Thursday, June 18, 2026

Review: New English Art Club Annual Exhibition 2026

This is a very late review of the 2026 Annual Exhibition of the New England Art Club (NEAC) - which celebrates the 140th Anniversary Exhibition, which also remembered some of its past members.

NEAC 2026: The end of the West Gallery

I particularly liked the way that they included the surnames of past members on the title page of the Catalogue and also had paintings in the show by past member Paul Nash.

Title Page of the NEAC 140th Exhibition Catalogue

The 140th Annual Exhibition has 396 artworks and is on at the Mall Galleries until 20th June.

For some reason I didn't have the PV in my diary last week and since then my diary has been packed with hospital appointments.

However, on Monday, after the first physio date this week, I got myself to the Mall Galleries early and managed to see the exhibition with very few other people there - which is the way I like it. I can then see the art rather than people looking at art. PVs are a dreadful time to try and take pics of an exhibition!

You can see the results in the three Facebook albums I've created on my Making A Mark Facebook Page


First five photos in the album about the NEAC Exhibition
in the West Gallery

Observations

Overall, I thought this was an exhibition which included some really excellent artwork - but could also have looked better than it did. It impressed - in part.

This is a review which reflects my likes and dislikes. I find I'm repeating myself each year. So this year my review is shorter than usual.

Friday, June 12, 2026

David Hockney (1937-2026) - Part 1

David Hockney passed peacefully away at home yesterday (11th June 2026) - a month before his 89th birthday. His death was announced this morning

David Hockney Self Portrait, March 14 2012,
iPad drawing printed on paper Exhibition Proof 37 x 28"
© David Hockney

I'm going to write something rather more considered about him (Part 2) - probably on Sunday. But what wanted to record his passing today.

Oddly, the last time I saw him recently on film, I remember thinking I must get an obituary organised. He was looking very diminished and frail.....

I've written about David Hockney on a number of occasions on this blog. You can READ my posts BELOW. I usually organise them by years - but this time they're organised by topic

Those in 2006 and 2016 contain references to his artwork about the Yorkshire landscape. I will never ever forget his major exhibition of paintings of the Yorkshire landscape at the Royal Academy of Art called - which I will never ever forget

Below this I've also listed links to some of the tributes in the media. What you're getting today is the pre-drafted. It's probable some better tributes will emerge at the weekend

Biography

Drawing


Tuesday, June 09, 2026

Review: Contemporary British Portrait Painters Annual Exhibition 2026

I had a lovely time on Friday evening at the Contemporary British Portrait Painters' Annual Exhibition - held, as usual, at Downstairs at the Department Store at 248 Ferndale Road in Brixton SW9 8FR. 

Just a 3 minute walk from the end of the Victoria Line at Brixton Tube.

It features 52 artists from the 75 members of the CBPP Collective.

a diverse showcase of some of the most distinctive and experimental portraiture being made in the UK today (Sarah Jane Moon Chair of CBPP)

"My neighbour Marisa" by Peter James Field
Cover of the CBPP 2026 Exhibition Catalogue

This post aims to do two things:

  • point people to where they can see pics of all of the portraits and some of the artists in this collective - because I know not all of you can get to see the exhibition. (This is also not a group of London artists. Members live all over the UK)
  • read a review of the exhibition if they cannot visit.
However you have until 14th June to get over to Brixton to see the show - admission is free. The exhibition is open from 10am until 5pm every day.

If you cannot get there, you can see my photographs online on my Facebook Page

Contemporary British Portrait Painters


This collective describes themselves as
a friendly, inclusive community actively supporting artists working in the field of portraiture. CBPP - About Us
The CBPP are
  • intentionally run as a non-profit collective (you are expected to contribute) and
  • take NO COMMISSION from the sales by individual artists at their exhibitions.
  • everybody has to apply - there are no invitations.
Artists are encouraged to be searching for something new in their work, to find their own voice and transmit honesty and technical ability in their submissions......we would love to see work which exemplifies your own personal areas of interest and exploration in portraiture.
I think this is maybe because the age profile is maybe a tad younger than some societies. Which is not to say people are inexperienced. Far from it. 

These are the names of the exhibiting artists in 2026. They include 

  • current and past exhibitors and prizewinners (including 5 previous winners) at The Portrait Award at the National Portrait Gallery
  • members of and award winners at the Royal Society of Portrait Painters
  • 4 past winners of the Portrait Artist of the Year competition on Sky Arts
  • As well as people who have won top prizes for portraiture internationally
This is very definitely an exhibition of diverse contemporary portraiture which is worth visiting by 
  • all those who are serious portrait artists - and 
  • by all those who aspire to become better at portraiture.

Wednesday, June 03, 2026

Want to watch Landscape Artist of the Year 2027 being filmed?

Are you interested in watching Series 12 of Landscape Artist of the Year being filmed? This is the series which will be broadcast in early 2027.

This post is about:
  • where 5 of the locations are and the day they are being filmed
  • useful info about how to get there
You will recall from earlier posts that this series has 

Series 12: An invitation to watch


Every year, SKY Arts and Storyvault Films allow people to watch various of the heats of Landscape Artist of the Year as they are filmed. 

They are welcoming people to come and watch SOME of the heats on specific dates this summer. 

BUT only some as they cannot accommodate audiences at the remaining heats and the final this year, due to the lack of parking and facilities. (I also suspect that some of those turning up to the Final last year were a few too many / maybe blabbed online before the episode aired?)

They're calling them Episodes, I'm calling them Heats as the Heats often change order when they work out how to air them. As in they usually want a really good one up front to hook viewers - and yoiu don't know what that is until after it's been filmed!

On the Day


The competition will start at approximately 9:30am and finish around 6pm. You do not need to contact us to reserve a place, but please note that some locations may charge a fee for parking. We hope to see you there!

Please note that posting of photos or videos of any artists or artwork will NOT be permitted until after the show has broadcast. This is to help us avoid spoilers ahead of the show's transmission. (They also keep their eyes peeled for such posting in advance of the broadcast!) 

Series 12 LAOTY Locations


HEAT 1: Richmond Riverside, London – Monday 15th June 


Richmond Riverside in background
Richmond boathouse and boats in middle ground
Richmond Bridge on right

Richmond Riverside is not a generic term, it's a very specific place/development in Richmond in South West London near to Richmond Bridge. It also offers 
  • a large flat space where they can erect the pods so that the artists can paint the oft painted view of the bridge and/or Corporation Island.
  • Plus lots of services nearby. 
  • Accessible by public transport (eg Richmond Station is a 9 minute short walk). Limited parking (you're competing with the workers and shoppers of this very popular place)
Richmond Riverside: the Red pin is located near the large flat terraces

There is very likely to be a second heat close by on the following day or more likely Wednesday - depending on the time needed to strike the set and set up again.

Sunday, May 31, 2026

Selected Artists (Part 2: I - Y) for The Portrait Award 2026 at the National Portrait Gallery

This is Part 2 of my post about the artists selected for the Annual Exhibition of the Herbert Smith Freehills Kramer Portrait Award 2026.

It's rather longer this year as most of the artists have been sending me their portraits - see below!

You can also read my previous post Selected Artists (Part 1: A-H) for The Portrait Award 2026 at the National Portrait Gallery

NOTE: If you can't see the portraits which are pics embedded from Instagram, this is probably because you're not logged into Instagram. 


Artists Selected for The Portrait Award 2026

There's a lot of artists selected for the first time in this half of the 52 artists selected for this year's exhibition.
The Portrait Award too is an amazing event. It’s like the Oscars of the Portrait Painters world (for those who don’t know or might be unfamiliar with the name of the current sponsor)....I am… utterly gobsmacked. And won’t probably really truly believe it until I’m standing there next to my painting in June. Ros Koch

Selected artists who want to see my photos of past exhibitors - taken on the Artists Press View morning - should take a look at my reference where they all my "Artists with their Paintings" posts are listed.

Selected Artist Statistics

I'm proposing to do a statistical analysis of the artists ( re. male/female; country; first/previous exhibitor) as the National Portrait Gallery has not published one this year. I publish this in another post.


PART TWO


This covers the artists whose surnames start with "I" through to those who start with "Y".

Links to their websites are embedded in their names - and Instagram accounts indicated if they have one (that can be found easily!)

I've also indicated which artists are prior exhibitors - and the years in which they exhibited. All other artists are First Time Exhibitors.

  • Shinji Ihara (Instagram) - (Prior Exhibitor - 2024, 2025) - a painter and contemporary artist based in Hiroshima, Japan. Born in Fukuoka Prefecture in 1987, he received his MFA in Oil Painting from the Graduate School of Fine Arts, Tokyo University of the Arts. He is the Founder of HDL+ (formerly Hiroshima Drawing Lab), an artist-run space in Hiroshima. He has had multiple solo exhibitions in Tokyo and participated in numerous group exhibitions in Japan and internationally, including Asia and Europe. Previously selected for the Portrait Award at the National Portrait Gallery in 2024 and 2025. I predicted he would be back again and I believe him to be a future prizewinner. 
Working primarily through painting, Ihara explores memory, relationships, and the position of the individual within society. Portraiture has been central to his practice, through which he examines the dynamics between seeing and being seen, presence and distance

After the rain, we remain by Shinji Ihara
oil on canvas, h72.7 × w91 cm
© Shinji Ihara
J
  • Martin Jessup - a portrait painter living in Kent, working in traditional oils, specialising in highly detailed portraits for private clients and institutions and accepting a limited number of commissions each year.
Diane M Benoit 
oil on stretched canvas, 60 X 40 inches

K
  • Ros Koch (Instagram) - Contemporary South African painter. Born in the UK and she has lived in South Africa since 1998. Paints landscapes and portraits. Ros is a self-taught artist, who - thanks to traditional parents and schooling - took a long time to allow herself to transition from ‘art as hobby’ to ‘art as a career’
The Age of Adolescence (2024) by Ros Koch
Oil on board, framed in Kiaat; 250 x 250mm 
© Ros Koch
The fact that THIS painting - my first ever submission to the HSFK Portrait award - has been accepted to hang in the NPG is a beautiful full circle moment for me. It’s a coming of age (both in its title and artistic affirmation) and homecoming of sorts. Like many other artists, I used to go to the NPG as a child, always drawn to the people and their lives. And it is truly serendipitous that this one has been selected as its subject matter is so immensely meaningful and deeply personal to me, representing the intersection of things things I feel most passionate about.