He's now dead but his family continues to sponsor the arts.
Images of the Art Galleries and Museums endowed by Sackler (from his website) |
See the coverage this weekend following significant protests at the Guggenheim and Metropolitan Museum of Art.
- Guggenheim Targeted by Protesters for Accepting Money From Family With OxyContin Ties | New York Times
- Nan Goldin Leads a Protest at the Guggenheim Against the Sackler Family | New Yorker
- PAIN Sackler Storms Guggenheim and Metropolitan Museums for Financial Ties to Opioid Manufacturers | Hyperallergic - The drug policy advocates, led by photographer Nan Goldin, held a covert die-in at the Guggenheim, then marching to the Met to publicly protest on its steps.
- Nan Goldin Takes Over The Guggenheim To Protest Sackler Donations | Artlyst
- Artist Nan Goldin stages opioids protest in Metropolitan Museum Sackler Wing | New York Times (March 10, 2018) New York Big Pharma demonstration sees activists dump specially made bottles in moat around Egyptian Temple of Dendur
Amazing to be @Guggenheim as protest erupts about Big Pharma. pic.twitter.com/6smTnkOhSK— Krista Parry (@kristaparry) 9 February 2019
The same thing happened last year
- Opioid Protest at Met Museum Targets Donors Connected to OxyContin | New York Times (March 2018)
- Nan Goldin, Activists Bring Sackler Protest to Harvard Art Museums | Art News (July 2018)
The gist of the campaign is this.
- The Sackler family wholly owns Purdue Pharma, which makes the prescription painkiller OxyContin.
- Oxycontin is the brand name of a timed release of oxycodene, a prescription analgesic for moderate to severe pain
- Oxycontin allegedly tends to create addiction and a number of people are said to have died from that addiction. In 2011 it was the leading cause of drug related deaths in the United States.
- Accusers allege that the Sackler Family and their company are in effect "the highest form of drug dealers" (see Hyperallergic article)
- Goldin is a photographer - and her work is in the Guggenheim which was targeted for protest this weekend. Her interest is that she apparently recently recovered from a near-fatal addiction to OxyContin.
- This weekend she continued her campaign - with the help of others - to get Art galleries and Museums to remove the name and refuse Sackler Funding.
- However a number of Sackler developments actually predate any development and distribution of the drug (but "why let the truth get in the way of a good storey?"
- Apparently the name is the issue for the protestors....
Due to Sackler’s untimely death, his widow went ahead with the project. The Sackler Wing of Galleries was named “Building of the Year 1992” by the Royal Institute of British Architects. (Sackler website)
It is, of course, a lot more complicated than that......
The Massachusetts lawsuit is only the latest against the company, which back in 2007 first pleaded guilty to misleading regulators, doctors, and patients about the addictive qualities of OxyContin.This is what Goldin wants....
Goldin wants Sackler family members to put money into rehabilitation centers rather than art and academic philanthropy. She also wants museums to stop taking donations from the Sackler family and to stand with her campaign to expose pharmaceutical companies that made fortunes from opioids. (The Guardian)
Any institution that takes their money and does not publicly distance themselves from the Sacklers is complicit in the hundreds of thousands of lives lost to overdose. pic.twitter.com/722cDKem7Y— sacklerpain (@sacklerpain) 11 February 2019
Protests in London?
One is left to wonder whether the Sackler Galleries at the Royal Academy in London will face the same level of protest as the American institutions which have felt the wrath of Nan Goldin.
Goodness knows there's enough people in London who do love a good protest! Preferably ones which involve drama, writing words somewhere they shouldn't and lying down.....
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'. (Source: Flickr) |
The Bottom Line
Essentially the more strategic and wider-ranging thrust of the campaign is that:
- all art museums and galleries should have an ethical and rigorous approach to sponsorship i.e.
- formulate clear criteria which have to be met by Sponsors
- test and validate the credentials of those who want to sponsor them against those criteria
- refuse funding from those who don't meet all essential criteria
- none should accept sponsorship from those who attempt to get social credits through spending money on the arts to offset damage done to people and the environment elsewhere.
It's a laudable objective.
It needs to start happening - but I guess it only will happen when the Boards of such institutions take their responsibilities seriously.
I guess the next thing we'll be doing is debating giving back any donations to Museums in art form as well e.g. the Parthenon Marbles - because they were looted.
Do protests like this help?
- Not really if they are led by one very prominent individual - because they then look like the marketing machine for that individual in overdrive and it tends to prompts cyniciam and suspicion rather than support.
- Yes - if they are well thought through and prompt support from a wider population (which generally means those who don't tend to like the "look at me" activities of a few).
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