Cover of the RSPP 2010 Exhibition Catalogue
Joy by Robin-Lee Hall - winner of the Ondaatje Prize for Portraiture
egg tempera 71 61c (28 x 24") Not for Sale
According to the catalogue it took eight members of the selection panel about eight and a half hours to look at 822 submissions. This year the catalogue explains how the process works. There are two rounds. In the first round some works will be marked as 'Doubtful' - which means they might make it if they don't have enough straight 'A's (for 'acceptances') from the first round. They then take a second look before deciding on the c.200 works which are hung in the show.
"It's quite an intense business as we try to be as fair as possible, not looking at names, but making our judgements purely from the images put before us. We are looking for paintings that catch the eye with a combination of skill, composition, good and intelligent use of colour, humour, expression and energy, as well as offering insight into the subject. we want to see that pure passion for painting and drawing that we feel ourselves as artists"
Of course RP members are pretty much always going to get their work hung. So I did a count and work by non members and people not invited to show accounted for just 10% of the total entry and just over a quarter of the works hung.
This year it felt refreshing to walk into an exhibition which included some large paintings after a spate of exhibitions where artists seemed to have taken to downsizing with avengeance. I guess portraiture commissions tend to be one of those things which beat the recession. If you've got enough money tio commission one in the first place it's unlikely that you'll want to skimp. Plus artists who make their livelihood via commissions want to be able to demonstrate what they can do - and the ability to paint large portraits is undoubtedly a skill which tends to impress. It was also nice to see a bit of colour on the wall!
I'm going to detail the awards and then highlight some works which I was particularly impressed with.
Note: Artists own the copyright of all images; all photographs taken with the permission of the Mall Galleries for review purposes - copyright Katherine Tyrrell
Listed below are the prizes and the winners in 2010. I've included a photograph of the winning work.
The Ondaatje Prize for Portraiture (£10,000 for the most distinguished portrait plus the Society's Gold Medal): This year the prize was awarded to Robin-Lee Hall RP for 'Joy' - see top. The subject is the best friend of her mother and is painted in egg tempera. The portrait is being donated to Girton College for their permanent collection of People's Portraits.
De Laszlo Prize for Outstanding Portraiture (£3,000 for an artist aged 35 and under judged to have submitted the best portrait plus the Silver Medal) was won by Norman Long (a non member) his portrait of his father 'Walter Samuel Long'. Unfortunately the RSPP website has identified the prizewinner as being his father!
I think this was maybe my favourite portrait in the whole of the show. It stood head and shoulders above the works in the room in which it was displayed and seemed to shine out of the wall.
Walter Samuel Long (NFS) by Norman Long
oil, 58 x 68cm (23 x 26")
The Changing Faces Prize (for the portrait that is most powerful in the way that the subject communicates with the viewer beyond the canvas) was awarded to 'Caroline V' by Antony Williams RP, PS, NEAC
Caroline V (NFS)
egg tempera, 46 x 36cm (18 x 14")
The Prince of Wales's Award for Portrait Drawing (£2,000 for a portrait in any recognised drawing medium plus a framed certificate) was won by Louise Yates for 'Alan'. This was an invited work.
Alan by Louise Yates
(The Prince's drawing School, invited work)
Charcoal 61 x 77cm (24 x 30")
I really liked much of the drawings on display. While this was certainly a powerful piece my preference lay with drawings which were drawings rather than half way to paintings which I felt the winning piece.
Self Portrait III (NFS) by Yasunobu Shidami
oil, 120 x 120 cm (47 x 47")
The Arts Club Award (one year's complementary membership to the Arts Club) was given to the very large self-portrait by Yasunobu Shidami who is a painter and calligrapher. He's an ex student from Heatherley's whose very painterly work seems to become more and more impressive every time I see it. I gather he paints for himself.
Other drawings and paintings
Overall, the wall of drawings either side of the entrance were very impressive. I often think small drawings can run the risk of being overlooked. Two artists who worked smaller this year whose work i really liked were Benjamin Sullivan whose drawings of older ladies were inredibly fine. He also has work in the BP Portrait Award this year. I also really liked Tom Phillips small drawing of Freeman Dyson.
I also liked Sally Cutler's linocut of Dulwich Heads - which you can also see on her website.
Portrait of Austin Mitchell MP and his wife Linda at home in Yorkshire (NFS)
by Tony Noble
oil, 130 x 189cm (51 x 63")
I really liked the painting of Austin Mitchell and his wife by Tony Noble who has his studio in Redbrick Mill, Batley Carr, West Yorkshire. It was one of those portraits where you feel the artist has gone to an awful lot of trouble to compose and design the painting so that it includes very many clues to his character, activities and habitat. It was almost botanical in that sense! I also liked the slightly curious angle of the artist's perspective - which caught my attention. There's something slightly 'fish-eye lebs' about it. When I found his website I learned that he also has a work accepted for the BP portrait this year. You can see both portraits on the News page of his website.
Alastair Adams' PRP portrait of Mr and Mrs Gapper was also very fine - I particularly liked the portrait of their cat!
As always I loved the work of Luis Morris ROI work - this year it was a self-portrait.
There were a number of paintings of groups - and you gauge their size in the above photo.
It struck me that I don't think I've ever seen one of the groups win the Ondaatje Prize which is odd really as I always think achieving a good group portrait is much more difficult than a portrait of an individual.
The work which struck me as being very impressive was a painting of Three Sisters by Paul S Benney.
The Three Sisters by Paul S Benney
oil, 205 x 150cm (81 x 59")
and finally.... There were some impressive works which were entirely let down by awful framing. I won't identify which but it's difficult to know why people try to impress with bad frames!
Did you know? In June 1891 the society held its first exhibition. It included works by the members and also works from such well-known portrait painters as Sir John Everett Millais, G.F. Watts and James McNeill Whistler.
Links to posts about previous exhibitions: