Saturday, September 09, 2017

Homer and Hurricane Paintings

I wondered if there were any paintings of Hurricanes or their aftermath and went looking. The answer is 'not many' - this is what I found.

Winslow Homer seems to be the main exponent of hurricane painting.

Hurricane, Bahamas (1898) by Winslow Homer
Watercolor and graphite on off-white wove paper
14 7/16 x 21 1/16 in. (36.7 x 53.5 cm)
Metropolitan Museum of Art
His first painting - done in 1898 - is of the high winds and gloomy skies associated with the periphery of a hurricane. It seems to be sketched plein due to the accuracy of the colour of the clouds and what's happening to the palm trees.

This was the era when he was absorbed with the power of the sea .

The next painting by Homer was done the following year and is the more famous of the two. It's called After the Hurricane.

After the Hurricane, Bahamas (1899) by Winslow Homer
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on moderately thick, moderately textured (twill texture on verso), ivory wove paper
38 × 54.3 cm (15 × 21.4 in)
Art Institute of Chicago

It resides at the Art Institute of Chicago and this is what they have to say about it.
"After the Hurricane, Bahamas" shows a luckless man—seemingly the same model depicted in The Water Fan—washed up on the beach, surrounded by fragments of his shattered boat. The splintered boat testifies to the frightening severity of the hurricane, even as billowing black clouds recede into the distance and sunlight begins to glimmer through the clouds. Frothy white caps and a surprising horizontal stroke of brilliant green in the distance conjure an ocean that is gradually calming itself. Homer used thin washes and fluid brushstrokes to render the waves, setting up a contrast to dry land, where he employed opaque red and yellow pigments, thickly applied, for the seaweed tossed upon the sand by the storm.
Homer is, of course, well known for painting the sea in all its many manifestations - including roaring storms off the coast of Maine.  He also was adept at changing the way he worked in watercolour for the different environments in which he painted - not least because he became more and more skilled at understanding how light and colour worked in different atmospheric conditions. Hence he changed his colours as the light and atmosphere changed.

He started visiting the Caribbean in the mid 1880s and swopped the seas off the Maine coast around his studio at Prout Neck for the much bluer seas under very blue skies around Florida, Cuba and the Bahamas. In fact all the places currently being visited by Hurricane Irma!

They're both late works - he died in 1910 at the age of 74.

Friday, September 08, 2017

Feline Art in London, Washington and Before Internet Cats

September is feline art exhibition month in London. Plus Washington is also having an exhibition. This post features the following exhibitions:
  • Louis Wain and the Cat Show at the Christ Beetles Gallery
  • The Society of Feline Artists Annual Exhibition 2017 at the Llewellyn Alexander Gallery
  • Before Internet Cats: Feline Finds from the Archives of American Art at the Lawrence A. Fleischman Gallery in Washington, D.C.
Both of the London galleries are extremely considerate to out of London purchasers by showing digital images of the entire exhibition on their website - and both have a LOT of pictures.

Should you feel the need to pay a visit, you can find links to Google maps of the locations of the galleries at the end of this post.

Louis Wain and the Cat Show 


The Chris Beetles Gallery has its regular exhibition about Louis Wain and the Cat Show (9-30 September 2017) which includes work by a number of contemporary artists as well as by Louis Wain (5 August 1860 – 4 July 1939)

Wain was a very prolific artist who constantly portrayed anthropomorphised large-eyed cats and kittens - even after being committed to hospital for mental health reasons. His work now forms part of the permanent collection of the Bethlem Museum of the Mind.
Paintings by Louis Wain
The exhibition also includes paintings by other contemporary feline artists including:
More anthropomorphised cats by Susan Herbert
plus conventional cat paintings by Lesley Anne Ivory


Society of Feline Artists - Annual Exhibition

Celia Pike is just one of the many SOFA members and associates who have work in the show

The Society of Feline Artists (SOFA) have their annual exhibition (24th of August to the 15th of September 2017) at the Llewellyn Alexander Gallery near to Waterloo Station and across the road from the Old Vic.

This exhibition has more than 300 paintings of cats, both domestic and wild, by full and associate members of S.O.F.A. including work by well known feline artists - including:
  • Celia Pike
  • Sara Butt
  • Jacqueline Gaylard 
  • Natalie Mascall
  • Gayle Mason
You can see the art in various ways
So if you are a fan of feline art feel free to indulge!


Before Internet Cats: Feline Finds from the Archives of American Art


Cats are ever popular on the Internet however they've been ever popular for a very long time

I recently discovered Before Internet Cats: Feline Finds from the Archives of American Art which is on view at the Lawrence A. Fleischman Gallery in Washington, D.C. (April 28–October 29, 2017)

If you can't get to the exhibition you can review its contents by clicking the links below
The Archives of American Art’s exhibition space is located two blocks away from their D.C. Research Center.

Gallery Details

Links below are to Google Maps of the location of each gallery

Thursday, September 07, 2017

Eileen Hogan - an artist not in residence

Eileen Hogan has a simply marvellous exhibition at the Garden Museum. It's the outcome of inventing a new concept - "the artist not in residence"

She was appointed the artist in residence at the museum just before it closed for a major refurbishment funded by the Heritage Lottery Fund.

The museum reopened in May of this year and includes an exhibition by Eileen Hogan which comprises:
  • some sublime paintings of gardens around and about London
  • a large scale exhibit - on a wall - of her way of working as an artist not in residence.

I've loved Eileen Hogan's paintings for a very long time - ever since I first saw one in one of the first Lynn Painter Stainer's exhibitions at Painter-Stainers Hall in the City of London.

It was a real pleasure to see the exhibition of her paintings at the Garden Museum - see below for why!

The exhibition finishes on 17th September. See the end for why I'm posting this far too late!

There is a book about the exhibition for those who don't manage to see it - which I also recommend.

How she works - as "an artist not in residence"

Her idea for how to be an artist NOT in residence was that she would develop a project.

She would create a virtual garden museum through a year of excursions to gardens around London.

She wrote to lots of people she knew and some who were associated with the Museum to ask them to nominate a London Green Space that was important to them - giving reasons why it mattered. It could be a private garden or a public space - or even a remembered space glimpsed from the top of a bus.  It could also be related to any time of year.  She was surprised by some of the places people chose.

Her intention was then to choose a dozen sites - one for each month of the year - and turn these into large finished paintings.

The exhibition includes:
  • her sketchbooks
  • a number of oil sketches
  • etchings drawing from material in her sketchbook
  • photographs of her at work on her sketches
The exhibition of the process is as engaging as the paintings - and provides food for thought for any artist engaged in a similar project to record places.

Brompton Cemetery and Chiswick house - Photos of the way she works and sketchbooks

Chelsea Physic Garden - Photos of the way she works and sketchbooks

The paintings

Wednesday, September 06, 2017

I HATE the beta format for The Art Newspaper

The new format for THE ART NEWSPAPER IS just awful. 

I'm hoping that "beta" means they still have things to sort out in relation to the new format for The Art Newspaper.
I'm not a subscriber but I am a regular reader of their website online.

Here's a comparison of the "before" and "after" - as seen on my 27" iMac screen.

I much prefer their old format - which can now be seen at http://old.theartnewspaper.com/ 

The "old" version of The Art Newspaper which finishes on 31 August 2017
This is readable - content is centred

I HATE their new format - http://theartnewspaper.com/ - it feels like the content is falling off the edges of the screen

Have these people never heard of margins - or big screens?

The new beta version of THE ART NEWSPAPER which seems to have started at the beginning of September 2017
- and stretches from one side of my 27" screen to the other with absolutely no margins at all
LUDICROUS!
Maybe I'll have to stick to reading it on my iPhone where it is at least presentable - i.e. they remember to include the white space at the sides!

P.S. The website reminds me of the format for the Royal Academy of Arts which, while some may think it looks good, too often feels to me like a full on frontal assault of my eyeballs. I have to stop looking much more quickly than I did before they changed their format.

Do these people never ever test their formats on wide screens or are they glued to their laptops?

Tuesday, September 05, 2017

£15,000 Taylor Wessing Photographic Portrait Prize 2017 - Shortlist announced

The three works shortlisted for the Taylor Wessing Photographic Portrait Prize 2017 include photographs of
  • a migrant rescued in the Mediterranean Sea off the Libyan coast; 
  • a Japanese android called Erica; and 
  • a girl fleeing ISIS in Mosul, Iraq
The shortlisted portraits and photographers are:
  • Amadou Sumaila by César Dezfuli
  • One of Them Is a Human #1 by Maija Tammi (Erica: Erato Ishiguro Symbiotic Human-Robot Interaction Project.) 
  • Fleeing Mosul from the series Women in War: Life After ISIS by Abbie Trayler-Smith
Three shortlisted photographic portraits
From left) Amadou Sumaila by César Dezfuli
One of Them Is a Human #1 (Erica: Erato Ishiguro Symbiotic Human-Robot Interaction Project) by Maija Tammi
Fleeing Mosul from the series Women in War: Life After ISIS by Abbie Trayler-Smith
Here's more about the photographers and their selected photographs.

The exhibition is at the National Portrait Gallery from 16th November 2017 until 4th February 2018

Taylor Wessing Photographic Portrait Prize 2017 - Shortlist


This year the major international photography award - for portrait photography - organised by the National Portrait Gallery, London is celebrating the tenth anniversary of Taylor Wessing's sponsorship.

The prizes

  • The Prize for winning the competition is £15,000. 
  • The judges, at their discretion, will also award cash prizes to one or more shortlisted photographers. (The second Prize winner receives £3,000 and the Third Prize £2,000.)
  • The People’s Pick allows exhibition visitors the opportunity to vote for their favourite portrait in the show.
The prizes for the Taylor Wessing Photographic Portrait Prize 2017 and the winner of the sixth John Kobal New Work Award will be announced on Tuesday 14 November 2017 at 19.00.

The competition


5,717 submissions entered by 2,423 photographers from 66 countries. A total of 59 portraits from 50 artists were selected for display, in which 18 were part of a series.

Photographers were again encouraged to submit works as a series in addition to stand-alone portraits, and there was no minimum size requirement for prints.

Judging Panel


This year’s judging panel was
  • Dr Nicholas Cullinan, Chair (Director, National Portrait Gallery, London); 
  • David Campany (Writer, Curator and Artist); 
  • Tim Eyles, Managing Partner, Taylor Wessing LLP; 
  • Sabina Jaskot-Gill (Associate Curator, Photographs, National Portrait Gallery, London); 
  • Fiona Shields (Head of Photography, The Guardian) and 
  • Gillian Wearing (Artist.)
Their choice gives me a certain sense of "other worldliness" about the prize - and maybe this was the intention of the judges curating the exhibition and their choice.

Alternatively maybe this is an expression of contemporary themes and interests of today's photographers.

Just three photographic portraits have been shortlisted.

César Dezfuli

Age: born in Madrid on 10 January 1991
Nationality:
 Spanish-Persian origins
Occupation:
 journalist and documentary photographer - focuses on issues of migration, identity and human rights
Current home: 
Madrid
Education: 
Double Degree in Journalism and Media Studies
Previous appearances in this award:
  None
Website:
http://www.cesardezfuli.com

Amadou Sumailaʩ C̩sar Dezfuli;
The sitter Amadou Sumaila was photographed in the Mediterranean Sea, in international Waters 20 nautical miles off the Libyan coast. He has since been transferred from a rescue vessel to a temporary reception centre for migrants in Italy. The portrait was taken as part of Dezfuli’s work as a freelancer, documenting the search and rescue of migrants on board an NGO vessel in the Central Mediterranean Route.

Maija Tammi 


Age: born 5th June 1985
Nationality:
 Finnish
Occupation:
 regularly works with scientists; background in photojournalism - photographs engage with science and aesthetics. 
Art education: 
Masters in visual journalism ; currently working on her studio art-based doctoral thesis at Aalto University School of Arts, Design and Architecture in Helsinki, Finland.
Previous appearances in this award: None
Website:
 http://www.maijatammi.com
Exhibitions: exhibited in Europe, North America and Asia.

One of Them Is a Human #1Series: (Erica: Erato Ishiguro Symbiotic Human-Robot Interaction Project.)© Maija Tammi;
Tammy’s photograph portrays Erica, an android from Hiroshi Ishiguro Laboratories. One of Them Is a Human #1 is part of a broader series which presents androids alongside one human and asks questions about what it means to be alive. The photograph was taken at Ishiguro Laboratory, Department of Systems Innovation at Osaka University, in an experiment room where researchers work with Erica. 
“I had half an hour with Erica and a young researcher in which to take the photograph. The researcher told me that Erica had said that she finds Pokemon Go scarier than artificial intelligence.”

Abbie Trayler-Smith


Age: born 20 May 1977
Nationality:
 born and raised in South Wales
Education: - 
Occupation:
 documentary and portrait photographer. Her work covers women’s rights, social development and the aftermath of conflict.

spent eight years as a photographer with The Daily Telegraph, covering world events such as the Darfur conflict, the Iraq war and the Asian tsunami, before deciding to go freelance in 2007.
Current home: based in London
Clients: wide variety of clients including Time, The Sunday Times, The Independent Review, Marie-Claire, Tatler, Monocle, Vice, Oxfam, Save The Children, IRC, UNICEF, Sony and BBC worldwide.
Previous appearances in this award:
  The Big O, won 4th prize in The National Portrait Gallery’s 2010 Taylor Wessing Prize.
Website:
 http://www.abbietraylersmith.com

Fleeing Mosul
from the series Women in War: Life After ISIS
© Abbie Trayler-Smith
Her shortlisted photograph was shot outside Hasan Sham IDP camp in Northern Iraq. Trayler-Smith was there undertaking a commission for Oxfam documenting the camp where the charity was providing aid, talking to women who had lived under ISIS who were prepared to be photographed. A convoy of buses arrived from Mosul, bringing people to safety who had escaped the battle just hours before.

"I just remember seeing her face looking out at the camp and the shock and the bewilderment in her’s and other’s faces and it made me shudder to imagine what living under ISIS had been like. To me the uncertainty in her face echoes the faces of people having to flee their homes around the world and references a global feeling of insecurity."

More about the Taylor Wessing Photographic Portrait Prize


The posts below contain images of past prizewinning portraits.