Showing posts with label Liverpool. Show all posts
Showing posts with label Liverpool. Show all posts

Thursday, January 18, 2024

Review: Episode 2 of Landscape Artist of the Year Series 9 (2024)

Episode 2: Liverpool Docks


This is my review of the second episode of the 9th series of Landscape Artist of the Year 2024.
  As regular readers will know by now, it considers:
  • the location and weather
  • the artists' profiles
  • themes arising during the episode
  • judges decision-making
  • who was shortlisted and who won

Location and Weather

"The most complicated landscape we've ever given them"
Background: The Royal Liver Building
Left: Liverpool Museum
Right Background: Mann Island Buildings
Right Foreground: Great Western Railway Warehouse - with docks and ships in front
 
Kathleen Soriano commented that the view from the pods was probably the biggest and most complicated ever given to pod artists. That's because it included:
"the jumble and chaos of building styles"
"so many ingredients for your stew"
Just sorting out how it all worked would take most people some time.

The pods were located in Liverpool Docks and around the Waterfront within part of the context of the Liverpool Waterfront Transformation project part of whose mission was to retell the story of Liverpool.
  • the Museum of Liverpool (opened 2011) and the River Mersey off to their left and 
  • the Mann Island Buildings on the right - in black - which include the Latitude Building, the Longitude Building and RIBA North (the national centre for architecture)
  • the Royal Liver building - topped by the Liver Bird - in the distance
  • with the historical landmark of the Great Western Railway Warehouse in the foreground to the right - next to Canning Dock
This article provides a great photograph of the location

To complicate an already challenging day, it was by all accounts a very, very hot day!
It was very hot, the temperature reached around 30 degrees Celsius (86 Fahrenheit) and I really felt for all the artists, but especially the wildcards as they were located in full sun with no shade.
Landscape Artist of the Year Wildcard

The Artists in the Pods

The artists in this heat - shadows suggest this was midday.

Below is a synopsis about each artist - in alphabetical order.
What I say about the artists is largely dependent has been said about them online! 

My first port of call is always https://www.skyartsartistoftheyear.tv/landscape-artist-of-the-year/profiles/series-9/ where you can also see videos of them painting the heat paintings.

Those who have a profile in the Artist of the Year Gallery have an asterisk next to their name
  • Nathaniel Fowles * (Facebook | Instagram) - He studied Fine Art at KIAD, Canterbury, and spent 10 years working as a professional artist before moving into teaching. He now lives in West Sussex and works part time as a supply teacher which enables him to focus on his artwork once again. He predominantly depicts landscapes and scenes which captivate my imagination and paints in oil and acrylic. He experiences neurodiversity, which makes completing artwork a challenge (His submission was painted over 10 years) and one of the things he got out of this experience was the reality of being able to produce a painting in four hours which others thought had merit.
  • Rose Jones * (Instagram) - a representational artist based in rural Staffordshire. Early career was spent as a surface pattern designer. Rose works in acrylics, watercolours, oil pastels, graphite and most recently coloured pencils. She also works as an art tutor within Adult Community Learning.
  • Judy Milner (Instagram) - Judy lives and works in London, trained in sculpture at the Royal College of Art and is a practising sculptor. Her submission was a view of the race course at Ascot (one of last year's locations - which I assume means she was a wildcard in 2023.) She is described as a rather "messy painter".
  • James Murch * (Facebook | Instagram) - He went to Art College in Bristol and moved to Devon in 2009 and became interested in plein air painting. He's now based in Paignton and is a full-time artist with a studio in the Cob Barn at Cockington Court. He's spent many years practising the classical approach to painting and sight size. He prefers to work entirely from life in front of the landscape he's painting - even if it involves several visits to complete a painting - as it did with his submission. He was a LAOTY Semi Finalist in 2019 - see my blog post about his heat Review: Episode 6 of Landscape Artist of the Year 2019 - Drake's Island which he won and Review: Semi-Final of Landscape Artist of the Year 2019 at Cromarty Firth. I didn't recognise him this time around. His neat clipped beard has become full on and he now dresses like a plein air painter rather than somebody going to the office!
James Murch struck me as one of the coolest artists I've ever seen in one of these heats. He's not given to over-emoting or panicking or does a very good job of hiding it if he does! Cool, calm and collected - and making very sensible decisions.
  • Anil Patel (Facebook | Instagram) - A graphic designer and art teacher from Leicester. Talks well on camera and has previously appeared on 
  • Wesley Smith * (Instagram) - A chef and a painter based in Brighton’s North Laines where he paints landscapes and still lives. He spent 10 years living abroad in Taiwan and his paintings are influenced by Asia. His Instagram account is worth a review - I'm more impressed by the paintings on there which demonstrates very clearly that he can paint a range of landscapes.
  • Matthew Timmins-Williams (Instagram) - a painter and decorator from Birkenhead (the other side of the River Mersey).
  • Georgina Saunders * (Instagram | linktr.ee/georginasaundersart) Georgina got off to a good start after studying Art A level where she came in the top 10 in the country Art A level and Art GCSE. She then went on to study the History of Art at York University followed by short courses at Heatherley’s School of Art and the Art Academy to supplement her self-study practise. Back in 2021, she wrote about her Landscape Artist of the Year Wildcard Experience. She's now a primary school teacher and a painter working in Hertfordshire. Her work explores her love of nature and the outdoors. I'd say she likes skies to play an important role in her landscapes - when she gets to choose what she paints.

The Wildcard Artists


50 artists join the pod artists at every heat. In this heat, they were a bit closer than they usually are - and set up just behind them.

If you put "landscape artist of the year liverpool" into Facebook search you'll come up with LOTS of posts by wildcards about the day! :)

Pods and Wildcards

Submissions


I can't show you the submissions by the pod artists as you have to watch the programme to see them with their artists at the beginning and then discussed with the artist in the pod - where they hung for the duration of the heat.

Most were medium sized with two large and one small painting.
 

Themes & Learning Points


Every week, in my review, I highlight what I observed as being some of the themes arising from the location, the day and the nature of the artists in this week's episode.

Today, the themes are:
  • Find your zones: foreground, middle ground and distance
  • a study in perspective - and proportions
  • The sun on a cloudless hot day presents particular challenges
  • Reducing the size of the support - to edit and tidy up
  • The Plant Mister: useful kit for watercolour painting on a very hot day

Sunday, September 17, 2023

Graham Crowley wins John Moores Painting Prize 2023

Last week it was announced that Graham Crowley, age 73, has won the John Moores Painting Prize 2023 with his painting of 'Light Industry' (see below). 

The John Moores Painting Prize 2023 (£25,000)


The award brings a prize pot of £25,000 and a  a solo display at the Walker Art Gallery in 2025.

Light Industry by Graham Crowley

I'm surprised.

I can only reiterate what I thought when I reviewed all the paintings when they were shortlisted
I've got the big versions of the images of these paintings and this one has been produced by wiping paint in different directions to create a background - and then drawing into it while it's still wet. It's a neat and effective painting technique and worth highlighting - but I'm not sure it does enough to merit winning the first prize.
I haven't changed my mind.

I know the judging is anonymous - but one does wonder.....  However I am now inclined to believe the prize might be in part be not so much to do with an individual painting so much as maybe recognition of an artist who has been repeatedly selected for the John Moores Painting Prize - having had a painting selected 10 times over FIVE DECADES - in each of these years: 1976, 1980, 1983, 1985, 1987, 1993, 2004, 2006, 2016 - and 2023!

"Light Industry" was apparently inspired by a visit to a motorcycle dealer in Framlingham, Suffolk – which the artist describes as part workshop, part counter-cultural ‘museum’.

Graham Crowley commented as follows
“The John Moores Painting Prize is without doubt the UK’s pre-eminent painting competition and exhibition. One of my ambitions, apart from painting the best paintings I possibly can, has always been to win. Exhibiting as part of the prize in the past has played a significant part in establishing my reputation as a painter. This is important as I, like most practicing painters, am not represented by a gallery or commercial interest.”

“The prize has an authoritative history of post-war painting in the UK, and its credibility and longevity are testament to the anonymous judging process. I am thrilled to be the first prize winner this year.”

About Graham Crowley

Graham Crowley in his Studio
  • Born in Romford, Essex in 1950
    • Art Education:1968 – 69 Foundation Studies, St Martin's School of Art, London
    • 1969 – 72 Diploma in Art & Design, St Martin's School of Art, London
    • 1972 – 75 MA (RCA), Royal College of Art, London
    • 1978-85 – Visiting lecturer in painting, RCA.
  • Crowley worked originally as an abstract painter but began to paint figuratively in the 1970s.
  • His work has been shown extensively in England and Europe, including exhibitions at the Venice and Paris biennales and at The Fitzwilliam Museum, Cambridge.
  • He is included in a number of public collections and has also completed several large-scale public commissions.
  • He has been living and working in Suffolk since 2014.
  • This is his CV

Other Prizewinners

Shortlisted Artists (£2,500 each)

By way of introduction (from me)
  • there are four "technique paintings" (for want of a better term) - only one of which interests me
  • and a genuine original which has both substance and impact.
  • my favourites are by the two youngest painters.
The four other shortlisted artists who will each receive £2,500 are: 
  • Social Murder: Grenfell In Three Parts by Nicholas Baldion, 
  • Stochastic 14 by Emily Kraus, 
  • Other Light by Damian Taylor and 
  • Champagne Cascade I by Francisco Valdes.
You can see details of  these artists - and their paintings - in my post Five artists shortlisted for John Moores Painting Prize 2023

Lady Grantchester Prize 

This award (supported by Winsor & Newton) has been developed to support artists in the early stages of their career. 

This is the first time this prize has been awarded. It comprises £5,000, a residency and £2,500 worth of art materials for her work.

Emma Roche in her studio knitting her acrylic!

Emma Roche won the Lady Grantchester Prize.  Her work is made of knitted acrylic painting on wooden panels. She commented as follows
“I really value this recognition and support from the John Moores Painting Prize. I am interested in pushing painting to its limit through the different processes that I use, so the work is not always immediately recognised as painting or as paint. I was thrilled to find out that I made it through to the exhibition stage and to be a prize winner is surreal. I feel very grateful.”
Emma has B.A. in Fine Art Painting, N.C.A.D., Dublin, 2006; an M.A. in Visual Arts Practices, I.A.D.T. Dublin, 2010; and attended the Turps Banana Art School, London 2016-2019 

Comment


So one painter in his 70s wins the big prize and one much younger artist wins the "support the career prize". 

In my view, I'd have preferred to have seen a Lifetime Achievement Award for an older painter and the big prize going to somebody much younger.

There are those of us who think somebody winning a very major prize in the early part of their career is actually the best possible support to the future career of an artist. There's a fair few painters who have won this one early on who can support that view.

Visitors' Choice Award (£2,023)

Visitors to the exhibition are now invited to vote for their favourite painting to win the popular Visitors’ Choice Award, sponsored by Rathbones. The winning artist will receive £2,023

The Exhibition

The John Moores Painting Prize is the UK's most well-known painting competition, bringing together the best contemporary painting from across the UK to Liverpool.
The 70 paintings - selected from a record 3,357 entries - included in the John Moores Painting Prize Exhibition are now open to view at the Walker Art Gallery in Liverpool 16 Sep 2023—25 Feb 2024.

I'm guessing the record entries are in part generated by the demise of several other art competitions with serious prize money.

Thursday, August 03, 2023

Five artists shortlisted for John Moores Painting Prize 2023

Five artists have been shortlisted for The John Moores Painting Prize 2023 - and this post:

  • tells you who they are - and provides a judges summary plus a profile
  • shows you the image of the painting which has been shortlisted
  • shows you images of the selectors and the selection process
  • and finally.... you get my prediction as to which work will win the £25,000 First Prize and a Solo Exhibition at the Walker Art Gallery in 2025.
The John Moores Painting Prize is the UK's most well-known painting competition, bringing together the best contemporary painting from across the UK to Liverpool.
The exhibition of all the artists selected for the longlist will be held at the Walker Art Gallery in Liverpool between16 Sep 2023—25 Feb 2024. 

The Shortlisted Artists


Paintings by Nicholas Baldion, Graham Crowley, Emily Kraus, Damian Taylor and Francisco Valdes shortlisted from more than 3,000 entries.

Links to their websites are embedded in their names below.

Those not winning the first prize of £25,000 will each be awarded £2,500.

The Selectors gave each painting careful scrutiny

The 2023 jury - Alexis Harding, Chila Kumari Singh Burman MBE, Marlene Smith, The White Pube and Yu Hong – chose the prize winners and the long list of other exhibiting artists from more than 3,000 entries – the most the John Moores Painting Prize has ever received.

From large scale canvases, bold in brush strokes and colour, to exquisitely detailed pieces, the exhibition covers a wide range of styles, united by their use of paint.  

By way of introduction (from me)
  • there are four "technique paintings" (for want of a better term) - only one of which interests me
  • and a genuine original which has both substance and impact.
  • my favourites are by the two youngest painters.