Review: Royal Society of Marine Artists Annual Exhibition 2026

The Annual Exhibition of the Royal Society of Marine Artists returned to the Mall Galleries last week. I visited on Wednesday - before the Private View and announcement of award winners - to photograph the exhibition and have a good look at the artwork in relative peace and quiet!

RSMA Annual Exhibition 2026 - Feature Wall in the West Gallery

As always, the calibre of the work selected for this exhibition is very good overall. There is some work which is outstanding and others I would not personally have selected - but that's about whether I'd hang it on my wall or be able to hang it on my wall! I'm not a marine artist so what do I know!

Note: I'm afraid I am not linking to the RSMA website as it is insecure (i.e. http prefix only and no security certificate) and it's my policy to not link to sites which may present risks to readers. Hopefully they will get this sorted before my next post about them.

NOTE: Despite writing this note on my review last year, the RSMA have still not got the website fixed - hence no link. See more on this below

So below you can read about:

• how to see the exhibition

• my Making A Mark Review of the Exhibition

• Some practical points (for artists, the RSMA and the Mall Galleries)

How to see the Exhibition

RSMA Annual Exhibition 2026 - East Gallery

IN PERSON

• at the Mall Galleries
• Dates: until 26th September 2026
• Hours: 10am - 5pm
• Admission: Admission £7, Free for Friends of Mall Galleries and under 25s. Concessions available. No booking required.

ONLINE

Catalogue Cover

• E-Catalogue: you can see some of the artwork and all of the listings. Or you can get the catalogue proper if you visit the exhibition.
• Online Exhibition - on the Mall Galleries sales website
• My photographs of the exhibition - on Facebook

• East Gallery (  pics)
• North Gallery (36 pics)
• West Gallery (47 pics)
• I'm thinking about doing an album of the work I particularly liked.....

Three of albums of photos of the RSMA Annual Exhibition 2026
on my Facebook Page

Plus there's been a variety of demonstrations on every day of the exhibition - with more this week. Details on the front page of RSMA website (scroll down). (I've no idea why they aren't on the Mall Galleries website! An oversight??)

If I've got time, this is the one I'd be going to.

Wildife Artist of the Year 2026 - Winners

I've now got all the names of those who won their categories - plus, of course, the overall winner and the runner up (which I did know).

• All quotations come from the Wildlife Artist of the Year and/or website unless otherwise stated.
• I'm assuming the description of the art is by the artist (until anybody tells me otherwise)
• I'm going to use the text provided to me by the David Shepherd Foundation as to the Judges' reasons why an artwork won an award
• Plus some of the pics come from the dswfwildart Instagram account
• the rest are my pics.

The judging panel is made up of art professionals, artists and conservationists.

Note: I only do this for long-running and prestigious art competitions which attract an international entry! That's because not everybody can get to the exhibition.

For my review of the exhibition see Another Excellent "Wildlife Artist of the Year" Exhibition (2026)

For my photos of the exhibition see an album on my Facebook Page - Wildlife Artist of the Year 2026

Overall Winner of "Wildlife Artist of the Year"

Stefano Zagaglia - Evanescence the Biggest

This brings a

• £5,000 cash prize,
• the official title, and
• a £5,000 conservation donation made in the winner's name.

WINNER OF WILDLIFE ARTIST OF THE YEAR 2026
Evanescence - The Biggest
oil on canvas, 100cm x 100cm
Stefano Zagaglia

The Label in the exhibition states

The elephant slowly emerges from the white, a powerful yet fragile presence. Only a portion of Its body is visible, while the rest dissolves in the light, suggesting a presence that might vanish. The tusks, a symbol of its strength and its doom, become the focus of the gaze. A reminder of how great and majestic this species is, but also how vulnerable it is to human actions.

This was the Judges comment

"A winning artwork isn’t always the loudest. Sometimes it is the one you cannot stop looking at, and in that context the artist of this beautiful piece has presented the Elephant, our largest living land mammal whose quiet strength never needs to shout. Stefano has brilliantly embraced the subject, most importantly the category and this competition in all its glory."
- WAY 2026 Judge

About the Artist

View this post on Instagram

A post shared by David Shepherd Wildlife Art (@dswfwildlifeart) 

Stefano Zagaglia's website says nothing about him except why he paints wildlife.  However 

• his Facebook Page indicates he lives in Milan where he expresses himself more fully about what the prize means to him
• it did have this statement about "Evanescence"

The paint remains on the canvas as if struggling.

As if no longer certain it can remain.

It thins, surrenders to the light.

And the bodies of the animals approach the edges, dissolve.

As if suspended — between appearing and disappearing.

It’s a moment.

The moment before the end.

And perhaps, also,a last gesture.

A last attempt to hold them back.

Before they vanish completely.

Overall Runner Up 

Prizes are

• £1,000 cash prize and
• a £1,000 conservation donation made in the runner-up's name.

Alberto Duvivier Tembo - Extincts

Another Excellent "Wildlife Artist of the Year" Exhibition (2026)

I've attended - and reviewed - many Wildlife Artist of the Year (WAY) exhibitions, organised by the David Shepherd Wildlife Foundation and held  at the Mall Galleries each year. 

There's lots to read below of interest to all aspiring and established wildlife artists.

• Why visit this exhibition
• Note for aspiring and participating artists
• How to view the exhibition - in person and online
• Some facts about the exhibition
• How to view the exhibition - including links to my past reviews of this exhibition going back to 2008

TOMORROW I'm publishing a post about the Category winners.

Feature Wall in WAY 2026

However I deliberately missed the PV on Tuesday and visited on Wednesday. I found out from those who were there that it was, as I expected, absolutely packed out with people who love wildlife and wildlife art and were keen to buy good art - and it was very hot! Which is why I tend to duck PVs these days as my internal thermostat is out of whack at the moment.

The view from the stairs - lots and lots of visitors

When I got there on Wednesday morning, apart from an awful lot of red dots, I also saw an awful lot of people who were studying the artwork with enthusiasm. 

As well they might as there was lots of excellent artwork to look at.

I took a lot of photos - of all the artwork - and have uploaded most of these to an album on my Facebook Page - Wildlife Artist of the Year 2026

Below is a review of the exhibition

If I can work out the category winners I'll do another post about those. (If somebody at DSWF can send me the details that would be much appreciated. I'd assumed they'd be on the website.)

Why visit this exhibition?

The end wall
- it took a long time for me to get a clear view of this
because of the number of visitors!

For me, what is unique about this exhibition is that very many of the wildlife artists selected for the exhibition tend to be those who have "gone the extra mile" in terms of capturing innate characteristics of their subject 

Cat Crawl 

Pastel, 47cm x 40cm

Lisa Gleim AAPLF, AFC, ASMA, AWAM, CGA, IAPS/MC, PSA, SAA, SPSM

This one for example, positively jumped off the wall at me, given the acute observation of primal cat behaviour when it comes to hunting - as every domestic cat owner will recognise. That and the fact I love pastel artwork!

and/or finding a new way to convey the essence of their subject.

Three oil paintings by Stefano Zagaglia
Winner of WAY 2026
(the winning painting is on the right)
Scale: all the paintings are 100 cm x 100 cm
note the plugs bottom left for scale

I think I probably see more innovation and novel ways of representing subject matter at this exhibition than any other. It just happens to be wildlife.

Final Call: The Discerning Eye Exhibition 2026

You have THREE DAYS LEFT to submit an entry to the Discerning Eye Exhibition which will be held at the Mall Galleries in November.

This prestigious annual exhibition at the Mall Galleries in London celebrates small-scale artworks by UK-based artists.

From call for entries by Parker Harris
amended by me to highlight the small nature of the artwork!

This is a very different sort of art exhibition - because it only contains small scale works - defined as a maximum diameter of 50cm in any direction.

In 2025, this exhibition featured 

• more than 730 artworks 
• by 529 artists, 
• selected from an outstanding 6,500 entries.
• curated by six invited selectors

Parker Harris post

Below is what you need to know to enter

Essential Details 

• Deadline for Online Submissions ONLY: 5PM on Thursday, 27 August 2026 via https://artopps.co.uk/checkout/165
• Exhibition: 13 to 21 November 2026 at the Mall Galleries in London.
• Prizes: Over £9,000 available across multiple categories.
• Who can exhibit?: emerging and established artists
• Artwork Rules: 
• Small-scale works - This is defined as a maximum 50cm in any direction, INCLUDING the frame
• in any medium
• all pieces must be available for sale. (a commission of 40% + VAT will be charged on all sales)
• How to Enter: You can submit your online application through ArtOpps https://artopps.co.uk/opportunities/discerningeye-26. 
• This the page with the RULES
• This is the Page with answers to the FAQs
• All entries must be entered online in the form of digital images and must be accompanied by the following information: Title, Medium, Year, Dimensions and Price.
• all images must be either JPEG or PNG files, no larger than 5MB
• if the work contains offensive material it's likely to be withdrawn from the exhibition (which is a new one on me - I can only assume Parker Harris has run into this issue on another exhibition)
• Who runs/organises the competition? 
• The exhibition belongs to The Discerning Eye. (Note: The ING Bank which has previously sponsored the competition no longer seems to be involved)
• It's organised by an art consultancy called Parker Harris 
• who use ArtOpps as the platform for dissemination of the rules etc and all digital submissions

Discerning Eye exhibition in the West Gallery last year
- which usually contains the exhibitions of four of the selectors

The Selectors in 2026

As always, this year's exhibition will be curated by six prominent figures from across the art world.

Each selector works independently, bringing their own distinct perspective to create six exhibitions within the whole. You cannot rely on looking at past exhibitions to know what sort of work would be suitable. 

However you might try reviewing the selectors' instagram accounts.... 

Tributes to Anthony J Lester (1945-2026)

To mark the passing of art critic, author and prizegiver Anthony J Lester on 19th August 2026, age 81.

I've known Anthony as an art critic and prizegiver and his wife Elizabeth Meek MBE PPRMS PPSWA for nearly 20 years, mostly from us all attending the same PVs at the Mall Galleries. However he's been doing what he was doing for the last 50 years. He was very definitely a constant of the national art society world in the UK and they were together one of the best known couples in it.

I've known for a while about his stage 4 pancreatic cancer for a while - he shared the news on his instagram

I'm borrowing the text from 

• his wife's post yesterday afternoon on her Instagram account; and 
• the Mall Galleries tribute  

except I've bullet pointed his contributions to the art world.

I'll miss seeing that red trilby hat which often came to the PVs too!

ANTHONY J LESTER
1945 - 2026

My beloved wonderful husband Tony, who was my best friend and soul mate, has very sadly passed away after a hard battle against pancreatic cancer. He was the very best and brilliant of men and will be very much missed by those who knew and loved him.

• Art Critic, journalist
• Curator,
• Picture Expert on Antique Roadshow
• Expert on BBC 'Flog it' 
• Radio Broadcaster,
• Author of many books
• Creator of the Anthony J Lester Award, presented at various charity art societies,
• art researcher, and much much more.

This is the post by the Mall Galleries with which he has been much associated over the years

For over forty years Anthony has given massive support to the Federation of British Artists at Mall Galleries.

He curated several exhibitions on behalf of the FBA, including the much-acclaimed Pure Gold: 50 Years of the Federation of British Artists (2011), The Art of a Nation: Irish Works from the Allied Irish Banks and Crawford Art Gallery Collections (2015), and Winners: Award Winning Artists 2020-2022 (2022).

In 2011 he created the Anthony J. Lester Art Critic Award, which he presented at several exhibitions at Mall Galleries, including those of the New English Art Club and the Royal Institute of Painters in Water Colours. Such support resulted in Anthony being made a 

• Companion of the Pastel Society and 
• Fellow of the Royal Society of British Artists. 

In addition to this, he was 

• a long-time Member of the International Association of Art Critics and The Critics’ Circle and 
• a Life Fellow of the Royal Society of Arts and 
• Life Member of Chelsea Arts Club.

What I hadn't realised, until researching this post, was quite how many catalogues for both art societies and artists he'd compiled and written. 

This tribute also goes on to mention something I didn't know.

Anthony was introduced to Elizabeth Meek at the Mall Galleries in 2004. He was organising and selecting the works for Not the Turner Prize, a £20,000 award for painting, while Elizabeth was arranging the annual exhibition of the Society of Women Artists. Their relation blossomed and in 2008 they married. Elizabeth introduced him to colourful hats ranging from blue to red to pink to yellow, and zany, multi-coloured shirts. The couple certainly stood out from the crowd and were frequently spotted at the gallery’s Private Views. 

Commnts from those who knew him

I am so sorry to hear this Liz. He was such a lovely man and a great support to artists. His generosity, kindness and enthusiasm will be much missed. Sending you love. X Harriet Mead PSWLA

He was always so generous in chatting to artists at Mall Galleries PV’s, I always enjoyed talking to both Anthony and Elizabeth.
The Art World will miss him, what a wonderful, colourful character he was. Felicity Flutter RI

I am so sorry to hear this. He was so well loved and respected and did so much for artists. I send my love and thoughts. Lilias August RI

 

A final thought - I'm passing on

A few years back Antony and Elizabeth "retired" and went to live on the coast in Sussex.

However, on meeting them at subsequent PVs, I learned from them an invaluable tip about the wisdom of keeping a place in London.

You want to be living somewhere with very good hospitals within very easy reach as you get older and your health starts to cause concern.

Anthony was supported by the Royal Marsden Hospital at the end. I'll let him have the final word.

I am being treated at the Royal Marsden Hospital and cannot praise the consultants, doctors and nurses enough for their professionalism and kindness. My message to everyone is enjoy every day - it's precious.

Call for Entries: The Pastel Society Annual Exhibition 2027

The Call for Entries for the 128th Exhibition by the Pastel Society in January 2027 has been published on the Mall Galleries website. 

Artists working in pastel and contemporary dry media are invited to submit their work for the Pastel Society Annual Exhibition 2027

This post summarises what you need to know. 

• Submissions are ONLINE ONLY and 
• open from 17 August to 20 November 2026

Benefits of Exhibiting with The Pastel Society

This is an OPEN ART EXHIBITION. If you submit and are selected for the exhibition your artwork will be

• included in the catalogue
• seen by visitors to the Mall Galleries - and it gets a LOT of visitors
• viewed online via the Mall Galleries website and that of the Pastel Society - before, during and after the Exhibition
• eligible for a number of prizes & awards - and some have significant cash awards (see below)if you want to become a member, you first need to get exhibited via the open entry
• may well sell - but ONLY if you pay attention to what I have to tell you below about pricing and sales!!

Pastel Society | Annual Exhibition 2027 | Key Facts and Dates

What drew me to the Pastel Society was the thought of being surrounding by other people fascinated by dry media in particular
Curtis Holder

Venue: Mall Galleries, The Mall, London
Exhibition Dates: Wednesday 27th January - Saturday 6th February 2027
Private View (invite only): Wednesday 27th January 2027 - 5pm to 8pm, official opening at 6:30pm

Submissions: ONLINE ONLY and open until 12 noon Friday 20 November 2026
Notification of selection: Friday 4th December 2026, 12 noon
Receiving Day (if selected): Saturday 16th January 2027 10am to 5pmCollection of unsold work: Thursday 11 February 2027 10am to 5pm
Awards and Prizes - see listing near the end of this post

One of the walls in the Pastel Society's Annual Exhibition in 2026

Call for Entries

What you read below is most - but not all - the terms and conditions of entry and information about what and artist must and must not do. 

It's down to you to read the Full Details, Entry Terms & Conditions

Find out more about how to enter:

What I liked at the Society of Women Artists 165th Annual Exhibition

I was mentally sending good wishes to the Society of Women Artists who had their 165th Annual Exhibition at the Mall Galleries last week. That was because last week was ridiculously hot weather wise in London (c.35°C / 95°F) for most of the week)!

Anybody who went would have actually enjoyed a very pleasant air conditioned gallery - with refreshments on tap!

However I was busy with other prebooked / prior commitments for the first half of the week. 

Then my brain started to fry because my 18" thick brick walled home had heated up! I was struggling to keep the temperature inside below 30°C - while my brain fried.... despite having all the windows closed and all the blinds down!

The incentive to go out - where it was even hotter - was minimal!

Which is by way of explanation as to why no visit on Tuesday and why no review.

I am eventually going to work out who painted this....

However, I did get there on Saturday afternoon, when it was a few degrees cooler, and managed to photograph the artwork in all the Galleries just before it closed.

Interestingly one comment I saw about the exhibition online was "better than the RA Summer Exhibition" and - having visited that particular exhibition with my sister (who was over from Australia) on Tuesday - I can confirm that comment was very far from fanciful in nature.

You can see my albums of photos of the exhibition on my Making A Mark Facebook Page

• West Gallery
• East Gallery 
• North Gallery

10 things I liked about the SWA Annual Exhibition 2026

• I thought a lot of the art was very much better than a lot of the open entries and some of the RA artwork in the Summer Exhibition at the Royal Academy of Arts. Below was one of the standout pieces. 
• What I noticed in particular was there was a very strong entry by the open artists. You really need to raise your game to get selected nowadays!

"Suffer the little children" by Penny Hardy
(mild steel)
who uses her sculpture to raise money for UNICEF

• The hang was excellent - and one of the best I've seen in the Mall Galleries this year so far. Parts of the hang were definitely superior. It came across as very considered. 

Review: New English Art Club Annual Exhibition 2026

This is a very late review of the 2026 Annual Exhibition of the New England Art Club (NEAC) - which celebrates the 140th Anniversary Exhibition, which also remembered some of its past members.

NEAC 2026: The end of the West Gallery

I particularly liked the way that they included the surnames of past members on the title page of the Catalogue and also had paintings in the show by past member Paul Nash.

Title Page of the NEAC 140th Exhibition Catalogue

The 140th Annual Exhibition has 396 artworks and is on at the Mall Galleries until 20th June.

• the catalogue is available online on Issuu
• you can also view the 396 artworks online on the Mall Galleries "Buy Art" website

For some reason I didn't have the PV in my diary last week and since then my diary has been packed with hospital appointments.

However, on Monday, after the first physio date this week, I got myself to the Mall Galleries early and managed to see the exhibition with very few other people there - which is the way I like it. I can then see the art rather than people looking at art. PVs are a dreadful time to try and take pics of an exhibition!

You can see the results in the three Facebook albums I've created on my Making A Mark Facebook Page

• NEAC West Gallery - Annual Exhibition 2026
• NEAC East Gallery - Annual Exhibition 2026
• NEAC North Gallery - Annual Exhibition 2026

First five photos in the album about the NEAC Exhibition
in the West Gallery

Observations

Overall, I thought this was an exhibition which included some really excellent artwork - but could also have looked better than it did. It impressed - in part.

This is a review which reflects my likes and dislikes. I find I'm repeating myself each year. So this year my review is shorter than usual.

Review: Royal Society of Portrait Painters Annual Exhibition 2026

Apologies for this late review of the Royal Society of Portrait Painters Annual Exhibition 2026. 

Post shoulder replacement sirgery, I'm still one finger typing - with the index finger on left hand holding down the shift key periodically - which is frustrating. Plus I ended up very tired from all my necessary outings last week and seem to be having another spate of surgery brain week this week - which makes getting started and writing anything difficult!

So this is going to be a short post. I may add to it later as I remember points I've forgotten!

If you'd like to see this exhibition, it's on at the Mall Galleries until Tuesday 19th May.

It comprises 208 paintings and drawings.

You can see 

• who won the awards in this blog post Royal Society of Portrait Painters Annual Exhibition 2026 | Award Winners
• my photos of the exhibition in albums on my Facebook Page. I try to snap every portrait in the exhibition - and then split them into albums by location
• East Gallery
• North Gallery

Just the West Gallery to go..... this is what it looked like last Sunday

view of the West Gallery

Key Points of Difference

I'm going to summarise what I saw as being the main differences from previous exhibitions

• It was another diverse and well hung exhibition. However it was only after I left and I started thinking about what was different that I realised the look of most of the exhibition has moved a very, very long way from the "stuffed shirt" main gallery that used to be the norm for very many years i.e. lots of commissioned portraits of eminent people in the government, forces, courts and education in very formal poses.

• there are still formal commissions - but most are so much more relaxed. Particularly as there are so many more women being portrayed in commissions! I particularly liked the two large portraits below - both by Jamie Routley RP

Two large naturalistic portraits by Jamie Routley

(left) Les Soeurs (The Sisters) by Jamie Routley RP 

Oil on linen, 100x110cm (105x115cm framed)

(right) The Winding Stair - Jesse Norman MP by Jamie Routley RP 

Oil on linen, 105x105cm (110x110cm framed)

• In part, I think this might well be because the artists are encouraging their clients to think out of the box rather than repeat "same as the last whoever" type portraits
• it really helps those who potentially want to commission - and make no mistake, this is primarily a marketing exhibition for RP members.
• I highly recommend, if there is no potential client in the commissions room at the back of the north Gallery that you have a look at the Commission Portfolio files if you want to see the range and calibre of artist on offer for potential commissions.

Portfolios for member artists and potential commissions

East Gallery - the Candidates Wall

• The East Gallery is a very high standard - and includes two former BP Portrait Award winners who are not RP members as artists selected from the open entry
• Wim Heldens (2011) - who I never met as I was "painting in Provence" - see Review: BP Portrait Award Exhibition 2011
• Craig Wylie (2008) - see Craig Wylie wins BP Portrait Award 2008 - which I remember very well as it was my first BP Portrait Awards night and the Chinese artist who won Young Artist of the Year beamed at me and said he read my blog before he tried again after missing out on selection the previous year!
  
• There's a fourth in the West Gallery! (see below)
• NOTE: There are three more BP Portrait Award winners in the exhibition - who are all RP members (Now HSF Award)
• Benjamin Sullivan RP (2017)
• Miriam Escofet RP (2018)
• Antony Williams NEAC VPRP (2024)

The two small paintings by the two former BP winners via the open entry are on this wall

• If you want to get noticed paint a very old artist. Which is what Neale Worley NEAC RP did in painting the centenarian figurative painter and multi award winner Anthony Eyton OBE RA RWA RWS - who is 103 next Sunday adnd has been painting for nearly 90 years! Neale won the President's Award for his effort. It's a very good painting - Anthony visits the Mall Galleries periodically and I saw him recently. Neale has also made a film about him.

A purist approach to media art societies

Every now and again I have a bit of a rant about one of my pet topics - media creep. This is one of them.

An art society is set up to serve a very particular group of artists - including specific media. Media Creep sets in as it the media eligible for use in a society exhibitions starts to become more broad and extended so that definitions of media become "more inclusive".  

I've often thought it's another way of avoiding setting up a society to tackle their particular preferred media.

Here's an example of my previous words on this topic - Acrylic Painting, Art Societies and Education (2022). Plus an extract which just about sums it up

In the UK we have acrylic crossing the oil and watercolour divide - and sometimes forgetting that

• those on the water side should NOT look like oils and
• those on the oil side should NOT look like watercolours.

Maybe it's a question of acrylic painters needing to achieve a much higher profile - in terms of an art society with a very clear focus and its own membership and exhibitions?

As I stated yesterday about the current RI Annual Exhibition

Virtually everybody in this exhibition is using either watercolour or (normal or acrylic) inks.
However 53 artworks are in acrylic. That's 11.5% of the artworks.

First up - I'm very much a "do what it says on the tin" sort of person. So please read this section with this in mind.

My one big gripe about media is that I think every artwork I see in the RI exhibition should demonstrate evidence of WATER. After all, this is a conglomeration of artists who create artwork in WATER COLOURS. The word water is important.

There are a number of artworks in the exhibition whose media description is as follows

Fluid acrylics and heavy body acrylic on wood panel

That to me is a very very long way from being a water colour painting.

A review of other FBA Art Societies

Let's look at some comparisons re FBA Societies - and how they have chosen to address media creep.

The Royal Institute of Oil Painters (ROI)

In the past, a few too many artworks in acrylic hung in the annual ROI exhibition - in my opinion. 

Or rather they could have done until the ROI finally outlawed acrylic (after I had a go at the ROI about its name and the media used in its exhibition - and kept repeating it in every review). 

I'm not quite sure when the ROI started to let people submit work in acrylics but I do wish they'd:

• either change their name
• or stick rigidly to this being an exhibition of oil paintings.

I think it's misleading to do otherwise... It needs to be one or the other. I was pleased to see the extremely high percentage of the exhibited work is in oils. Hopefully this is an aspect of the society that can be addressed over time. Review - Royal Institute of Oil Painters Annual Exhibition 2017

The acrylic painters then started using oils. Which is interesting.

 

The Pastel Society

The Pastel Society developed a  great approach to acrylic. 

Review: Royal Institute of Painters in Water Colours 214th Annual Exhibition (2026)

I think the 214th Annual Exhibition by the Royal Institute of Painters in Water Colours is probably the best RI exhibition I've seen by them at the Mall Galleries on two counts:

• excellent artwork
• extremely well hung - it reads very well throughout both the West and East Galleries and most of the North Gallery.

It also has the unique distinction of:

• a VERY colourful title wall in the West Gallery
• a monochrome title wall in the East Gallery

RI Annual Exhibition 2026: Very colourful end wall in West Gallery

RI Annual Exhibition 2026: Monochrome end wall in the East Gallery 

Also, given there are 462 artworks hung in the show, I can also say it's one of the very best hung exhibitions - of LOTS of artwork - that I've seen of the different FBA societies who exhibit at the Mall Galleries. 

Too often, I've found exhibitions with lots of artwork to be very difficult to look at because too little thought has been applied to how the works should hang. Indeed, I think maybe there should be a rule "don't come to the hanging if you haven't worked out what goes where if you are hanging in excess of 300".

I gather that the hang of this exhibition was planned in enormous detail by the new President Juliette Losq in her first year - and the effort has well and truly paid off.

It is certainly getting lots of visitors!

This blog post tells you:

• how to see the exhibition - whether or not you can visit it at the Mall Galleries
• how to check out the events during the exhibition
• how to check out the standard of work by artists applying to become a member
• observations about artwork in the exhibition
• what can be improved for next year

Plus an extra post tomorrow - about the name and the importance of water.

How to see the RI Exhibition

You can visit the RI 214th Annual Exhibition at the Mall Galleries until 11th April (however it is closed in Easter Sunday and Easter Monday).

• Venue: Mall Galleries, the Mall, London - North, East & West Galleries
  Hours: 10am - 5pm every day except Easter Sunday and Easter Monday when the Galleries are closed
• Dates: 25 Mar 2026 - 11 Apr 2026 
• Entry: Admission £7, Free for Friends of Mall Galleries and under 25s. Concessions available. No booking required.

You can also SEE ALL THE ARTWORK ONLINE

• via this Mall Galleries website - which also allows purchases online
• via my Making A Mark Facebook Page where I have created four separate albums for
• RI Prizewinners - Annual Exhibition 2026
• RI Annual Exhibition 2026 - West Gallery
• RI Annual Exhibition 2026 - East Gallery
• RI Annual Exhibition 2026 - North Gallery

One of my photos of two colourful walls in the North Gallery

Review: UKCPS Silver Anniversary Annual Open Exhibition 2026

After 25 years, the UKCPS is celebrating its Silver Anniversary with its first exhibition at the Mall Galleries.

It's always been an ambition of the UK Coloured Pencil Society (UKCPS) to hold its Open Annual Exhibition at the Mall Galleries. Making it to its 25th Birthday seemed like an opportune time to spend some money and celebrate in style.

UKCPS Annual Open Exhibition
Part of the Hang in the West Gallery

For those UKCPS people not familiar with me or my blog (although I gathered from the PV on Tuesday night that a lot were), I am 

• a coloured pencil addict and a past signature member of UKCPS. I've written about its exhibitions a lot over the years (see the list of blog posts at the end which also give an insight into artwork in past exhibitions)
• somebody who reviews ALL the national art societies which exhibit at the Mall Galleries - and has done so for nearly 20 years. So I've got a very good basis for saying how this exhibition compares with the norm at the Mall Galleries.

History of the UKCPS Society

The Society was founded in 2001 by Bob Ebdon and Pat Heffer.

The UK Colour Pencil Society (UKCPS) was founded in 2001 by Bob Ebdon, spurred by a letter in A&I magazine from Pat Heffer (who became a founder member, enthusiastic supporter and finally President). A few people sharing their interest of colour pencil art, who had never met except via the Internet, started the Society and it was launched at Patchings Art Centre in Nottinghamshire. The Society has grown over the years: the second issue of the quarterly magazine (September 2001) reported they had just reached the 100 member mark, and now there are just over 750 members.

I was also a coloured pencil fan and found them online a little later and subsequently became a member and exhibited with them between 2007-2010. After that I gradually withdrew as a member from all national art societies I belonged to so as to be able to do better reviews of their exhibitions!

The society is different in some ways from other national art societies.

• anybody can become a member
• recognition of expertise and contribution is made through
• becoming a Signature Member (which I became in 2009 - see my blog post Signature membership)
• progressing to Silver Signature status (pictures accepted into 5 exhibitions within 10 years) and Gold status (pictures accepted into 10 exhibitions within 15 years.)
• it holds three exhibitions each year
• an open exhibition for all artists using coloured pencils - which is competitive
• an online exhibition for all members
• members only exhibition held at the Derwent Pencil Museum, Keswick. (This year it will be 31st August to 30th October 2026)

In June 2018 it was granted charitable status - with an objective of:

• promoting the art of drawing for the public benefit through the use of colour pencils
• holding a public exhibition at least once a year to showcase work and provide tuition
• help educate the public how to use colour pencils

The definition of a coloured pencil for the purposes of the exhibition is 

"wood-cased, wax- or oil-based colour pencil"

i.e. pastel pencils are excluded.

The 25th Annual Exhibition of the UK Coloured Pencil Society

Venue: Mall Galleries - West and North Galleries
Dates: Open from Tuesday 17 March 2026 - Saturday 21 March 2026,
Hours: 10am to 5pm

Workshops: click for more information

How the work was judged

• One member and two independent artists selected the artwork for the open exhibition.
• Another artist judges the selected artwork for awards. This year it was Curtis Holder - a leading exponent of coloured pencil artwork.

You can see all the artwork in the exhibition in two ways:

• In the albums of my pics that I've uploaded to Facebook - just click the link in the listing below. BTW, if I like a work I tend to take a photo of it on its own.
• UKCPS Annual Exhibition 2026 - West Gallery
• UKCPS Annual Exhibition 2026 - North Gallery
• Via the UKCPS website where all images of all the artwork are now uploaded

BEST PICTURE IN SHOW

Where ­Time ­Rests by Pauline Stuart

(which I had spotted as a "go back and look again" pic!)

FINAL Call for Entries: New England Art Club Annual Exhibition 2026

You have until 12 noon on Friday 20th March to submit your entries for the New England Art Club Annual Exhibition.

While the seriously committed will have submitted their entries already, there's still time to submit that work which you are pleased with.

Historically, the New English Art Club was founded by a group of artists dissatisfied with the entrenched attitudes of the Royal Academy

Today, its intent is spelt out by its President Patrick Cullen

At the heart of the NEAC is the search and propagation of meaningful, resonant art. It is committed to authenticity through the observation of life, as well as the task of articulating and communicating ideas with the beauty of skilful language.

FINAL Call for Entries: NEAC Annual Exhibition 2026

Entries from open artists are welcomed.

The NEAC Annual Exhibition is a showcase not only for its members but also for aspiring artists: with a history going back more than a hundred years, it is an opportunity for work to be seen alongside some of the best artists today.

I describe the process below. Here are the links to all relevant pages

• This is the official call for entries https://www.mallgalleries.org.uk/open-calls/new-english-art-club
• This is the official entry portal https://mallgalleries22.oess1.uk/
• you need to locate the correct exhibition as this is the entry portal for all FBA Exhibitions at the Mall Galleries
• UNFORTUNATELY the Full Details, Entry Terms & Conditions is a pop-up page and is NOT a downloadable PDF. Which means if you want to make a record for your files / notes - you have to copy and paste into Word - and then you can print it.

NEAC is not an art society which is afraid of colour!
(NEAC Annual Exhibition 2025: End of West Gallery)

If you want to know what NEAC is about, take a look at my pics of the 2025 Annual Exhibition

Last year, the exhibition 389 artworks which included a lot which were big to very big - which made the hang look very crowded to me

Guidelines re Sales and Pricing

You can see the nature and price of the artworks which sold in 2025 by right clicking HERE and opening in a new tab

• 60% were painted in oils
• just over 20% were landscapes and cityscapes
• just over 10% were portraits
• just over 10% were still life
• the remainder covered marine and coastal (4), other (1) and abstract (2)

In terms of sales, 17 of the 50 sales were by open artists - and the majority were by women. I think it not unlikely that most of the sales were heavily influenced by women too.

For the record, although I've not crunched the numbers for 2025, there are some guidelines for open artists if you want to achieve a sale

• sales drop off once you breach £1,500 which I've identified for a long time as an important threshold for sales (i.e. not a lot above this, and these are mostly by members)
• OPEN ARTISTS tend to do better in the £500-£1000 price range and pricing - and this is consistent across a number of the art societies exhibiting at the Mall Galleries