Wednesday, June 25, 2008

World record bid for Le Bassin aux Nymphéa by Monet

Le Bassin aux Nymphéa (1919)
signed and dated `Claude Monet 1919' (lower right)
oil on canvas, 39 1/2 x 79 1/8 in. (100.4 x 201 cm.)
courtesy of Christies Images Ltd 2008

Last night, Le Bassin aux Nymphéa by Claude Monet sold for a world record bid of £40.1 million (that's $79,138,799.84 USD at today's prices before commission etc).

The previous highest price paid for a Monet was set only last month when Le Pont du chemin de fer à Argenteuil (1873) was sold for £21.5 million / $41 million in New York. (You can see a photograph of the painting here). Prior to that the auction record was £19.8 million - but this was set 10 years ago. Christies must be very happy people having been responsible for the sale of both paintings. They've received bids totally £61.6m ($120m) for just two paintings by the same artist

Christies were expecting it to fetch between £18-24 million but despite recent sales records in the auction rooms must have been amazed to see fierce bidding escalate bidding to £40m virtually doubling the month-old record.

The fact that the auction last night attracted such a high bid is probably because this is a large Monet - and those rarely come on the market as most are in museums. It's only ever been seen in public once and is part of a particular series of paintings of the waterlilies in the pool at Giverny which are seen as being very associated with the beginning of abstract art. The painting is of the water and the Nymphéa and the reflections in the water of of the sky, clouds and trees above.
Claude Monet’s Le bassin aux nymphéas, is the most significant work from the artist’s water-lily series to be offered at auction in Europe. An expansive and important painting, one of an extremely rare series of four large-scale pictures signed and dated by the artist in 1919, the work is expected to realise £18 million to £24 million. Unlike most of the later works which remained unfinished in the studio at the artist’s death, these four paintings were released by the artist during his lifetime. One of the series is in the Collection of the Metropolitan Museum of Art, another was divided and the third is in a private collection, having been sold at Christie’s New York in November 1992.
Christie's briefing: Impressionist and Modern Art Evening Sale
Exhibition: 20 to 24 June 2008 at Christie’s, 8 King Street, London
If you enjoy impressionist and modern art, then it's well worthwhile taking a look at last night's auction results on the Christies website.

As the Guardian article comments in The price of Monet: gone for £40m as confidence in the market stays strong, the price paid indicates that the high-end of the art market appears completely untouched by economic concerns and behaviour in the rest of the economy. Petro-dollars from Russia and the Middle East are driving the bidding.

Maybe paintings by master paintings and Monet in particular is now being regarded as the new gold standard........?

PS You'll doubtless want to know that the 'middle market' is now regarded as works selling for less than £1 million(!) - but also that this is a market where the signs are that it is beginning to "pause".......

Details of auction:
PROPERTY FROM THE ESTATE OF J. IRWIN AND XENIA S. MILLER
Lot 16
Claude Monet (1840-1926)
Le bassin aux nymphéas
signed and dated `Claude Monet 1919' (lower right)
oil on canvas
39 1/2 x 79 1/8 in. (100.4 x 201 cm.)
Painted in 1919
Estimate: £18-24 million
Sold £40,921,250 / $80,451,178 / € 51,683,539
WORLD RECORD PRICE FOR THE ARTIST AT AUCTION
2nd HIGHEST PRICE FOR A WORK OF ART SOLD AT AUCTION IN EUROPE
Links:

Tuesday, June 24, 2008

Who is Making A Mark?


The problem when you've developed two art websites, two art blogs and 50+ resource sites for artists providing advice and information is making sense of it.

Making sense of how all those sites also relate to one individual, ie me, is even more difficult - but I've had a go.

Today, I'm introducing Who is Making A Mark? (http://www.squidoo.com/makingamark-lensography). I've always had a very clear idea in my own head of who I am and how all the different bits of me fit together - but I guess it hasn't always been clear to others. Hopefully this site addresses this. I have to confess that blogging and creating the resource sites have also reinforced and highlighted two particular notions which have always been a fundamental part of me - a love for both writing and sharing.

My new site might also be called a lensography (a Squidoo term) but it's a bit more than that.

Who is Making A Mark? takes all the important notions which drive me, my artwork, my writing and my sharing of information and tries to connect and translate all of these through to the big themes which underpin who I am and what I do.


I'm quite pleased with it - it's getting nearer to explaining what I'm about than anything else I've produced so far!

It's punctuated by what are called IMPORTANT THINGS. Mine starts with
The Most Important Thing

I'm committed to drawing and sketching AND writing AND sharing information about art.

and continues with
The NEXT Most Important Thing

My philosophy is that it is good to share and we all have something to learn.

and then
What stimulates my art

I'm stimulated by:
- the impact of light on colour and form
- repetition and variation
- the structure, shapes and patterns I discover when looking into flowers or at scenes around me.

followed by
Drawing from life is really important

I believe that developing an ability to draw from life is the one thing that teaches artists how to look and how to see.

plus
Learn from the Masters

We can all learn from artists who have achieved mastery in their field.

and finally...........
The Ultimate Challenge....

....is drawing your cat! Drawing from life doesn't just have to be about drawing people....

___________________________

The problem with creating new information sites is that I always get distracted into finishing off other ones I've already started and end up working on three at once.

So apart from the above, you've also got two more new sites to look at!

Botanical Art Book Reviews for Artists

Botanical Art Book Reviews for Artists is a home for my book reviews of botanical art books which were first published on this blog plus (in due course) reviews by other people. (Do let me know if you've done a review).

I've also included reviews of books by or about famous artists who have been interested in the structure and patterns of flowers.

Venice - a Resource for Artists and Art Lovers

Venice - a Resource for Artists and Art Lovers is about Venice - and contains links to resources for artists and art lovers living in and visiting Venice. The information it contains is based on the suggestions of artists who have visited Venice or live in Venice
__________________________

Do let me know what you think about any of the sites mentioned above.

Monday, June 23, 2008

Upgrade to Firefox 3.0 means more speed!

I'm feeling very speedy this morning! I've just upgraded to Firefox 3.0 - and have experienced the same increase in speed as I did many moons ago when I first uploaded Firefox and switched from using IE for everything - except access to Microsoft updates (because Bill won't 'play ball'!)

Mozilla Firefox 2.0 had become a bit of a RAM hog and lost some of the speed which made Mozilla Firefox 1.0 so attractive. The decrease in requirement for RAM means that other programs now run faster too. Installation was also fast.
Allium series: Beginning
7" x 5", coloured pencils on Mat Board
copyright Katherine Tyrrell

Key installation date is as follows:
  • It operates on Windows 2000; Windows XP; Windows Server 2003 and Windows Vista
  • Minimum Hardware: Pentium 233 MHz (Recommended: Pentium 500MHz or greater); 64 MB RAM (Recommended: 128 MB RAM or greater) AND 52 MB hard drive space
Features I've noticed so far are:

Upgraded
  • it looks a bit different - but not much (it's rather like Vista)
  • all my browser tabs and bookmarks updated automatically
  • add-ons indicate whether they have been updated for Firefox 3.0 or not eg del.icio.us has not yet updated its Firefox add-on which I use a lot (There's no real excuse for this - the beta has been around for ages!)
  • it's much faster
  • There's a number of resulting bugs in Blogger which have been noted by Bugzilla. For example, I appear to have lost the ability to use the tab key to indent further the bullet points in Blogger. Which is going to be a major pain until its sorted!
New
  • a new 'most visited' tab has appeared on the extreme left of the tabs. I think this learns as you visit sites - as I just clicked it and it brought up every web page I've visited since installation.
  • you can now check who owns a site and the security status of a site by clicking on its favicon
  • you can associate keywords with bookmarks in order to group them by topic. I haven't yet tried this other than to rightclick on my blog tab and saving that with a keyword in the slot below the bookmark folders option. I'll update if I run into problems
  • Lots of other stuff - see the link below.
I've not yet found my way around it all - but will becoming back to this page on the Mozilla website to read more later.
Why change or upgrade?

Firefox tends to be favoured by the IT geek crowd and the security conscious. For anybody concerned about security take alook at the security page and in particular the graphic item on the right hand side which links to this article in the Washington Post Internet Explorer Unsafe for 284 Days in 2006.

Firefox is increasing its overall share of browsers in use - it's now up to a third and IE share is decreasing all the time.

Last Tuesday Firefox 3.0 set a world record for the most downloads on one day. Are you going to be following the 14 million people who have downloaded it since it was published last Tuesday?

Note: The drawing is another in my Allium Lifecycle series - see Prelude - I'm also working on others.

Sunday, June 22, 2008

22nd June 2008 - Who's made a mark this week

a GIANT waffle cone with a scoop of ice cream
copyright Darren Maurer and friends

Artists continually surprise me. This week it was Darren Maurer, one of the members of the Daily Paintworks group who deliver an update on their work to my inbox each morning. Last week I sat and looked at Darren's work in my e-mail and thought - "That's a giant ice cream cone!" I clicked the link to the Daily Paintworks site - and there was a bigger picture. So I clicked through to this blog - and this post More than just a Painter. What I saw was
a three dimensional waffle cone with a scoop of ice cream on top. The entire ice cream cone measures about eleven feet high and is close to five feet in diameter at it's widest point
It turns out that Darren - whose blog's title is Miniature Masterpieces - is in fact more than just a painter,and more than just a miniaturist. He's also a bit of a sculptor and a structural engineer on the side. Along with family and friends he enjoys building giant objects and has a penchant for solving problems like how do you get a giant ice cream cone to stand up straight on top of a float when it's windy. He's been building large three dimensional objects for the last 10 years and has a secret hankering to somehow make this part of his art business. Maybe Darren is really a sculptor at heart. Sculptors often make very large pieces. I wonder if Iowa is ready for another Anthony Gormley and a 20 metre high Angel of Iowa?

For the record the ice cream chosen for the top of the cone is Darren's daughters' favourite ice cream - called Bunny Tracks. Those on a diet should NOT click the link to view what's in a Bunny Tracks Giant Ice Cream cone. (How come we don't have interesting cones like this in the UK!)

Following on from last week and this I'll be on the look-out for more images to continue my summer seasonal theme next week! Do let me know if you see any...........
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Art - portraiture and portrait prizes

This week had a bit of an emphasis on portraiture and portrait painting - so here are links to three of my posts last week plus a few more to other websites. I discovered a side-story about which i'd previously been unaware.
  • Making A Mark
  • By way of balance - Brian Sewell, art critic of the Evening Standard is renowned for being waspish generally and acerbic about the Tate Modern and conceptual art. He was a judge of the Portrait Prize in 2005 - but has been less than complimentary about it ever since. These are his very barbed comments on:
    • BP Portrait Award 2008 Portrait Award is a Mug's Game - Personally I'd prefer to read rather more analysis and rather less mud-slinging! His points are often sound but for me are spoilt by the rhetoric - I'm often left with the impact of the rhetoric rather than memory of the points being made.
    • BP Portrait Award in 2007 How ugly can the faces get? - I do think he has a very sound point about the risks associated with a sponsor having a representative on the the judging panel. This should be a portrait competition - not a marketing exercise. However, I'm in two minds. He says the the sponsor expresses concerns during the judging process about how pictures chosen reflect on the sponsor - and, to my mind, this really should not be a consideration - sponsorship of the arts should be freely given without fear nor favour. However in relation to how representative the pictures are, then my concern more generally would be about how the shortlists and awards have reflected gender over the years. These have been very male dominated short lists in a competition sponsored by a very male dominated industry! Maybe the NPG and BP could redress the balance and dig deeper for a prize to encourage female portrait artists?
  • Maybe what stirred Sewell's ire is the quote from him used after he served as a judge on the BP website in Picture Perfect - an item about the impact of the prize on past winners (full article here as pdf file) - as follows
“Of all annual prizes for the visual arts, this is intellectually the most valuable,” argued the eminent critic Brian Sewell recently. “Year after year at the Portrait Award, it has seemed to me that there is a flicker of new life in the old genre and that it is to painters included in this annual exhibition that every adventurous patron seeking a portrait should first refer.”
BP Picture Perfect - quoting Brian Sewell
Always interested in people, Mrs. Boochever saw the endowment of a portrait competition at the National Portrait Gallery as a way to benefit artists directly. Her knowledge of the portrait museums of England, Scotland, and Australia allowed her to understand the role their competitions play in encouraging portraiture, and she saw the endowment as a unique opportunity to fill a void in the American art world.
National Portrait Gallery - Virginia Outwin Boochever
    • I think Mrs Boochever was spot on in relation to the role played by competitions. But I wonder if the USA also has a Brian Sewell - or maybe the Evening Standard will stump up for transatlantic airfare?
    • I think I've previously mentioned Face to Face which is the blog for the National Portrait Gallery at the Smithsonian. It looks like it's going to provide a periodic update on the new competition - see Second Portrait Competition Launches.
Art - the colour project

I've not done any posts on colour this week but my project continues next week. In the meantime, here are some interesting links I came across during the week.
Kahn: I’m always drawing outside. One has to compensate with real experience for the synthetic process that happens in the studio. Real experience, to me, is being in a place where something happens to you that gives you a vague feeling and it could be made into a picture. In the studio you have the sense that you already know how to do a whole lot of stuff and your going on the basis of your own history. Outside in nature you feel it doesn’t allow you that.
Wolf Kahn with David Kapp and Robert Berlind by Robert Berlind and David Kapp.
Art blogs
My “Broadcast Puppet Theater” will present “Art Attack” a short 30 minute puppet play on July 4th weekend at my studio here in Santa Fe, along with comic performer/artist friend Barbara Mayfield. It was very empowering making a gallery director puppet, famous artist, collectors, etc. and acting out several of these scenes. Above is a photo of the cast.
Nancy Reyner - Key Word - FUN
Art and Business Marketing
  • Tracey Helgeson (Works by Tracy Helgeson) had a thoughtful blog post this week about a topic which is concerning many artists - The Economy of Art - and what to do next.
  • I asked a question about Which is the best e-mail newsletter software? - and I then had some very constructive suggestions from readers as to other software which can be considered. I'm hoping for a few more contributions and then I'm going to round it all up and create an information site which will then provide a base for any more information I come across in future. So if you've used newsletter software or want to why not take a peek at the post and tell me what you think.
Art Competitions
  • See the reference to the second Outwin Boochever Portrait Competition above
  • Anybody who has registered work for the brand new £25,000 Threadneedle Figurative Prize needs to note there is a major change to delivery arrangements - see Threadneedle Figurative Prize Receiving Days - an important change
  • The American Academy in Rome invites applications for the Rome Prize competition. The Rome Prize is a prestigious American award made annually, through a national competition, to 15 emerging artists (working in Architecture, Landscape Architecture, Design, Historic Preservation and Conservation, Literature, Musical Composition, or Visual Arts) and to 15 scholars (working in Ancient, Medieval, Renaissance and early Modern, or Modern Italian Studies). Rome Prize winners go to the American Academy in Rome! Each Rome Prize winner is provided with a stipend, meals, a bedroom with private bath, and a study or studio. The deadline for applications is 1st November.
  • 9th July is deadline for receipt of applications to submit work to the annual exhibition of UKCPS. The exhibition is being held this year at The Royal West of England Academy in Bristol from Friday 3rd to Tuesday 28th October 2008
Art auctions
  • Le Bassin Aux Nympheas is a painting by Claude Monet which has been rarely seen in the last 80 years. It's now on display in London in advance of a sale at Christies on Tuesday 24 June. The BBC has a video about it- Rarely-seen Monet goes on display. Oliver Camu explains the painting - both compostion and brushwork - and it's a MUST SEE! The painting is about 1 metre by 2 metres and is expected to sell for about £18 million.
  • By way of contrast, I'm completely stumped as to why anybody would think a self-portrait by Rembrandt would be unique! See another BBC article Rembrandt painting 'is authentic'
Art exhibitions
  • Views from the Uffizi has opened at the Taft Museum in downtown Cincinnati - now that's an exhibition I'd like to see!
A selection of 40 landscape paintings from the Uffizi Gallery in Florence, Italy, surveys the evolution of landscape painting in Italy over three centuries, from the Renaissance through the 18th century. Included are works by such great painters as Botticelli, Guercino, Poussin, Claude Lorrain, and Canaletto.
  • Art in Action opens in just under a month.
    • It started in 1977 with the simple premise that people like to see how people create things. The event is now a showcase for a wide range of disciplines including painting, sculpture, drawing, ceramics and textiles.
    • This part of their website tells you what you can expect from Art in Action in 2008. more than 400 artists, designer-makers, craftsmen and women, musicians, performers, teachers and lecturers will be coming together over four days to stage the most exciting arts event of its kind in Europe. In addition over 20 leading art suppliers are represented.
    • It takes place at Waterperry House, Waterperry, Near. Wheatley, Oxfordshire OX33 1JZ and this is how you get Art in Action
    • It's open 10.30am - 5.30pm each day, Thursday 17 July to Sunday 20 July 2008, inclusive. This is the daily programme and ticket prices. You can buy tickets online.
Art materials and supplies
Websites and blogging

I use three different stats sites - growth having come from wanting more and better data (I appear unable to leave the 'analyst' behind!).
  • The original was Tracksy. Tracksy now seems to have expired. If you try logging in you just get "Session timed out. Please log back in." I liked the simplicity of Tracksy so I started looking at alternative trackers/web counters and came across....
  • The Free Tracker Test which tests and compares all available free visitor trackers for webpages that comply with three rules:
    • they do not rely on server scripting (as your homepage provider may not support scripting),
    • the tracker comes with visitor statistics (it is more than a simple number counter).
    • And, of course, the tracker must be free of charge: it should cost you nothing.
  • This part of the site shows you the results. It's got Statcounter (my other stats webware) rated higher than Google Analytics - which may be debateable - but I think is fair comment.
and finally...........

I've seen this highlighted on a number of websites - and but I think Deborah Secor (Deborah Secor - Art and Faith) in New Mexico found it first. Try testing The Instant Art Critique Phrase Generator. You just need to plug in some random numbers. I tried 12345 and got......
With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of discourse the distinctive formal juxtapositions.
'nuff said?

Saturday, June 21, 2008

Threadneedle Figurative Prize Receiving Days - an important change

Yesterday was the deadline for registration for the brand new Threadneedle Figurative Prize. It was also the day that the organisers had to issue a notice to various websites - including this one - asking for co-operation in publicising a difficulty in relation to one of the receiving days.

Works can only be accepted at the Mall Galleries on Receiving Days.

The basic rules state that works have to be be delivered, unpacked, to the administration offices of the Mall Galleries at 17 Carlton House Terrace, London SW1Y 5BD between 10:00am and 5:00pm on the following Receiving Days:
Sunday 6 July 2008
Monday 7 July 2008
Tuesday 8 July 2008

....but there's a problem on Sunday 6th July

Street closures for the British 10k London Run are going to prevent delivery by car on the morning of Sunday
6 July and quite possibly prevent pedestrian access via Pall Mall - see the details below which are posted on the websites of the Mall Galleries and the TFP.

Click the link to the run to see just how much the route affects central London. I can tell you from personal experience that trying to drive in central London on days like this is a complete nightmare!

TFP RECEIVING DAYS – IMPORTANT NOTICE

Due to street closures caused by the British 10k London Run, we’ve been informed it will NOT be possible for cars or vans to drop off work at our administration offices at 17 Carlton House Terrace BEFORE 1:00PM on SUNDAY 6 JULY.

Pedestrian access to Carlton House Terrace will still be possible via The Mall from 10:00am and throughout the day. However, pedestrian access to Carlton House Terrace from Pall Mall may also NOT be available BEFORE 1:00PM on SUNDAY 6 JULY.

We shall remain open for receiving work until 8:00PM on SUNDAY 6 JULY to compensate for this inconvenience, which is entirely out of our control.
Receiving arrangements and times for handing in work on Monday 7 July and Tuesday 8 July remain unchanged.
This is a link to a Google map of the area of London around the Galleries which is affected.

The information about the times of the closure and re-opening of Pall Mall are slightly different from those given below - but do note the times of closures for any other roads on your route. It may be that the situation is clearer nearer the time.

My personal view is that despite the extended opening hours, this change might well create a bit of a log jam in the afternoon because of people wanting to be back home by late afternoon/early evening. For those people for whom Sunday is the only day they can hand-deliver, I'd suggest making plans to go later or alternatively look at the options around submitting from regional pick-up points rather than driving to London.

TIP: For those trying to think of alternative options to a delivery by car, can I recommend wrapping works in bubble wrap and/or towels inside a suitcase on wheels. It's actually possible to deliver on foot quite large and/or heavy pieces which are very awkward to carry if they will fit inside a large suitcase. It's essentially no more difficult than travelling with a suitcase on public transport in London. However if you're going to deliver on foot, late morning would seem a good time to go.

TFP Exhibition

I'm looking forward to seeing this exhibition which is on at the Mall Galleries between 20th August - 6th September 2008.

The website indicates that approximately 60 works will be chosen by the panel of selectors (Richard Cork, Angela Flowers, Hew Locke and William Packer) to provide a showcase for the best in new figurative painting, printmaking, sculpture and mixed media installations.

That's a very small number relative to the capacity of the galleries and the normal number of pieces which are exhibited in exhibitions at the Mall. It'll be interesting to see the range (and size!) of figurative art which has been submitted and judged worthy of being exhibited.

Link: