Denise Ramsay (Hong Kong / France) - Papaver orientale - Oriental Poppy.
|Denise Ramsay GM with the first three paintings in her series of six paintings of the Papaver Orientale|
A Brilliant Life - Faded Glory by Denise Ramsay GM
Papaver orientale ‘Brilliant’ - Scale 1:3
Watercolour on paper 640gsm, 2014
71 cm x 67 cm (28" x 26 1/2")
(Collection: Dr Shirley Sherwood)
Her series of six paintings - A Brilliant Life - of Papaver Orientale is extraordinarily impressive. Her paintings are so well constructed and have enormous impact. They paintings almost appear as if they are 3D.
Prior to completing her suite of work she had studied, via distance learning, for the Society of Botanical Artist's Diploma in Botanical Illustration and gained a Distinction.
I've been doing video interviews with artists for a while - but I think my video interview with Denise Ramsay is a first when it comes to botanical artists. In the video (below and on YouTube) she explains:
- how she came to enter the show
- how she chose her plant and theme
- her preparation prior to painting
- how she painted specific parts of the poppy
Laura Silburn (Cornwall, England) - Aristolochias of British Botanic Gardens.
I first met Laura Silburn in April 2013 when she won her first Gold Medal for Varieties of Hardy Geranium that have received the RHS Award of Garden Merit.
Laura is a Fellow of the Eden Project Florilegium Society and after her first Gold Medal she started to painted Aristolochias for the Society. She loved painting them so much she started looking for some more and started to contact other Botanic Gardens in Cambridge and Oxford.
|Laura Silburn GM with three of her watercolour paintings of Aristolochias of British Botanic Gardens|
Laura is viewing her two paintings which were purchased by Dr Shirley Sherwood
Aristolochias use a pollination trap mechanism in order to use insects to pollinate their flowers. They have evolved weird and wonderful flowers in order to do this. Often mimicking carrion, they look bizarre, some say sinister, but I find them captivating.Check out an article by Laura in the September 2014 edition of The Plantsman - Painting Hardy Geraniums (pdf file) is available to read online or download from the RHS website. In this she explains her working practices and how she develops her artwork from measurements, drawings of how the plant is constructed, sketches and thumbnails and colour samples to the finished painting.
|Laura Silburn's article about how botanical art is composed and executed|
in the September 2014 edition of The Plantsman
|Iris Sibirica (sold) by Ruth Kirkby GM|
Ruth Kirkby (Powys, Wales) - Iris sibirica - Siberian Iris.
Ruth has exhibited with the RHS previously, winning silver medals on both occasions.
However she has only been painting botanical art for four years and is mostly self-taught.
Her display was very 'quiet' compared to some of the others but very impressive for all that.
Yet More "Top Tips" for winning an RHS Gold Medal!
Regular readers will know that over the past few years, I've asked all the RHS Gold Medallists (exhibiting in London) over the past few years for tips and techniques with respect to both the creation of their exhibit and its presentation.
Here are a few more. You can find links to previous "top tips" from the Gold Medallists at previous exhibitions listed at the end.
TIP: Think about the scope to be innovative and contemporaryOne of the comments I heard from a few exhibitors is that Judges are encouraging innovation and looking for high standards of contemporary botanical art. I guess I've got this one labelled as "The Rory McEwen Factor" - how can you advance the art of botanical art?
For example, I think Denise's series is an excellent example of how to tell the botanical story of a plant over six paintings rather than showing all the elements of its life in one painting.
TIP: Have a Project in Mind and take your timeWorking out what plants or species to tackle and then how to approach it is probably one of the most challenging parts of the process of creating an RHS Exhibit. Don't under-estimate the amount of time needed to think this through prior to making a choice.
In general two years are required for a submission. You need a complete life cycle - and the plants need to "perform" re flowering and fruiting. It's possible to do it in one cycle but two years makes it easier to maximise your chances of the best possible result.
Gold Medal winners emphasised that there's a lot of preparatory work involved in putting a submission together. In Laura's opinion, by the time you sit down to start the paintings you're probably already halfway through the project in terms of the hours of work for the entire project.
There's no point in having perfect brushstrokes if composition is no good or you're not showing the parts of the plant which matters.
TIP: Check out National Collections and Botanic Gardens local to youFinding quality plants can be a challenge. Two great sources are Botanic Gardens and National Plant Collections - used by two of the Gold Medallists at this show.
Laura Silburn found that the Botanic Gardens she approached had friendly Botanists who helped her get to know the range of plants
All of the Irises in Ruth's exhibit came from the same place - Aulden Farm which hosts the National Collection of Siberian Irises. The farm in Herefordshire is very close to where Ruth lives in Powys - just across the border in Wales. This made it much easier to come and go to collect specimens. Ruth emphasised that the specimens she has painted are a small proportion of those available.
Why not check out whether you have any National Collections of Plants located close to where you live?
|Three more watercolour paintings of Aristolochias of British Botanic Gardens by Laura Silburn GM|
TIP: Keep the same external dimensionsRuth Kirkby's paintings were all one panel. Interestingly she kept the external dimensions identical for all paintings - and then varied the internal dimensions. There are some very subtle differences in margins - however the same external size for the six smaller paintings gives them a much better unity and better presentation across the exhibit as a whole.
I recommend that you always think about the overall presentation and the size of the painting and how it will be matted BEFORE you start to paint.
|Ruth Kirkby with her exhibition of seven watercolour paintings of Iris Sibirica (Siberian Iris)|
TIP: Paint more than you needRuth had painted ten paintings and was able to bring the best seven to the show. If you have the time and you are dedicated to pursuing a particular species it's great if you can select the best of those you have painted to take to the RHS Show.
TIP: Think about your pricingArtists can sell their artwork at this exhibition. Ruth's smaller works were selling well - and in part that was probably because of the price. Pricing for art varies around the country and naturally varies between different sizes. Do some research about prices typically paid top notch botanical art sells for in London - or enjoy giving botanical art collectors a bargain!
TIP: Find a good TutorA lot of botanical artists are self-taught. At least two of the Gold Medallists at this show have had the benefit of being taught by tutors who are themselves RHS Gold Medal winners and who can recognise whether their student has reached the standard of work which merits applying for a place in an RHS Botanical art Exhibition. Both Denise and Ruth were encouraged by their tutors to make a submission.
More Top Tips for winning an RHS Gold Medal
- Top Tips for winning an RHS Gold Medal for Botanical Art 14 Apr 2014
- 15 Top Tips for presenting work at an RHS Botanical Art 13 Apr 2014
- Ten Top Tips for winning an RHS Gold Medal for Botanical Art 14 Apr 2013
Interviews with RHS Gold Medallists
- Interviews with six RHS Botanical Art Gold Medal Winners 24 Apr 2014
- Interviews with RHS Botanical Art Gold Medal Winners 18 Apr 2013
- 7 Gold Medal Winners at RHS Botanical Art 2012 17 Mar 2012
- RHS Botanical Art Show & Five Gold Medal Winners 21 Mar 2011
- RHS Gold Medal Botanical Art 23 Feb 2007