When I was still making art, I used to be absolutely fastidious about
recording its creation digitally - as it progressed and then again at the end
and then saving it in different file formats.
As I got more experienced, I started looking more into the "how to get a good
image" and "how to photograph your art"
I was rather overwhelmed by the fact that, back in the 1990s, the first
time I engaged a photographer to photograph my art, I ended up in her studio
with black cloth everywhere, the lights off and her hand holding one of those
clicker things which takes the picture. They were jolly good images! Pity we
weren't doing digital then....
Many artists are now very interested in making sure they get good quality images of their artwork either through digital scanning or via digital photography - primarily so they can reproduce their art in different ways for ancillary sales.
Subsequently, I got very interested in collecting information about how to
photograph your own art and everything I found at the time ended up on this
page
How to Photograph Art - for Artists on my Art Business Info for Artists website.
Which is how I ended up with Case Studies like this......
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Many thanks toYanny Petters for the action shot of her husband photographing
her art outside on a bright but overcast day with no shadows
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I'm now a member of the Chelsea Physic Garden Florilegium Society. The Society
is currently involved in digitising its archive of botanical illustrations of the plants growing in the Chelsea Physic Garden.
This is the latest post on the CPGFS Instagram Account of the activities of the British Museum imaging department who have been engaged to digitise the @cpgflorilegiumsociety Archive Collection.