Wednesday, February 11, 2026

Katherine Tyrrell: Ten Artistic Tips Learnt From The Big Painting Challenge (11 years later!)

Some of those contemplating entering one of the Artist of the Year competitions might find the tips below to be useful.

This is a reproduction of an article I wrote for the WH Smith Blog eleven years ago following (a) the Final of the The Big Painting Challenge and (b) the publication of my book Sketching 365

I found it by accident while searching for something else and realised I had completely forgotten about it! It also seemed very timely for a repost!

So here is Katherine Tyrrell: Ten Artistic Tips Learnt From The Big Painting Challenge

________________________________


Last Sunday was the final episode of The Big Painting Challenge. The series has offered a lot to opportunities to learn over the last 6 weeks – from the amateur painters as well as from the Judges Daphne Todd and Lachlan Goudie.

I’ve been following the series on my blog Making A Mark and have been writing a series of posts – one for each episode. These comment on the challenges and highlight tips as the series has progressed.

Below I’ve summarised some important tips which I’ve derived from the programme content and the comments of both judges and the amateur artists.

TOP TEN TIPS


Check out these tips if you’re thinking of entering an art competition on television – or just improving how you paint.

TIP 1: Observation is key.


It’s really important to look carefully whether you are painting a person, a still life, a landscape – or things which move and dance about and change while you watch! You will reap the benefits if you spend as much time looking as you do drawing and painting. Find the big shapes, the verticals, horizontals and angles and don’t forget to measure and check the size and relative proportions of what you can see.

TIP 2: Good drawing underpins sound construction.


When a drawing or painting does not look quite right it’s often down to a problem with the drawing. Problems with drawing often lie either in:
  • A failure to observe carefully (see Tip 1)
  • A tendency to simplify so as to ignore the difficult bits
  • Unfamiliarity with a range of normal drawing media and the scope for making different marks (see Tip 3)
  • Difficulties in placing an object on a page – leading to bits missing which you intended to include (see Tip 6)
  • Difficulties in handling and mixing colour when using dry media rather than paint (Tip 8)
Identifying the nature of the problem with your drawing is your first step to learning how to correct it. Example: My major problem is my verticals often lean if I draw without thinking. My solution is to check how a major vertical lines up with the edge of the page as I draw it.

My book "Sketching 365" published internationally in 2015

TIP 3: Practice drawing quickly using different types of dry media.


Dry media was usually used for the quick draw exercises in The Big Painting Challenge but was not limited to pencils or charcoal. There was also little time for slow careful drawings! Moving on from graphite to use different types of dry media – and colour – challenged a few of the artists! Dry media are great for drawing and sketching. Try becoming more familiar with the properties of different types of dry media and also how they can be used intelligently to produce quick drawings. Not everything is drawn using a tip – you can also use the side and cover more paper faster! Drawing quickly is something that can be learned – but it takes practice

TIP 4: Become comfortable in working from life – as part of your daily life.

Tuesday, February 10, 2026

The NEW Portrait Artist of the Year Judges

The announcement of the NEW Judges for Portrait Artist of the Year was rather weird in terms of timing and what appeared when.

So I decided to defer comment until sure everything that was being published had been published. So below is:
  • An Overview of "What Happened?"
  • The NEW Judges of Portrait Artist of the Year
  • The Major Disconnect around Portraiture re. PAOTY
  • New Judges for Landscape Artist of the Year?
The New Judges for PAOTY in 2026

Commentary on the new format of LAOTY - which has also been announced (on 20th January by Artist of the Year, Tai-Shan Shierenberg and Stephen Mangan) - and what happens re the Judges for that will follow.


What Happened?


There has been a lot of clamour on social media for the Judges to be changed - for various reasons - for quite a while (that's years!).  So it's now happening - but the media roll-out could have been better organised. It has the feel of something which had a few hiccups along the way

My timeline of info (coming and going out) went something like this
  • On 9th January, we had the announcement from Kate Bryan on Instagram that she was longer participating in Artist of the Year. 
    • This appeared on her Instagram Account but NOT the Artist of the Year Accounts. 
    • Which is very unusual, media teams usually arrange to sync re the announcement of any change when this has been a negotiated and amicably agreed. 
    • It also didn't appear on the accounts of the other two Judges. Make of that what you will.
Normally any well planned announcement goes live contemporaneously. (my blog post)
  • The explanation for no announcement from Storyvault Films was probably because they were in the throes of the media publicity run-up to the new series of Landscape Artist of the Year - and you do NOT run two big stories at the same time! I kept looking - in the days afterwards - but the LAOTY news continued to predominate (as one would expect) 
  • On 15th January I published that Kate Bryan is no longer a Judge for Artist of the Year referencing her Instagram post and highlighting that
    • it had previously been announced that she was stepping down from Landscape Artist of the Year - but would carry on with PAOTY
    • but it now included to Portrait Artist of the Year too!
  • On 20th January - once LAOTY was underway, we got another major change announced completely out of the blue - about a major change to Landscape Artist of the Year 
  • Then 0n 29th January an announcement about a refresh and a change in Judges for Portrait Artist of the Year dropped - on Instagram

  • Followed by my post on 30th January Goodbye - ALL THREE Artist of the Year Judges (which I had drafted late the previous evening and set up to publish at 9:30am.
  • Followed 30 minutes later at 10am on 30th January, by the announcement of the NEW Portrait of the Year Judges. Here's the Facebook Announcement 

By which point I'd decided to give Artist of the Year a bit of a break re announcing changes on my blog - just in case there were any more!!

The NEW JUDGES for Portrait Artist of the Year


There are three new Judges for Portrait Artists of the Year. Below I will 
  • summarise the three new Judges below with links to their websites and social media.
  • followed by a commentary by me re the type of Judge that has been chosen and what I'm calling "The major disconnect around Portraiture"
I think Storyvault Films have basically gone with a "more of the same" BUT "bigger and better" than the three existing Judges. They have certainly updated with new younger models.

However they have not introduced more artists and I think the ratio is the wrong way round. Two well established and reputable portrait artists plus a heavyweight in the curatorial/commercial world would be a better balance in my view.

Monday, February 09, 2026

Call for Entries: Portrait Artist of the Year 2026

The deadline for entries for Series 13 of the televised art competition "Portrait Artist of the Year" is Friday 20th February 2026.

Good job I didn't write this any earlier - they've changed all the Judges since I did! More about the new Judges tomorrow.


This post is about:
  • The nature of this art competition
  • WHO can enter
  • HOW to enter
  • What the day of filming is like - and how long it lasts!
  • Plus TIPS about this art competition
  • AND TIPS about juried art exhibitions and art competitions generally (at the end).

Quotations below are from the Terms and Conditions of the competition or as indicated.


This is a televised competition. Artists enter with a self-portrait created within the last 5 years. They are selected on merit by our panel of expert judges. At the heats they are given four hours to paint a surprise celebrity sitter. The heat winners get to compete at the Semi-Final. Three of the Semi-Finalists go through to the Final but only one is selected as the overall winner.

Filming of Portrait Artist of the Year is planned to take place at Battersea Arts Centre in April 2026.

How this art competition works 


This is an art competition as a television show. 

Entries for the competition closes at 12:00pm (midday) on Friday 20th February 2026 (“the Closing Date”). Entries received after this date and time will not be considered. 

These are the Terms and Conditions

Filming of Series 13 of Portrait Artist of the Year is planned to take place at the Battersea Arts Centre in April 2026. (see below for dates in April)
  • In effect this is a 'reality' show (i.e. real people/artists) as a knock-out competition for portrait artists.
  • Nine artists compete in each heat - which are held between 14th and 23rd April
You agree to use Your best endeavors to be available for any alternative and/or additional dates requested in March, April, May, June, July, and August 2026.
  • there are three surprise "celebrity" sitters (some you will know/ some you won't!)
  • each sitter has three artists drawing / painting / printing their portrait - in various 2D media
  • you have just four hours to complete a portrait - which is essentially 2 hours before the lunch break and 2 hours afterwards. (However artists can and do continue painting throughout the lunch break - when there is no sitter in front of them)

    The Shortlisted Artists will have a maximum of 4 hours over a 5-6 hour period (or such other period as the Producer at its discretion may determine) to complete their Heat Artwork.
The panel of Judges may take the Shortlisted Artists’ Portrait Entry(s) and their Additional Works of Art into consideration during this judging process, and all of the criteria for judging and the decisions of the Judges shall be at the discretion of the Judges and the Producer and shall not be not open to dispute or discussion 
- except by me "after the event"

  • The Sitter gets to choose a portrait - and if it's your portrait this is gifted to the sitter. (Make sure you get a photo of yourself with the sitter and the portrait!)
  • The Heat Winner - from a shortlist of three - goes through to the Semi-Finals

TIPS: Artists have just four hours to complete their portrait. HOWEVER:
  • you will be interrupted by presenters and/or or Judges who will talk to you during the four hours
  • people with cameras and sound recording equipment will be filming around you ALL THE TIME and sometimes you won't be able to see the sitter - or will need to move (see below)
  • You will be at some distance from the sitter - much further than with normal portraits - and you can't move your setup in to get closer. (check the distance between artist and the sitter when you watch the programmes)
  • It's a good idea to bring a digital device to take a photograph for when you can't see the sitter properly - or you can't see the details of the face clearly enough.
Filming of Series 9 Heat 1

  • Eight heat winners get to compete at the Semi-Final on Wednesday 29th April 2026
If You are chosen as a Semi Finalist or Finalist and are asked to travel away from home or are invited to 8 attend the Final, the Producer shall supply and pay for Your reasonable and pre-agreed travel and hotel costs. (T&Cs para 41)
  • Three people from the semi-finals are selected for the Final on Tuesday 19th May 2026 at a location in London (which may or may not be Battersea Arts Centre) which involves:
    • a commission to be completed between the semi final and the final(essentially in about two weeks)
A space of the contributor’s choice in which to complete this artwork, where a timelapse camera can be rigged, must be provided free of charge by the contributor to film any or all of this process.
  • four hours to complete the portrait of the celebrity sitter in the final. I think the condition below is new. The second option has never been used before.
The Producer may ask
  • all of the Finalists to depict the same Portrait of a Sitter at the Final Location,
  • or each Finalist may be required to depict different Sitters at the Final Location.

The Prize

The winner is awarded a commission - worth a taxable fee of £10,000 - to create, complete and deliver a portrait of a notable person for a (usually) prestigious organisation - selected by the Producer - by a specified date.

If you want to know why the prize money is taxable see my page on my website Art Business Info for Artists about Tax on art awards and prize money
If You are chosen as the Winner, You must be available between the Final Date and the end of July 2026 to produce the Winner’s Prize Artwork on exact dates to be determined by the Producer.

 

Who / how / what to enter

Saturday, February 07, 2026

LAST CALL FOR ENTRIES: Jackson's Art Prize 2026

The deadline for entries for Jackson's Art Prize 2026 is 2nd March 2020 (5pm).

This post looks at Jackson’s Painting Prize 2026 and, in summary
  • who can enter
  • what you can enter
  • why enter
  • how to enter (registration / timeline / digital images etc)

Call for Entries: Jackson's Art Prize 2026



The intentions behind the Jackson's Art Prize are:
  • to bring together a global community of creatives and
  • showcase the work of artists of all ages and abilities.
The annual award welcomes 
  • entries in all two-dimensional media including painting, drawing, and original printmaking 
  • from amateur to professional artists.
There are lots of prizes - which are mainly art materials, although there is a £6,000 cash first prize.


Who can enter

  • Open internationally to artists of all ages and abilities

What type of artwork can you enter?

  • Artworks created in two-dimensional mediums eg painting, drawing, printmaking
  • About any theme or subject matter
  • Artworks for the competition must be submitted by the artist who created it. 
  • All work must be your own intellectual property. 

This is what the competition does not accept
  • Three-dimensional or sculptural work
  • Digital, computer manipulated, or AI art
  • Pure photography
  • Digital prints e.g. giclée
  • Artworks of an inappropriate or offensive subject matter will be removed from the competition.
  • artworks that directly copy other people’s work (this does not include artistic interpretations) or works that are made from a tutorial.
There will, of course, be some silly idiot who will think it's OK to try and smuggle some AI artwork in. Personally I'd award a "Great Big Wally" Award to anybody who did so and name and shame on social media.

You can see past entries and winners on the Jackson's Art Prize Instagram account 

The quality of the photograph of the artwork


Thursday, February 05, 2026

Review: Episode 4 of Landscape Artist of the Year Series 11 (2026) - Skiddaw

This week, for the fourth episode of Landscape Artist of the Year the artists are back in the Lake District to paint Skiddaw which lies just north of Keswick. 

This is my review, which covers the location, artists, wildcards, heat paintings, who got shortlisted and who won the heat. Plus the themes I found cropped up throughout the programme. 

WARNING: Go and get a cup of tea or coffee and sit down. This is a very long one!
I got half way through this post and decided to call it THE MEGA WHINEY post. I really, really, really want to stop whining and complaining. Please!

There will be yet more screaming - for various reasons....

If you anticipate wanting to enter for next year
  • At the bottom of this post you will also find links to my REVIEWS of all previous episodes in Series 11.
  • Plus you can find all my REVIEWS of previous LAOTY Series from Series 4 (2018) TO Series 10 (2025) - which ALL have lots of tips - on my Art on Television page.

Episode 4: Skiddaw


LAOTY 2026: Episode 4 - Skiddaw Fell
The wildcards arriving - with Skiddaw in the background
aka "Look no houses!"

    Location and Weather

    The 931-metre (3,054 ft) summit of Skiddaw is traditionally considered to be the fourth-highest peak and the sixth highest in the UK. Its slopes are grassy towards the bottom and the ridges are covered in ice-shattered scree and stones towards the top. It's located in what are called the Northern Fells

    Up until the middle ages, its slopes were covered with a temperate rain forest. The Cumbria Wildlife Trust has an appeal for a 100 year project to help restore the Skiddaw Forest to its slopes 

    I think they relocated the LAOTY Pods from the edge of Derwent Water to the other side of Crow Park and then turned them around so they were facing the view of Skiddaw above the town of Keswick.

    Interestingly Skiddaw actually looks very like Croagh Patrick (to be painted for the Commission) - so this was "the ideal audition". Except it wasn't.....

    I'm guessing the pods were located where it was flattest. That's because I was somewhat surprised at the angle of the location. I was expecting them to be more turned towards Skiddaw - on the extreme left in the pic below - instead of being lined up in front of the town of Keswick. 

    Wildcards and Pods
    trees in the foreground, Keswick in the middle ground
    and then Skiddaw in the background

    This was another very hot day - as happened for the first episode at Derwent Water. I'm not going to repeat all the hot weather recommendations from previous episodes of this series.

    Episode 4: The Artists in the Pods


    Episode 4: The Heat 4 Artists - out of their Pods and waiting to be shortlisted

    Episode 4 pod artists are listed BELOW in the alphabetical order of their surnames.
    • Including a synopsis of their background
    • Links to their websites (if they have one) are embedded in their names.
    • Social media platforms are also referenced - but typically only one
    The artists are:
    • Ian Dowding - a former chef / restaurateur from East Sussex who is a self taught artist, painting in acrylics.  (no social media relating to art that I can find)
    • Stephanie Euphemia (Instagram) - a professional artist from Shropshire. She's a  landscape artist who specialises in oil painting en plein air - and has exhibited in various art galleries in England. She's also a former tennis player who gave up a corporate career to become an artist. She brought her daughter to the heat.
    Stephanie and her mini-me
    I had such an incredible experience meeting the judges, painting alongside the other artists (and my miniature artist who decided she wanted to get in on the action) and loved seeing all of the different artistic interpretations of the Skiddaw Mountains.
    • Alison Paterson Mars - a local farmer, Alison lives and works in the rural, rolling, windswept and little known farming country of the Solway, between the high hills of the northern Lake District and the enclosing Cumbrian coast. She produces expressionistic paintings using dramatic colours. She exhibits in and around the Lake District/Cumbria. She comments on her website as follows...
    It was the hottest day of the year. There were 8 of us artists who were given a pod to work in, there were also 50 others -‘ the wildcards’ who had to fend for themselves, and sit out in the sun, We’d to be there for 7am and it was after 7pm when I left, so it was a long day. Everyone had a brilliant time and we were well looked after. 
    • Cathy Pearce (Instagram) -a professional landscape painter from Wiltshire. She has been working in pastels for the last 13 years. As she says, there can be more pure pigment in a pastel than in oil paint. She had an article about Achieving Vibrancy in Pastels in The Artist magazine last year. I was very pleasued to have it confirmed that she was using Unison Pastels - which are made in Northumberland and are my pastel of choice too! I bought my first sets in the Lake District! Plus Clairefontaine Pastelmat. I've had my eye on her very striking submission (in the introduction image) from the beginning of this series. I'd wondered if it was pastels and if they were Unison! She has artwork currently exhibited in The Pastel Society Annual Exhibition at the Mall Galleries (link is to the photo in the FB Album of her artwork!) Plus this is her explanation as to how.
    Yay - I found a pic of the Unison Pastels!!
    I've got all those boxes too!
    • Scott Simpson (Instagram) He was born in Aberdeen and has Scots Singaporean heritage. He graduated from Grays School of Art at Robert Gordon University. He is an award-winning painter now based in Alloa, Scotland. His drawings and paintings are, at the fundamental level, based on nature and seeing the world at a walking pace. He has exhibited at the Royal Scottish Academy, Society of Scottish Artists and Aberdeen Artist Society on several occasions. This is an interview with him
    • Dan West (Instagram) - Dan, age 24, is an emerging artist from Teddington who currently works full time in the marketing, branding and graphic design of events. He attended Esher College before studying marketing at the University of Portsmouth. He first appeared on LAOTY as a wildcard when he was 22. He works in graphite and coloured pencils. His artwork is a leisure time activity but goes way beyond the normal standard of leisure artists - particularly in relation to composition which is very good. He also does album cover designs for musicians.
    His main body of work focuses on the relationship between people and their environment, finding stories in every day life. Dan's work varies in size and material, with a consistent eye for narrative. (his website)
    This was one of the most surreal experiences of my life and it is quite the memory to look back on. I’ve watched the show with my family for years and to have the opportunity to compete on it alongside a group of passionate and inspiring artists was amazing.

    Episode 4: Submissions

    Monday, February 02, 2026

    Call for Entries: Trinity Buoy Wharf Drawing Prize 2026

    The Trinity Buoy Wharf Drawing Prize 2026 is now OPEN for entries
    • from artists and drawing practitioners 
    • from anywhere in the world
    • for a chance to be of the UK’s leading open exhibition dedicated to drawing,
    • with a new first prize of £15,000.
    This is one way of reading what you need to do ALL ON ONE PAGE!

    You are
    • you are invited to submit up to three drawings 
    • Deadline for entries: Stage 1 digital submissions online must be completed by Tuesday 9 June 2026 at 5pm.

    Things you need to know 

    (the) exhibition has an established reputation for its commitment to championing excellence and promoting and celebrating current drawing practice in the UK.

    The Trinity Buoy Wharf Drawing Prize

    ....offering artists the opportunity to showcase their drawings in the UK’s leading open exhibition dedicated to contemporary drawing,

    The Trinity Buoy Wharf Drawing Prize exhibition and awards are supported by the Trinity Buoy Wharf Trust.

    It's a prize which has had many names in its time - see the end for more about its background.

    The Trinity Buoy Wharf Drawing Prize 2026 Exhibition


    The selected drawings will be included in a high-profile exhibition held as follows
    • VENUE:  Buoy Store, Trinity Buoy Wharf, 64 Orchard Place, London E14 0JY from Thursday 
    • DATES: 17 September – Sunday 4 October 2026 
    • TIME: open daily from 11am to 6pm.

    It will also tour to various venues in the UK until 2027.
    • The annual open exhibition is led by its Director, artist, curator and educator, Professor Anita Taylor who has held various posts in art education. 
    • The exhibition will be accompanied by a fully illustrated publication and a programme of educational and engagement activities, including a symposium at Trinity Buoy Wharf.
    View of the exhibition in 2024

    The Prizes


    In 2026, there will be a new prize structure and awards with a total value of £18,000:
    • Trinity Buoy Wharf Drawing Prize 2026 - £15,000 - open to all artists with drawings shortlisted for the prize
    • Trinity Buoy Wharf Student Award - £2,000 - All students registered on a degree programme in the Academic Year 2025/26 who submit an entry
    • Three Boroughs Award - £1,000 - open to all those living and/or working in the London Boroughs of Tower Hamlets, Newham and Greenwich boroughs 

    How to Enter

    Saturday, January 31, 2026

    20 years of Making A Mark

    Making A Mark has now been published for 20 years. 


    I meant to highlight the big birthday at the beginning of January - and then forgot!  I think I'm one of a very few art bloggers left from the art blogging explosion of c.20 years ago. (I must do a blog post about who's left!)

    I was three months into early retirement in January 2006 when I started this blog as a way of recording what I was trying to do in terms of getting back to my art after a fairly intensive career in government and management consultancy which hadn't left a lot of time for anything else. (If you want to know more about me, try this page!)

    I trialled it in December and then went public at the beginning of January.

    What it turned into over time was a platform with a very strong emphasis on trying to help other artists with their own art and an educational slant

    If you are a regular reader I hope you've had some benefit.

    Incidentally, there's been a few side effects 
    • I now know an absolutely phenomenal number of artists from across the UK - and across the world.  As you can see from the stats below I have a very global following. 
    • Some I only know online. Many I have actually met. Unfortunately, I've got to that age where I know the face if I've met you before but the name only comes along about two minutes later! 
    • One of the very weird side effects of all this is that complete strangers now come up to me in the middle of central London and say "You're Making A Mark!!". The first time it happened I was crossing Trafalgar Square!

    What follows are 
    • some edited highlights about how the blog progressed in the last 20 years - and
    • what Google AI has to say about it. (That was really interesting!)
    • I also added in some PICS and links to the latter so you can get a flavour of what the archives hold
    Plus here are some stats:
    • there are now 4,720 published blog posts!  That's an average of 236 blog posts a year or an average of 0.65 blog posts a day for the whole 20 years!
    • nearly 27 MILLION pageviews - which averages out at more than a 1 million pageviews a year
    • over 6.5 MILLION visitors - a lot of you kept coming back for some reason!
    • Plus this blog has been no 1 on Google for the words "Making A Mark" for very many years
    Making A Mark Statistics as at 31st January 2026
     

    2006-2011


    The first 5 years were spent 
    • writing a blog post every single day - I kid you not. Check out the numbers on the months on the blog archive in the right hand columns
    • doing major projects each year - and then blogging about them
    • starting and then developing "Who's made a mark this week?" which highlighted the activities of other artists which generated a lot of engagement and followers - but fell by the wayside when others switched to instagram and stopped long form blogging
    • writing about major exhibitions and art competitions n London. I'd worked out how to get into the press views because my blog was doing so well
    By January 2011 I wrote Making A Mark achieves #2 in Top Ten Blogs of 2010!

    This is what Google AI had to say about 2010
    Based on the archives of the Making A Mark blog, the most significant and engaging content in 2010 revolved around the annual art blog awards and in-depth reviews of art books, particularly regarding colored pencils and watercolours. 
    • Top 10 Art Books Series (2010): Katherine Tyrrell's specialized posts, such as "Top Ten Art Books in October," were major, highly interactive, and resource-heavy posts for the blog.
    • Making A Mark Awards 2010: A major, popular series at the end of the year included the nomination and voting posts, such as "Nominate the Best Art (Place/Landscape) on a Blog in 2010" and "Best Picture of 2010 on an Art Blog".
    • Art Competition Coverage: Throughout 2010, posts analyzing major competitions, such as the BP Portrait Award 2010 (noting a record number of entries), were highly read; specifically "BP Portrait Award 2010 - Shortlist announced," was also a significant, high-traffic topic in April 2010
    • In 2010, the Making A Mark blog was recognized for its high-quality, research-based content, achieving the #2 spot in top ten art blogs.

    This is the link to my Best Books label - for those who like reading about art books. 

    Making A Mark Awards 2010: Here's what happened at the end of the Year


    2011-2015

    Friday, January 30, 2026

    Goodbye - ALL THREE Artist of the Year Judges


    So it's not just Bye Bye to Kate Bryan. Kathleen Soriano and Tai Shan Shierenberg will also NOT be the Judges for the next Series of Portrait Artist of the Year.

    Which makes me wonder whether Kathleen and Tai are also not filming Landscape Artist of the Year later this year too. (There's no statement on either of their Instagram accounts)

    So, first the announcement and then a recap of where we are at.....
    There have been a LOT of changes.....

    The Announcement


    This was the announcement on Instagram - which dropped late yesterday afternoon

    The text says

    After 12 brilliant series of Portrait Artist of the Year, we say Goodbye to our wonderful Judges, Kathleen Kate and Tai. Thank you so much for your expertise and insight. For championing creativity, supporting artists and bringing such wisdom and art to the show. You'll be hugely missed.

    More Portrait Artist of the Year Announcements to follow.
    I would add that almost every artist I've talked to who has been on the show (and that's a lot of people) have been very complimentary about the production team and the judges.

    The Changes


    I think first of all, we need to remember that Stuart Prebble (1951-2025), the man who invented Portrait Artist of the Year (and LAOTY)
     and who had a very illustrious television career before reinventing himself as a producer and starting Storyvault Films with some friends, died in August 2025.

    One of the things I think - and I emphasise "think" - is happening is that there has been a change at the helm and they want a new crew.

    That's just my hypothesis.

    But it's not unusual in these circumstances.

    12 years with more or less the same format and people means 

    • a series can begin to look "tired" and in need of a bit of a "pick me up" 
    • and/or starts to lose viewers 
    • and/or applicants
    • which prompts the identification of a need for an overhaul. 
    What's currently being proposed is that the PAOTY series remains the same - with 72 artists participating across the 8 heats, while LAOTY changes to 10 artists across the whole series- and the terms and conditions have been changed along with the deadline for entries.

    (This last paragraph has been updated since original publication)

    Why have a Refresh?

    Thursday, January 29, 2026

    Review: Episode 3 of Landscape Artist of the Year Series 11 (2026) - Dover Ferry Port

    This is my review of Episode 3 of Series 11 of Landscape Artist of the Year (2026) aka known as LAOTY

    • At the bottom of this post you find links to previous episodes in Series 11.
    • Plus you can find all my reviews of previous LAOTY Series from Series 4 (2018) onwards which ALL have lots of tips on my Art on Television page.

    Episode 3: Dover Ferry Port


    Tai commented towards the end of the episode
    It became an interesting exercise to see how an artist who is not used this kind of landscape would adapt.

    Location and Weather


    Artists enjoyed another good day, but maybe rather more breezy and with lots of sea air this week. The pods were perched right at the top of the white cliffs of Dover - overlooking Dover Ferry Port - with the wildcard artists further down the cliff - right next to the edge.....

    Pods above Dover Ferry Port
    The little dots to their right are the wildcards further down the slope

    Given the commission is a mountain, I'm left wondering whether the original idea was to be down at sea level - maybe in the harbour somewhere - painting the white cliffs of Dover. 
    But that message got garbled somehow......??

    Apparently though a main aim of the programme is to explore the stories and heritage behind some of the most recognisable locations in the UK
    There was me thinking that was an "add on" not the reason behind the programme!
    The episode sees artists capturing the iconic landscape of the Port of Dover, one of the UK’s most historic and strategically important gateways. The programme celebrates landscape painting while exploring the stories and heritage behind some of Britain’s most recognisable locations.
    Incidentally, the port of Dover sees 2 MILLION trucks go therough annually through what is the main connection between the UK and Europe.

    The Artists in the Pods


    Episode 3 pod artists are listed BELOW in the alphabetical order of their surnames.
    • Including a synopsis of their background
    • Links to their websites (if they have one) are embedded in their names.
    • Social media platforms are also referenced - but typically only one
    Before you yelp and screech about who gets shortlisted, I recommend you take a VERY CLOSE LOOK at the profiles below - because 
    • I provide a lot more info than the programme does and 
    • I know the credentials which make a Judge sit up and pay attention.
    • Maybe it's not just down to the paintings...??
    the artists after they finished painting

    The artists are
    • Charmaine Alexander (Instagram) - an artist and retired photographer from Epping Forest. She aims to create expressive landscapes using distinctive mark-making and patterns. She uses strong, defining lines. These “mass lines” are used to connect areas of visual mass, such as clouds, shadows, and reflections; directing the viewers gaze through the composition reinforcing elements such as motion, or silence.Her work has been exhibited at the Royal Academy Summer Exhibition and also at her recent solo exhibition “On The Edge” in Hertfordshire.
    • Prasad Beaven (Instagram) - Prasad Beaven is a visual artist whose practice explores inner and outer landscapes through spiritual and intuitive processes. A graduate of the Kings’s Foundation School of Traditional Arts (MA, 2021) and the University of Brighton (BA Illustration, 2017), he has recently been elected as a member of the Royal Institute of Painters in Watercolour. He has exhibited internationally, including a solo presentation at the Saatchi Gallery and he is the recipient of the Ciclitira Prize (2021), presented by HRH King Charles III. He works primarily in water-based media, combining ink marbling with drawing and painting. His artwork develops through a slow, meditative process of layering light washes of ink and allowing the image to take shape gradually. He spent six years of his childhood in northern India, in the foothills of the Himalayas which informs his meditative approach to art. 
    • Alison Clarke (Instagram) - A semi-abstract landscape painter based in Wimbledon. She comes from an artistic background, all her life she has been involved in various forms of art expression. She moved to Canterbury to study Fine Art and then spent many years working in photography. She returned to painting in 2019 and likes painting in large gestural strokes and also painting skies. She has had paintings shortlisted for shortlisted for both the Royal Academy Summer Exhibition and the Royal West of England Academy Autumn Exhibition. She has a page on her website about her experience LAOTY
    "painting outside in the sunshine sounds like a holiday to me!"
    • Chris Odgers (Instagram) - a UK based artist and an urban designer with over 20 years of experience in master planning, regeneration and design strategies. He has exhibited with the Royal Society of Marine Artists in 2024 and 2025. His aim is to portray light, weather, and place through bold brushwork and atmospheric colour.
    • Pauline Patrick (Instagram) - A Glasgow School of Art graduate with postgraduate and doctoral studies in art. Pauline lives in Pittenweem, a fishing village on the east coast of Fife. She is a contemporary still life and landscape painter, influenced by the Scottish Colourist tradition, whose work balances realism and abstraction and is typically painted in oils on linen. She also exhibits at the Pittenweem Arts Festival and with Scotland Art, a leading contemporary art gallery in the centre of Glasgow.

    • Katie Sims (Instagram) - a nature lover and artist from Taunton in Somerset. She has been collaborating with The Thousand Year Trust (TYT), based at Cabilla Woods on Bodmin Moor, Cornwall and creating artwork to raise awareness of the temperate rain forests in the UK.
    I had the most incredible experience taking part. From the nerves to the joy, the creativity and the community — it’s a day I’ll never forget.
    • Carmen Tsui (Instagram) - a former banker from Hong Kong who now lives in Hindhead in Surrey.
    • Steve Vanstone  (Instagram) - a professional artist, working both plein air and in the studion and based in Stroud in Gloucestershire. 
    NOTE: Three artists in this heat do not have a live website.  
    Dear Artists - if you want a nice profile from me, I need to be able to find a website which tells me about you! 

    The Wildcard Artists