First a little explanation about how I came to find and post this totally amazing video about Rose Frantzen talking at the Smithsonian Museum about Portrait of Maquoketa - her project to paint the residents of the town in Iowa where she lives.
|Rose Frantzen talking about Portrait of Maquoketa at the Snithsonian Museum|
Bill Sharp (Bill Sharp - paintings) made a very astute comment on one of my posts recently. This is part of it.
one thing that should be acknowledged here is that creating a body of work that is clearly your own is, in my opinion, much much more difficult than painting well.So very true.
As always when I get an intelligent comment I rush off to the blog of the person making the comment to find out more about you. If you're saying sensible things my experience suggests that the chances are that what you're painting is also going to be interesting - and so it was with Bill.
That then means that I am of course going to start looking at more of your posts and what you have to say on them - which is what I did with Bill's blog and that is how I came to find his post about Rose Frantzen
Most times if you're introducing a video it helps if you make it snappy and succinct to get the engagement. This is what Bill said. I absolute endorse everything he says.
This is a lengthy but brilliant talk by Rose Frantzen at her show at the National Portrait Gallery about how she conceived and executed the project of painting portraits of the people who live in her town. Great insights into her process and painting. She talks about everything from how the ideas came together for the project to grant writing, technique and the personal experience of carrying out the project.My excuse for this long post is I wanted to highlight Bill as well!
Roz Stendahl (Roz Would Up) actually got there first with a post in October last year which I missed . This is her post Democratizing Portrait Painting: Artist Rose Frantzen. Again, I couldn't agree more with what Roz says.....
The other reason I'm highlighting this video of Roze Frantzen is because it is comparatively rare to see an artist talking in an animated and articulate way about art and how they paint and what motivates them and how they get a project together.Her work is exquisite. Her comments about the process and progress, costs, her painting surface, how she chose the surface and prepped it, the change in working with non-professional models, how people were willing to try something new, how she found out more about life…it's all really inspiring. Spend the 57 minutes and watch this video—see what happens when you let things go out of control and how art can make a difference in the world.
It takes her a little while to organise her thoughts and get going at the beginning but this woman will move you. She will engage you. Plus you will learn such a lot. I cannot see how those who listen to her will not be changed forever.
Now this is not a quickie and you are going to need an hour to watch/listen this video which is Rose's gallery talk given at the exhibition on April 24, 2010 at The National Portrait Gallery in Washington DC
The reality is because it is a "talking head" video you can actually listen to it while doing other stuff so long as you're not needing to focus too much on the other stuff - I listened to it while beginning to draft this post. It's probably appropriate to note I'd started making notes within 5 minutes of it starting and was writing within 10!
However if you watch it you get to see some wonderful close ups of the portraits she has painted.
The film is about Rose's yearlong community-oriented project called “Portrait of Maquoketa” in which she painted 180 portraits of any resident of her home town of Maquoketa who was willing to sit for a four or five hour session. The tale of how she got it down from painting everybody in town to 180 is highly entertaining!
Her project was funded by a grant from the Iowa Arts Council a division of the Iowa Department of Cultural Affairs and the National Endowment for the Arts.
The project formed part of the Portraiture Now: Communities exhibition about the project in which all 180 portraits were hung, at the Smithsonian’s National Portrait Gallery in Washington, D.C. from November 6, 2009 to July 5, 2010.
Hear some of the voices of Maquoketa.
Rose’s work has been featured in US Art, ArtTalk, Southwest Art, Workshop, International Artist, American Artist, and Portrait Signature, and she has demonstrated as a faculty member for the Portrait Society of America . She is represented exclusively by Old City Hall Gallery, where she shows with her husband, Charles Morris.Workshops
She also teaches painting portrait workshops in her home town. One of the aspects I know from taking workshops is that the impact they have on you is directly related to just how well that artist articulates their principles and thoughts and not just how well they paint - although her alla prima painting is remarkably good too. (Richard Schmid is her mentor.
This is a review Alla Prima Portrait Workshop with Rose Frantzen by Chuck H (Jack of Arts) of one of her painting workshops - and he highly recommends her too.
Having watched this video I guarantee you will learn a lot from an artist like Rose. I'd love to take a workshop with this woman - she is just so informative and energising and uplifting.
She is also doing a portrait demo at the 13th Annual Conference of the Portrait Society of America in Atlanta, GA being held April 28 - May 1, 2011 - and I really wish I was able to go!
Do also explore her website. This woman is a seriously good painter of portraits, figurative, still life and landscapes. I think Rose is an artist of note who you will hear more about.
(PS I'm away at the moment and this deserves to be up for a while so I've been saving it specially! Back later in the week.)