Drawing Monet in coloured pencils

One my favourite occupations used to be drawing oil paintings by past masters - in coloured pencil.  

Morning on the Seine early in morning light - a copy of Monet's work in coloured pencils

copyright Katherine Tyrrell

One such was "Morning on the Seine" by Claude Monet - in a different colourway - which I drew some years ago. It's prompted me to think I should do more. I know I always learned a huge amount each and every time I copied a painting by an old Master.  

I think the last time this drawing was posted on this blog was back in 2013!

However, for those contemplating the benefits of copying paintings, it's VERY important to remember there's a lot of difference between 

• copying somebody who's out of copyright (like Monet) and 
• copying an image by an artist or photographer whose work is covered by copyright 
• see Copyright Infringement and "Fair Use" - Basics for Art and Artists

Morning on the Seine by Claude Monet

Monet's "Mornings on the Seine" is a series of 21 canvases painted in 1896 and 1897.

Monet often painted the River Seine and its river banks, near his home in Giverny, His aim was to capture the fleeting effects of dawn light on the River Seine n France - and create another series of paintings!

• He painted the same scene at different stages of sunrise and in a variety of weather conditions.
• He often painted from his specially equipped boat which he used as a floating studio. 
• Working from before dawn his aim was to record the subtle changes in color and atmosphere as the sun rose
• Monet often painted emphasising misty, blue, green, pink and purple tones.

Having patiently scouted out views along the river, Monet then painted the pictures from a boat that he had converted into a floating studio. For an extended period he rose by dawn in order to paint the changing effects of light as the sun came up. He then lined up the canvases on easels in his studio to complete them together as a series. Fifteen were shown at the Galerie Georges Petit in 1898. Metropolitan Museum of Art

You can see some of the paintings below. They're all called Morning on the Seine near Giverny 

• Metropolitan Museum of Art  (New York, USA)
• White House Historical Association (Washington DC) - a gift to the White House in memory of John F Kennedy
• Museum of Fine Arts, Boston (Boston MA)
• North Carolina Art Museum (North Carolina) 
• The National Museum of Western Art (Tokyo, Japan - not currently on display)

So how much is the Duty on Art again?

Royal Mail introduced its new "Postal Delivery Duties Paid" service today for those wanting to send art to buyers in the USA

There's just one problem. It doesn't tell you what the duty will be until you've paid the postage! 

So how does the artist add any duty payable into the invoice he or she sends to the artist - given artists want paying before they ship?

I posted this comment on the Royal Mail Facebook Page

WHY are you only telling people what the duty is AFTER they have paid the postage.
For people to make an informed decision about whether or not to send a package they need to know ALL THE COSTS before they pay anything.
What provision have you made for people wanting their money back if they decide not to send after finding out about the cost of the duty?
HOW do you ensure that people are using the correct tariff code so they can continue to enjoy EXEMPTION from Duty by using eg the correct code for sending original fine art - as per the Harmonised Tariff Schedule agreements?

There's NO SCOPE to 

• identify what your package is about and to.......
• identify the correct tariff COMMODITY CODE - remembering of course that 
• IN THEORY some items - like original fine art paintings, drawings and prints are EXEMPT from paying any duty 
• but others, like reproduction prints or hand-painted or hand-decorated manufactured articles; collages, mosaics are NOT EXEMPT
• identify the applicable duty rate so you can make provision for this in the price you charge / quote to your buyer if overseas (as in "price before all applicable tax, duty and shipping")

9701 21 0000 is the tariff code applies to fine art paintings, drawing and print which are exempt - and below is the US version of the Harmonised Tariff Schedule which says this.

What is not clear is whether the new duty Trump seeks to levy is in addition to any status identified in the Harmonised Tariff Commody Code Schedule

This is the USA version of the Harmonised Tariff Schedule

Plus to quote the UK Integrated Online Tariff 

Heading 9701 does not apply to mosaics that are mass-produced reproductions, casts or works of conventional craftsmanship of a commercial character, even if these articles are de-signed or created by artists.

For the purposes of heading 9702, the expression ‘original engravings, prints and lithographs’ means impressions produced directly, in black and white or in colour, of one or of several plates wholly executed by hand by the artist, irrespective of the process or of the material employed by him, but not including any mechanical or photomechanical process.

Heading 9703 does not apply to mass-produced reproductions or works of conventional craftsmanship of a commercial character, even if these articles are designed or created by artists. 

I've done some more reading today. 

I continue to be absolutely horrified by the way in which the US side of the documentation continues to be POOR - particularly the website relating to Customs and Border Protection which is shambolic and really out of date in relation to Trade

This is what I got when looking at Importing in the US. Note the date on the document

THE BOTTOM LINE

My take on it is I don't care if people say "they've worked it out" - this is a government and an administration which is comprehensively and seriously failing to provide proper, comprehensive, articulate and up to date guidance to people engaged in trade!!

If I was an artist exporting to the USA I wouldn't.

If I was an artist wanting to enter an open exhibition or art competition in the UK - and then re-export to the USA - I wouldn't.

That's about as plain as I can make it

Drawing my cat in sepia ink

Chloe sunbathing and sleeping on the yellow chair
August Bank Holiday 1994
Pilot G-Tec-C4 pen in sepia ink in Moleskine Sketchbook

31 years ago, I spent Bank Holiday Monday drawing my cat Chloe lazing on the back of my big creamy yellow armchair. It was especially favoured because it had feather and down cushions and hence a very comfortable squishy bed could be achieved by a cat dedicated to comfy sleeps.

This is drawn, by eyeballing sat 10 feet away, in pen and sepia ink in my Moleskine sketchbook. 

I now have a print of this pic in a frame sat right next to where she used to love sunbathing and sleeping.

I've always been in favour of staying home on Bank Holiday Mondays. There again I do live in central London, which necessitates a long slog in the traffic to get back home again if I go out when everybody else decides to go out!

Moreover, at the time I was working as a management consultant for one of the "Big Four" with lots of travel all around the country - with very early starts and very late returns home.

 Staying at home and not doing very much - except drawing my cat - was my idea of a proper "time out"!

I also used to get up early on Saturday mornings to draw using pastels and would aim to complete a large work by early afternoon....

Postal Services to the USA cancelled across the world! What does this mean for artists?

At midnight on Sunday, I spotted a post on social media which indicated there was going to be a major issue for ALL ARTISTS - anywhere in the world - who sell artwork to buyers in the USA.

MOST POSTAL SERVICES AROUND THE WORLD 

HAVE CANCELLED DELIVERY TO THE USA

+ 

ART SALES TO THE USA ARE GOING TO CRASH

I spent most of yesterday and this morning working on a new page for my website - called Shipping Art to the USA i.e. https://www.artbusinessinfo.com/shipping-art-to-usa.html 

Today, being a bank holiday is not the best day to announce it's now public - however the proverbial will be hitting the fan today and tomorrow.....

My new web page for all those caught out by the change in tariffs / border control
and the comprehensive suspension of postal services
Link is https://www.artbusinessinfo.com/shipping-art-to-usa.html

I know a lot of artists - across the world - who regularly sell art to Americans are very worried about what this means for their business.

My new website includes sections about

• three key drivers around the problem for artists
• what has been happening in the last month
• what it means in practical terms for artists
• what it means in different continents and countries around the world.
• plus lots and lots of references

The irony in the title is that the AIRLINES are the current driver leading to the comprehensive suspension of aircraft for carrying post to the USA.

"No longer shipping" courtesy of Astral Synergy Productions

Bottom line, yet again, the change in policy at motormouth speed is way in advance of the systems developments required to deliver what the USA wants which is

• cancellation of the exemption from tariffs for all post and parcels with a value of between $800 and $100 
• all post/parcels for imports MUST arrive in the USA marked up "Delivery Duty Paid" (this is Trump's notion of how to get the other countries to pay him money)
• On top of this there's an argument going between lawyers as to whether Trump can cancel the almost universal exemption of certain classes of art from any form of tariff duty payable.

The airlines have seen the writing on the wall and they are NOT HAPPY! (I'm assuming they worked out the reality, i.e. masses of small packages not going anywhere fast and stuck on planes because space has run out in normal storage areas before packages are processed). 

So they pulled the plug! Well done the airlines is what I think!

So given the complete carcrash of a mess which is currently exploding around the world, I thought I better get on with my new page!!!

So what I've published is my "best effort to date" BUT it is neither comprehensive nor do I guarantee everything on it is correct. However I've included a lot of references to people writing about this issue in other places and will continue to review and update in the coming days.

This is the short section providing headlines about implications for artists

Implications for Artists
- as producers and exporters of art to buyers in the USA

I'll be writing more about this - but right now I'd like to have lunch and get out in the sunshine and "have some time off"!

Does HMRC's "Making Tax Digital" affect you?

Did you know how much you earn does not only affect how much tax you pay? 

In future, it is likely to affect HOW you (1) account for your gross income and (2) pay your tax. 

This is all part of the Making Tax Digital initiative of HMRC. This blog post is all about what's happened recently and what's coming - and whether you need to know more NOW!

I'm going to say upfront, if you are an amateur artist or a professional not earning very much from your art you have nothing to worry about - for the moment.

However those earning MORE than "not earning very much" MUST get to grips with Making Tax Digital soon. Plus note that they are focused on gross income and not net (more about this below)

Digital record-keeping will deliver time-saving benefits for taxpayers (HMRC)

IN THE NEAR FUTURE, I'm going to be developing a "Making Tax Digital page" in the Tax section of my Art Business Info website - alongside the existing UK Tax Tips for Artists to provide artists with links to useful info.

In the meantime, I'll be blogging about it on here for artists who need to get their heads around it.

Of course, as always (here comes the disclaimer), as law and related online content changes all the time,  I am totally unable to warrant that ANY and/or ALL information is complete and/or

• professional and/or
• up to date and/or
• wholly accurate and/or
• all links lead to the most current information (at the time of writing)

UNLESS I am quoting recent HMRC emails (see below) or HMRC websites with a recent date. 

YOU are solely responsible for making sure that you get the proper advice. Personally, I find the HMRC website provides everything most people need to know - but you do need to read it!

Making Tax Digital

As somebody who completes a self-assessment form each year, I received my Getting ready for Making Tax Digital (MTD) for Income Tax email from HMRC yesterday which very clearly states the timetable for the staged implementation of Making Tax Digital. 

I assume everybody else who makes a self assessment tax return for sole trader income also got the same email. So look in your inbox if you missed it!

Portrait Award 2025: The 10 portraits I liked the most

This is a post about the ten portraits I like the best in the Herbert Smith Freehills Kramer Portrait Award 2025 at the National Portrait Gallery. 

I've been reviewing the Portrait Award at the NPG since 2008 (see end)

• I generally walk out of the Awards Night Viewing knowing which portraits have made a big impression on me - and they are not necessarily the winners. (see Moira Cameron wins the £35K HSF Kramer Portrait Award at the National Portrait Gallery)
• It's then interesting to go back the next morning for the Press View morning to see whether I still think the same
• I then get to think about the portraits again when I'm writing Portrait Award 2025 - Artists with their paintings - but of course that, in part, depends on whether the artist was there and could be spotted (some artists have not yet worked out yet that the buttons they are given to wear can generate them publicity!)
• I visited again earlier this month to see whether I still felt the same. This time to also make sure that I looked at every single portrait properly - because sometimes the impression you get depends on size and where they are hung - and my list changed!

I think it very likely that one of the ten portrait paintings you can see below will be the winner of the Visitor's Choice Award.

I'm also still waiting to hear which artist, from last year's exhibition and this one, has won the award of a commission by the NPG......

The Ten Portrait Paintings I liked the best

A strong "blokey" corner of the exhibition

I've got two lists. The one I wrote down after the Press View and the one I wrote when I visited the exhibition again at the beginning of this month. Nine are the same - I changed just one (and I'm not going to say which!). 

You will find bios for most of these artists in my last post about artists with their paintings.

So that says something for my taste I guess and/or the impact of the paintings listed below.

I need to emphasise that my personal view is that, in general, you need to know the person to want to hang a portrait (as opposed to a figurative painting) in your own home. It's very rare to create a portrait of a person which you would hang as art as opposed to a painting. Which is not to say portraits are not good art - but does serve to explain why portrait commissions are the life blood of most portrait painters.

It's a challenge to make people really interested in a portrait......

Those entering this competition must ponder long and hard about what makes a difference....

Do not read anything in to the order of the portraits presented below. There is nothing significant about the way they are listed, however I have decided to group them by size.

• Big
• Small
• Large Medium
• Small Medium

At this point I will comment that I think the National Portrait Gallery does all of the artists a major disservice by failing to state on the website or the label in the gallery what the dimensions of the portrait are. It essentially means online viewers have no idea whatsoever which are large and which are small.

It's one of the reasons I feel the need to do my post about artists with their portraits. That's because there is a HUMONGOUS DIFFERENCE in the size of different selected portraits - but you'd never ever know it if all you had to go on was the images on the website!

It was also impossible to buy the catalogue (which, from recollection, had the dimensions) when I went back - because they'd run out! How can you run out of a catalogue which is on exhibition for another 11 WEEKS?!! 

(PS Same thing had happened with the Jenny Saville Catalogue. I think somebody in NPG catalogue ordering needs a performance review and/or retraining!)

The Big Portraits I liked

Ever thought of using AI to help with your artwork?

This is a bit of a weird one.

You may have realised by now that I'm very much against AI as a substitute for artists making art using their own hands and eyes.

However it occurred to me earlier this week that maybe there is some scope for AI in art.

I first wrote about AI and painting back in May 2023 in this post - which is still a recommended read (see more at the end of this post)

RECOMMENDED: Duane Keiser on AI and Painting
Duane Keiser has been writing recently on his blog about the advent of AI and whether it is a serious rival to painting 'for real'.

Would you use AI to help with your "hand and eye" art? 

Anyway, first here's what I said on Facebook - by way of this query......

Ever thought of using AI to help with your artwork?

This was my explanation for the post

So…… Would you be interested to give it a try?
Or is this a complete anathema for you?

The question is a thought which occurred to me while listening to “The Rest is Entertainment” podcast (very educational surprisingly!) - and they were discussing how the first AI model has now appeared in Vogue!!

Or as Conde Nast put it “NOT in the editorial content” (i.e. it was an advert)

They then went on to discuss how much time and budget eg retailers would save commissioning AI models….

Who remembers the Taylor Wessing Photographic Portrait Prize in 2017 when one of the portraits selected was 100% computer generated i.e. android!!!
Read Breach of rules - Taylor Wessing Photographic Portrait Prize 2017

This is the question which appeared on the YouTube version of Q&A Edition of The Rest is Entertainment "Was Vogue Wrong To Publish A Fake Model?"

and this is the video followed by the questions asked.

Call for Entries: Society of Wildlife Artists - Annual Exhibition 2025

If you want to enter the 62nd Annual Exhibition by the Society of Wildlife Artists the deadline for entries is 12 noon on Friday 22nd August 2025. (Apologies for this being rather later than usual)

In my opinion, one of the best annual art society exhibitions at the Mall Galleries every year is that by The Society of Wildlife Artists. 

That's because 

• it's uncompromising about favouring artwork which has been created after studying your creature from life (i.e. it is very much NOT a fan of the type of hyperrealist artwork done from a photo without ever seeing the animal or studying it in the wild)

The Society of Wildlife Artists seeks to generate appreciation and delight in the natural world through all forms of fine art inspired by the world’s wildlife.

• displays artwork in a wide range of art media (paintings, prints, drawings, sketches, sculpture, ceramics and other 3D artwork)
• highlights a wide range of styles and colour palettes
• includes artwork developed from projects undertaken by the society and its artists during the year

It is emphatically not boring!

Plus it also has that huge asset known as a solid set of followers and collectors who are both faithful to their preferred artists and are also very interested in new art by new artists.

"The Natural Eye" Annual Exhibition 2024 by the Society of Wildlife Artists
West Gallery at the Mall Galleries

Call for Entries: 'The Natural Eye'

It's worth remembering that it's not coincidental that the name of this annual exhibition is "The Natural Eye". This connects to the emphasis which the SWLA places on artwork conceived, started and sometimes developed to completion while observing wildlife "in the field / sea / air" (past CFE post on this blog)

You can find detail of the Open Call for Entries for the SWLA Exhibition on the Mall Galleries website.

Below this post covers:

• what sort of artwork the SWLA want to see submitted by open artists
• images needed
• online submission only
• who can enter
• what you can enter
• how to submit

Plus pics of the last exhibition and links (at the end) to my blog posts about previous exhibitions and the type of artwork hung.

Key Dates are as follows

• Submissions open: Friday 23 May 2025, 12 noon
• Submissions close: Friday 22 August, 12 noon
• Notification of selection: Friday 5 September, 12 noon (log in to OESS)
• Receiving Day (if selected): Saturday 4 October, 10am to 5pm
• Private View (invite only): Wednesday 15 October, 2pm to 8pm, official opening at 3pm
• Exhibition opens: Thursday 16 October, 10am to 5pm daily
• Exhibition closes: Saturday 25 October, 5pm
• Collection of unsold work: Thursday 30 October, 10am to 5pm

There are a number of awards and prizes which you can see on this page.

"The Natural Eye" Annual Exhibition 2024 by the Society of Wildlife Artists
End wall of the West Gallery at the Mall Galleries

What kind of image should you submit

The Society is seeking works that depict wildlife subjects and evoke the spirit of the natural world.

The Selection Committee welcomes:

• All forms of two and three-dimensional artwork based on representing the world’s wildlife
• Artists with fresh visions that show imagination, artistic ability, originality and creativity
• Artworks that reveal a personal experience or true understanding of the subject

READ the "Exhibit with us" page on the SWLA website which provides excellent advice

 

Who can submit

Any artist aged 18 or over may enter, from anywhere in the world.

(If you are an international artist, you need to read the section on VAT)

What type of artwork can you submit - and what will get rejected

CORRECTION: Landscape Artist of the Year 2025

Recently I received an enquiry from somebody in Canada who was trying to read through all my blog posts about Landscape Artist of the Year which was broadcast earlier this year.

I’m having a problem with the LAOTY 2025 episode reviews, as the links don’t seem to be working. All the review links just go back to episode number one. Hoping you can do a fix? I enjoy reading your reviews after watching the episodes. I’m starting to despair about the judges, and appreciate your reasonable critiques!

Ben McGregor with his Commission Painting

Yesterday I sat down and fixed them all - on all the posts. 

I've tracked all the correct links down and reinserted them in the post about the Final https://makingamark.blogspot.com/2025/03/ben-macgregor-wins-landscape-artist-of-year-2025.html - and republished it

So here is the full set of links to episodes and my posts about LAOTY 2025 

• Review: Episode 1 of Landscape Artist of the Year Series 10 (2025) - Hampton Court
• Review: Episode 2 of Landscape Artist of the Year Series 10 (2025) - Snowdon, Wales
• Review: Episode 3 of Landscape Artist of the Year Series 10 (2025) - Clifton Suspension Bridge
• Review: Episode 4 of Landscape Artist of the Year (Series 10) - St Pancras Basin
• Review: Episode 5 Landscape Artist of the Year 2025 - Dinorwic Slate Quarry
• Review: Episode 6 of Landscape Artist of the Year (Series 10) - Bristol Harbourside
• Review: Landscape Artist of the Year 2025 - Semi Finals at Portsmouth Historic Dockyard 
• Ben MacGregor wins Landscape Artist of the Year 2025
• Review: £10,000 Commission for Landscape Artist of the Year 2025

Plus 

• LAOTY 2025: Meet the Heat Winners and Wildcard Winners PLUS View the Commission Painting!

Here's the video of Ben MacGregor with his commission at the Courtauld

Not quite sure how the mishap with the links happened - but it did - and it certainly explains why these posts got rather less readers than users. I always include the links at the end to help read through the previous ones! Hence this correction!