Showing posts with label Van Gogh. Show all posts
Showing posts with label Van Gogh. Show all posts

Tuesday, November 11, 2025

The 10 Most popular posts in the first million visits (Part 1)

One of the assets of this blog - which started 20 years ago - is there is a very considerable archive of past posts - some of which have been very popular indeed. 

I've just come across a post which highlights what were the 10 most popular posts in 2011 - after the first five years of Making A Mark. 

During this period I did regular "big projects" on specific topics - and these are reflected in the most popular posts

Below are the top five posts - with the links to each blog post embedded in its title.
Tomorrow I'll list the next 5 posts in the top 10

I've extracted a short piece of text and an image from each one - so you can get an insight as to what the post is about.

CAUTION: Given the age of the posts some of the links embedded in the post will no longer work as websites have died and been wound up.

1. 10 Tips for How to Sketch People

Drawing and sketching people is an invaluable way of developing a wide range of artistic skills.

I've been drawing people for very many years - family, friends, people in cafes and restaurants, life class models - and other artists. People often tell me how much they like the sketches I make of people I come across on my travels with a sketchbook - which I find a bit odd as most rarely have faces!
Cheers Boston!
(sketching fellow travellers at Logan Airport, Boston, USA September 2006)
8" x 10", pen and sepia ink and coloured pencils
copyright Katherine Tyrrell

2. Van Gogh: Drawing media and techniques

Drawing Media:

  • Pencil: He employed pencil for preliminary drawings and then combined it with ink. He often worked with a carpenter's pencil. He liked to press hard and often worked on wet paper.
  • Pen and ink: Van Gogh had a remarkable gift for pen drawing and graphic technique.
    • Most of Van Gogh's pen and ink and brush drawings (such as the one above) are executed first in pencil first. He then inks/bruhes over the pencil marks once he is happy with them.
    • some of his pen and ink drawings are drawn without any preliminary use of pencil
    • During his visit to Arles in 1888, Van Gogh discovered the reed pen (made from local hollow-barreled grass, sharpened with a penknife). It changed his drawing style. He created some extraordinary drawings of the Provençal landscape, including a series of drawings of and from Montmajour (east of Arles) , in reed pen and aniline ink on laid paper. The ink has now faded to a dull brown.
    • The Van Gogh Museum is conducting research into pigments and drawing inks in use in the period 1888-1890 and comparing this to the inks Van Gogh used [UPDATE: See the Research Results REVIGO: Paintings - which also comments on inks]
Trees with ivy in the asylum garden, 1889
Vincent van Gogh (1853-1890) Saint-Rémy-de-Provence, May-June 1889
pencil, reed pen and brush and ink, on paper, 61.8 cm x 47.1 cm
Credits: Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)


3. Composition - Principles of Design

This post forms part of an introduction to the elements and principles of composition and design and follows on from yesterday's post about the elements of design. 
It's an overview. More can be written about each and every principle - and has been!
  • Good composition doesn't happen by accident. A quick reminder. The analogy which I find helpful for remembering which is which is to compare the elements and principles of art and design to the ingredients and method of a recipe. Cookery and composition have quite a lot in common!
  • All the elements are ingredients - they are separate and need to be combined effectively to produce a successful outcome. Each ingredient gets to play a major or a minor role in the eventual outcome. This, in part, is dependent on the quantities employed and, in part, on the nature and intrinsic power of each ingredient (think garlic and chilis!).
  • It's the particular way that they they are combined - using the principles of design - which enables a successful outcome. The same ingredients can for example be combined in a number of different ways (think of recipes for eggs!)

Wednesday, October 23, 2024

Van Gogh at the National Gallery - some practical pointers you'll wish you knew before you went

This is about the Van Gogh: Poets and Lovers Exhibition at the National Gallery - from a different perspective.

I'm not going to review the exhibition per se - instead I'm highlighting 
  • PRACTICAL ISSUES for those wanting to visit it.
  • Plus a little bit about the exhibition - and other reviews
  • AT THE END: For those who want to know more about Van Gogh and his drawings and paintings: a LONG list of previous blog posts I've written about Van Gogh on this blog over nearly two decades.

The Practical Issues


The View of the Sunflowers

FACT: Everybody wants to see this exhibition. 
  1. Booking is a challenge
  2. Queuing to get in is a challenge
  3. Navigating the exhibition is a challenge!! Everybody has got a friend or a family member who may be slightly less enthusiastic, doesn't know how to operate in crowded exhibitions and has equal capacity to "get in the way"
  4. Getting a cup of tea afterwards is not straightforward!

#1 TIP:  BOOKING - Don't assume you can visit when you want to


This is a VERY popular exhibition which means:
  • you can't walk up and buy a ticket
  • it's SOLD OUT on very many days and at very many times in the short term future. 
  • they're keeping very strict control about how and when tickets are allocated.
The exhibition closes on 19 JANUARY 2025. 

At the moment, tickets are "available" for dates until 8 December 2024 for non-Members. (i.e. at the moment you cannot book for the Christmas Holidays - I'd recommend not visiting at this time in any case.)

EXCEPT the screens indicate they're very nearly booked up for non-Members

November 2024 - almost 100% booked up for all non-members

Tickets are continuing to book up very fast.  
  • Mornings are booking up particularly fast (i.e. by the crowd who come to London for the day, see an exhibition, have lunch, do some shopping, go home)
  • In general avoid the middle of the day and early afternoon
  • If you are flexible, I'd check out the more 'unpopular times'
  • In terms of time, allow at least an hour to view the exhibition. If you want to go round twice (which I'd recommend for all serious fans) you need longer
  • However you also need to allow at least another hour to get in. (see queuing below)
In terms of times, if you get the option, I'd recommend 
  • avoid the middle of the day.
  • Note that Sunday does not get booked up as fast as other days.
  • Morning is ideal for avoiding all those people who are lingering long from previous entry times
We went Wednesday morning and really enjoyed it. Not overly crowded, no queue and we could spend time looking at each painting. Plenty of seating if needed.
Liz Wyatt

There is a major bonus for all those, like me, who are Friends of the National Gallery.
  • it doesn't cost me anything to get in (although the booking process is confusing and the ticket price does not get knocked off until the end when booking)
  • I can go more than once. Last weekend I booked to go back on the 10 December early morning
  • Tickets are reserved for members
I do NOT recommend booking for 
  • children or 
  • anybody who is not a dedicated enthuisiast 
  • who is also prepared to put up with the booking issues, the queues and the challenges once you get in!

#2 TIP: You'll be in a queue for A VERY LONG TIME


You are NOT going to just walk in just before your entry time.

Saturday, September 28, 2024

Taking pot shots at Van Gogh at the National Gallery

Earlier this year two young women each threw a can of tomato soup at Van Gogh's painting of sunflowers at the National Gallery

Phoebe Plummer and Anna Holland
throwing two cans of tomato soup at
Van Gogh's Sunflowers in the National Gallery

The video below shows what they did. They apparently caused criminal damage exceeding £10k


They pleaded 'not guilty' when their case was tried at London's Southwark Crown Court.

During the hearing, the defendants said they “couldn’t have cared less” if the painting had been damaged.

On Friday, they both received significant prison sentences.
Prior to this, it seems very likely the two women charged had been told there was a good chance they'd go to prison for causing criminal damage. Hence they had others pleading their case and why they should not go to jail. 
Artists plead for activists who threw soup on a Van Gogh to be spared jail
More than 100 artists, curators and academics said Just Stop Oil action was in keeping with ethos of the arts


Note that if damage is valued at over £10,000, the case is tried at a Crown Court and a prison sentence is more than likely. Which is what happened. So those pleading on their behalf were effectively "performance art".

Of which there was more in the trial. Why do you plead” not guilty” when the whole thing is on video - unless you want to pursue further political protest eg the 20 minute statement in court by one of the protestors as to why it should be regarded as protest.

The Judge said
“You two simply had no right to do what you did to Sunflowers, and your arrogance in thinking otherwise deserves the strongest condemnation.

“The pair of you came within the thickness of a pane of glass of irreparably damaging or even destroying this priceless treasure, and that must be reflected in the sentences I pass.”
and
“Section 63 of the sentencing code requires me, in assessing the seriousness of your offending, to consider not only the harm your offence caused, but also the harm it might foreseeably have caused. For the reasons I have explained, that foreseeable harm is incalculable. Your offending is so serious that only custodial sentences are appropriate.”
Other protestors from the same organisation had obviously anticipated a prison sentence was likely and had planned ahead.

Which is why a little time after the sentence was announced, three more protestors were involved in the same painting being the target of their protest yet again. This time, they threw tomato soup again at TWO paintings of sunflowers by Van Gogh.

Sunday, April 28, 2024

10th Anniversary Prize Commission for Landscape Artist of the Year

One of the artists who has applied for the next series of Landscape Artist of the Year - by the deadline for entries of 3rd May 2024 - will win a £10,000 commission.

Last week Sky Arts announced the organisation which will receive the commission and the  location of the 10th Anniversary Prize Commission for the next series of Landscape Artist of the Year has been announced.
Following in the footsteps of famous painters like Monet, Cezanne and Van Gogh, the winning artist will travel to the south of France to create a work inspired by one of the most famous coastlines in the word.

At this point I'll just insert my sketch of Monet's painting of Antibes in the 'old' Courtauld Gallery!

My sketch of Monet's painting of Antibes in the Courtauld Gallery

plus Cezanne's landscape painting of Mont St. Victoire - also in the Courtauld

The Montagne Saint-Victoire (c.1887) by Paul Cezanne (1839-1906)
oil on canvas
Samuel Courtauld Trust: Courtauld Gift 1932

I've also tried drawing the landscape in the south of France like Van Gogh and have certainly visited a number of places which he drew - and a number of places where he drew from.

If you want to get more insight into what that Commission trip might involve - just take a look at this article for Architectural Digest - An Art Lover’s Road Trip Through the South of France. I've done all of it apart from the last bit - and it is a location which provides masses of inspiration. 

Applications close on Friday 3rd May and the filming starts in June.
You can read more about how to enter via my blog post Call for Entries: Landscape Artist of the Year Series Ten

Friday, August 25, 2023

Golden Oldie #4: Van Gogh and Drawing - art media and techniques

Two posts this time - about Vincent Van Gogh and his drawing materials and techniques.  

Tree with Ivy in the Garden of the Asylum
Vincent van Gogh (1853 - 1890),
Saint-Rémy-de-Provence, May-June 1889
pencil, reed pen and brush and ink, on paper, 61.8 cm x 47.1 cm
Credits: Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

Golden Oldie #4: Van Gogh and Drawing - art media and techniques


The two posts are from 2007 and 2021. I've updated both where it was needed.

Van Gogh: Drawing media and techniques (2nd February 2007)


This has been one of my most popular posts - on a perennial basis - since I started this blog.

This post focuses on Van Gogh's drawing materials (pencil, pen and ink, prints, brush and colour) and how they influenced his techniques and style.

I've also 

  • resized the images
  • removed dead links
  • included UPDATES about research about the media he used

More about Van Gogh and his drawings and drawing techniques (28th September 2021)


This provides a summary of the information about Van Gogh's drawing materials and techniques that was mainly published AFTER my blog post from 2007.

It's not comprehensive but provides a good overview of what's been added to resources in recent years - and that includes some of the Wikipedia information!

I've also only had to update two links (both incidentally to the same website - the Foundation Vincent Van Gogh Arles) - which indicates this is perennially sound information!


Tuesday, January 18, 2022

Plus Ça Change - Art on Mondays on BBC4

Be forewarned - this is a bit of a rant - PLUS Quite a lot of information about "Art on Monday Nights" on BBC Four

At a time when art programmes seem to be burgeoning and successful (or soon to be) on Sky Arts, Channel 4 and Channel 5, we are faced with a BBC which is producing archive only programmes on BBC4 which has, traditionally, been the art channel. (Of which more below - including 'Art on Monday Nights on BBC Four)

I wrote about the planned demise of BBC4 as an originator of art programmes back in March 2021 - as did others - see 

It's maybe even more pertinent now that Nadine Dorries (who I want to be very rude about but will instead ignore her) has "got her teeth" into The BBC Licence Fee. This is the woman who announces this will be the last licence fee settlement and then announces there will be a discussion and no decisions have been made as yet. Yet more political lies and dissembling??

A statement has been made by the Director General and the Chair of The BBC about the proposal for the Licence Fee Settlement - which has for of code for "more cuts to come' 

As a result recent news coverage includes some significant criticism - and I want to add to it!


Art on Monday Nights on BBC4


What we're getting on BBC4 at the moment is what I'm calling "Art on Monday Nights" - which is basically a lot of REPEATS or compilations of REPEATS

So this was yesterday evening





The title of the first episode of Art of France "Plus Ça Change" was, in the circumstances, very pertinent!

Yesterday evening we had 

Links you may need to be aware of (if not already) are
The main problem with the BBC website is it doesn't have a way looking up ART programmes - as opposed to "Arts" - and this is what The BBC means by Arts, Culture and Media

The main issue is NOT that it's not worth looking again at programmes in the Archive - If they were good programmes the first time then they're definitely worth another look. 
BUT but access and choice both need to be improved
  • they need to be available ALL THE TIME via iPlayer (i.e. we've already paid for these!)
  • they need to contained in a list so that people can identify what's worth watching
  • and the BBC STILL NEEDS TO MAKE NEW PROGRAMMES!!
The only bright spot on the horizon is that there seemed to be a significant lobby of MPs in the debate yesterday who recognised that certain aspects of The BBC should not be externalised - and the arts was one of them.



Tuesday, September 28, 2021

More about Van Gogh and his drawings and drawing techniques

One of my most popular posts - on a perennial basis - since I started this blog is one about Van Gogh: Drawing media and techniques which was published in February 2007 as part of one of my very first learning projects recorded on this blog.

This 'resources for artists' post summarises:
  • what the 2007 post covers
  • new information about Van Gogh's drawings, swing materials and drawing techniques made available since 2007
"Garden with Flowers" (August 1888, Arles) by Vincent Van Gogh
Reed-pen and ink, Height: 61 cm (24 in); Width: 49 cm (19.2 in)


Van Gogh: Drawing media and techniques  (2007)


In summary this post focuses on 
  • Van Gogh's drawing materials (pencil, pen and ink, prints, brush and colour) and 
  • how they influenced his techniques and style.

New Information about Van Gogh and drawing

What follows was mainly published AFTER my blog post from 2007. It's not comprehensive but provides a good overview of what's been added to resources in recent years - and that includes some of the Wikipedia information!

Cafe Terrace at Night (Sept 1888, Arles) by Vincent Van Gogh
chalk, reed pen, India ink and graphite on laid paper
Dallas Museum of Art, The Wendy and Emery Reves Collection

This post lists links to more information about Van Gogh and the way he drew
For the first three years of his career, he worked mainly as a draughtsman. A good command of drawing was traditionally considered to be an essential basis for painting, and Van Gogh cherished that principle. As a result, he became an excellent draughtsman long before his paintings started to show real promise. Van Gogh Drawings in Arles | Foundation Vincent Van Gogh Arles

This is a video of Van Gogh sketches - Vincent van Gogh: A collection of 1185 sketches (HD)

Sunday, August 15, 2021

An introduction to Japanese Art on Making A Mark

One of the most popular of my themed projects related to Japanese art and artists - and Hokusai and Hiroshige in particular - and the impact this art had on later artists. 

This post highlights my past blog posts on these topics

The Making A Mark Japanese Art project


South Wind, Clear Sky (Gaifū kaisei) By Katsushika Hokusai (1760 – 1849)
also known as Red Fuji, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Polychrome woodblock print; ink and color on paper, 9 5/8 x 14 in. (24.4 x 35.6 cm)


Introducing Japanese Art

Below are links to the various posts about Japanese art which have appeared on Making A Mark. 

The majority are associated with an art project I undertook in 2008 to research Japanese art and find out more about the main artists associated with ukiyo-e.

The Making A Mark project serves as an introduction to Japanese Art and ukiyo-e - the Japanese wood block print. 

A significant element of my interest related to the compositional devices used in japanese art - and how these went on to influence western art in the latter half of the nineteenth century.

I created the blog posts from various resources I found online - and I also created a website to record the links as I progressed with the project. 

Each of the links below is explained in the short descriptions

The influence of Japanese Art - a long detailed post!
  • There's something about Japanese Art which draws me in. I'm not sure quite what it is however I'm very sure that learning more about it will help me with the development of my own drawings and artwork. It had a significant impact on the artists who I studied last year so I feel that being open to its influence can only be beneficial. 
  • I'm going to look first at resources and then at how I might usefully frame my approach to this project.
  • These include:
    • books about Japanese art
    • profiles of individual artists
    • Context for the development of ukiyo-e
    • Compositional devices learned from Japan
    • Formats derived from Japan
    • Subject matter
    • Making connections - between Japanese art and other artists, notably Van Gogh, Whistler, Degas and Cassatt
The concepts and characteristics of ukiyo-e
This week, I'm going to try and summarise what seem to be the subjects and characteristics of the Japanese wood block print - ukiyo-e. I'm going to move from overview through to detail as I work through this project so I'm starting with the big picture.
  • This is an attempt an overview of the subject matter.
  • Then I'm going to use the western conventions of elements and principles of composition to organise new information so that hopefully it makes more sense to me within a more familiar context.
  • This post aims to provide an overview of the different elements of design used in a Japanese wood block print - ukiyo-e. (For an explanation of the elements of design see this post Composition - The Elements of Design)
Principles of design and composition and ukiyo-e 
  • My intention was to do an overview about the principles informing the design of Japanese art and prints - but I'm overwhelmed and becoming aware of how absorbing this project might become! My new aim is to set down some initial impressions - and I'll revisit this topic again towards the end of this project.
  • I'm also trying to relate a Japanese way of making pictures to western concepts of what's important in terms of Principles of Design (as discussed in the last project) Again this is more about me finding a way to understand what's going on initially rather than saying the western way of looking at things is best. As we'll see as this project progresses, there's an awful lot of western art which adopted conventions which originated in the East.
  • I came across this fish in a book I bought last Friday. It's called Japonisme - Cultural Crossings between Japan and the West, Lionel Lambourne, Phaidon Press. Lionel Lambourne OBE is the former Head of Paintings at the Victoria and Albert Museum (1986-1993) and a curator.
The Visual Translation of Japan in Late 19th-Century Paris
  • Japonism is the term used for the influence of Japanese art in the west. This post is part of my Japanese Art project and is a combination of my own initial research on this topic and notes I made at a seminar I attended at the National Gallery in February called Gained in Translation: The Visual Translation of Japan in Late 19th-Century Paris - given by Karly Allen.
  • Whistler, Tissot, Monet, Manet and Degas were all buying up Japanese prints. Comparisons were made with the great artists of the western traditions of printing eg Durer. Europeans were 'discovering' Japanese art - which of course already existed even if the western world didn't know about it! Many of the artists developed very significant collections of Japanese Art
  • This blog post is part of my project on Japanese Art (see other posts) and is concerned with how Japanese wood block prints associated with ukiyo-e were made. It contains an overview of what they are and how the prints were made and provides links to further information.
  • We visited the Royal Botanic Gardens at Kew this week and I attempted to draw the Japanese Gateway (the Chokushi-Mon) while at the same time trying to remember all the things I'd been learning as part of my Japanese Art Project. This post is about I designed my sketch and the things I now need to do to translate it into a more formal drawing.
The Art of Hiroshige
  • Throughout my Japanese Art project, I've become more and more aware that Hiroshige produced some really stunning woodblock prints and excelled at landscapes. So for my last post of April I'm going to focus on Ando Hiroshige aka Utagawa Hiroshige.

    Later posts on the topic of Japanese Art


    Hokusai, Van Gogh and the iris paintings (2009)
    I've been studying an expert - Vincent Van Gogh - who, in turn took pointers from another expert - the Japanese artist Hokusai. This post comments on their various approaches to iris paintings.
    • This is the third of a series of exhibitions dedicated to Japanese Artists and Printmakers to be held at the Royal Academy of Arts.
    Hokusai and Hiroshige: Great Japanese Prints (2012) 
    • This is an Asian Art Museum video about Great Japanese Prints by ukiyo-e printmakers Hokusai and Hiroshige
    OASC for Metropolitan Museum of Art Images (2014)
    • This includes who to locate the the ukiyo-e prints of Hokusai
    Refreshed Toshiba Gallery of Japanese Art at the V&A reopens (November 2015) 

    Tomorrow I'll reproduce one of the websites I produced which is no longer online.

    Monday, March 30, 2020

    MAMA #2: All about Vincent Van Gogh on his birthday

    The second in my series of 'Making A Mark Archive posts' is about Vincent Van Gogh. If you read all my blog posts, listed below, and follow up the links it'll keep you occupied all day!

    Vincent Van Gogh was born 167 years ago today on 30 March 1853 in the Netherlands. 

    In 2007 I did a very big project on Van Gogh and have written periodically about him over the years. This is a list of my Van Gogh blog posts categorised by:
    • Van Gogh and Drawing
    • Van Gogh's Paintings
    • Van Gogh and Flowers and Gardens
    • Exhibitions
    • Videos
    • Miscellaneous posts
      They include include lots of images of wonderful drawings and paintings by Van Gogh.  Many of them are my photographs of the originals in exhibitions.
        The one below is my copy - in coloured pencils - of his painting of Almond Blossom which I did as an exercise while doing my project on Van Gogh. 

        A copy of Van Gogh's Almond Blossom 1890 (in the Van Gogh Museum, Amsterdam)
        9" x 12", coloured pencils on hot press paper
        copyright Katherine Tyrrell

        Van Gogh and Drawing

        "I sometimes think there is nothing so delightful as drawing." Vincent van Gogh (1853 - 1890)
        His approach to drawing was a revelation for me in terms of mark-making.

        I remember learning that all those who talked about Van Gogh as if he had a manic approach to his artwork - working very quickly - had very obviously never ever tried drawing with a reed pen and ink!

        Cottage Garden, 1888
        Vincent van Gogh (Dutch, 1853–1890)

        Reed pen, quill, and ink over graphite on wove paper;
        61 x 49 cm (24 x 19 1/4 in.)
        Private Collection
        Exhibited at: "Vincent Van Gogh - the Drawings" Metropolitan Museum of Art -


        Van Gogh's Paintings

        Monday, January 20, 2020

        Hockney on Van Gogh and The Joy of Nature

        I came across this video of David Hockney talking about Van Gogh and the pleasure of landscape painting. 

        It was made by the Van Gogh Museum for an exhibition they had last year called Hockney - Van Gogh: The Joy of Nature
        From 1 March (2019), the colossal works of David Hockney will be on display in the Netherlands. For the first time, this spectacular exhibition offers an extensive and colourful exploration of the common ground between the work of Vincent van Gogh and David Hockney.
        So sad that nobody thought it might be a good idea to repeat it in the UK!

        This is an essay about the two painters Hockney - Van Gogh Two Painters, One Love. The juxtapositions of two paintings - one by each of them - as you work your way through is fascinating.

        compare and contrast paintings of landscapes by Van Gogh and Hockney

        BELOW is a video of Hockney commenting on the works and words of Van Gogh - and his own work.
        He's the first great colourist
        He saw more than other people. He saw space very clearly



        Do read this review of the exhibition Hockney-Van Gogh exhibition is ‘a tame, though colourful, bit of fluff’ for an example of art critic who needs a stern talking to. Turns out he's held some pretty influential positions - but not in relation to anything like the paintings produced by Van Gogh or Hockney! [UPDATE: Turns out he's journalist who now adds a middle initial T into his articles because he's not the same man as the one with had all the positions with galleries!]

        There's a much better one published in the New York Times David Hockney Loves Van Gogh. This Exhibition Shows Why which draws some interesting comparisons in terms of the way they have both worked.

        This is MY Review: David Hockney RA - A Bigger Picture - about the humongous exhibition of landscape drawings and paintings and film that Hockney had at the Royal Academy in 2012

        Monday, August 12, 2019

        If you missed Van Gogh in Britain at the Tate

        Last week I visited Van Gogh and Britain at Tate Britain - and took rather a lot of photos. I've now uploaded some of these - mostly the ones of the drawings and paintings by Vincent Van Gogh to an album attached to my public Facebook Page titled Van Gogh and Britain

        The exhibition has now closed and I recommend you take a look if you wanted to visit but were unable to do so.  Also if you want to read more about Van Gogh I've listed other blog posts about Van Gogh - which also contain pics at the end of this post.


        It includes:

        • drawings by Van Gogh - including one where I show the mark-making close up (see above - his drawing of the garden at the asylum at St Remy)
        • self-portraits by Van Gogh - three in total
        • paintings by Van Gogh - in variou venues and across the years
        PLUS
        • Drawings, paintings and prints by other artists who influenced Van Gogh - notably John Constable, John Millais and Gustave Dore
        • paintings by artists influenced by Van Gogh - including Lucien Pissarro, Samuel John Peploe and Francis Bacon.
        • pictures from the last Van Gogh Exhibition at Tate Britain in 1947-8 - when they had to resurface the floors afterwards due to the number of people who visited
        You need to look at each photo individually to see the caption - and I haven't quite finished these but have done most of them - and with some that are not finished you can read the wall caption which is also in the photo

        READ (a lot!) MORE


        You can also read the Guide to the exhibition on the Tate website - but you'll need to be quick as for some reason the Tate does not archive its exhibition and educational material!

        PLUS my blog posts from my Van Gogh Project - which do not date - and are included below (Introduction to the Van Gogh Project)

        Van Gogh and Drawing

        "I sometimes think there is nothing so delightful as drawing." Vincent van Gogh (1853 - 1890)

        Van Gogh's Paintings

        Sunday, August 11, 2019

        Sarah Wimperis talking and teaching about how Van Gogh paints

        A big shout out to my friend Sarah Wimperis who was the artist commenting on the Official Audio Guide to Van Gogh in Britain at Tate Britain - and talking about the Van Gogh paintings and how they are painted.

        All the people with the headsets on are listening to Sarah Wimperis
        commenting on how Van Gogh painted this painting - Starry Night (Arles, August 1888)

        I finally got to see the exhibition last week having only just realised in time that it was about to finish!  (I hate the crowds at the beginning and have to endure the crowds at the end when I forget to make a date to go after the beginning and well before the end!)

        I posted the above photo to my FB account and Sarah commented with Those people with headphones are listening to me!

        I thought she did brilliantly - highlighting aspects of the painting which just don't come through when curators or critics talk about them. 

        What I liked was she talked about how careful he was - in terms of the colours used and his brushwork.

        For example, in relation to the Starry Night Painting (Arles 1888), the caption, by the curator says one thing


        While Sarah - on the Audio Guide - is talking about LOOKING at:
        • how many different blues he has used for the sky to demonstrate that a sky is not always a flat colour
        • how he has always made sure his brush marks reflect the contours or form of the object he is painting e.g. the broad brush marks for the ripples in the water are all horizontal
        LOOK AT: the various colours used in the night sky and the horizontal brush marks he made for the water

        That's because she spent several months in 2017 painting 788 paintings exactly like Van Gogh for the total of 65,000 needed for the film 'Loving Vincent'! (see example of four frames).

        Sarah was the only English artist out of 125 artists from all over the world - and hence a natural choice for the audio guide!

        You can see something of what she did on her website - on the Loving Vincent page

        Learn to paint like Van Gogh


        Having learned an awful lot about how Van Gogh painting, Sarah now includes tuition for those who would also like to paint like Van Gogh in her portfolio of painting workshops. 

        Check out the workshops section of her website for more details. 

        I just rang her to tell her about this blog post and she tells me that her tuition dates for next year will be going online within the next week!

        In the meantime she is providing painting tuition in oil and gouache on painting holidays and workshops this year in:
        • Provence - August 31st - September 7th 2019
        • Norfolk - September 22nd - 26th 2019 - already sold out

        Friday, March 02, 2018

        Sarah Wimperis explains how to paint like Van Gogh for 'Loving Vincent'

        It's not often I use one of my blog posts to highlight an article on another website but I'm making an exception for this interview with Sarah Wimperis - one of the painters of painted animated film called "Loving Vincent"

        The significance is the film is up for an Oscar on Sunday!
        Across the globe, the movie has secured 11 wins and over 48 nominations, including Best Animated Motion Picture at the 2018 Golden Globes, held Jan. 7, and Best Animated Feature Film at this year’s Academy Awards, taking place March 4 in Los Angeles.
        Here's the interview Meet the Artists Behind the Oscar-Nominated ‘Loving Vincent’ on Artists Network. It's very good at telling
        • what life was like for the artists working on the film
        • how personal style had to be subjugated to the needs of the film
        • how the artists worked in Gdansk
        • what the process was for creating paintings for the animation
        • how many paintings were needed to get half a minute of film (take a guess before you read the answer!)
        • the benefits of copying painting style of an past master
        • what Saeah has been doing since she finished painting
        Sarah is offering some "Paint like Van Gogh" painting workshops later this month in Stroud and Bath for those who have always wanted to have a go!

        Below are some pics taken by Sarah while she was painting for the film.

        One of Sarah's Paintings
        Sequences within the film were created from individual paintings. These were then adjusted to make the next image in the sequence - and the next and the next. Read the article to learn more about the process

        Four frames from the wheatfield conversation - painted by Sarah
        See the first painting fits into this series of four paintings for a sequence

        Sarah looking at her paintings
        If you look very carefully I think you can work out which way round the paintings below were painted.
        A complete four frame section - from the Cafe Interior - painted by Sarah

        I'm not sure I've ever seen a more extensive palette. Learn how one of the secrets to effective transitions was making sure you'd mixed enough paint!

        Sarah's palette supplies
        and finally some finished frames.

        Finished frames in the Gdansk studio - with film markers for lining up attached

        You can see Sarah bouncing up and down if the film wins an Oscar on Sunday

        Tuesday, August 15, 2017

        Compilation - Van Gogh's Sunflowers on Facebook Live

        This is a catch-up for those who missed the Facebook Live event when five Van Gogh sunflower paintings were reunited from five museums around the world yesterday.
        (see my earlier post for what this event was about Five Van Gogh Sunflower paintings on Amazon Live on 14th August 2017)



        Below are links to the videos on Facebook. Each post is also embedded. The links go to the Facebook Pages and relevant posts of each of the participating museums

        Enjoy the FIVE VIDEOS BELOW - and take a look at my comments at the end.

        Friday, August 11, 2017

        Five Van Gogh Sunflower paintings on Amazon Live on 14th August 2017

        I'm trying to upload images to a blog post but Google's Blogger has decided it isnlt going to work today

        Which is why I'm posting this information about a brand new initiative to unite artwork and art museums around the world today rather than tomorrow....
        Today five 'Sunflowers' paintings are located in museums across the globe and have never been united. Until now that is. On 14 August 2017, in a world first, all those 'Sunflowers' will come together in a ‘virtual exhibition’ bringing the paintings together in a way the artist could never have imagined.



        Which sunflowers and museums?

        The sunflowers are those in the following museums around the world

        What's happening in the Amazon Live Event?

        The museums are participating in a unique and unprecedented global collaboration to explore the 'Sunflowers' series, live on Facebook.

        Over 95 minutes on 14th August 2017, there will be 
        • a consecutive relay of five, 15-minute Facebook Live broadcasts from the five museums - starting with the National Gallery at 5.50pm UK time (12:50 p.m. Eastern time) in London. 
        • Each will take place in front of a different 'Sunflowers' painting and all will celebrate and explore Vincent van Gogh’s life and work.
        • It will conclude with a broadcast by the Tokyo curator (from the Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art), starting at 2:10 p.m. Eastern time (7.10 pm London time).
        This is the first time ever there has been a live Facebook ‘relay’ of this type between different institutions worldwide. The five galleries have worked with Facebook to create a fully immersive digital exhibition, Sunflowers 360.

        To further unite the paintings, and in such a way that would be totally impossible in the physical space of a gallery.....
        Using a combination of VR technology and CGI to create an experience that will look and feel as if the five paintings were actually together in one room, viewers can interact with Sunflowers 360 on Gear VR or view as a 360 video on Facebook. Entering the gallery in VR, people can rotate around a 360 degree environment to view each of the paintings, or go on a guided tour of each painting. Willem van Gogh – the great-grandson of Van Gogh’s brother Theo – narrates the experience, sharing personal memories of the paintings. Sunflowers 360 is released today (10 August 2017) on the Facebook pages of each museum and through the Oculus store.

        In terms of UK time, theVan Gogh 'Sunflowers' Facebook Live Running Order – 14 August 2017 is as follows