Part of the triptych with The Singh Twins bottom right in the boat |
This comprises three exhibitions in one:
- Four Centuries of South Asian Painting and Manuscripts
- A Prince's Tour of India 1875-6
- The Singh Twins commissioned artwork - not mentioned on the Queen's Gallery website, which is odd since it was specifically commissioned for this exhibition.
Their artwork
"explores the interconnected themes of maritime trade and exploration, cultural exchange, British Empire, colonialism, as well as its legacies."
The Singh Twins Triptych |
The artwork is a triptych and includes two side panels relating to the years 1600-1857 (headed up by Queen Elizabeth 1) and the period 1857-1947 (headed up by Queen Victoria)
I came home and looked up the reason why the dates for the first panel are 1600-1857 - and, as I suspected 1857 was the year of the Indian Rebellion. I already knew that 1947 was the year of the Partition of India and very many massacres.....
1600-1857 |
The UK as a home to Indian Culture. Don't miss the reference to "Britain's got talent"! |
1858-1947: This panel needs to come with a 'Reader'! |
- (from 2010) about how they came to become artists
- a Tate video from 2016 about their artwork which comments on the appropriation of British and Indian culture within the UK
I recommend viewing them - they're absolutely fascinating and very articulate about the motivations behind their artwork - and make some exceptionally good points!
The best way I can describe them in shorthand is that they are the female Sikh version of Grayson Perry commenting on culture, society and the variation in how people from different backgrounds behave - except they work in the style of Indian miniature artworks.
I came across their work for the first time in Liverpool in March of this year. Wonderfully vibrant and detailed- seeing it online doesn’t do it justice.
ReplyDeleteThe Singh Twins recently had a wonderful exhibition in the Walker Art Gallery, Liverpool; unfortunately now finished. I was tremendously impressed with both their traditional work and the new digital addition to their practice. These artists are well worth following.
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