My top seven from The Figurative Art Fair

In the age of Coronavirus, the online art fair becomes the norm.

The Figurative Art Fair

Thus we have a new online art fair in The Figurative Art Fair - which is currently online on the Mall Galleries website.

It comprises

• 248 works for sale 
• by around 100 elected members of the country’s leading national art societies, including:
• The Pastel Society (PS)
• Royal Society of British Artists (RBA)
• Royal Institute of Painters in Water Colours (RI)
• Royal Society of Portrait Painters (RP)
• New English Art Club (NEAC)
• Royal Society of Marine Artists (RSMA)
• Society of Wildlife Artists (SWLA)
• Royal Institute of Oil Painters (ROI)

In the decade of “The Triumphant Return of Figurative Art” (The New York Times, 2015), and at a time of isolation, the societies have come together to celebrate figurative art, contemporary artists, and the spirit of artistic collaboration in their first-ever “figurative” art fair, outside of gallery walls, exclusively online.

All works are for sale and all works are also available for despatch immediately - with FREE delivery!

It's interesting how some artwork I started out to like - and then the photograph was not up to standard and I switched off straight away.  It really highlights why excellent photography is required if you're going to exhibit online. I hasten to add that most have excellent photographs.

Works which caught my eye include the following.

Quince by Charlotte Sorapore

Oil on gesso panel (framed) 35 x 29 cm

This is the one I liked the best - in part because of a really excellent photograph which revealed the wonderful surface of the painting and the mark-making. The light and the optical mixing are also wonderful. A skilled painting of a very simple subject

I'd buy it if I could afford it.

Quince by Charlotte Sorapore

Shallows by Ruth Stage 

Egg tempera (framed) 73 x 83 cm

I'm a big fan of Ruth Stage's egg tempera painting. I wanted to include two but restricted myself to one.  She has a happy knack of abstracting the real and layering up her paintings with paint and marks that make it intensely interesting such that you want to keep on looking at the surface and not just what it represents.

Shallows by Ruth Stage

Leaning Hawthorns by Sarah Bee

Acrylic on gesso primed mount board (framed) 68 x 68 cm

This is a typical Sarah Bee - acrylic underpainting of old and twisted trees and then developed on top through the use of pastel. Each one always looks fresh.

Bonfire at Akeld by Frances Bell

Oil on board (unframed) 36 x 56 cm

Frances works with a very muted and cool palette - and yet always seems to find light within her subject matter

Bonfire at Akeld by Frances Bell

Moment of Majesty, Mt Elijah above Ano Boularii, Sundown by Toby Wiggins

Oil on canvas (framed) 96 x 144 cm

This is big - and reminds me a lot of paintings of New Mexico by both Georgia O'Keeffe (see Georgia O'Keeffe's landscapes of northern New Mexico) and Lydia Baumann (see Painting Georgia O'Keeffe Country). Desert landscapes as a subject are hugely under-rated.

Moment of Majesty, Mt Elijah above Ano Boularii, Sundown by Toby Wiggins

Alcazar Gardens (Seville) by David Curtis (sold)

Oil(framed) 38 x 38 cm

This reminds me of when I visited the Alcazar Gardens and did a pastel painting plein air.

However this is an oil painting. I want to see the brush strokes in every plein air oil painting - and in this one I can. When I look at the enlarged painting it's as if it's in front of me.

I note it has sold and I'm far from surprised.

Social Distancing on the Trent by Chris Myers 

Watercolour (framed) 54 x 102 cm

The title of this one made me smile - because it provides a record of a particular time - and yet it was painted last year. A neat example of how a change of title suddenly makes a painting very relevant and contemporary.

Social Distancing on the Trent by Chris Myers

Banksy provides symbolic comment on George Floyd + text!

Yesterday Banksy posted a painting on his website. The painting depicts a memorial to a faceless black man. This includes a candle which is beginning to burn the American flag - presumably in relation to the way George Floyd's death has sparked outrage and protest which has spread from Minneapolis across the USA and around the world.

He also posted three images on Instagram. It has three images - of

1. text (see below), 
2. the full size painting (see above) and 
3. the cropped version ( see beneath the text)

The post now has over 2 million "likes" and a LOT of comments

What is less understandable is the nature of some of the comments on his Instagram post

Some of these indicate that there are several who do NOT "get it" that Banksy has been commenting on social issues via visual images for a VERY long time.

OK - so this time he decided to spell it out too. How come they STILL don't get it?

View this post on Instagram

A post shared by Banksy (@banksy) on Jun 6, 2020 at 3:30am PDT

George Floyd died from asphyxiation on 25 May because a policeman with a long history of conduct violations knelt on his throat for 8 minutes and 46 seconds while two others held him down and a fourth did nothing.  They have all been arrested.

His death is viewed by many as a symbol of systemic police brutality against African-Americans - which "the establishment" a.k.a. "the white people' has done nothing to stop.

The protests around the world have not stopped since.  I see some of the latest have taken to hanging the American flag upside down.....

Articles on the Instagram post are as follows:

UK

• Banksy supports Black Lives Matter with latest artwork | The Guardian 
• Britain's Banksy depicts U.S. flag on fire in Floyd tribute | Reuters
• Banksy torches US flag in new artwork in support of Black Lives Matter protests | Daily Mirror
• Banksy shares picture of candle burning US flag | Daily Mail
• Banksy unveils new artwork inspired by death of George Floyd | Evening Standard
• Banksy reveals new Black Lives Matter artwork inspired by ... Metro
• What do we know about the new Banksy painting and where is it?.  | Metro
• George Floyd death: Banksy sets fire to US flag in new artwork inspired by Black Lives Matter | Sky News

USA

• Latest Banksy art shows burning American flag in Floyd tribute | Fox News
• Banksy's New Anti-Racism Artwork Sets Fire To The American Flag | Huffington Post

Black Lives Matter: what art museums did next

This is a record of what you can see on the websites of major art galleries and museums in the USA today - in the aftermath of the killing of George Floyd

• starting with the Minnesota Museum of American Art and 
• finishing with the Minneapolis Institute of Art.

They tell an important story. Don't skip the last image.

Minnesota Museum of American Art

The statement on the home page of the website

BLACK LIVES MATTER.Demands for justice in the face of George Floyd’s murder are reverberating from the Twin Cities across the world. Museums are not neutral and must actively participate in the dismantling of deeply rooted, systemic racism and racial violence in America. The M stands in solidarity with the Black community and allies showing up in the streets of Minneapolis and St. Paul—to protest, clean up, and support the tired, angry, and grieving. The many visionary Black and BIPOC artists in the mix are testifying to the power of art to confront white supremacy, to speak truth to power, to honor and resist forgetting, and to heal. We’re listening and reflecting on how the M can center and help sustain this anti-racist work.

Metropolitan Museum of Art, New York

READ Standing in Solidarity, Committing to the Work Ahead (June 1, 2020)
by Daniel H. Weiss, President and CEO; and Max Hollein, Director

We know that art can be a powerful tool for commenting on contemporary issues, and that museums can play an important role in facilitating important, yet uncomfortable discussions. As the national conversation around racial injustice has heightened in recent days, we have been using our social media channels to highlight works from our collection that invite reflection on our nation's complicated past and present.

National Gallery of Art, Washington

READ Director's Message - PERSPECTIVES
by Kaywin Feldman, Director, National Gallery of Art June 01, 2020

We must remain hopeful, generous, just, and kind now. Our past does not have to be our destiny. We must let the power of art, which is the power of all that we share as human beings, be a power that prevails through this difficult time.

Museum of Fine Art, Boston

READ Director’s Message
BY Matthew Teitelbaum and Ann and Graham Gund Director

It is past time to recognize that the usual commitments to change are not enough, and that we have an obligation to make a difference. Only demonstrable actions will evidence a commitment. We acknowledge that the MFA, like many art and cultural organizations across America, has work to do to become the institution to which we aspire. This is the time for us to determine: “How will the MFA take the lead on bridging and healing the divides that exist among us?”

Art Institute Chicago

READ Our Commitment to Racial Justice and Equity 
BY —James RondeauPresident and Eloise W. Martin Director

.....this cannot simply be a time for words. Museums are contested sites; we are not neutral. We have the ability to play a constructive role in civic discourse. This is a time for self-reflection, a time for us to thoughtfully understand the best ways to advance racial justice. We recognize both the specific limitations of our authority as well as the boundless potential of an art museum to give shape and structure to new narratives. Grief will transform into action.

Los Angeles County Museum of Art

READ Black Lives Matter

We stand with our community in rejecting racism, in mourning, and in demanding justice for the deaths of countless African Americans who continue to be targeted by systematic violence. We recognize that museums cannot claim neutrality in addressing the horrific issues that have plagued our society for centuries.

Minneapolis Institute of Art 

READ: Nothing

It's as if nothing happened in the city where George Floyd died.
Check out https://new.artsmia.org/

A non-stop global 24 hour conversation about watercolour!

This is the 

First non-stop 24 hour livestream global watercolour conversation, connecting over 100 of the world's top watercolour artists

I've never ever seen anything like this before - but it looks as if it will be really interesting.

It's a live stream on YouTube and starts at 11am Saturday 6th June in New Zealand (23.30GMT tonight 5th June 2020) - so I guess the aim is to keep going all the way through Saturday and into Sunday!



It's being organised by Szczepan Urbanowicz abd is also listed as an event on Facebook

I've no idea who he is - but I do recognise some of the names so I assume he's got this organised!

This project creates a new global watercolour conversation. It brings together over 100 of the world's leading watercolour artists (in a world first) 24 hour continuous conversation and poses questions relating to the current global conditions of social distancing, self-isolation and the new realities of creativity and expression in our technological world.JOIN with our guests as we roll out this "conversation" over 24 TIME ZONES!...direct to a global audience!...and remember!!!
..........GO WITH THE FLOW!!!!

Society of Botanical Artists - first online virtual exhibition

Today Plantae 2020 should have opened at the Mall Galleries. Instead the SBA's annual open exhibition opened ONLINE. 

• That's 426 artworks by 221 artists!
• It's probably the biggest ever exhibition of botanical art - even if it is online 
• It will probably get the biggest audience of any botanical art exhibition ever!

I've written very many times about the annual exhibition of the Society of Botanical Artists on this blog (see this page for links to the reviews) - until I started my website Botanical Art and Artists and switched to writing about botanical art exhibitions on its news blog.

However every exhibition I've written about has been one I've seen in person and photographed and reviewed.

This year - for the very first time - Plantae 2020 the annual exhibition of the Society of Botanical Artists can only be viewed online

However it can also be viewed three ways! You can

• View by Artwork - it starts a slideshow of all the 426 images in the exhibiton (+ music!)
• View by Thumbnails - you can choose which artwork you want to look at. There are 11 pages of thumbnails on my screen. This is what one page of thumbnails looks like.
• View by Artist - you can see all the entries by one artist.

I'll be reviewing the exhibition on Friday - on my Botanical Art News blog - and looking at the artists who got selected for the exhibition tomorrow.

If you enjoy botanical art, you might like to take a look - and maybe come back for more.