Do charcoal drawings hang in National Portrait Galleries?

There's a fair few artists who would like to see portraiture embrace a wide range of media for portraits. 

If you, as an individual, are commissioning a portrait then you ca choose the artist you want and the media you would prefer it to be done in. For example, as an ex dry media artist (who used coloured pencils and pastels + pen and ink), I'd probably want mine in dry media.

This is about:

• considerations for commissions of charcoal artwork by National Portrait Galleries
• examples of charcoal drawings 
• in the collection of the NPG
• hung on display in the NPG

Considerations for Commissions by National Portrait Galleries

However, if you are commissioning for an important collection eg a National Portrait Gallery you might encounter a few more considerations relating to hanging, movement and conservation. 

This became a point of discussion on my Facebook Page following publication of my review of Review: Episode 4 Portrait Artist of the Year 2026 which was won by Manny Woodard. 

Two portraits by Manny Woodard - displayed in Final of
Episode 4 of Portrait Artist of the Year 2026
(left) Self portrait submission (right) portrait of actress Arti Shah

After the discussion, I took a look at the actual collection of charcoal artworks in the National Portrait Gallery.

Charcoal artwork in the National Portrait Gallery Collection

Here are a few facts

• there are over 220,000 artworks in the collection - dating from the 8th century to the present day
• of these, only 118 are in charcoal
• of these, only 4 are on display.

Which Media wins PAOTY?

The following is a query from my post on Facebook about my review of PAoTY Episode 4 2026

Does this mean the artists are prejudged and precluded from winning by their chosen medium?
Esme Roberts

I decided to go through those who have won and look at the media which has helped them win. To date we have had 

• Oils x 7
• Acrylics / Mixed media x 2(?)
• Charcoal x 1
• Coloured Pencils x 1
• Monochrome Print x 1

Traditional oil paint remains the most dominant winning medium - but Judges have also awarded the win to artists using other media.

However note, from the details below, that not all continue to use their primary media for the £10,000 Commission Portrait. I'm guessing this, in part, depends on which institution the commission is for.

(Note: it remains a mystery as to whether the £10,000 first prize is paid by Sky Arts or the institution. However it's a not untypical artist's fee for a decent size portrait by a portrait artist of repute.)

LINKS BELOW are to 

• either the artist's website 
• or my reviews of the episodes (which started at the end of Series 3)

Media used by PAOTY Winners

Series 1 Nick Lord used Acrylic, Spray Paint, Oil Pastel, Paint Markers on Canvas (?)

• Lance Corporal Johnson Beharry VC in the Final and Sophie Dahl as his commission
• painted Hilary Mantel for his Commission using  as his commission for the British Library

Series 2: Christian Hook painted 

• Sir Ian McKellen in the National Portrait Gallery and boxer Amir Khan as his commission
• his commission was to paint Alan Cumming for the National Portrait Gallery of Scotland

The internet (but not his website) tells me that he paints using a mix of acrylics, water-based oils, traditional oils, and mixed media.

Waiting to hear who has won, Christian Hook in the middle

Series 3: Gareth Reid used Nitram Charcoal and red Pastel in the Final. He won with a portrait of Tom Courtenay and a Commission painting of The Hon. Mrs Justice Cheema-Grubb His commission was of Graham Norton and was for the National Gallery of Ireland - so he switched to oils for that.

Series 3 Final Portraits of Sir Tom Courtenay
and the Commission (The Hon. Mrs Justice Cheema-Grubb)
Nitram Charcoal and pastel
by Gareth Reid

Series 4 Samira Addo won with 

• oil on canvas portraits of Emili Sande and a Finals Commission Zandra Rhodes, the fashion designer for the Fashion and Textile Museum. 
• She then did a portrait of Kim Cattrall (oil on canvas) for the Walker Art Gallery in Liverpool

portraits of Zandra Rhodes and Emili Sande
by Samira Addo

Series 5: Duncan Shoosmith won with 

• portraits painted in oils on boards of Laura Linney (in the Final) and Dame Cleo Laine (commission for the Final). 
• He then painted Sir Tom Jones in oils for the £10k Commission

Paintings in the competition by Duncan Shoosmith (left to right) Self Portrait, Jodie Comer, Laura Linney (in the Final) Courtney Pine, Dame Cleo Laine (Commission for the Final)

Series 6: Christobel Blackburn won with oil on linen portraits of Lemn Sissay and a Commission Portrait of Nile Rogers, for the Royal Albert Hall
(She won just as Covid was starting - and somehow I missed doing a blog post re the final and the Commission)

Portraits of Lemn Sissay and her Final Commission

Series 7: Curtis Holder won with coloured pencil portraits of Eddie Izard. He also did a £10k Commission portrait of Carlos Acosta

Review: Episode 4 Portrait Artist of the Year 2026

PAOTY Episode 4

As usual, this review of Episode 4 follows my standard format, which covers:

• the three sitters
• the nine artists
• self-portrait submissions
• themes arising in the episode
• who the sitters chose
• the shortlist for a place in the semi-finals of PAOTY 2026
• the winner
• the sitters for the next episode.

The Arti Shah "Cheese" (what they call one of the segments)
- before she chooses which finished artwork to take home.

This post is a bit later again this week due to four days this week spent connecting my neck with the NHS. Those who follow on Facebook will know what I'm talking about!

Yesterday I was supposed to have two more "flexion" X-rays (to be absolutely 100% sure I've not broken my neck in two places!) but that didn't happen due to a paperwork cockup. Then this morning phone calls with neurosurgery sorting it out - and they phoned me! The end is in sight - hopefully tomorrow.....

Episode 4: The Sitters

To me they all seemed to be very good sitters, staying remarkably still.

The sitters were:

• Danny Beard - a British drag performer and singer who won the fourth series of RuPaul's Drag Race UK. He has also appeared on other popular television reality tv competitions and tends to do reasonably well. 

Danny Beard - in drag

• Arti Shah -  a person of reduced stature (she's just four feet tall) who is an actress and motivational speaker with over a decade of experience in the entertainment industry. Her most recent roles has involved starring as Paddington in Paddington: The Musical in London’s West End - which won Best New Musical at the Laurence Olivier Awards in April 2026. She's also very active in the world of Creature FX where she with prosthetics, movement reference, and motion capture.to bring creatures to life.

Manny Woodard meeting Arti Shah for the first time

• Yalda Hakim - an Afghan-born Australian broadcast journalist who grew up in Sydney and worked for Australian TV before moving to the BBC and subsequently Sky News as Lead World News presenter. She is also a documentary maker. She is a specialist in Middle Asia and is a fluent speaker in 5 languages: English, Persian, Urdu, Hindi, and Pashto - and she's learning Mandarin. She's the daughter of Afghan refugees and her special object was a bowl made of lapis lazuli - which comes from Afghanistan, which was wonderful to see.

Episode 4: The Artists

three of the artists - Sammy, Suzanne and Luke
talking with their sitter - Danny Beard

There is a profile of the artists on the PAOTY website. Below you get a mini profile of each artist which is missing from that page.

THE ARTISTS, in alphabetical order, are:

• Sammy Alam (Instagram) - a fashion student from Montreal, Quebec, Canada now based in London. He completed his Foundation Diploma in Art and Design at Central St Martins in 1925.
• Suzanne Barton (Instagram) - A former author and illustrator of children's books based in Oxford. She has done classes with the Art Students League (New York),  Sunningwell School of Art, and Heatherleys. She became interested in oil painting in 2021. Her submission for this competition was her first ever self portrait.
• Oliver Bedeman (Instagram) - a contemporary figurative painter who specialises in portraiture and reverse oil painting on glass. He is based in Oxfordshire and works primarily from life and also as an art teacher. He graduated from the University of Brighton in 2007 with a B.A (Hons) Fine Art Painting. Followed by the Postgraduate Drawing Year at the Royal Drawing School. He has been successful in being selected for leading awards eg Portrait Award at the National Portrait Gallery (See my two posts about "Artists with their Paintings" in 2018 and 2024). Prior to this he was selected for The Threadneedle Prize in 2016 and 2018. His track record to date suggests to me he will, in due course, be approved for membership of the Royal Society of Portrait Painters.

Oliver Bedeman - with his self portrait (reverse oil painting on glass)
outside Battersea Arts Centre where PAOTY heats are filmed

• Harry Garner (Instagram) - Now based in Liverpool, he was Born in rural Leicestershire into a multi-generational farming family, he left the family farm to study Fine Art & Art History at the Liverpool School of Creative and Performing Arts, graduating with First Class Honours in 2019. He is now 
• Svetlana Kornilova (Instagram) A Russian artist who now lives in London. She studied art in Russia.  
• Luke McKenzie (Instagram) - an artist and writer based in Newcastle - with a BA (Hons) Fine Art (2024) from Newcastle University. His artwork is inspired by the high renaissance and explores themes of queer martyrdom. He is very used to painting drag queens. He very definitely got paired with the right sitter!
• Sebastien Shead (Instagram) - a retail associate and an art student from a village in North Yorkshire - now based in London. He has a BA in Fine Art (Bath Spa University 2024) which allowed him to spend time on his studies of the methods and materials of the Old Masters. Followed by two years spent studying observational drawing and painting at the Heatherley School of Art. Which means I attended his graduation show this summer.
• Minnie Themba (Instagram) - a fine art student, currently studying for a BA Fine Art at Central Saint Martins. 
• Manny Woodard (Instagram) - Based in Arundel. She is a sculptor who has developed her drawing activities of late. She began making portraits in 2023 after being accepted into the Worthing Portrait Artist of the Year competition (based on PAOTY). In 2025, she won the Royal Society of Portrait Painters Purchase Prize for Drawing. She now draws from life every week at local art groups, finding the study of faces and character endlessly fascinating

Episode 4: Self Portrait Submissions

THANKS for getting me through my Spinal Shocker

Yesterday was one of those days I will never ever forget.

I walked into A&E at my local teaching hospital to get a CT Scan done on my neck. (I'd had an excruciating pain at the back of my neck the previous week - you will remember my review of PAOTY was delayed until Sunday)

The first thing I was told by the doctor who saw me, who had read the Radiologist's report from the local community hospital where I had my x-Ray done on Monday was that

"You've broken your neck in two places"

A bit of a shocker - as I'm sure you will agree.

So I had ID tag put round my wrist, a cannula put in, bloods taken, a gown put on and a hard cervical collar put on - until I looked like this

Me at the Royal London Hospital
yesterday morning

Being all on my own, (I thought I was just going for a CT Scan for a better picture of my neck), I rang my partner and told him what I'd been told and told him not to come down until things were clearer i.e. saving him from coming and going if I needed to be admitted.

Then I needed to talk, so told all my followers on my Making A Mark Facebook Page what was happening to me.

Apparently, I’ve broken my neck in two places! Just waiting for a hard collar to go on (got it!) Then CT Scan. Then MRI scan. Then a chat with a neuro surgeon….

THANK YOU

Thank you all your kind words of 

support and information and advice 

These kept me going through several hours of 

• arranging a CT Scan and 
• then waiting for the results and 
• then getting signed off by the Neurosurgery doctors - as they could not see a fracture.

I am so very grateful to all of you who commented. 

Your responses allowed me to reply and kept me occupied while I sat and worried about what was happening and what it all meant - and the implications were numerous and horrifying. (i.e. what do you do for the rest of your life if you sever your spinal cord at your cervical spine???)

This morning, one of the neurosurgery doctors rang and said they'd like a couple of more x-rays just to be absolutely safe that there's no fracture. Which I'm very happy to do. Double checking and being super safe is my kind of medicine.

So I've got to go back for two flexion x-rays - with neck leaning forward and backwards. But they're not expecting them to find anything - apart from the degenerative damage caused by my age and osteoarthritis.

I'll be updating all my friends and followers on Facebook with what happened next - because you were the BEST yesterday! You got me through a very frightening experience. 

PS Never ever go to hospital without packing a battery charger!

Review: Episode 3 Portrait Artist of the Year 2026

Apologies for the late publication of my review of Episode 3 of Portrait Artist of the Year 2026. This is not one of my better reviews for a variety of reasons.

I had a few distractions last week 

• Tuesday: Met with Commissioning Editor of a reputable publisher and got commissioned to write a second art book, of which more in due course - but I'm excited and had started jotting things down - which was a major distraction - before...
• Wednesday: got up very early to escort my other half partner for his surgery - and then got sent back home because of no bed;
• Thursday: an excruciating pain developed in the back of my neck (fracture from recent fall or cervical spondylosis?) which painkillers did not dampen down. The only thing that worked was an Icepack - tied on with a scarf! So I went looking for solutions.... which lost a day... plus did a 111 assessment and got a GP appointment and had a very bad night's sleep despite trying every pain medication! 
• Friday: Saw the GP - discussed what it might be; got an appointment for an x-ray and appointment with normal GP for next week. PLUS I developed a very "wet nose" sneezy cold - presumably caught from sitting around in crowded hospitals and GP surgeries!
• Very tired all through Friday and Saturday.

Anyway, so now on to what was supposed to be one of the intended brightspots of the week - my review of Episode 3 of PAOTY Series 13.

I sneezed constantly through writing most of this....

PAOTY Episode 3

"A little bit of judging"

This is my review of Episode 3 which covers:

• the three sitters
• the nine artists
• self-portrait submissions
• themes arising in the episode
• who the sitters chose
• the shortlist for a place in the semi-finals of PAOTY 2026
• the winner

Episode 3: The Sitters

The Aberfan Portraits

Today marks the 60th anniversary of the Aberfan Disaster in South Wales. 

A colliery spoil tip soaked by rain collapsed down a hillside. Around 150,000 tonnes of wet slurry crashed into the village of Aberfan. The Pantglas Junior School was directly in its path and was buried. In total 116 children and 28 adults were killed in the Junior School, part of the neighbouring Secondary School and a nearby row of houses. It happened at 9.15am and no survivors were found after 11am.

A new BBC programme "Unseen: The Aberfan Portraits" tells the story of how paintings were created of some of the children who were lost. (see below for how to watch it)

An artist called William Richardson worked in North Wales, Llandudno, sketching visitors on holiday and celebrities. He was greatly affected by what had happened. He very much wanted to help the families who has lost children. Which is how he came to paint their portraits from family photos. In all he painted about a 100 portraits.

Some of the portraits of Aberfan children lost in the disaster
painted by William Richardson

The paintings were not small, as these extracts from the BBC film illustrate

Jeanette Keane - with the portrait of her sister Edwina

Denise Morgan with her portrait of her younger sister Annette

Importantly, the portraits recreated the children within the family home and enabled people to talk about them - and to them - again.

They are now being passed down to the generations or donated to local museums so that this important record of their existence ensures they will never be forgotten.

I don't know if William Richardson was ever honoured for what he did - but I rather think he should have been.

You can watch the programme about the portraits on BBC iPlayer - Unseen: The Aberfan Portraits

I remember the disaster really well. At the time I was 12, just a few years older than the children who were killed. I'll never ever forget the shock of seeing the television news and the Junior School which was submerged and destroyed by the coal slurry. Inside it were 116 children who never made it out alive.

Pantglas Junior School
and the efforts to retrieve the bodies of the living and the dead

The Pros and Cons of Online Exhibitions for Art Societies (ref. SOFA Winter Exhibition)

Many moons ago, just after I'd taken early retirement, I had the pleasure of exhibiting with the Society of Feline Artists at the Llewellyn Alexander Gallery on The Cut, near to both the Old Vic and Waterloo Station in London. Unfortunately, although SOFA exhibited very happily there for 25 years, that gallery "shut up shop" a while back. Since then they've tried a number of alternative venues - and online exhibitions.

The Society of Feline Artists has been exhibiting paintings, drawings, sculpture and other feline-inspired artwork since our very first exhibition in 1995.

This is about SOFA's new Winter Exhibition (17th October - 15th November) - which is not in a gallery, it's ONLINE. 

AND It's a very different kind of review given it's very much focused on

• pros and cons of online exhibitions 
• what you must do when selling art online 
• the legal and regulatory compliance side of online exhibitions selling art

I'm seeing art societies do more and more online art exhibitions - with art for sale. 

I do wonder if all those organising know all the questions they need to ask re what they need to do.

"Welcome to the SOFA Online Exhibition" on the website

This post will comment on:

• viewing the SOFA exhibition 
• Pros and Cons of Online Exhibitions
• savings for the art society!
• buying the art
• selling the art 
• plus Trading, Ecommerce, Money Laundering, VAT and GDPR Regulations

My comments are largely focused on helping SOFA (or any other art societies aiming to sell via online exhibitions) to be more effective and completely legal.

Below is one of my artworks which was exhibited at SOFA many years ago! - of my cat Cosmo (who passed away 10 years ago + more drawings of him). 

It now hangs opposite where I'm sat writing this.

I spy a spider

12" x 8", coloured pencils

selected for SOFA Annual Exhibition 2008 

at the Llewellyn Alexander Galleries

copyright Katherine Tyrrell

Artworks

Let's not forget that very many famous artists loved drawing and painting their cats! Never ever "sniff" at somebody who mainly draws and paint cats!

Leonardo da Vinci famously sketched cats in various postures and movements across his notebooks, marveling at their anatomical balance, agility, and grace.

The artwork in every SOFA Exhibition celebrates cats - and if you're a cat fan, you'll LOVE looking at the artwork on this website. Subject matter includes both domestic felines and wild / big cats and the art media and styles are various and diverse.

We are thrilled to showcase an incredible collection of feline-inspired artwork, celebrating cats of all shapes, sizes, and personalities. From bold digital paintings to cozy traditional sketches

• There are 125 artworks in the show. That's about a third of the number exhibited by the bigger national art societies at the Mall Galleries. It's enough to need a large space - but maybe not enough to make the budgeting easy.
• The artwork is by more than 50 artists, who work in a variety of media, from oils and watercolour to pencil and printmaking.

The SOFA Winter Exhibition

Review: Episode 2 Portrait Artist of the Year 2026

PAOTY 2026 Episode 2 Artists with self portraits

The Sitters for the Second Episode of Portrait Artist of the Year 2026 were Louis Theroux, Anthony Scaramucci and Joanna Scanlon and one of them made it to the shortlist twice - while another missed out!

This is my review of Episode 2 which covers:

• the artists
• the sitters
• self-portrait submissions
• themes arising in the episode
• who the sitters chose
• the shortlist
• the winner

PAOTY Episode 1

Episode 2: The Sitters

Two of the sitters
Anthony Scarramucci and Joanna Scanlon

Unlike the first episode, the three sitters had very diverse backgrounds and occupations. All are aged above 50 so a generally more relaxed set of sitters.

• Louis Theroux (age 56) is a presenter and BBC documentary maker of some renown. His programmes - often about odd people or organisations - have won him three BAFTAs and a Royal Television Society Television Award. Somebody gave him some very bad advice about what to bring.
• Anthony Scarramucci's claim to fame is he briefly served (11 days) as Trump's  White House communications director in 2017. Age 64, he started out working at Goldman Sachs - ininvestment banking, equities, and private wealth management - before going on to found his own investment firm and subsequently write a number of books. Since April 2024, I've been listening to him as one half of "The Rest is Politics US Edition" podcast with Katty Kay - and he's very good!
• Joanna Scanlon (age 65) is a British actress and writer. She's had a number of nominations for various awards and won a BAFTA for best actress in a leading role in 2020. I remember her best as a completely pivotal person in "The Thick of It" which satirised the inner workings of government, which used to be much appreciated by those of us who'd been in there!

Episode 2: The Artists

View this post on Instagram

A post shared by Maggie McManus (@maggiemcmanusart)

Left to right: Nasha Cash, Alice Parsloe, Maggie Macmanus, Mackenzy Beard, Andrea Broug, Joshua Obichere, Sam Reeves, Joanna Houghton, Jake Fern.

The artists, in alphabetical order, are:

• Makenzy Beard (Instagram) (Linkedin)(age 19) from Swansea in South Wales, her appearance on the programme got her a spot on her local BBC News programme. She is an established Welsh portrait artist who earned international recognition from a very young age. Age 14, she started painting in the garden shed during Covid lockdown. Next she had work accepted for the RA Summer Exhibition. Recently she has worked with a gallery in Cardiff where she has held multiple sellout solo-exhibitions and raised over £45k for charity since her painting journey began. Her work has also been featured in The Times, BBC Breakfast, BBC Radio 4’s Woman’s Hour, ITV News, Sky News with Alastair Stewart, The Times Radio. She became a professional artist, in September 2025, while having a gap year after her A Levels. She also plans to do a philosophy degree.
• Andrea Broug (Instagram) (age 18) - A sixth form student, currently sitting her "A" Levels. Now based in London, she is a former student of North Halifax Grammar School. She likes to explore cultural identity, familial bonding, and historical representations of skin tones and Black history in painting
• Nasha Cash - she is a Sheffield born, multi-disciplinary artist and illustrator who’s spent the last decade living and working in Manchester. She does "Live Painting and Murals" and "Speed Portraiture for Events". She's worked with a number of clients to create works for many different projects, campaigns and events.
• Jake Fern (Instagram)- a British portrait and landscape artist living and working in Saltdean, Brighton, England. He usually works from life and on commission re. portraits. BELOW Eva Langret was asking a question (in true Socratic method - designed to stimulate creative thinking) rather than giving tips! This is a link to a very interesting interview with him by "Artists and Illustrators"

View this post on Instagram

A post shared by Jake Fern (@jake_fern_art)

• Joanna Houghton (Instagram)- an artist based in Manchester. Originally from North Wales, Joanna graduated from Manchester School of Art with a degree in Illustration in 2012. Her submission was a very small drawing of her one year old in coloured pencils.
• Maggie McManus (Instagram) - Originally from Leeds, now living in Manchester, teaching secondary Art full time and painting. She describes herself as an art teacher, artist and mother.
• Joshua Obichere (Instagram) - from East London. MA Fine Art, Fine/Studio Arts, General from Central St. Martins. Master of Education - MEd from Cambridge University. Full time Artist and Art Educator passionate about creativity, art for race and social justice. He runs workshops as one half of an art duo. He talked very confidently about his process of using grout and oil paints to create portraits. Jonathan Yeo commented he was one of the most original artists in terms of the materials he was using. He paints by icing the outline in grout.
• Alice Parsloe (Instagram) - an artist and former actor based in North London. She now freelances as a voiceover artist. She works with oil pastels on cardboard.
• Sam Reeves (Instagram, Facebook) - a Fine Art student studying at Liverpool Hope University, who specialises in realistic portraiture of people and pets. He works primarily in oil paint. He's due to graduate in June 2027. He's participated in a number of exhibitions. This was his self portrait The Gridded Self

Self Portrait Submissions

Judges viewing the self portrait submissions.

Review: "Future Ruins" by Michael Landy at the Sir John Soane Museum

It was my very great pleasure yesterday to meet former "Young British Artist" Michael Landy RA. He is an amazing draughtsman who is justly renowned for his meticulous drawings

As I'm a huge fan of drawing, I've always very much enjoyed his series of etchings of weeds titled "Nourishment" - which I've been to see in the Archive of Tate Britain.

This series was created immediately after and maybe in response to possibly his most famous work. His major 2001 installation work Breakdown — saw all 7,227 of his personal possessions being destroyed in the windows of the defunct C&A store on London's Oxford Street - after which he was left with nothing.

In the series Nourishment (2002) the overlooked city weeds were collected from city pavements.

They served as personal metaphors for resilience, survival, and finding life in hostile urban environments. (see also Nourishment (2024) at the Thomas Dane Gallery which includes weeds collected from the streets of Naples).

That's by way of a very long preamble and introduction to his current work....

Future Ruins

His series "Future Ruins" imagines what some iconic buildings might look like in future after an event which left them in ruins. 

For anybody who likes drawing and/or architecture or both, I'd highly recommend you pay a visit ot the Sir John Soane Museum in Lincoln's In Fields.

The exhibition features new and recent work which is shown in the context of the art that first inspired Landy to create the series.

A work from the museum’s collection - Joseph Michael Gandy’s watercolour Architectural Ruins - A Vision (1798) - commissioned by Sir John Soane and depicting the then-Bank of England as a Roman ruin was an inspiration for Landy. Now this work will be displayed alongside the artist’s own imagining of a future filled with overgrown nature and crumbling structures.

The vast majority of the drawings of imaginary future ruins. Some are drawings done of existing ruined buildings.

The scope of buildings includes everything from the Bank of England, to the art shop where he used to buy his art materials and his old home in Ilford to Mar A Largo and Kanye West's house in Malibu at 24844 Malibu Road - which oddly was one of the houses which burned during the bad Californian fires last year.

Imaginary view of The Bank of England in ruins (2023)

after Joseph Michael Gandy
signed titled verso indelible pen
permanent pen on paper
76 x 56.1 cm. 30 x 22 in.

Review: Episode 1 Portrait Artist of the Year 2026

This week we had the screening of the first episode of the brand new series (13th) of Portrait Artist of the Year - with a brand new set of Judges!

As I have been doing every year since 2018, I'm writing a review of every episode of this thirteenth series.

Series 13 of Sky Arts Portrait Artist of the Year

This review post considers:

• The Competition
• Then Commission
• The (New) Judges
• The sitters
• The artists
• Self-portrait submissions
• Themes observed during the episode - and observations on different approaches
• Portraits and the Judging
• Shortlist
• The winner
• Next episode
• Reference (previous posts re. 2026 - and how to access posts re previous series)

About the Context

The Competition

Sky Arts runs a competition every year called Portrait Artist of the Year. This is the 13th Series - and I have been reviewing every episode of every series on Making A Mark since 2018. (Check out my Call for Entries: Portrait Artist of the Year 2026).

It comprises

• a series of heats, - with nine artists painting 3 sitters - followed by
• a semi final - of all the heat winners
• a Final of the best three in the Semi Final
• a Commission by the winner of the Final

The Heats, Semi Final and Final are typically all held in the Grand Hall at Battersea Arts Centre. People can get tickets to watch and many do. I watched Heat 2 this year in April this year - and have lots of pics!

Battersea Arts Centre

I wrote about how the series works in detail in my Call for Entries post so won't repeat it here.

There are 72 artists in Series 13 - meaning we have 8 heats. The order of the episodes is generally NOT the same as the order of the episodes. Unless I turn up in the next episode in which case they may have changed the rule.

 

The Series Commission - for the National Portrait Gallery

This year, the £10,000 commission is from the National Portrait Gallery to paint a portrait of musician and actor Damien Lewis. 

There's an interesting MEDIA TWIST with the commission being for the NPG. 

I would draw a very big distinction between images in the collection for historical reasons and images on the walls of the NPG

• The portraits the NPG typically hangs in the galleries are those painted in OIL - on the grounds of longevity. 
• This instantly rules out all those using other media eg watercolour or pastels.

The Primary Collection contains more than 11,000 portraits. Of these about 4,000 are paintings, sculptures and miniatures, approaching 60% of which are regularly displayed, with the intention to show a further selection. In addition, there are almost 7,000 light-sensitive works on paper, shown on a rotating basis of about 300 items a year to avoid excessive light exposure and thus to minimise deterioration and fading. Introduction to the Primary Collection

(There are 

• 1,446 watercolours in the collection - but almost all are miniatures or very small portraits of a very historical nature (ie Reference Collection) with a very few more recent drawings of famous people which might be included in a temporary exhibit
• 5 paintings in egg tempera
• 34 paintings in acrylic - because of the issues with cracking which emerged over time? The only important (royal) paintings painted in acrylic hung in the galleries were painted in the 1980s. 
• 118 portrait drawings in charcoal
• 22 portrait drawings in graphite - again mainly miniatures)
• no pastels at all.)

This is a logistics and communication issue for the programme organisers. If you know the commissioning organisation is a national gallery, then you really need to be frank about what this means for the prospective participants in the competition.

e.g. Any media is fine for participation in the heats but progression is likely to favour oils.

The Judges

After very many years of moaning about the previous Judges, we have three new Judges. 

I wrote about their backgrounds back in February in The NEW Portrait Artist of the Year Judges. They are

• Eva Langret - Director of Frieze London
• Jonathan Yeo - portrait painter
• Katy Hessel - art historian, author and braodcaster

Three new Judges for Series 13 in 2026

(Lto R): Eva Langret, Katy Hessel and Jonathan Yeo

One of things I'll be looking at as I trawl around the internet is viewers' views on the new Judges - and will maybe write another post on your views.

PAOTY Episode 1

Episode 1: The Sitters

The three sitters were all actors. In the order they were introduced they are:

• Lenny James - A 61 year old English actor of Afro-Trinidadian parents, best known for portraying 
• Morgan Jones in the AMC series The Walking Dead (2010–2018)
• DCI Tony Gates in Line of Duty series one
• and more recently in Mr Loverman
• He's a big fan of Spurs and brought a shirt
• Sheridan Smith OBE - A 45 year old English actress and singer who is probably best known for characters in a series of sitcoms. She has been awarded two Olivier Awards, a British Academy Television Award, and a National Television Award, and brought her BAFTA (for Mrs Biggs) as one of her items.
• Vanessa Williams is a 63 year old American singer, actress, model, producer and dancer. She was the first Black woman to win the Miss America title when she was crowned Miss America 1984. Back in April she was starring in The Devil Wears Prada at the Dominion Theatre in the West End stage where she was playing the Miranda Priestley role.

Sheridan Smith and Vanessa Williams back to back
in their segments

Episode 1: The Artists

I do a lot of research about the artists, as you get the highly edited version and I like the full public version! I find it also invariably makes more sense of some of the Judge's decisions.