Each of the ladies had won one of the coveted Gold Medals awarded by the Royal Horticultural Society at the Annual Botanical Art Show at the Horticultural Halls in London.
This is a truly international event. The 24 participating artists came from Australia (1), France (1), Italy (3), Japan (4), the UK (13) and USA (2) and the gold medal winners came from Australia, Italy, the USA and the UK (2). One of the bonuses of being a gold medal winner is the RHS often buys a sample of your work for its collection (if it hasn't already been sold)!
In this review I'm focusing on the gold medal winners but there was a lot of excellent artwork on display and this exhibition should be a "must visit" in the diaries of any botanical artist who can get to London.
|Gold medal winning Camellias by Annie Hughes GM|
|Popular Australian botanical artists - Annie Hughes GM|
Originally from Santiago; Chile, Annie Hughes has become a popular Botanical artist in Australia. Her paintings have been exhibited at the BASA annual exhibition twice, at Canberra Botanical and have also been seen at the BASA Wildflowers exhibition at Parliament House in 2006 and Botanica 2005, 2007, 2008. Her keen eye and sensitivity to texture has resulted in her being awarded the 1st Prize for Australian Natives and 1st Prize Peoples Prize both at BASA 2005. Her work is enjoyed in private collections in Australia, the USA and the UK.The Royal Botanic Gardens, New South Wales
|Watercolour paintings of Fungi on stretched vellum by Jean Emmons GM|
All of Jean's watercolour paintings are on stretched vellum - which I'll be coming back to in a future post. Jean’s technique is based on medieval manuscript illumination. The colour and saturation of the watercolours is amazing. This is a painter who is a true colourist at heart so nobody will be surprised to know that I found her work absolutely delightful as well as exceptionally high quality. I see from her website that she had work in last year's exhibition at the Shirley Sherwood Gallery at Kew Gardens "Portraits of a Garden — Selections from New York’s Brooklyn Botanic Garden Florilegium Society”. I now realise why her work seemed vaguely familiar!
Jean told me that her work which won the award for being the Best Botanical Painting in the show took her five months to complete working 8-12 hours a day. Her smaller work typically take a month to complete.
|American artist Jean Emmons GM (2005, 2011)|
with the Best Botanical Painting in the RHS Botanical Art Show 2011
In 2005, Emmons received a Gold Medal from the Royal Horticultural Society for an exhibit of paintings of Pacific Coast irises. Also in 2005, she won the prestigious American Society for Botanical Artists Award for Excellence in Botanical Art. Her work is included in numerous collections including the Hunt Institute for Botanical Documentation, the Royal Horticultural Society’s Lindley Library, and the Shirley Sherwood Collection. In 2007, she won “Best in Show” at the International Botanical Art Exhibition at the Horticultural Society of New York.Jean is represented by Susan Frei Nathan Fine Works on Paper, LLC
Jean Emmons - about the artist
|A 'Rooted Fascination' by Norma Gregory GM (2006, 2008 and 2011)|
Norma is a natural history artist who only started doing botanical art in 2006. She won her very first Gold Medal the same year which is some feat! Norma's display was all about roots and root vegetables. I'm always very drawn to those who display the less showy parts of plants and Norma had a really great series of paintings about roots - I absolutely loved the rhubarb (see above)!
|Part of "The Anatomy of Flowers" display by Carolyn Jenkins GM|
which won best Botanical Exhibit in the RHS Botanical Art Show 2011
copyright Carolyn Jenkins
Her series of watercolour paintings had some truly beautiful glazes to convey the subtle colours of some of her subjects. I loved her approach to design which is truly contemporary while maintaining an informative botanical approach to her subject matter. All in all an extremely pleasing and well presented set of botanical paintings. Carolyn's work also demonstrates that botanical paintings don't need to be large to be very effective.
|Carolyn Jenkins GM|
Lidia is actually a primary school teacher and does all her botanical art in her spare time!
|Pears of the Piedmont by Lidia Vanzettie GM (2008, 2011)|
Little did Marilyn realise it but she has already featured on this blog when I did the reviews of the Annual Exhibition of the Society of Botanical Artists in 2009 and 2010 - the latter being when she won of the Certificates of Botanical Merit. Marilyn got a Distinction when she completed her Society of Botanical Artists Diploma in 2009.
Again, like Norma this is a lady who took up botanical art when she retired! There's a message in there somewhere for all those coming up to retirement! :)
|Marilyn Wheeler NDD DipSBA (Dist) SFP|
In terms of art supplies I can to tell you there's massive endorsement for Daniel Smith watercolours - particularly the quinacrodines - and the Winsor and Newton Permanent Rose (another quinacrodine PV19) and Winsor & Newton Winsor Violet (Carbozole dioxazine PV23).
I also learned a lot about stretched vellum of which more in another post!
This was my first proper outing in five weeks! My dreadful foot just about coped with the aid of lots of sitting down - some of which was in the first floor balcony cafe where I sketched the exhibition - which you can see on Travels with a Sketchbook - The Royal Horticultural Society Botanical Art Show
If you'd like to know more about botanical art please check out my information websites: