Having acquired an IKEA Alex Drawer Unit for paper storage I've been surveying my stock of paper and boards for working with coloured pencils and pastels. The new unit has made for a huge improvement in knowing what I've got.
Having unearthed all my pastel grounds from where they'd been hiding I've now got a strong itch to get back to working with pastels again!
So far as the pastel grounds are concerned I've tried a fair few different types of pastel paper and pastel boards over the years but always felt that I could do with a better understanding of how the supports vary.
One of the ways I understand art materials better is to get them all lined up together and then systematically review them - looking for similarities and differences.
I've started to do this by creating a new site - Pastel Papers and Pastel Grounds. It's very much the type of site which I wished I'd been able to review when I first started using pastels. The new website provides:
- a new opinion poll POLL: Which pastel paper or other support do you like best for pastels?
- a systematic analysis of the range of pastel grounds on the website (which is a work in progress at the moment) according to:
- made of
- consumer opinion
I'm also really interested to find out how the voting turns out - and what turns out to be the most popular pastel ground!
I meet a lot of people who say they work with pastels - but in fact they only seem to work with pastel pencils and have never ever tried to work on anything than pastel paper of the type found in most art shops. To me they're missing out on a wonderful experience as all of us who have acquired messy hands will vouch for.
I know that I had what felt like an absolute epiphany when I started using Rembrandt Pastel Card (no longer available but now reincarnated as Sennelier La Carte Pastel (Pastel Card). Suddenly I had a surface which gripped the pastel and made it much easier to get saturated colour and to show the marks I intended to make. Plus working big and using the whole arm opened up a whole new way of working! Plus I learned the hard way not to get it wet.
Later on, I began to see the development of grounds which assumed that the normal way of working would include a watercolour or acrylic underpainting prior to the application of the pastel and there are now a number which offer this functionality.
[Update] I was also sceptical about the ability of watercolour paper to take pastel - until I did a workshop with Sally Strand on Cape Cod - see The best ever workshop - pastel painting with Sally Strand and my painting on Saunders Waterford NOT 140lb
It's also interesting to see which brands remain year after year and which are those which come and go (and which are those which get a new name every year!)
|Shelves of Sennelier Pastel Card - formerly known by a number of other names!|
as photographed in the Sennelier Shop in Paris in 2009 (the one opposite The Louvre!)