For those not familiar with her, she was a very unlikely star of television who presented programmes about painting and paintings in the 1990s - which became very popular due to her extremely lucid commentary.
In fact their popularity is marked and repeated by the way in which tributes are being written about her yesterday and today.
Her particular talent was to succeed in making art accessible to a lot of people.
Unlike a number of presenters who need both 'scripting' and 'editing' (I speak as one who has watched individuals speak about art on screen and in person!), she was capable of walking into a room and just standing in front of a painting and talking about it - unscripted and unprompted, in a way which made complete sense to most people.
Her programmes were the most successful arts programmes made by the BBC since “Civilisation,” the art historian Kenneth Clark’s landmark 1969 documentaries.
Her programmes were the most successful arts programmes made by the BBC since “Civilisation,” the art historian Kenneth Clark’s landmark 1969 documentaries.
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| Episode 8 of the The Story of Painting Sister Wendy - in front of Monet's paintings of waterlilies at L'Orangerie - talking about her experience of the paintings and how Monet painted them |
- Sister Wendy’s Odyssey (1992)
- Sister Wendy’s Story of Painting (1996) - which was a series (see below for more)
"Sister Wendy's programmes were so popular that they often drew a 25% share of the British viewing audience." obituary
Sister Wendy, as she was known to her viewers, was a nun who for two decades before becoming a television presenter had lived a contemplative life in a caravan parked in the grounds of a monastery. It was this apparent incongruity, allied to her love of painting, her refusal to indulge in the esoteric jargon and remote theories of art criticism, and the obvious reverence in which she held her subject, that transformed Sister Wendy into one of the more unlikely icons of 1990s television The Telegraph ObituaryIn 1997, the New York Times described her as
"a sometime hermit who is fast on her way to becoming the most unlikely and famous art critic in the history of television"Ten years later, in 2007, I inadvertently stood next to Sister Wendy at an exhibition of Renoir Landscapes at the National Gallery - and only realised who she was when I heard her inimitable voice explaining about the painting to her companion. She was a little frail even then and had an escort with her.
Here's
- a video of her 17 minute interview with Charlie Rose. She made three appearances in total on 3 October 1997; 18 November 1997 and 19 September 2000
- links to more videos of her work
- an awful lot of obituaries - from around the world (below)
- links to some of the books she wrote or was associated with
Sister Wendy and the story of painting
Sister Wendy had a first class brain but studied art through looking at paintings and reading books. Nobody ever told her what to think. Her lucidity was first recognised at Oxford University where she received a Congratulatory First Class degree in English literature. The latter is a rare distinction which is described thus
"a highly unusual honor in which the examining professors ask no questions about the candidate's written work but simply stand and applaud"It appears we have Delia Smith to thank for her contribution to art on television and the story of painting. The Guardian obituary tells the following
Her caravan in the grounds of the Carmel was small, cold and basic, but was crammed with postcards and calendars of works of art. Starting in the early 80s, she began to put down on paper – often in close type, squeezed onto the back of a recycled luggage label – her thoughts about paintings that she had only ever seen in reproduction. A visitor to the Carmel, the cook and devout Catholic Delia Smith, was so impressed by Sister Wendy’s writing that in the late 80s she persuaded the Catholic Herald newspaper to publish them as a weekly series. It led in turn to an appearance on a TV arts show and eventually to five major series, scripted and presented by “one-take-Wendy”, as she was known to directors.
She narrated the following documentaries
