Want to watch Landscape Artist of the Year 2027 being filmed?

Are you interested in watching Series 12 of Landscape Artist of the Year being filmed? This is the series which will be broadcast in early 2027.

This post is about:

• where 5 of the locations are and the day they are being filmed
• useful info about how to get there

You will recall from earlier posts that this series has 

• The ten artists for this new series have been selected (see Call for Entries: Landscape Artist of the Year (Series 12). This new format means they all travel the length and breadth of the country visiting different locations - with one artist dropping out after every heat.
• a new judge Landscape Artist of the Year: A Celebrity Twist!

Series 12: An invitation to watch

Every year, SKY Arts and Storyvault Films allow people to watch various of the heats of Landscape Artist of the Year as they are filmed. 

They are welcoming people to come and watch SOME of the heats on specific dates this summer. 

BUT only some as they cannot accommodate audiences at the remaining heats and the final this year, due to the lack of parking and facilities. (I also suspect that some of those turning up to the Final last year were a few too many / maybe blabbed online before the episode aired?)

They're calling them Episodes, I'm calling them Heats as the Heats often change order when they work out how to air them. As in they usually want a really good one up front to hook viewers - and yoiu don't know what that is until after it's been filmed!

On the Day

The competition will start at approximately 9:30am and finish around 6pm. You do not need to contact us to reserve a place, but please note that some locations may charge a fee for parking. We hope to see you there!

Please note that posting of photos or videos of any artists or artwork will NOT be permitted until after the show has broadcast. This is to help us avoid spoilers ahead of the show's transmission. (They also keep their eyes peeled for such posting in advance of the broadcast!) 

Series 12 LAOTY Locations

HEAT 1: Richmond Riverside, London – Monday 15th June 

Richmond Riverside in background

Richmond boathouse and boats in middle ground

Richmond Bridge on right

Credit: Jim Linwood (Wikimedia Commons)

Richmond Riverside is not a generic term, it's a very specific place/development in Richmond in South West London near to Richmond Bridge. It also offers 

• a large flat space where they can erect the pods so that the artists can paint the oft painted view of the bridge and/or Corporation Island.
• Plus lots of services nearby. 
• Accessible by public transport (eg Richmond Station is a 9 minute short walk). Limited parking (you're competing with the workers and shoppers of this very popular place)

Richmond Riverside: the Red pin is located near the large flat terraces

There is very likely to be a second heat close by on the following day or more likely Wednesday - depending on the time needed to strike the set and set up again.

Selected Artists (Part 2: I - Y) for The Portrait Award 2026 at the National Portrait Gallery

This is Part 2 of my post about the artists selected for the Annual Exhibition of the Herbert Smith Freehills Kramer Portrait Award 2026.

It's rather longer this year as most of the artists have been sending me their portraits - see below!

You can also read my previous post Selected Artists (Part 1: A-H) for The Portrait Award 2026 at the National Portrait Gallery

NOTE: If you can't see the portraits which are pics embedded from Instagram, this is probably because you're not logged into Instagram. 

Artists Selected for The Portrait Award 2026

There's a lot of artists selected for the first time in this half of the 52 artists selected for this year's exhibition.

The Portrait Award too is an amazing event. It’s like the Oscars of the Portrait Painters world (for those who don’t know or might be unfamiliar with the name of the current sponsor)....I am… utterly gobsmacked. And won’t probably really truly believe it until I’m standing there next to my painting in June. Ros Koch

Selected artists who want to see my photos of past exhibitors - taken on the Artists Press View morning - should take a look at my reference where they all my "Artists with their Paintings" posts are listed.

Selected Artist Statistics

I'm proposing to do a statistical analysis of the artists ( re. male/female; country; first/previous exhibitor) as the National Portrait Gallery has not published one this year. I publish this in another post.

PART TWO

This covers the artists whose surnames start with "I" through to those who start with "Y".

Links to their websites are embedded in their names - and Instagram accounts indicated if they have one (that can be found easily!)

I've also indicated which artists are prior exhibitors - and the years in which they exhibited. All other artists are First Time Exhibitors.

• Shinji Ihara (Instagram) - (Prior Exhibitor - 2024, 2025) - a painter and contemporary artist based in Hiroshima, Japan. Born in Fukuoka Prefecture in 1987, he received his MFA in Oil Painting from the Graduate School of Fine Arts, Tokyo University of the Arts. He is the Founder of HDL+ (formerly Hiroshima Drawing Lab), an artist-run space in Hiroshima. He has had multiple solo exhibitions in Tokyo and participated in numerous group exhibitions in Japan and internationally, including Asia and Europe. Previously selected for the Portrait Award at the National Portrait Gallery in 2024 and 2025. I predicted he would be back again and I believe him to be a future prizewinner. 

Working primarily through painting, Ihara explores memory, relationships, and the position of the individual within society. Portraiture has been central to his practice, through which he examines the dynamics between seeing and being seen, presence and distance

After the rain, we remain by Shinji Ihara
oil on canvas, h72.7 × w91 cm
© Shinji Ihara

J

• Martin Jessup - a portrait painter living in Kent, working in traditional oils, specialising in highly detailed portraits for private clients and institutions and accepting a limited number of commissions each year.

Diane M Benoit 
oil on stretched canvas, 60 X 40 inches

K

• Ros Koch (Instagram) - Contemporary South African painter. Born in the UK and she has lived in South Africa since 1998. Paints landscapes and portraits. Ros is a self-taught artist, who - thanks to traditional parents and schooling - took a long time to allow herself to transition from ‘art as hobby’ to ‘art as a career’

The Age of Adolescence (2024) by Ros Koch

Oil on board, framed in Kiaat; 250 x 250mm 

© Ros Koch

The fact that THIS painting - my first ever submission to the HSFK Portrait award - has been accepted to hang in the NPG is a beautiful full circle moment for me. It’s a coming of age (both in its title and artistic affirmation) and homecoming of sorts. Like many other artists, I used to go to the NPG as a child, always drawn to the people and their lives. And it is truly serendipitous that this one has been selected as its subject matter is so immensely meaningful and deeply personal to me, representing the intersection of things things I feel most passionate about.

Selected Artists (Part 1: A-H) for The Portrait Award 2026 at the National Portrait Gallery

Every year I highlight ALL the arrtists selected for the Annual Exhibition of the  Herbert Smith Freehills Kramer Portrait Award 2026

The 2026 Exhibition will be held at the:

• National Portrait Gallery (25 June to 7 October 2026)
• Derby Museum and Art Gallery (21 November 2026 – 21 February 2027) and
• The Gallery at The Arc, Winchester (5 March – 9 June 2027)

This year, word got around and I've had lots of emails - hence many more pics than usual! 

So this year I'm splitting this selected artists post into roughly two halves by surname

• Part 1: starting with A through G
• Part 2: from H through Y

In this post, my aim is to provide a profile of the artist. A later post will focus on "Artists with their Paintings (and/or the review) will focus on the stories behind the portraits.

There is, from my perspective, a very clear underlying theme to the selection this year. I'm not going to comment on it in this post but rather save it for the review.

However, you might want to see if you can work it out....

Artists Selected for The Portrait Award 2026

I know a number of the selected artists well either from this exhibition - and their repeat selection - or that of the Royal Society of Portrait Painters or ROI. Hence some entries are longer than others.

Repeat selection is often an indicator of somebody who might be a prizewinner in due course. Although Ben Sullivan (First Prize Winner 2017) pointed out getting selected for the Portrait Award is the best method of generating commissions so repeat selections are always very welcome!. He managed 11 selections before he finally won!

I have developed over time (ie the last 19 years!) the ability to spot a prospective repeat exhibitor - and you will see comments to this effect. I'm rarely surprised by those I see again

Every artist gets a mini bio, largely dictated by space and the need for brevity but also what I can find out about them online. Some, as requested, have written to me and filled in some of the gaps and sent me an image.

Everybody is a first time exhibitor unless otherwise indicated.

PART ONE

A

• Adebanji Alade - Current President of the Royal Institute of Oil Painters. Professional artist, teacher, author and television presenter (BBC One Show). He has a studio on Lots Road in Chelsea, London. I first met Adebanji years and years ago. I think I've known him almost as long as I've had this blog! I've also seen this portrait before - and I think it's wonderful. It was exhibited at the Annual Exhibition of the Royal Institute of Oil Painters last November and it just blew me away. His family have always been very much part of who Adebanji is and this is a great record of his two kids painting with him at home. This is the first time he's been selected for this exhibition.

Copycats (2025) by Adebanji Alade

Oil on canvas, 101cm x 76cm, 2025




• Zena Assi - Born in Lebanon, in 1974, Zena Assi lives and works in London. She graduated with honors from l’Academie Libanaise des Beaux Arts (ALBA), worked in advertising and taught in different universities. Many of her pieces are repeatedly shown in different international auction houses and are part of various public as well as private collections.
• Paul Aston - see his painting of The Costumer below. He is a figurative painter working in Cambridge in the United Kingdom. His subject matter varies from portraiture to landscape and still life. In 2023 he was a contestant in heat 2 of Portrait Artist of the Year.

View this post on Instagram

A post shared by Paul Aston (@paulastonpainter)

B

• Liam Barden - Painter and Teacher living in Folkestone. Co-Owner of @bardenartschool

View this post on Instagram

A post shared by Liam Barden (@colourfulgoo)



• Frances Bell - born in 1983 and raised in Suffolk, UK. Multi-award winning portrait painter. Classically trained in Florence, Frances works in a traditional way with a contemporary style. Her portrait is of her daughter. Frances is a member of the Royal Institute of Oil Painters (ROI), the Royal Society of Portrait Painters (RP) and The Contemporary British Portrait Painters (CBPP). I confidently predict Frances will win this Award one day.

Frances has been a full time professional painter since 2004, taking commissions all over the world for individuals, family’s and institutions. Frances has won over 25 Awards for her work and has participated in many exhibitions in the UK and internationally.

• Paul Benney - Currently holds the mantle of "most selected artist never to have won". Previous exhibitor nine times: 1994,1996 (Winner – BP Visitors’ Choice),1997 (Winner – BP Visitors’ Choice), 1998, 1999, 2000, 2008, 2010, 2014. He has worked as an artist and musician in both the U.S. and U.K. He has painted many prominent political and cultural figures. His work is represented in public collections world wide including The Metropolitan Museum of Art, The National Gallery of Australia, The National Portrait Gallery, The Royal Collection, and a plethora of other prominent private and corporate collections. 
• He is the artist who was chosen to paint the State Portrait of HRH Queen Camilla.  (see my blog post The Coronation Portraits and The King's Tour Artists - at Buckingham Palace
• the link in the title of the portrait below explains the background to the portrait. 

Benney has twice won the public choice award in the BP Portrait Awards and has been short listed on two occasions. 

Fiona by Paul Benney
© Paul Benney

Only 10 paintings sold?

The 159th Annual International Exhibition of the American Watercolor Society has finished at the Salmagundi Club. Some statistics - one jumped out to me (in red):

• 3,300 visitors 
• during the exhibition which ran for 3.5 weeks from April 7 – May 1
• $54,000 in awards, and 
• ONLY 10 PAINTINGS SOLD! 
• That means 
• only 0.3% of the visitors wanted to buy a painting!
• only c.6% of artists sold a painting

Facebook Post by AWS

You can find the names of the exhibited artists here (both AWS members and those selected from the open entry.)

These are the Award Winners. Paintings selected for awards can be viewed here.

Thirty-nine awards totaling over $54,000 were selected this year by the 159th Exhibiton Jury of Awards.

The only images online are those of award winners. They do not contain any details about size, materials or price.

Critique 

When art societies were first formed, the major reason was to share the costs of exhibitions of artwork so that artists could get their artwork in front of more people and stand a better chance of selling it.

It wasn't about showing off. It was about financing the artist to make money to enable them to continue being an artist. That's still - or should be - one of the primary reasons why artists exhibit today.

If an annual international exhibition by the one of the oldest and most prestigious watercolour societies in America can only sell 10 paintings then something they are doing is wrong!

AWS Facebook Page

Context

First, by way of comparison I'm going to highlight the number and percentage of sales of artwork exhibited at the Royal Institute of Painters in Watercolours last three annual exhibitions at the Mall Galleries (a large gallery supporting national societies of artists in the centre of London - accessible to fans, tourists and people walking up the Mall to/from Buckingham Palace)

As you can see, the RI have significantly more sales both in terms of actual paintings and percentage sold.

Herbert Smith Freehills Kramer Portrait Award 2026: SHORTLIST Announced

This is about the four artists shortlisted for the 44th edition of its prestigious Annual Portrait Award at the National Portrait Gallery in London. The Herbert Smith Freehills Kramer Portrait Award 2026 was  formerly known as the BP Portrait Award and before that the John Player Portrait Award - which is what it was called when I first started visiting.)

Some background

The Portrait Award has earned a reputation as one of the most important platforms for portrait painters. The highly competitive Award encourages artists over the age of 18 to focus upon, and develop, the theme of portraiture in their work. Since its inception, the competition has attracted over 50,000 entries from more than 100 countries and the exhibition has been seen by over 6 million people.

I'm pleased to see the NPG appears to have adopted my name for the competition ie The Portrait Award - as per my comment in this post last year!

Here's where I stand on the sponsor name. It's ludicrous. It's not a name which rolls off the tongue. People can never ever remember it and now they've added another name in!

Which is precisely why I will continue to refer to it as The Portrait Award at the National Portrait Gallery, sponsored by Herbert Smith Freehills Kramer Shortlist for the £66K HSFK Portrait Award at the National Portrait Gallery

Selection for the Herbert Smith Freehills Kramer Portrait Award 2026 

This post provides you with information about the four shortlisted artists, named today by the NPG,  and shows you images of their portraits.

Some facts:

• The Call for Entries produced 1,474 entries from Artists from across the world who uploaded a photograph of their finished painting to the National Portrait Gallery’s Competitions Portal for the initial judging of digital images
• Specifically, entries were received from 63 countries. 
• All entries were judged anonymously - which means it'll be interesting to see how many artists previously selected are selected again.
• The Selection Panel is an ALL FEMALE jury and appears to be "contemporary" in nature. Its members are: 
• Melissa Blanchflower - Senior Curator at the Turner Contemporary
• Es Devlin - digital artist and set designer, ;
• Amy Emmerson Martin - Contemporary Curator at the National Portrait Gallery (previously Assistant Curator of Contemporary British Art at Tate)
• Mary Evans - artist and Director of the Slade.
• Artists who made it through the digital judging round were invited to hand-deliver or courier their work to a venue in London for a second, physical round of judging
• A total of 52 portraits have been chosen for the exhibition which opens from 25 June to 7 October 2026 at the National Portrait Gallery
• The portraits by the four artists were chosen from the 52 portraits selected for final display. 
• Prizes comprise:
• first prize of £35,000 - one of the largest awards for any global art competition. 
• second prize of £12,000 
• third prize winner will receive £10,000
• young artist (aged between 18 and 30) prize- £9,000. This prize aims to profile talent and help support the career development of a young artist - one of the original priorities of The Portrait Award. 

The Shortlisted Portraits

Only one artist has previously been selected for this award/exhibition. Which means three appear to be total newcomers - although they may have previously submitted paintings but not got selected.

Three of the four paintings are concerned with portraits of individuals with a black heritage.

The italicised quotes are from the NPG Press Release and I assume are words constructed from what the artists have said about the sitter and their process.

Note: Having researched the artists I am beginning to wonder the extent to which the Judges (and all the shortlisted artists) read the Herbert Smith Freehills Portrait Award 2026 Rules. Specifically 2.2

2.2 The work entered should be a painting based on a sitting or study from life and the human figure must predominate.

 

Review: Royal Society of Portrait Painters Annual Exhibition 2026

Apologies for this late review of the Royal Society of Portrait Painters Annual Exhibition 2026. 

Post shoulder replacement sirgery, I'm still one finger typing - with the index finger on left hand holding down the shift key periodically - which is frustrating. Plus I ended up very tired from all my necessary outings last week and seem to be having another spate of surgery brain week this week - which makes getting started and writing anything difficult!

So this is going to be a short post. I may add to it later as I remember points I've forgotten!

If you'd like to see this exhibition, it's on at the Mall Galleries until Tuesday 19th May.

It comprises 208 paintings and drawings.

You can see 

• who won the awards in this blog post Royal Society of Portrait Painters Annual Exhibition 2026 | Award Winners
• my photos of the exhibition in albums on my Facebook Page. I try to snap every portrait in the exhibition - and then split them into albums by location
• East Gallery
• North Gallery

Just the West Gallery to go..... this is what it looked like last Sunday

view of the West Gallery

Key Points of Difference

I'm going to summarise what I saw as being the main differences from previous exhibitions

• It was another diverse and well hung exhibition. However it was only after I left and I started thinking about what was different that I realised the look of most of the exhibition has moved a very, very long way from the "stuffed shirt" main gallery that used to be the norm for very many years i.e. lots of commissioned portraits of eminent people in the government, forces, courts and education in very formal poses.

• there are still formal commissions - but most are so much more relaxed. Particularly as there are so many more women being portrayed in commissions! I particularly liked the two large portraits below - both by Jamie Routley RP

Two large naturalistic portraits by Jamie Routley

(left) Les Soeurs (The Sisters) by Jamie Routley RP 

Oil on linen, 100x110cm (105x115cm framed)

(right) The Winding Stair - Jesse Norman MP by Jamie Routley RP 

Oil on linen, 105x105cm (110x110cm framed)

• In part, I think this might well be because the artists are encouraging their clients to think out of the box rather than repeat "same as the last whoever" type portraits
• it really helps those who potentially want to commission - and make no mistake, this is primarily a marketing exhibition for RP members.
• I highly recommend, if there is no potential client in the commissions room at the back of the north Gallery that you have a look at the Commission Portfolio files if you want to see the range and calibre of artist on offer for potential commissions.

Portfolios for member artists and potential commissions

East Gallery - the Candidates Wall

• The East Gallery is a very high standard - and includes two former BP Portrait Award winners who are not RP members as artists selected from the open entry
• Wim Heldens (2011) - who I never met as I was "painting in Provence" - see Review: BP Portrait Award Exhibition 2011
• Craig Wylie (2008) - see Craig Wylie wins BP Portrait Award 2008 - which I remember very well as it was my first BP Portrait Awards night and the Chinese artist who won Young Artist of the Year beamed at me and said he read my blog before he tried again after missing out on selection the previous year!
  
• There's a fourth in the West Gallery! (see below)
• NOTE: There are three more BP Portrait Award winners in the exhibition - who are all RP members (Now HSF Award)
• Benjamin Sullivan RP (2017)
• Miriam Escofet RP (2018)
• Antony Williams NEAC VPRP (2024)

The two small paintings by the two former BP winners via the open entry are on this wall

• If you want to get noticed paint a very old artist. Which is what Neale Worley NEAC RP did in painting the centenarian figurative painter and multi award winner Anthony Eyton OBE RA RWA RWS - who is 103 next Sunday adnd has been painting for nearly 90 years! Neale won the President's Award for his effort. It's a very good painting - Anthony visits the Mall Galleries periodically and I saw him recently. Neale has also made a film about him.

SHOULDER REPLACEMENT: Half Way

It's now been three weeks since surgery ie HALF WAY through the official recovery period of sling wearing!  Pain has reduced and arm mobility is getting better. My one hand one finger typing is also getting faster! I can manage a left hand index finger on the Shift Key!

Last week was a big week for me as I went out five times on my own:

• Tuesday: Two week checkup with the clinical team at the Royal London:
• x-ray was done - which revealed nothing of concern
• silicon dressing came off, wound was inspected - looked very neat and nicely glued!
• bruises are now reducing and at the yellow stage
• my next appointment in six weeks time was booked
• Walked 2 miles back home from the hospital - along the quiet roads - photographing plants in season as I do most days on my walks

Laburnum tree in the Cemetery Park - as seen on my walk back from the hospital on Monday.
Probably Scottish Laburnum (Laburnum alpinum)

• Wednesday: In the afternoon I visited the extended Private View for the Annual Exhibition of the Royal Society of Portrait Painters. 
• Very civilised! Spreading the PV over several hours means there's more space to see the artwork on the walls. 
• Managed nearly three hours and took some photos.

Not quite time for the formal opening of the exhibition, speeches and awards ceremony
- but filling up

• Thursday: Visit to the Royal London again - this time to see the Physio
• reviewed the situation with me and how I was coping 
• added four more exercises to the my daily seven.
• Walked 2 miles back home from the hospital - along the quiet roads - taking more photos plants in season.  This habit started during Covid when I developed my Plants in Isolation series.
  

Iris foetidissima (Stinking Iris) in one of the parks I walk through

• Friday: Attended the May Meeting / AGM of the Chelsea Physic Garden Florilegium Society - at the Physic Garden which comprised:
• a wonderful talk about the strategic aims and future development of the garden within the context of a huge number of regulatory practices for a botanic garden by Emily Hazell, Head of Plant Collections
• send off for our Chair and Plant List Organiser
• AGM - at which I presented my Treasurer's report

The CPGFS Committee at the AGM 2026
My seat as Treasurer is on extreme left - but here I'm in unofficial archivist photographer mode

• Sunday: I returned to the Mall Galleries to take more photos of the RSPP Annual Exhibition and to see the exhibition with fewer people around.
• Bumped into Gail Reid, one of the past PAOTY Heat Winners - see Review: Episode 2 Portrait Artist of the Year (Series 10)
• who I've highlighted on this blog for her very useful posts about preparing for PAOTY - READ my blog post about her blog post about Preparing for Portrait Artist of the Year - Gail Reid shares her experience and tips.

A selfie with Gail Reid, Gail operating my phone!

This week is a much quieter week and I'll hopefully get some blogging done.

Next week, on Friday morning, me and my sling will be stewarding at the Chelsea Physic Garden Florilegium Society Stand in the Great Pavilion at the RHS Chelsea Flower Show. 

My visit to the RSPP Annual Exhibition was by way of a test to see if I could cope!

More travels with my sling (my official “don’t bump into me” sign!) to come....

SHOULDER REPLACEMENT: Two Weeks Later

It feels a bit odd to think two weeks ago, I'd been awake for four hours after completely out for the count for five hours, due to my shoulder replacement surgery having a major hiccup.

Tomorrow I go to see my Consultant at the Royal London who is part of a Barts NHS Trust team which focuses solely on trauma, elective shoulder, elbow, and hand surgery.  It's always nice to know they do these all the time!

What's changed?

• Pain is not quite so bad. I still take painkillers last thing at night - with the hope of a decent night's sleep plus when I need them during the day - but have stopped the routine four times a day.
• The alarming bruising is disappearing fast - from black to dark crimson to light crimson to hardly there
• I don't feel quite so post anaesthetic tired as I did for the first two weeks
• Actual sleep is still very variable but if active I don't get wiped out in the afternoon quite so much.
• The dressing is trying to come off - and my allergic itch is raring to go.
• Bought a second sling so that I can wash the first one. (Both by Willcom). this blue one is better for colder days. The first one I got is better when you need a more lightweight breathable sling for warm/hot days - experienced last week.
• the correct way to wear the sling remains a bit of a mystery after reading the diagrams and watching the videos. 
• Trying this new one with a different set-up.

my new second sling - which has a back strap (like my white one) which distributes weight better. 

• Developed a new wheeze this morning so I could wash my hair. 
• Took the sling off
• Tied my arm to my side using a belt - so I wouldn't make any "brain programmed to do this" movements - and it worked really well
• JR did squeezing shampoo into my hand and the big final rinse plus towelling dry my hair and then shaping a towel turban - and I was able to do everything else.

The Shampoo Belt! 

• Doing exercises pays dividends re movement and pain levels.  I'm not very good at the three times a day regular as clockwork - but I do more twice a day as I get changed to make up. 
• Doing regular walks is also helping - not least because it gets me outside! Not walking as far as normal - only did 15 miles last week - but this was an increase on the previous week! 
• I still cannot centre my bun - but at least it's up.

I walked 15 miles in week 2

This week I'm doing a lot of outings!

• Tuesday - see my consultant at Royal London - plus (I'm guessing I also get an x-ray to check what it looks like inside; plus they take the dressing off to take a look at the wound. I'm pretty sure I've got dissolving hypoallergenic stitches)
• Wednesday - go to Private View of the Royal Society of Portrait Painters Annual Exhibition at the Mall Galleries
• Thursday - start seeing the therapists re recovery of functionality and yet more exercises to do
• Friday - delivering my Treasurer's report to the Chelsea Physic Garden Florilegium Society AGM

I'm hoping I've got the energy for all of this - but will be erring on the side of caution rather than being silly.

I reckon I'll have earned a treat after all that! ;)

SURGERY + 11 Days Summary aka "it's a bit of a struggle!"

LEFT SHOULDER REPLACEMENT SURGERY + 11 Days

SUMMARY

Bottom line - it's a struggle but getting easier to cope with as the days go by. However immobilised on one side is no "walk in the park"!

• pain under control, so long as I remember/take meds on time! (plus logged on my medication record on Apple Health - to avoid not remembering what I've taken. Surgery was complicated.  From "going under" to "waking up back in recovery" took five hours so my brain is not great on memory right now
• my large haematoma above elbow crease much improved - gone from dense black to pale crimson. Icing works!
• discovered that the whole of the back of arm plus half left under boob is yet another big bruise - which oddly does not hurt! 
• doing my 7 exercises every day
• walking locally once a day.
• I am still getting/am VERY tired most of the time - and getting used to operating at about half normal speed
• took a week for me to get a decent night’s sleep - in my riser recliner so I’m immobilised (can’t roll on surgery arm) plus much much easier to get into sleep position and get up
• am managing - at a stretch - to get my hair up each day, but it involves neck contortions, head between my knees and one handed grip application. I now specialise in the slightly off centre bun!
• getting better at getting dressed and undressed - but it’s very, very, very slow (and tedious). no point in rushing. 
• Tank tops with built in boob support are a godsend! 
• Only very thin layers fit inside the immobilisation sling.
• Do NOT need/do shoulder surgery in winter - because you cannot get a coat on!

not the most flattering selfie I've ever taken!
just finished getting dressed / doing hair - hence grumpy face after long struggle
this is about as thick as the clothing layers can get
note the hair!

• No idea what I’m going to do if it rains (dump the stick so I can hold umbrella? Dump immobiliser so I can get in raincoat? Buy a waterproof poncho? Get very wet?). At the moment, any indication of rain means I cannot go out.
• getting better at cooking one handed - helped by fact left hand works (but doesn’t move so everything needs to be brought to it). Food has to be “eating with a fork or spoon” standard. Other than microwave (pasta / curries), my hot food is limited to frying two fried eggs with two buttermilk pancakes in film of butter - both of which I can cut up (sort of). When JR cooks for me, my plate arrives with all food cut up to fork sized pieces. 

four minute lunch

Next week I'll be back at art exhibitions - starting with the Royal Society of Portrait Painters Annual Exhibition 2026 at the Mall Galleries.  

• I'll be at the PV on Wednesday
• although earlier in the day and will be avoiding crowds at speeches/awards ceremony.

I can just about use a computer one handed - so I'll be trying to do some posts. Probably short.

my first tube ride - one stop only!

UPDATE: Artist of the Year 2026 Heat 2

A few updates following my visit to the afternoon session of the second heat of Portrait Artist of the Year 2026 at Battersea Arts Centre yesterday.

• numbers attending have increased a LOT since I last went to a heat. 
• I have lots of photos of the heat - which will NOT be posted until this episode is televised - except for a couple which are nothing to do with the art (see below). 
• They will enable all those applying for 2027 to see what it's really like when in terms of the other people on the set in the three "cheeses" (ie segments of the set)
• IMPORTANT NOTE: All those attending are welcome to take photos but are asked not to post them until after the episodes aired - so as not to spoil the episodes for viewers.
• I spotted one post on X yesterday by somebody who attended Heat 1 - who obviously hadn't got the message. I showed it to the Sky Arts people who will be contacting her.
• The era of long flowery dresses appears to be well and truly over. Yesterday we had short and very short pant suits and short socks (re The NEW Portrait Artist of the Year Judges)

front to back: The JUDGES: Katy Hessel, Eva Langret, Jonathan Yeo

• I will be making lengthy comments on colour and tone re this heat.
• I am surprised to report that Jonathan Yeo makes some very sound points.
• The Judges are generally quietly spoken and it's very difficult to hear what they say - so if you're going to future heats, I recommend you get as close as possible to where they stand to hear their comments when judging.
• Heat 2 will cause a major controversy when televised as whatever episode (they never broadcast in the order filmed) 
• the two people operating the Sky Big Boom Rig (the one that does the overhead and perspective shots) are two small women called Rachel and Capri! I was very seriously impressed with their control and navigation.
• This is the Smallrig Phone Rig (this one??) used by the chap taking pics for the Artist of the Year social media pages. 

Smallrig iPhone Rig for video and image capture while holding a mobile phone

• Ferne Cotton will be the Presenter for Landscape Artist of the Year 2027 (and won't appear in Portrait Artist of the Year at all)

the seating area in the very nice cafe

• Practical munching TIP: The ravenous hordes attending the morning session eliminated virtually all food in the very nice cafe at the Battersea Arts Centre. You would be well advised to bring your own lunch if travelling for an afternoon session

That's your lot of the edited highlights of Heat 2!

Life Events: It's been a while.

It's a long time since I've posted, caused by a variety of things. There are three very good reasons why I'm being quiet at the moment.

I needed a break. 

I'm in agony with pain in my lumbar spine at the moment. I sort of know what it is (osteoarthritis attacks for the third time) but that doesn't make it any easier, especially when it translates to sciatica.

Despite the pain I also have two major events to deal with. 

Major upheavals in the kitchen

First, my 1845 1.5" thick plaster ceiling in my kitchen has had to be replaced / replastered / repainted due to a flood from above. The flood was easy to deal with compared to what has had to happen because of it.

The whole process has been extremely unpleasant experience - you would not believe how far tiny particles of very old plaster can travel - or how many times you have to clean to remove them. Moving stuff (ie everything out) is a breeze compared to the cleaning up afterwards.

The ceiling is being repainted tomorrow morning - after which I can move everything back in.

I have to wait for the paint to dry to before I can then finish the cleaning (of the bottom cupboards which I can't reach because of the back and need help to do this!).

Shoulder replacement surgery

I'm still prepping for my shoulder replacement surgery. I need to be at the hospital by 7am on Monday morning.

Major Amazon order for aids went in - and kit arrived this week and I now have a way of getting into and out of bed with only one arm working. In theory I have a way of sitting up in bed to sleep - but that's not working too well.

I've also worked out what I forgot with the first order.

I did a trial walk in my sling yesterday - which is not easy to get on and causes problems when wearing. I cannot get a coat on over it or under it!!! I hope the hospital has a hypoallergenic LARGER version - I need a longer strap to keep it from slipping.

PS If you want to know what I'm faced with try dressing and doing ablutions with one arm/hand only!

I expect I'll start posting again in about a week's time.

A purist approach to media art societies

Every now and again I have a bit of a rant about one of my pet topics - media creep. This is one of them.

An art society is set up to serve a very particular group of artists - including specific media. Media Creep sets in as it the media eligible for use in a society exhibitions starts to become more broad and extended so that definitions of media become "more inclusive".  

I've often thought it's another way of avoiding setting up a society to tackle their particular preferred media.

Here's an example of my previous words on this topic - Acrylic Painting, Art Societies and Education (2022). Plus an extract which just about sums it up

In the UK we have acrylic crossing the oil and watercolour divide - and sometimes forgetting that

• those on the water side should NOT look like oils and
• those on the oil side should NOT look like watercolours.

Maybe it's a question of acrylic painters needing to achieve a much higher profile - in terms of an art society with a very clear focus and its own membership and exhibitions?

As I stated yesterday about the current RI Annual Exhibition

Virtually everybody in this exhibition is using either watercolour or (normal or acrylic) inks.
However 53 artworks are in acrylic. That's 11.5% of the artworks.

First up - I'm very much a "do what it says on the tin" sort of person. So please read this section with this in mind.

My one big gripe about media is that I think every artwork I see in the RI exhibition should demonstrate evidence of WATER. After all, this is a conglomeration of artists who create artwork in WATER COLOURS. The word water is important.

There are a number of artworks in the exhibition whose media description is as follows

Fluid acrylics and heavy body acrylic on wood panel

That to me is a very very long way from being a water colour painting.

A review of other FBA Art Societies

Let's look at some comparisons re FBA Societies - and how they have chosen to address media creep.

The Royal Institute of Oil Painters (ROI)

In the past, a few too many artworks in acrylic hung in the annual ROI exhibition - in my opinion. 

Or rather they could have done until the ROI finally outlawed acrylic (after I had a go at the ROI about its name and the media used in its exhibition - and kept repeating it in every review). 

I'm not quite sure when the ROI started to let people submit work in acrylics but I do wish they'd:

• either change their name
• or stick rigidly to this being an exhibition of oil paintings.

I think it's misleading to do otherwise... It needs to be one or the other. I was pleased to see the extremely high percentage of the exhibited work is in oils. Hopefully this is an aspect of the society that can be addressed over time. Review - Royal Institute of Oil Painters Annual Exhibition 2017

The acrylic painters then started using oils. Which is interesting.

 

The Pastel Society

The Pastel Society developed a  great approach to acrylic.