Showing posts with label paints. Show all posts
Showing posts with label paints. Show all posts

Saturday, March 07, 2020

PODCAST: Ask an Artist interview with Michael Harding

I have two things to tell you if you don't already know:
  • there's a new podcast called "Ask an Artist" which is informative, intelligent and really useful. Very much a recommended subscription from me (I'm using the Apple Podcast app - here are some other ways). This is their website https://www.askanartistpodcast.com/
  • Michael Harding is making watercolour paints!!! That is of course Michael Harding of Michael Harding Paints.
How do I know this?

I listened to the Ask An Artist podcast interview Meeting Colour Maker Michael Harding published yesterday. (Find the link to to the podcast on this website page - but this is the Apple Podcasts link to the actual podcast)

https://www.askanartistpodcast.com/home/michael-harding-interview
Michael Harding Paints have a reputation of being the best in the world and in this conversation you will discover what drives Michael's successful business and why he is so passionate about paint!
The interview covers:
  • his story as a colour maker over the last 40 years
  • masses of information about the practicalities and technical aspects of making colour and oil paint and other products he makes
  • the news that he is now making watercolour paints!  
I have to say I scoured his website in the middle of the podcast looking for information about the watercolour paints and there's nothing! It looks as if he's at beta testing stage with artists he works with and that he is maybe going to say something more about them soon - hopefully.

I learned a lot listening to the podcast - and I'm sure you will too!

About Ask an Artist



Here's some basic facts about the Ask an Artist Podcast.
  • it's run by landscape printmaker Laura Boswell and portrait painter Peter Keegan
  • it started in November 2019 and to date has produced 21 podcasts. 
  • It's obvious to me that they're very well organised because the visit which produced the Michael Harding podcast took place in mid-December 2019!
  • the strapline is "run by artists for artists" and the evidence from episodes I've listened to date suggests exactly that.
  • unlike some artist podcasts this one has a minimal front end promoting the podcast and artists and maximum content on the topic it's focusing on - which makes it so much more accessible and informative - and verylikely to generate repeat listening to future episodes.
  • each episode also has a decent page which details what's covered by the podcast
  • this is how to listen
  • it' a joy to listen to intelligent artists asking really good questions of well-informed people. I'm positive that most artists will find something that interests them and will end up subscribing to future podcasts.
  • you can also follow Ask the Artist on:
Here's an image of the Laura and Peter who run Ask and Artist - reviewing paint samples with Michael Harding in his colour mill.



Friday, August 02, 2019

JMW Turner's Travelling Watercolour Paints

Yesterday I visited the Permanent Collection in the NEW Collection Gallery at the Royal Academy of Arts (one of the new developments). This is free to visit for everybody.

I viewed (amongst other items) the travelling watercolour set of JMW Turner RA which is currently part of a temporary display. Below you can see my photos of:
The travelling watercolour set of JMW Turner RA ca. 1842
Dimensions: 296 mm x 317 mm x 9 mm
The set was given to the RA by Given by Mrs Hilda Félicité Finberg in 1940
Watercolour palette owned by J.M.W. Turner, R.A.
175 mm x 148 mm x 4 mm
This porcelain watercolour palette was also given to the RA by Mrs Hilda Félicité Finberg in 1940. It's in remarkably good condition if a little scratched.

The imprint on Turner's palette for watercolours

It's clearly marked as being made by RB Newsom. This is what the online resource British artists’ suppliers, 1650-1950 maintained by the National Portrait Gallery has to say about this gentleman.
Richard Bowden Newsom, 14 Wellington St, Borough, London 1834-1837, oilman and artists’ colourman; 7, 8 and 9 Leyland St, Vauxhall 1837, candle maker and preparer of canvas and mill boards for artists; 9-10 Leland St, Lambeth 1839 candlemaker and colourman. Post-1839, see below.

Richard Bowden Newsom (1806-80) led a varied career over many years in retailing and manufacturing. He was christened on 22 January 1806 at St Mary Scarborough, the son of Joseph Newsom and Sarah Maria, née Bowden. He was apprenticed in 1820 to his father, a grocer and tallow chandler of St Albans, Hertfordshire, and a Citizen and Cordwainer of London, and was admitted in 1827 to the freedom of the Company of Cordwainers. His father set up as a tea dealer in the Borough in 1823.

Richard Bowden Newsom married Mary Wright in 1830 and they had eight surviving children. He traded from 14 Wellington St, Borough as an oilman and artists’ colourman from 1834 to 1837, and was specifically listed as an artists’ colourman in Pigot’s 1836 London directory. He was followed at this address by Frank Livett, oilman and artists’ colourman, in 1838. Newsom moved to 7, 8 and 9 Leyland St, Vauxhall, where he took out insurance as a patent wax candle maker and preparer of canvas and mill boards for artists in May 1837 (London Metropolitan Archives, Sun Fire Office policy registers, 564/1250680). In Pigot’s 1839 directory he was described as an artist, colourman and manufacturer of improved imperial wax and sperm candles, his last listing as a colourman.

His partnership with William Bayley the younger as goldbeaters at 79 White Lion St, Pentonville, and woodcutters in Hoxton, was subject to bankruptcy proceedings in 1860 (London Gazette 5 June 1860). Described as of Orpington, he was made bankrupt again in 1865, when in partnership with William Maslen and Thomas Tillam, gas apparatus manufacturers (London Gazette 7 February 1865). In census records he can be found in Lambeth in 1841, in Plaistow in 1851 as a ‘collector wine trade’ and in 1871 in Orpington as a retired grocer. He died in January 1880 at the age of 73, leaving an estate worth under £100.

Activities as an artists’ supplier: A porcelain watercolour palette once owned by J.M.W. Turner can be dated to the mid-1830s since it bears an oval printed label: R.B. NEWSOM/ 14 BOROUGH/ Requisites for/ Drawing & Painting. (Royal Academy, 03/7070). 
(see British artists' suppliers, 1650-1950 - N)

Watercolour swatch taken from travelling watercolour watercolour set owned by JMW Turner

This is described by the as the Watercolour test paper taken from travelling watercolour box owned by J.M.W. Turner, R.A.

Their photo on the website is considerably lighter than mine. I'm wondering if they're trying to give the impression of what it would have looked like when paper was white. So I had a go at changing the colour of the paper today - as viewed in a dimmish gallery - to one which was lighter and brighter.

Watercolours if paper is nearer to white (adjusted via Photoshop Levels)
The colours of the watercolour pans he used are as follows:

TOP ROW (left to right)
  • Carmine
  • Purple Madder
  • Purple Madder
  • Orange Chrome
  • Vermillion
  • Permanent Blue
ROW 2 (left to right)
  • Burnt Sienna
  • Burnt Sienna
  • Brown Madder
  • Yellow Ochre
  • Raw Sienna
  • Cobalt (Blue)
ROW 3 (left to right)
  • Ivory Black
  • Purple Carmine?
  • Crimson Lake
  • Roman Ochre
  • Vandyke Brown
  • empty space
ROW 4 (left to right)
  • Burnt Umber
  • Intense Brown Madder
  • empty space
  • empty space
  • empty space
  • green colour no name
ROW 5 (left to right)
  • Burnt Umber
  • Intense Brown Madder
  • indecipherable writing (a mix?)
  • Olive Green
  • Yellow Lake
  • Lae Lake
ROW 6 (left to right)
  • Indigo
  • Indigo (lighter)
  • Yellow Lake
  • Brown Pink
  • Gamboge
  • Lae lake
You can see these items for yourself in the new Permanent Collection Gallery at the Royal Academy of Arts - which the RA seems determined to keep obscure as I can't find a reference to the space on their website. 

Wednesday, August 29, 2018

Green and Stone art shop is moving to.....

Green and Stone - the renowned and extremely popular supplier of art materials - is on the move from its current home at 251 Kings Road in Chelsea.

It has to move quickly and hopes to be in its new home by October - and you can help!

The interior of 251 Kings Road
The shop has some very loyal fans and due to their support, unlike other art shops it has not closed and is now the longest running shop in the King's Road - until the move in October....
.....over the years, due to our fiercely loyal customers we have remained; and I am proud to say we are the longest running shop in Kings Road. We have kept Green and Stone exactly as it should be; a creative hub of information for the artistic and with an eclectic mix of curios. It serves as a peaceful escape from London’s modern revolt.
We have welcomed the locals of Chelsea and tourists from near and far; those who have sought us out, those who stumble upon us, the artists, writers, directors, movie stars and musicians, and everyone in between. Having served some of the greatest contemporary artists like David Hockney, Francis Bacon, Damien Hirst, Lucien Freud, Quentin Blake and Henry Moore to name but a few, we are considered the best art shop in Europe. Hester Baldwin, manager of Green and Stone
However, the building has been suffering from some serious structural problems and has experienced repetitive flooding in the basement.
To remain in the same building has its perks. We are a landmark destination; the black cabs know where to find us if you can’t. Our nostalgic shop front suspends you in a time now past and we can be relied upon as a location for a meeting place as we have been here for 85 years; indeed, Green and Stone is an institution.
However, as with anything old, 259 Kings Road has its downfalls too. Without the TLC the building needed our dear shop has started to shake its head in protest and sent floods of biblical proportions through the basement; more than once, I hasten to add. I believe, after 85 years of trading here at 259 Kings Road, this old gal wants an early retirement. This day would always come, but we were not expecting it quite so soon.
If you value the continued existence of this much loved store - and I suspect most of its current fans do - can I suggest you read on past the details of the location of their new home to the Crowdfunder - because the actual move is going to cost some £100,000



Green and Stone's New Home


Sunday, March 18, 2018

The Travels of Atlantis Art Materials - on the move again!

The largest art shop in London has moved again! 

I regard Atlantis Art Materials as one of my local art materials shops. It's had lots of locations around the East End of London since I first encountered it just off Devons Road in E3 more years ago than I can accurately remember.

I've bought masses of art materials and supplies "stuff" from Atlantis in my time. They were my supplier of choice for paper, foam core, mat board when I could access them easily by car - because you could buy masses and just load it straight on to the back seat.  Plus I've been known to acquire an awful lots of bits and bobs having to walk past shelves to get to the foam core!  I can visualise all the pastels and pencils racks still because I used to spend so long in front of them....

I was idling trying to work out how many locations it has had since I've known them - and in the end came up with six - but I have only visited four of them.

There again they've only been in the latest one in Hackney since 5th March 2018.

1. Original Location: Devons Road, London E3 (mid/late 1980s?)


I'm sure this is the first place that I first I came across Atlantis Art Materials. I don';t think they'd been going for very long when I first came across them.

It was a typical location for a company looking for a large building and not wanting to pay lots of rent! They inhabited a very modern techie type building next to where the Devons Road DLR Station (opened 1987) is now. This was by far the smallest of the stores. They got a lot bigger when they moved on from here.  I don't think the DLR was open when I first visited it - but I could be wrong.

The original Devons Road location. 
I seem to recall the building they were in looked different so it might have changed or it might just be so many years ago I can't actually remember.

I do remember going there to review watercolour paint after reading Michael Wilcox's book The Wilcox Guide to the Best Watercolor Paints (published 1993) because this was the first time I'd taken a good long hard look at Old Holland Paint - which I never ever saw in any other art suppliers. (Note: this book is now way out of date - but did trigger a bit of a revolution if testing watercolours!)

2. The Huge Warehouse in Brick Lane (Early - Late 90s?)


I can't remember the precise address but it was right opposite the Old Truman Brewery - in an HUGE warehouse with great parking. It was absolutely cavernous and one of the stores I liked the best.

They were here for ages and I made lots of early purchases here.

Many is the time I've climbed that little flight of stairs
and entered the cathedral of art materials

a very small entrance
- which led to an enormous space behind

3. Whitechapel - early 2000s - 2009

7-9 Plumber's Row London E1 1EQ (just behind the Mosque on Whitechapel Road - as was)

This was one of the best locations and was also very accessible whether visiting using public transport or by car. I could normally guarantee I could park the car either in their car park or on the street - which meant I could take my time and spend lots of money I hadn't planned to.

Plus I really liked the layout and the paper desk - which was away from everything else.

I have some very pleasant memories of having a wind down from work wander around on Saturday afternoons.

They had to move on when plans for the area were developed and the site is now home to student accommodation.

4. Hanbury Street - August 2009- 2015

Disabled unfriendly entrance
- especially when carrying stuff!
Britannia House, 68-80 Hanbury Street, London E1 5JL

This was a large bright space once you got inside and lots of space to display the products well. However the access was a total nightmare (particularly for those with mobility challenges) in terms of both stairs at the entrance, the store on the second floor and a lift that took forever - plus never enough parking spaces outside - plus controlled parking zone. Luckily I could park locally being a resident of Tower Hamlets - however I still had to time visits for when it was more likely there would be spaces!

My shopping at Atlantis dropped off after they moved here - largely because of the accessibility reasons. It more or less became an emergency visits only - and I took to ordering online for larger stock supplies.

I'm guessing this is what finally stimulated the eternal "mail order" firm into finally getting its act together and generating an internet ordering service

The building is now a  refurbished very modern and"funky" apartment block.

5. Old Street 2015 - 25 February 2018

Basement, 16-28 Tabernacle Street, EC2A 4DD

The 2015 Invite to New Premises
I've never visited this venue as I'd stopped being a regular customer after the parking problems associated with Hanbury Street. It never struck me as being particularly easy to visit - being in the middle of a gigantic one way system.




NEW / Current Location - Hackney E8 - from 5th March 2018

Unit 1/Unit 7 Bayford Street Industrial Centre, London E8 3SE

This is their announcement.  They've got two units in a business centre - Unit 1 for main art supplies and Unit 7 just for paper.
  • The plus points: 
    • London Fields overground is within 200m
    • It's near the main bus routes via Mare Street
    • will be great for Hackney based artists
  • The negatives: 
    • double yellow lines everywhere - if you're not a Hackney resident don't even think about taking a car! 
    • no information on the website about parking - it's as if nobody ever has to move large or heavy items!
    • Atlantis have left Tower Hamlets - it's not local any more!





They're not a very internet savvy firm however you can follow them on:

Sunday, February 14, 2016

Van Gogh's Bedrooms in Chicago

Van Gogh's Bedrooms is a very unusual exhibition opens in the Regenstein Hall of The Art Institute of Chicago today. It closes 10th May 2016. While most of us won't be able to see it in person, there are quite a few resources online which allow us to appreciate some of the effort which has gone into this exhibition.

At the end of this post I've also listed my very extensive list of posts on this blog about Van Gogh and his drawings, paintings, flowers, gardens and other exhibitions and videos! I hope they are of interest to artists and art lovers alike - I know I enjoyed my own research!

Van Gogh's Bedrooms



This site provides you with a preview of the exhibition
  • This is a really interesting video about the science involved in the collaboration between the three museums to determine the differences between the three paintings - looking at paint and painting techniques and the inner structure of the three paintings. Really fascinating stuff!

As part of a promotional campaign, The Art Institute of Chicago commissioned a recreation of the famous room, which rents for just $10 a night in Chicago's River North neighborhood.
The odd thing is that I think the recreation of the room may have backfired. There are masses of news inches devoted to the AirBnB bedroom and not so much to the exhibition!

More about Van Gogh and his art


Those interested in Van Gogh will find more reading in my posts about Van Gogh on this blog.

Van Gogh and Drawing

"I sometimes think there is nothing so delightful as drawing." Vincent van Gogh ( 1853 - 1890)

Van Gogh's Paintings

  • Van Gogh: The Complete Paintings (Taschen) - This comprehensive study of Vincent van Gogh (1853-1890) represents a rarity in art history: a detailed monograph on his life and art combined with a complete catalogue of his 871 paintings.

Flowers and gardens by Van Gogh



Other Exhibitions 

Other videos

Miscellaneous posts about Van Gogh

Below is a list of my blog posts about Vincent Van Gogh excluding those listed above

Monday, November 09, 2015

Daniel Smith: From mineral to watercolour paint

I was impressed by some Daniel Smith watercolours I saw last Friday. Today you can enjoy them too!

As somebody who has studied geology in the past I'm intrigued by some of the minerals they're using. I love the names of the minerals.

What's also impressive is the level of information you get about each individual colour on the Daniel Smith website. Each colour gets an individual page with:
  • an explanation about what makes the colour
  • characteristics of the colour in terms of ASTM Lightfastness Rating, transparency, granulating and staining

Enjoy!

Daniel Smith watercolours - tonal value sheets and rocks
The mineral rocks are used in making watercolours.  Above these are:
Right click the image below to see a much bigger picture of the rocks.



DS Lapis Lazuli and DS Amethyst Genuine
Daniel Smith Watercolours:(top row) Black Tourmaline Genuine, Bloodstone Genuine, Hematite Violet Genuine, Mummy Bauxite, Sicklerite
(Bottom row): Hematite Burnt Scarlet, Burnt Tigers Eye Genuine, Tigers Eye Genuine, Minnesota Pipestone Genuine, Hematite Genuine
(top right) Jadeite genuine
DS Serpentine, DS Kyanite Genuine and DS Diopside Genuine
One of the things which make Daniel Smith watercolours distinctive is that they are pigment and gum arabic and that's it.  One of the things I learned on Friday is that one of the reasons that mixing brands can cause problems is because of the different ways paints are made by the different manufacturers.

I first tried them a long time ago and was immediately impressed with them - and I meet more and more artists who are adopting these paints as their brand of preference.

You can download a complete chart of all the colours they make from their website. This also provides comprehensive information about lightfastness AND the pigment used in each colour.

Many thanks to the Society of Botanical Artists who arranged for the presentation by the UK trade representative of Daniel Smith.