I went to the Private View last night which was a very convivial happy affair with many people and rather a lot of red dots.
I was very impressed by it - and I'll explain why below.
Why this exhibition looks impressive
Membership of the group: While this is a plein air group, it's not open to all painters who are plein air painters. Those being invited to become members over the course of the last three years are:
- all experienced artists generally - many are professional artists with some having a career that has lasted decades
- many have been to art school
- they are all very experienced in working plein air and
- all have produced a lot of quality artwork over a longish period of time.
Many of them are also members of one or more of the National Art Societies. The majority are Full or Associate members of the Royal Institute of Oil Painters and some are members of the Royal Society of Marine Artists and/or the Wapping Group of Artists.
There is a little bit of a sense of the group being the plein air arm of the ROI - although I think it might also be that the ROI has taken on more active plein air painters in recent years!
The 27 exhibiting artists for the 2023 exhibition are listed below.
The 7 women artists make up 26% of the exhibiting artists. I suggest
this could be more - maybe a point for consideration when considering future
members?
- Adebanji Alade - President of the Royal Institute of Oil Painters
- David Bachmann
- Trevor Chamberlain ROI RSMA
- Roy Connelly
- David Curtis ROI RSMA
- Tony Dakin
- Roger Dellar RPI PS RI ARSMA
- Tim King PCAFAS
- Sarah Manolescue AROI
- Tom Marsh ARSMA AROI
- David Pilgrim ROI
- Valérie Pirlot AROI (6 paintings sold)
- Rob Pointon ROI
- Georgina Potter
- Adam Ralston ROI
- Michael Richardson WGA
- Andrew Roberts
- Chris Robinson RIBA
- Maria Rose AROI (6 paintings sold)
- Tushar Sabale WGA
- Daisy Simms Hilditch
- Tom Stevenson ROI SWAc
- John Stillman RSMA WGA
- Haidee-Jo Summers VPROI RSMA
- Mo Teeuw IEA
- Karl Terry RSMA
- Johnny Walsom ROI RSMA
Nature / quality of artwork: 215 artworks are on display (which is a good indicator for anybody thinking about hiring this gallery for an exhibition of similar sized artworks).
Most of the artwork are plein air paintings. They cover a very wide range of locations ranging from "home turf" for individual painters, to various places in London and other locations - typically in the UK - that the painters have visited.
The one thing for me is I'd have liked to have seen an indication of which:
- started plein air
- completed plein air
- completed in the studio
- studio art from a plein air sketch
Private View |
The three galleries and the exhibition all looked well designed with walls with two rows of paintings small and medium sized paintings at a good height - with the eyes moving up or down easily. They are all well lit.
I gather the previous exhibitions had established that larger studio finished artwork is much less likely to do well at an exhibition which is being promoted as being about plein air painting - and the decision was made to go with small and mediums sizes for this one.
I think that was an inspired decision as it results in a very coherent exhibition where the smaller sized works do NOT appear to be filling in the gaps between the larger artworks.
A wall of small and medium sized paintings |
Media used: Most of the paintings are in oil. This is not uncommon in terms of media often used by plein air artists and by members of the ROI!
However while they produce a lot of good looking paintings, I'd also like to see more members or associates who are experienced in using other media in a plein air context - such as watercolour or pastels/charcoal or other dry media. Both are perfectly feasible - speaking as somebody who has produced small, medium and large size pastels in a number of overseas countries! :)
Only two artists are exhibiting watercolours. Only one is exhibiting graphiteLocation: The exhibition is being held for the first time in the new RWS Gallery at 3 Whitcomb Street.
snaffled from the BPBP Facebook Page - as last night was not a good time to take pics of outside |
There is one rectangular gallery on the ground floor and two galleries in the basement space.
The walls are white, the lighting is very impressive and the overall impression is of beautifully lit artwork in spaces which are neutral but very supportive of the artwork. I've now attended two PVs there and the galleries are very comfortable spaces and it's very easy to view the artwork.
The first gallery in the basement |
The second gallery in the basement |
The Galleries are also very impressive in terms of the support for those who have accessibility issues having both a very efficient lift between ground floor and basement space. That ALWAYS impresses me given my osteoarthritis!
Sales: I saw a lot of artworks with red dots.
Interestingly the women seemed to be doing very well on sales. I'd like to highlight Valérie Pirlot and Marie Rose who have both sold six paintings each. I gathered from one of the artists, who had sold a number of paintings, that they had gone online with the artwork in the exhibition a week before the exhibition opened and a number of artworks sold during that week. I'm left wondering if sales are directly linked to artists being an active user of Instagram....?
Valérie Pirlot - three of the paintings in this photo have sold she has sold six of her nine paintings in the exhibition five of which sold online in the presale period I liked all her paintings! |
What most impressed me was that this was the first exhibition I've looked at in a very long time where the emphasis was on smaller and more affordable artwork.
- Almost all the artwork is priced at under £1K.
- There's only one artist who seems to have failed to "get the memo".
Whose artwork I liked
North Pier Sunset by Adam Ralston oil 39 x 44cm £450 (SOLD) |
(top) City of London - oil 44 X 54cm £695 (bottom) Tower Bridge Light - oil 44 x 54cm £695 (SOLD) |
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