I wasn't able to get to the Bankside Gallery to see the RWS Contemporary Watercolour Competition 2013 until the last day. (a combination of the "the cough" which followed the flu and latterlly post viral fatigue!) Hence you can't see this exhibition as it has already closed.
The RWS Contemporary Watercolour Competition is an annual competition open to non-Members. It aims to encourage innovation and experimentation in watercolour painting, spanning work on paper in watercolour, acrylic, gouache, pen & ink and watercolour mixed media.These are the lists of
- RWS Contemporary Watercolour Competition - Prizewinners 2013
- RWS Contemporary Watercolour Competition 2013 Successful Entries
- images of the exhibition and prizewinners
- observations on the exhibition, the prizewinners and artwork I liked
(centre) Winsor & Newton Prize Locksmith, 2nd Avenue, New York by Charlotte Knox (Charlotte Knox) watercolour, 65.4 x 65.4 cm £5,000 |
St Cuthbert’s Mill Prize Storm in Barbados II by Christine Berrington watercolour 17.5 x 12.5 £310 |
St Cuthbert’s Mill Prize - Christine Berrington Storm in Barbados II
Winsor & Newton Prize - Charlotte Knox Locksmith, 2nd Avenue, New York
Winsor & Newton Runner up Prize 1 - Paul Gadenne No. 3 Slip
Winsor & Newton Runner up Prize 2 - Aine Divine Matthew
Winsor & Newton Runner up Prize 3 - Nigel Priddey RBSA Kent Coastal Landscape
Winsor & Newton Runner up Prize 3 Kent Coastal Landscape by Nigel Priddey RBSA watercolour, 51 x 33 £600 |
(Bottom left) Daler Rowney Prize Valeriya Yanushevskaya Birthday Wishes £3,000 (Top right) Winsor & Newton Runner up Prize 2 Aine Divine Matthew £750 |
The Artist Prize - Alan Reed Jebel Akhdar, Oman (You can watch him paint on his website)
The Artist Prize 'Jebel Akhdar, Oman' by Alan Reed watercolour, 99 x 81 £5,000 |
(top left) Royal Watercolour Society Award
Still Life in B by James Faure Walker
acrylic, 76 x 56
£1,400
|
David Gluck Memorial Award - Heather MacKinlay Dornoch Beach
Royal Watercolour Society Patrons Prize - Bridget Moore Night Café
Royal Watercolour Society Exhibitions - Stephanie Tuckwell Aber Series 2 No. 1
Heatherley’s School of Art Prize - Elaine Giles Portrait Study in Paynes Grey (see below for an imag)
The Exhibition
RWS Contemporary Watercolour Competition 2013 |
- an emphasis on welcoming submissions from
- practising artists
- international artists - and I certainly saw evidence of this with more Chinese artists submitting work than I've seen before
- impasto acrylic works are not eligible - and it was a real pleasure to walk around an exhibition which was I would call a "proper" watercolour exhibition. There were a few acrylic works but typically not ones which insisted they be viewed as acrylic as opposed to an opaque paint. I rather liked the novel and imaginative approach Debbie Ayles takes to painting construction projects - as if they were Mondrian paintings! I'd have given this one a prize.
Restoration Project: Cromer by Debbie Ayles acrylic on paper, 50 x 60 £595 (Her Colchester Garrison: New Build has just been selected for the RI Exhibition at the Mall Galleries in April) |
- all works must be on paper - and again it was a pleasure to see a variety of papers being used as supports - and some, like Sherry Andrens Owen, were rather more creative with their use of paper (she produces watercolour collages in 3D)
Summer Garden by Sherry Andrens Owen watercolour and handmade rice papers, 63.5 x 73.5 cm £840 |
RWS Contemporary Watercolour Competition 2013 Amongst the Trees by Kathryn Maple (top left) is done in watercolour with a pen |
I really liked paintings by Caroline Ali and Laura Bell. I also liked Diana Green's gouache paintings of gardens - on the left in the photo below. It also seemed to me that Justin Hawkes graded coloured washes was a perfect Summer 2012 Study!
RWS Contemporary Watercolour Competition 2013 Left - two gouache paintings of gardens by Diana Green |
The fact that one or two of them also won prizes had me wondering what particular aspect of art was being rewarded by selection and prizegiving. The point is made in two respects:
- relative to the other work in the exhibition - much of which was good
- relative to previous years.
A selection of portraiture and paintings of figures top row centre: Heatherley’s School of Art Prize Elaine Giles 'Portrait Study in Paynes Grey' ink and pencil, 72 x 55 £1,650.00 |
The one thought which I'm always left with at the end of these exhibitions is that, as a matter of routine, I see far superior work in watercolour in the exhibitions of the art societies which specialise in a particular subject area. Where are the high class watercolour works in miniature, of botanical art and of wildlife? It's such a pity that the calibre of technical skill, design and composition and mature artistry that I see elsewhere is not reflected in the works typically chosen for the exhibitions by the watercolour societies (ie this is not just an RWS issue).
I've asked artists from these art societies in the past why they don't put their work forward and the answer I typically get is that they don't think the watercolour societies are interested in their work.
It makes me wonder whether the watercolour societies might be interested in the excellent sales records achieved by the art societies in these fields - through careful cultivation of their very enthusiastic art collectors!
It's a conclusion to ponder on - for both the artists and art societies - particularly given the sales record of this exhibition (I counted 15 sales in total).
One more thing.
I've often been struck by the alphabetical listings of artists - and this is one which prompts comment. I've not done the count however there are four pages to the catalogue.
- Page 1 Ali to Chavannes
- Page 2 Chavannes to Hawkes
- Page 3 Haworth to Moran
- Page 4 Moran to Zeng
It's not usual for surnames starting with letters in the first half of the alphabet to comprise nearly 80% of the works exhibited. Maybe next year start the selection process at the other end of the alphabet?
Past Exhibitions
You can review my blog posts below about some of the previous exhibitions below. These include gallery shots of works in the exhibition and links to the websites of prizewinning artists.
- RWS Contemporary Watercolour Competition 2013 - Making a Mark 29 Oct 2012 Overview of the terms and conditions of the call for entries for UK & international artists.
- 2012:
- Call for Entries: RWS Contemporary Watercolour Competition 2012;
- RWS Contemporary Watercolour Competition 2012 - Selected artists & artwork
- RWS Contemporary Watercolour Competition 2012 Review
- 2011: Call for Entries: Royal Watercolour Society Open Competition 2011
- 2010: Exhibition review: RWS Open Competition
- 2009: Exhibition review: "21st Century Watercolour" at the Bankside Gallery
- 2008: 21st century watercolour - RWS 2008 painting competition
- 2007: 21st Century Watercolours at Bankside Gallery
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Thank you for a very interesting post.Your analysis of London exhibitions is a real boon to those of us out in the sticks and unable to attend. I was interested in your remarks about AD (Alphabetic Discrimination). I was sure it was a real phenomenon and not just my paranoia, so cheers!
ReplyDeleteI remember in art classes when I was little, that we were sent to fetch our art materials in small groups, alphabetically. Invariably by the time I got there all that was left was a dried up bottle of PVA, a manky brush and a slightly torn sheet of vomit pink sugar paper. *sigh*
I'm personally waiting for Malcolm Galdwell to get round to noticing this as a phenomenon and writing about it in a New Yorker followed by yet another best selling blook! He's already identified how much a difference the date you are born makes - he's got to do surname discrimination soon!
ReplyDeleteYou will have noticed that I too have a surname near the end of the alphabet!
ReplyDeleteEileen Dunphy's work was a beautiful poetic piece.
ReplyDelete