Showing posts with label art colony. Show all posts
Showing posts with label art colony. Show all posts

Saturday, June 29, 2019

Winslow Homer and the development of marine art

For fans of Winslow Homer - and those who love making or viewing paintings of the sea 

In August two exhibitions about Winslow Homer (1836-1910) open in Massachusetts
Below I also look at 
  • Seaside Art Colonies - created by artists who love to paint the seas and the coast; and 
  • some of the sketches I made while visiting places associated with well-known artists who live or lived in New England - including the Prout's Neck Home of Winslow Homer.


Homer at the Beach: A Marine Painter’s Journey, 1869-1880 - at Cape Ann Museum

This is an exploration of the marine paintings of the renowned American artist Winslow Homer - and how he developed as a marine painter.

The exhibition includes 50 original works and will include loans from some 40 public and private collections.  
In 1869, Winslow Homer (1836–1910) exhibited his first picture of the sea. He was an ambitious New York illustrator — not yet recognized as an artist — and freshly back from France. Over the next 11 years, Homer’s journey would take him to a variety of marine destinations, from New Jersey to Maine, but especially — and repeatedly — to Gloucester and other parts of Cape Ann.
It was on Cape Ann that Homer made his first watercolors and where he discovered his calling: to be a marine artist. And it was in Gloucester in 1880, at the end of these 11 years, where he enjoyed the most productive season of his life, composing more than 100 watercolors of astonishing beauty. Homer’s journey forever changed his life and the art of his country.
Venue: Cape Ann Museum, 27 Pleasant Street, Gloucester, MA (c.45 minutes northeast of Boston)
Hours: Tuesday through Saturday from 10am. to 5pm Sundays from 1-4pm
Admission: $12.00 adults, $10.00 Cape Ann residents, seniors and students. Youth (under 18) and Museum members are free.
Website: https://www.capeannmuseum.org

Winslow Homer: Eyewitness at Harvard University Art Museums

His work as an artist-correspondent, enabled Homer to develop habits of seeing and pictorial strategies that informed his work in other media.
During the Civil War (1861–1865), American artist Winslow Homer (1836–1910) served as a correspondent for Harper’s. His sketches of soldiers, both in battle on the front lines and in quieter moments back at camp, were reproduced to accompany the journal’s accounts of the conflict. Homer worked for Harper’s just as new technologies were making it possible to rapidly reproduce newsworthy images on a large scale. Working together with Harper’s editors and engravers, he employed a range of pictorial strategies to reassure skeptical readers that his illustrations were not fabrications, but eyewitness observations “drawn on the spot.”
Venue: University Research Gallery, Harvard Art Museums, 32 Quincy St, Cambridge, MA 02138, USA
Dates: August 31, 2019 - January 5, 2020
Hours: daily, 10am–5pm (closed on major holidays)
Admission: Adults, $15; seniors (65+), $13
Website: https://www.harvardartmuseums.org

Seaside art colonies


In the past many marine painters have set up home in a place by the seas that they liked to paint - and ended up living in what became a seaside art colony!

This is my blog post about Seaside Art Colonies - in the UK and USA  which provides a summary listing of seaside art colonies around the UK and USA - and also lists the artists associated with them.

My photo of the sign about the Rocky Neck Art Colony in Gloucester
I've made a bit of an effort to visit these in the past and at the time of writing the post....
To date my list includes: Newlyn, Lamorna, St Ives, Walberswick, Kirkcudbright, Chelsea, Monterey, Carmel, Gloucester and Cape Ann - plus others whose names escape me - although I suspect they're probably places like Prout's Neck which are associated with only one artist

New England: my marine sketches & New England artists


Back in 2006, I made various journeys across New England to visit and sketch at places associated with artists.

Maine

This was my post about Winslow Homer's home at Prout's Neck and the beach near his home.

Scarborough Beach, Prout's Neck, Maine
- with Winslow Homer's home in the background (I think)
8" x 10" pencil and coloured pencil in Moleskine sketchbook
copyright Katherine Tyrrell

The Wyeths are associated with Maine too

Massachusetts

The tree without a name
9" x 12", coloured pencil on Saunders Waterford HP
copyright Katherine Tyrrell

I also visited Rocky Neck (on the periphery of Gloucester), the oldest working art colony in the USA and Rockport.

Vermont

Tuesday 19th September - "The grass is greener in Vermont" (1 sketch) - this is about my visit with Bert Dodson, author of Keys to Drawing, in his studio - when he was working through proofs for his second book Drawing with Imagination - strategies for creativity.

How much nerve does it take to sketch a man who writes books about drawing!

Saturday, November 20, 2010

Axis Art Map - Cardiff

The Axis Art Map of Cardiff showing the actual map page. 
Other pages provide more information about art in Cardiff
A new, interactive art map of Cardiff has been launched by Axis, giving residents and visitors a unique insight into the city’s contemporary art scene and the work of artists who live and work there.

Axis Art Map: Cardiff incorporates a Google map, information about the major contemporary art venues, an overview of the city’s main artists’ groups and guidance about public transport.

Introduced by writer and curator Emma Geliot who gives a general overview of Cardiff’s geography, history, art venues and visitor amenities, Axis Art Map: Cardiff also features film interviews with nine Cardiff-based artists.

The map is not only about the place, but also about the influence of artists and their practice on the city’s contemporary art scene.  Sheila McGregor, Axis Chief Executive, says:
We like the idea of the one-stop-online-shop that not only tells you where to go, but also allows you to ‘meet’ significant artists. One of the internet’s greatest benefits is that you can promote the local and regional to a national and, indeed, international audience. That’s what we hope this Axis Art Map will do for Cardiff.
View the Axis Art Map: Cardiff mini-site at: Axisweb.org/artmaps/Cardiff

Axis Art Map: Cardiff is a pilot project, funded by the Arts Council of Wales, designed by Kiosk and built by Woom.

Axis hopes to develop Axis Art Maps in other UK cities and regions - let's hope that happens. 


Sunday, June 22, 2008

22nd June 2008 - Who's made a mark this week

a GIANT waffle cone with a scoop of ice cream
copyright Darren Maurer and friends

Artists continually surprise me. This week it was Darren Maurer, one of the members of the Daily Paintworks group who deliver an update on their work to my inbox each morning. Last week I sat and looked at Darren's work in my e-mail and thought - "That's a giant ice cream cone!" I clicked the link to the Daily Paintworks site - and there was a bigger picture. So I clicked through to this blog - and this post More than just a Painter. What I saw was
a three dimensional waffle cone with a scoop of ice cream on top. The entire ice cream cone measures about eleven feet high and is close to five feet in diameter at it's widest point
It turns out that Darren - whose blog's title is Miniature Masterpieces - is in fact more than just a painter,and more than just a miniaturist. He's also a bit of a sculptor and a structural engineer on the side. Along with family and friends he enjoys building giant objects and has a penchant for solving problems like how do you get a giant ice cream cone to stand up straight on top of a float when it's windy. He's been building large three dimensional objects for the last 10 years and has a secret hankering to somehow make this part of his art business. Maybe Darren is really a sculptor at heart. Sculptors often make very large pieces. I wonder if Iowa is ready for another Anthony Gormley and a 20 metre high Angel of Iowa?

For the record the ice cream chosen for the top of the cone is Darren's daughters' favourite ice cream - called Bunny Tracks. Those on a diet should NOT click the link to view what's in a Bunny Tracks Giant Ice Cream cone. (How come we don't have interesting cones like this in the UK!)

Following on from last week and this I'll be on the look-out for more images to continue my summer seasonal theme next week! Do let me know if you see any...........
___________________

Art - portraiture and portrait prizes

This week had a bit of an emphasis on portraiture and portrait painting - so here are links to three of my posts last week plus a few more to other websites. I discovered a side-story about which i'd previously been unaware.
  • Making A Mark
  • By way of balance - Brian Sewell, art critic of the Evening Standard is renowned for being waspish generally and acerbic about the Tate Modern and conceptual art. He was a judge of the Portrait Prize in 2005 - but has been less than complimentary about it ever since. These are his very barbed comments on:
    • BP Portrait Award 2008 Portrait Award is a Mug's Game - Personally I'd prefer to read rather more analysis and rather less mud-slinging! His points are often sound but for me are spoilt by the rhetoric - I'm often left with the impact of the rhetoric rather than memory of the points being made.
    • BP Portrait Award in 2007 How ugly can the faces get? - I do think he has a very sound point about the risks associated with a sponsor having a representative on the the judging panel. This should be a portrait competition - not a marketing exercise. However, I'm in two minds. He says the the sponsor expresses concerns during the judging process about how pictures chosen reflect on the sponsor - and, to my mind, this really should not be a consideration - sponsorship of the arts should be freely given without fear nor favour. However in relation to how representative the pictures are, then my concern more generally would be about how the shortlists and awards have reflected gender over the years. These have been very male dominated short lists in a competition sponsored by a very male dominated industry! Maybe the NPG and BP could redress the balance and dig deeper for a prize to encourage female portrait artists?
  • Maybe what stirred Sewell's ire is the quote from him used after he served as a judge on the BP website in Picture Perfect - an item about the impact of the prize on past winners (full article here as pdf file) - as follows
“Of all annual prizes for the visual arts, this is intellectually the most valuable,” argued the eminent critic Brian Sewell recently. “Year after year at the Portrait Award, it has seemed to me that there is a flicker of new life in the old genre and that it is to painters included in this annual exhibition that every adventurous patron seeking a portrait should first refer.”
BP Picture Perfect - quoting Brian Sewell
Always interested in people, Mrs. Boochever saw the endowment of a portrait competition at the National Portrait Gallery as a way to benefit artists directly. Her knowledge of the portrait museums of England, Scotland, and Australia allowed her to understand the role their competitions play in encouraging portraiture, and she saw the endowment as a unique opportunity to fill a void in the American art world.
National Portrait Gallery - Virginia Outwin Boochever
    • I think Mrs Boochever was spot on in relation to the role played by competitions. But I wonder if the USA also has a Brian Sewell - or maybe the Evening Standard will stump up for transatlantic airfare?
    • I think I've previously mentioned Face to Face which is the blog for the National Portrait Gallery at the Smithsonian. It looks like it's going to provide a periodic update on the new competition - see Second Portrait Competition Launches.
Art - the colour project

I've not done any posts on colour this week but my project continues next week. In the meantime, here are some interesting links I came across during the week.
Kahn: I’m always drawing outside. One has to compensate with real experience for the synthetic process that happens in the studio. Real experience, to me, is being in a place where something happens to you that gives you a vague feeling and it could be made into a picture. In the studio you have the sense that you already know how to do a whole lot of stuff and your going on the basis of your own history. Outside in nature you feel it doesn’t allow you that.
Wolf Kahn with David Kapp and Robert Berlind by Robert Berlind and David Kapp.
Art blogs
My “Broadcast Puppet Theater” will present “Art Attack” a short 30 minute puppet play on July 4th weekend at my studio here in Santa Fe, along with comic performer/artist friend Barbara Mayfield. It was very empowering making a gallery director puppet, famous artist, collectors, etc. and acting out several of these scenes. Above is a photo of the cast.
Nancy Reyner - Key Word - FUN
Art and Business Marketing
  • Tracey Helgeson (Works by Tracy Helgeson) had a thoughtful blog post this week about a topic which is concerning many artists - The Economy of Art - and what to do next.
  • I asked a question about Which is the best e-mail newsletter software? - and I then had some very constructive suggestions from readers as to other software which can be considered. I'm hoping for a few more contributions and then I'm going to round it all up and create an information site which will then provide a base for any more information I come across in future. So if you've used newsletter software or want to why not take a peek at the post and tell me what you think.
Art Competitions
  • See the reference to the second Outwin Boochever Portrait Competition above
  • Anybody who has registered work for the brand new £25,000 Threadneedle Figurative Prize needs to note there is a major change to delivery arrangements - see Threadneedle Figurative Prize Receiving Days - an important change
  • The American Academy in Rome invites applications for the Rome Prize competition. The Rome Prize is a prestigious American award made annually, through a national competition, to 15 emerging artists (working in Architecture, Landscape Architecture, Design, Historic Preservation and Conservation, Literature, Musical Composition, or Visual Arts) and to 15 scholars (working in Ancient, Medieval, Renaissance and early Modern, or Modern Italian Studies). Rome Prize winners go to the American Academy in Rome! Each Rome Prize winner is provided with a stipend, meals, a bedroom with private bath, and a study or studio. The deadline for applications is 1st November.
  • 9th July is deadline for receipt of applications to submit work to the annual exhibition of UKCPS. The exhibition is being held this year at The Royal West of England Academy in Bristol from Friday 3rd to Tuesday 28th October 2008
Art auctions
  • Le Bassin Aux Nympheas is a painting by Claude Monet which has been rarely seen in the last 80 years. It's now on display in London in advance of a sale at Christies on Tuesday 24 June. The BBC has a video about it- Rarely-seen Monet goes on display. Oliver Camu explains the painting - both compostion and brushwork - and it's a MUST SEE! The painting is about 1 metre by 2 metres and is expected to sell for about £18 million.
  • By way of contrast, I'm completely stumped as to why anybody would think a self-portrait by Rembrandt would be unique! See another BBC article Rembrandt painting 'is authentic'
Art exhibitions
  • Views from the Uffizi has opened at the Taft Museum in downtown Cincinnati - now that's an exhibition I'd like to see!
A selection of 40 landscape paintings from the Uffizi Gallery in Florence, Italy, surveys the evolution of landscape painting in Italy over three centuries, from the Renaissance through the 18th century. Included are works by such great painters as Botticelli, Guercino, Poussin, Claude Lorrain, and Canaletto.
  • Art in Action opens in just under a month.
    • It started in 1977 with the simple premise that people like to see how people create things. The event is now a showcase for a wide range of disciplines including painting, sculpture, drawing, ceramics and textiles.
    • This part of their website tells you what you can expect from Art in Action in 2008. more than 400 artists, designer-makers, craftsmen and women, musicians, performers, teachers and lecturers will be coming together over four days to stage the most exciting arts event of its kind in Europe. In addition over 20 leading art suppliers are represented.
    • It takes place at Waterperry House, Waterperry, Near. Wheatley, Oxfordshire OX33 1JZ and this is how you get Art in Action
    • It's open 10.30am - 5.30pm each day, Thursday 17 July to Sunday 20 July 2008, inclusive. This is the daily programme and ticket prices. You can buy tickets online.
Art materials and supplies
Websites and blogging

I use three different stats sites - growth having come from wanting more and better data (I appear unable to leave the 'analyst' behind!).
  • The original was Tracksy. Tracksy now seems to have expired. If you try logging in you just get "Session timed out. Please log back in." I liked the simplicity of Tracksy so I started looking at alternative trackers/web counters and came across....
  • The Free Tracker Test which tests and compares all available free visitor trackers for webpages that comply with three rules:
    • they do not rely on server scripting (as your homepage provider may not support scripting),
    • the tracker comes with visitor statistics (it is more than a simple number counter).
    • And, of course, the tracker must be free of charge: it should cost you nothing.
  • This part of the site shows you the results. It's got Statcounter (my other stats webware) rated higher than Google Analytics - which may be debateable - but I think is fair comment.
and finally...........

I've seen this highlighted on a number of websites - and but I think Deborah Secor (Deborah Secor - Art and Faith) in New Mexico found it first. Try testing The Instant Art Critique Phrase Generator. You just need to plug in some random numbers. I tried 12345 and got......
With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of discourse the distinctive formal juxtapositions.
'nuff said?

Tuesday, May 27, 2008

How to choose a painting holiday

This week I've got a short series of posts about painting holidays.
Monterchi Vines
8" x 10", coloured pencil on Arches HP

copyright Katherine Tyrrell

Since my first painting holiday in Provence in 1989, I've been on a number of painting holidays in a wide variety of locations with various organisations and tutors. There's a vast number out there creating 'the best painting holiday ever' and there's an awful lot of options to choose from in terms of locations, organisations and tutors.

My experience over the years has taught me that there are a number of things to bear in mind when reviewing advertisements and literature. What I've tried to do is share an of outline some of the things to think about and mini checklists of questions to ask if you fancy the idea of booking a painting holiday.

In summary, good questions to to ask fall into three categories - as set out below.

Is this a business-like operation?
  • How long has the painting holiday business been operating?
  • How well qualified are they to deliver a painting holiday?
  • What does the documentation say?
Is the tutor competent and effective?
  • What sort of work does the tutor do?
  • What sort of approach is proposed?
  • How much time is given over to painting?
  • How much time is given to each student?
Do the logistics work for you?
  • Accommodation and meals: what's included?
  • Travel - what's included?
  • Insurance - how does this work?
  • Where are essential local facilities?
As this is a longer than normal(!) article I've decided to publish it as an article in pdf format on my website. It's available as a free download from A Making A Mark Guide - Painting Holidays.

Thursday, March 27, 2008

Seaside Art Colonies - in the UK and USA

I've always been intrigued by art colonies and have tried to visit a few over the years - most of which have seemed to be beside the sea!

To date my list includes: Newlyn, Lamorna, St Ives, Walberswick, Kirkcudbright, Chelsea, Monterey, Carmel, Gloucester and Cape Ann, - plus others whose names escape me - although I suspect they're probably places like Prout's Neck which are associated with only one artist!

I'd like to know more about them - and have started to try and find out a bit. I started with the wikipedia article about art colonies but found it rather odd. I think it's talking more about planned artist communities rather than those which are places where artists choose to congregate on a more informal basis. Scope for improvement there maybe?

My aim is to try and find useful links to the various ones around the world - and was rather hoping people reading this blog might be able to suggest some.


Seaside art colonies in the UK
A major feature of art colonies is just how many of them are associated with the sea. Three years ago there was an exhibition about the ones in the UK called Painting at the Edge: Britain's Coastal Art Colonies (1880–1930) at Penlee House Museum in Penzance (well worth a visit if you ever get to Penzance).
Organised by Penlee House and the University of Northumbria, this major survey exhibition put the Newlyn and Lamorna artists' work in context with that of their near-contemporaries in other British sea-side art colonies in St. Ives, Walberswick (Suffolk), Staithes (Yorkshire), Cullercoats (Northumbria), Kirkcudbright (Dumfries & Galloway) and Cockburnspath (Scottish Border). The cross-over between the colonies is fascinating, and many names appeared in more than one place. The exhibition included works by Newlyn painters Frank Bramley, Walter Langley (who also painted at Walberswick), Stanhope and Elizabeth Forbes and Fred Hall, and Lamorna group artists Lamorna Birch, A. J. Munnings, Harold and Laura Knight (who also worked at Staithes) and Charles Naper. The show included works by Mark Senior, Charles Mackie, Isa Jobling, Philip Wilson Steer, Charles Rennie Mackintosh, George Clausen and George Henry, among others, loaned from public and private collections throughout the UK.
Penlee House Museum, Penzance
So that means a list of seaside art colonies (and artists) in the UK might look like this:
The Beach at Walberswick c.1889
Phillip Wilson Steer Oil painting on wood, support: 603 x 761 x 15 mm
  • Suffolk - Walberswick (Walter Osborne, Philip Wilson Steer, Charles Rennie Mackintosh and George Clausen)
  • Yorkshire - Staithes (Mark Senior, Charles Mackie, Laura and Harold Knight and Isa Jobling)
  • Northumbria - Cullercoats (where Winslow Homer made his home for a while in the 1880s)
  • Borders - Cockburnspath
  • Dunfries and Galloway - Kirkcudbright
Kirkcudbright has had a long association with the Glasgow art movement, which started when a colony of artists, including the Glasgow Boys and the famed Scottish Colourists, such as Samuel Peploe and F. C. B. Cadell, based themselves in the area over a 30-year period from 1880 to 1910.
Many of them moved to the town from Glasgow, including E A Hornel, George Henry, and Jessie M King, and their presence led to Kirkcudbright becoming known as "the artists’ town", although this moniker may have originated more from tourist board publicity [4]rather than local usage.
The whodunit Five Red Herrings by Dorothy L. Sayers involves the artistic community of Kirkcudbright. [5]
Wikipedia
I'm much more familiar with the UK than elsewhere for obvious reasons - so finding out about places elsewhere will need some help!

For example, in the United States, I think the list of seaside art colonies include the following? Can people confirm - and/or tell me what's missed out?

Rockport Motif #2 9" x 12", coloured pencil on Saunders Waterford HP
copyright Katherine Tyrrell
The first Gloucester painter of note was native-born Fitz Henry Lane, whose home still exists on the waterfront. The premier collection of his works is in the Cape Ann Historical Museum, which holds 40 of his paintings and 100 of his drawings. Other painters subsequently attracted to Gloucester include William Morris Hunt, Winslow Homer, Childe Hassam, John Twachtman, Frederick Mulhaupt, Frank Duveneck, Cecilia Beaux, Jane Peterson, Gordon Grant, Emile Gruppe, Stuart Davis, Mark Rothko, Milton Avery, Barnett Newman, William Meyerowitz, Theresa Bernstein, and Marsden Hartley and artists from the Ashcan School such as Edward Hopper, John Sloan, Robert Henri, William Glackens, and Maurice Prendergast.
Wikipedia
Monterey has a noteworthy history as a center for California painters in the late 19th and early 20th centuries. Such painters as Arthur Frank Mathews, Armin Hansen, Xavier Martinez, Rowena Meeks Abdy and Percy Gray lived or visited to pursue painting in the style of either En plein air or Tonalism.
Wikipedia

I'm toying with the idea of running a series of occasional posts on the various art colonies. I just find it fascinating that you get places where artists congregate and I wonder at times whether the artists or the place is the magnet. Probably both I guess! :)