this chart updates automatically as new data is reported)


Links:


Please note subscriptions only become live after you have verified the link in the email you will receive

Tuesday, January 22, 2013

How to calculate the cost of entering a juried art exhibition

Have you ever sat down and really analysed how much it really costs to enter a juried art competition or open exhibition?

If you have then probably, like me, you may have had a bit of a shock.  Here are some of the reasons why the costs can mount up without you noticing and why it can be so expensive:
  • you're paying entry fees AND commission on sales
  • you're not submitting to a local gallery and it's not a short local drive in the car.  You've often got to get the artwork to a place a long way from home. This involves packing costs and shipping/travel costs which you don't normally have to pay - often both ways if the work is not accepted or doesn't sell.
  • the competition isn't from your locality - it's often national or international and there's hundreds if not thousands of people all competing to get their artwork into the exhibition
  • this exhibition is prestigious and the artwork needs a frame which looks good - and unless you've worked out to keep a handle on costs that can be expensive
There's only one thing worse than a nasty shock after you've worked through the numbers - and that's a nasty shock because you didn't work through the numbers!

I started working out the costs when I needed to work out a price for my work.  I didn't mind making only a little money if the work sold - I understood that juried exhibitions are often much more about marketing and building a following then they are about selling per se.  However I did object to making a loss!  Bear in mind that I also don't have the same transport/travel costs as other people as I already live in London.

It really made me start paying attention to pricing and to the scope to manage costs (eg buying frames which were standard sizes rather than custom made so that they can be reused with the mats custom made - by me).  Setting the costs out on paper helped me to focus on what costs could be better managed, what costs could be eliminated and what costs you just had to take on the chin.

A spreadsheet for calculating the costs of entering a juried exhibition

I've created a spreadsheet to help artists calculate the real cost of entering a juried art competition or open exhibition

A Making A Mark Guide: Analysing the cost of entering a juried art exhibition - is available from my website.  The spreadsheet automatically summarises costs and produces overall totals and net cost or profit.

Analysing the cost of entering a juried art exhibition - Practice Worksheet
If you enter your personal cost data (or estimates) based on experience or research - in the green column - it tells you
  • the costs of entering a juried exhibition - and how much you're spending on 'marketing' your work if it doesn't sell
  • the net gain if you sell the work 
It includes
  • a proforma template (yellow tab) which you can tailor to your own needs if you know how to use Excel.  Just copy the whole sheet over to a new sheet to start a calculation.
  • a worked example for a work which sold (blue tab)- gives you the net gain on which taxes are payable
  • a worked example for a work which did NOT sell (red tab) - to give to you the total potential cost of 
    • NOT submitting your best work 
    • and/or NOT making a realistic assessment of your chances of getting work accepted
  • a practice worksheet (green tab) which you can use again and again just be eliminating the data in the "enter data" column

Don't worry if you make a mess of it - you can always download it again!

If you're used to using spreadsheets, you should find it fairly self-explanatory.  Your cost data is entered in the green column in the practice sheet and the summary costs are then calculated automatically.

Do please let me know if you have any queries

Please note subscriptions only become live after you have verified the link in the email you will receive

Links to more resources for artists


Sunday, April 24, 2011

Making A Mark notches up 1 million visits

One million visits to Making A Mark - on 24th April 2011
Little did I realise when I published this blog back in 2006, that some five and bit years later this blog would notch up ONE MILLION visits.

As you can see visits have climbed steadily over the years - helped along by what is now a vast archive of posts which continue to attract a lot of interest from people.

Here are ten of the most popular posts those million visits have been to:
  1. 10 Tips for How to Sketch People 
  2. Van Gogh: Drawing media and techniques   
  3. Composition - Principles of Design 
  4. Composition - The Elements of Design
  5. Colour Schemes: Split Complementaries, Triads and Tetrads   
  6. What is a still life?   
  7. The influence of Japanese Art 
  8. Which sketchbook? 
  9. Flowers in Art... and Charles Rennie Mackintosh  
  10. Major Art Competitions in the UK 2011 - a timetable
Tip - If you think you're going to have a successful blog, get Google Analytics up and running early!  I didn't do this until 2008 hence don't have a complete stats profile for content.

I've got a much better record of the numbers.  Except the interesting thing I discovered this morning is that I've got a lag of about 20 or so visits between my dashboard on my Statcounter account and the Statcounter counter on the blog.  However the chart up above was created at 7.37am this morning when the millionth person visited and it actually counts 1,00,002 visits!

Those visits have also generated over 1.5 million pageloads.

Statcounter has a specific time which has to elapse between visits for any pageload to count as a completely new visit.

Were you the millionth visitor?

I had a little count back on my stats and I can't tell who the visitor was but I do know that he or she came from Toni Kelly's A Spattering.  I'll be writing to Toni and sending her a voucher to spend on Amazon for 'making a mark' and generating the millionth visitor to Making A Mark!  I toyed with the idea of announcing a competition but decided to stick with not saying anything at all and just being around to see if I could work out which blog was the nearest to the millionth visitor!  

PS  There will be no "Who's made a mark this week" as I've been 'out and about' this week with himself and not really looking at blogs.  However later today I will finally get round to the review of the Pastel Society exhibition at the Mall Galleries which continues all next week.

Tuesday, March 15, 2011

A new Making A Mark Guide

Here's the link to the NEW Making A Mark Guide - 10 Reasons to Sketch with Coloured Pencils.



This is a pdf file version of my article - 10 reasons to Sketch with Coloured Pencils by Katherine Tyrrell which the Derwent Pencil Company published on their lovepencils blog on 1st March.

You can download it for FREE from the How to Sketch section of my Making A Mark website http://www.makingamark.co.uk