Sunday, November 09, 2014

Who's made a mark in art? October 2014

This post is a round-up of my posts since my last "Who's made a mark in art?" post a month ago - plus links to interesting news about the art world that I've spotted during October.

Below is Ben Johnson's painting which won the £10,000 Visitors Choice Award - chosen by visitors to Threadneedle Prize Exhibition. (see below for more details)

Threadneedle Prize 2014 - Winner of £10,000 Visitors Choice Award
Room of the Revolutionary by Ben Johnson
I've got family commitments at present which means my posting is a bit ad hoc at best at the moment until the situation has stabilised. Anybody with 'an elderly p' will have their own interpretation of what that means!

Artists

Artists on Film


Mr Turner opened! Then Jonathan Jones commented in A brush with Mr Turner: why can’t films about painters get the painting right? My own view is that one could also ask why can't the critics get the analysis of the painting right! I'm more forgiving of those creating a film than I am of those making a documentary. At least Timothy Spall took lessons in how to paint for two years! I'm much more critical of critics who comprehensively demonstrate they haven't got a clue about how drawing or sketching or painting actually works.

Artists on Television

It's the time of year when the British television channels begin to 'get cultural' and we've begun to have some significant programmes about art and artists.

Art on Video

Artists in Books

  • 33 Artists in 3 Acts by Sarah Thornton – review is about Sarah Thornton's new book. The author of the very excellent "Seven Days in the Art World" has turned her attention - and stories - to an analysis of different artists on different continents - with a view to identifying what makes them the same and what makes them different and what makes an artist. She has two (questions). “What is an artist?” And then a killer followup: “What kind of artist are you?”

Art Business & Marketing

"Blood Swept Lands and Seas of Red" at the Tower of London
- photographed from The Shard on my birthday.




Art Education

Art Education

  • Learn about Why some Art students almost never get high grades. Your approach to learning very often influences outcomes and the benefits that can be achieved. That's why learning how to learn is as important as what you learn. Read this article if you want to know some of the reasons why people underachieve at art - and some of the strategies for tackling faulty reasoning.

Drawing

Coloured pencils



Painting

  • Carol Marine's new book Daily Painting: Paint Small and Often To Become a More Creative, Productive, and Successful Artist is now in circulation for reviewers (I've got my copy!). I've already recommended it on my Facebook Page having only skim read it. The section on the Top Six Mistakes that Students Make was one of the things - amongst much really useful stuff - which caught my eye. I'm not in the least bit surprised to that her book is already ranked at #1 in the Painting Section of Amazon Books!


Art Competitions


Botanical Art

  • Two posts about photographers and the botanical artists who won Gold Medals at the RHS Autumn Show
  • A brand new RHS Show for Botanical Art has the information about dates for the RHS's Main Botanical Art Show in 2015 - note the dates have changed

Figurative Art

These are my posts relating to Threadneedle Prize:

The photorealist artist Ben Johnson won the £10,000 Visitors Choice Award that was voted for by people visiting the exhibition. Apparently only six votes separated first and third place after thousands of visitors had voted.

Friends of the author can play "spot the blogger" on the picture below. I was tweeting on my new iPhone when it was taken.

The Threadneedle Prize Awards Dinner
- spot the author (sat inbetween the winner's husband and one of the Judges!)
- spot the painting which won the Visitors Choice Award (behind the speaker) 

Portraiture 

  • There's A new £15,000 prize for portrait painting - which is open to international artists and is being run in conjunction with the Annual Exhibition of the Royal Society of Portrait Artists. The first prize will be awarded at the 2015 Annual Exhibition of the RSPP

Art Exhibitions


Major Museums and Art Galleries in London

I'm way behind with my quarterly update on major exhibitions in London due to personal commitments relating to health. In the meantime here are the major new exhibitions which have opened in London - or are about to open

Art Societies 


These are my reviews of the annual exhibitions of the major national art societies.
Fourteen Long Tailed Tits (£18,500) © Adam Binder 
at the Annual Exhibition of the Society of Wildlife Artists at the Mall Galleries
  • Well done to the Society of Botanical Artists on yet another successful international exhibition OUTSIDE the UK. I wonder why more art societies don't take the opportunity to put on exhibitions in other countries? Here are some blog posts about it:

Art Galleries


  • Lewis McNaught, the Director of the Mall Galleries is now on Twitter. You can follow him on @Lewis_McNaught.  Those having record sales at their exhibitions look like they're going to be highlighted in future. 

Techies - websites, webware and techie stuff for artists

  • I was reminded earlier today that I wrote this blog post - Artists on Facebook - The Scope and The Rules - about two years ago - for all those Artists who are confused about the difference between a Facebook Account and a Facebook Page and how to comply with the rules and make the most of the scope they offer. Plus a bit about Facebook Groups - and how these are used by artists. It probably needs updating - but it's still better than nothing for those who are confused by Facebook!
  • A new gmail phishing scam is about a new gmail phishing scam which targeted me - or at least it's new to me!

and finally......

First the next Urban Sketchers London Sketchcrawl will be at Trinity Buoy Wharf on 16th November

...and this is what happened when The Big Draw visited The One Show at the BBC

Friday, October 31, 2014

Video: 2014 Exhibition of the Society of Wildlife Artists

The 51st Annual Exhibition (2014) of the Society of Wildlife Artists opened this week and can be seen at the Mall Galleries - in all three galleries - until Sunday 9th November

The exhibition includes, paintings, drawings, fine art prints and sculpture by wildlife artists

A View of the Exhibition


This is a video of the exhibition taken at the end of the afternoon preview and as the evening event was getting underway hence rather a lot of people around and why I didn't do a very slow pan.



Workshops, Talks, Demonstrations and Events


There's a VERY extensive list of Talks, Demonstrations and Events being held during the exhibition.  All of them are held at the Mall Galleries and you can get full details from this website page plus information on how to book for any which still have spare places.

Thursday, October 30, 2014

Reflections on the RHS Botanical Art Show Autumn 2014

The Botanical Artists selected by the RHS to exhibit at their Autumn Botanical Art Show 2014
- from Bath, Cornwall and Lincolnshire (England)Midlothian (Scotland)Powys (Wales),
and Hong Kong, Japan, Korea, South Africa and the USA (Maine and Florida)

More from the artists and photographers whose work was submitted and selected for last week's Royal Horticultural Society Exhibitions of Botanical Art and Botanical Photography - with a view to winning those all important RHS Medals!

RHS Botanical Photography

I viewed the Botanical Photography first (displayed on the Mezzanine level in the Lawrence Hall for anybody who missed it).  This is always exhibited at one of the RHS exhibitions in October - usually the Autumnal colours rather than the Harvest themed.

Four Gold Medals were won as follows.

GOLD MEDAL: Kobaimo - Japanese Endemic Fritillaria by Laurence Hill 
It's not really bendy - it's just my camera trying to get it all in!
Laurence Hill has an extremely unusual display of Kobaimo - Japanese Endemic Fritillaria. It was very impressive both in terms of scholarship and techniques.

His display played tribute to:

  • shashin - which relates to how images were created as prints and the incredible importance of demonstrating authenticity - of having handled the plant
  • Iinuma Yokusai - a Honzu-Gaku (Herbal doctors) of the late-Edo period who was responsible for the publication of the first botanical book in Japan - the Somoku-dzusetsu (an iconography of herbaceous and woody plants of Japan)
His photographs are printed on rice paper and the format adopted is that of the old wood block prints of plants.
Two of the exhibits in Kobaimo - Japanese Endemic Fritillaria by Laurence Hill 


Laurance has also developed a website - Fritillaria Icones - which serves as a photographic botanical database for all all Fritillaria species. Its purpose is to help with identification, research and conservation of Fritillaria.
RHS Botanical Photography - The Art of Plants by Nigel Chapman
GOLD MEDAL WINNER: The Art of Plants by Nigel Chapman
Nigel Chapman is a regular exhibitor at the show and has won many Gold Medals  (see my previous post about him RHS Gold Medal winning Botanical Photography in 2012). Nigel and I are both interested in photographing patterns in the same sorts of plants which makes viewing his display a very interesting experience for me. You can see his former exhibits at the RHS on his website

RHS Botanical Photography - Past Perfect by Polina Plotnikova GM
GOLD MEDAL WINNER: Past Perfect by Polina Plotnikova
Polina Plotnikova is a Russian born UK-based photographer who now lives in the London Borough of Bromley.  This is the page relating to Polina's previous submissions to this October RHS exhibition.

The fourth Gold Medal was won by Plants (in this instance "Lichens on Flint") by J Cassidy Photography (Cambridgeshire).

RHS Botanical Art

This is a commentary on other interesting aspects of the Botanical Art Show

Tuesday, October 28, 2014

Painting Canada 2 - Emily Carr at the Dulwich Picture Gallery

From the Forest to the Sea, Emily Carr in British Columbia opens to the public at Dulwich Picture Gallery on Saturday 1st November 2014.

From the Forest to the Sea, Emily Carr in British Columbia - at the Dulwich Picture Gallery
This is my video interview with Ian Desjardin, Director of the Dulwich Picture Gallery and Co-Curator (with Sarah Milroy) of a new exhibition about the famous Canadian artist, Emily Carr (1871-1945).




A blog post about my visit to this exhibition and images of paintings you can see in the exhibition follows shortly.

Link: Painting Canada: Tom Thomson and the Group of Seven - Review (2012 exhibition)

Sunday, October 26, 2014

Three RHS Gold Medals for Botanical Art and a video interview

This week three artists won RHS Gold Medals for their Botanical Art at the Royal Horticultural Society's Shades of Autumn Show in the Lindley Hall in London.

Denise Ramsay (Hong Kong / France) - Papaver orientale - Oriental Poppy.


Papaver Orientale - A Brilliant Life Series by Denise Ramsay GM
Denise Ramsay GM with the first three paintings in her series of six paintings of the Papaver Orientale
A Brilliant Life - Faded Glory by Denise Ramsay GM
A Brilliant Life - Faded Glory by Denise Ramsay GM
Papaver orientale ‘Brilliant’ - Scale 1:3
Watercolour on paper 640gsm, 2014 
71 cm x 67 cm (28" x 26 1/2") 
(Collection: Dr Shirley Sherwood)
Denise Ramsay was a first time RHS exhibitor - and sold her first painting to Dr Shirley Sherwood at the show. This was before she also sold the rest of her series to Dr Sherwood after the show!

Her series of six paintings - A Brilliant Life - of Papaver Orientale is extraordinarily impressive. Her paintings are so well constructed and have enormous impact. They paintings almost appear as if they are 3D.

Prior to completing her suite of work she had studied, via distance learning, for the Society of Botanical Artist's Diploma in Botanical Illustration and gained a Distinction.

I've been doing video interviews with artists for a while - but I think  my video interview with Denise Ramsay  is a first when it comes to botanical artists. In the video (below and on YouTube) she explains:
  • how she came to enter the show
  • how she chose her plant and theme
  • her preparation prior to painting
  • how she painted specific parts of the poppy


Laura Silburn (Cornwall, England) - Aristolochias of British Botanic Gardens. 


I first met Laura Silburn in April 2013 when she won her first Gold Medal for Varieties of Hardy Geranium that have received the RHS Award of Garden Merit.

Laura is a Fellow of the Eden Project Florilegium Society and after her first Gold Medal she started to painted Aristolochias for the Society. She loved painting them so much she started looking for some more and started to contact other Botanic Gardens in Cambridge and Oxford.

Aristolochias of British Botanic Gardens by Laura Silburn GM
Laura Silburn GM with three of her watercolour paintings of Aristolochias of British Botanic Gardens
Laura is viewing her two paintings which were purchased by Dr Shirley Sherwood
Aristolochias use a pollination trap mechanism in order to use insects to pollinate their flowers. They have evolved weird and wonderful flowers in order to do this. Often mimicking carrion, they look bizarre, some say sinister, but I find them captivating.
Laura Silburn
Check out an article by Laura in the September 2014 edition of The Plantsman - Painting Hardy Geraniums (pdf file) is available to read online or download from the RHS website. In this she explains her working practices and how she develops her artwork from measurements, drawings of how the plant is constructed, sketches and thumbnails and colour samples to the finished painting.

extract from ‘Painting Hardy Geraniums’ by Laura Silburn GM
Laura Silburn's article about how botanical art is composed and executed
in the September 2014 edition of The Plantsman
Iris Sibirica by Ruth Kirkby GM
Iris Sibirica (sold) by Ruth Kirkby GM

Ruth Kirkby (Powys, Wales)  - Iris sibirica - Siberian Iris.  


Ruth has exhibited with the RHS previously, winning silver medals on both occasions.

However she has only been painting botanical art for four years and is mostly self-taught.

Her display was very 'quiet' compared to some of the others but very impressive for all that.

Yet More "Top Tips" for winning an RHS Gold Medal!


Regular readers will know that over the past few years, I've asked all the RHS Gold Medallists (exhibiting in London) over the past few years for tips and techniques with respect to both the creation of their exhibit and its presentation.

Here are a few more.  You can find links to previous "top tips" from the Gold Medallists at previous exhibitions listed at the end.

TIP: Think about the scope to be innovative and contemporary

One of the comments I heard from a few exhibitors is that Judges are encouraging innovation and looking for high standards of contemporary botanical art.  I guess I've got this one labelled as "The Rory McEwen Factor" - how can you advance the art of botanical art?

For example, I think Denise's series is an excellent example of how to tell the botanical story of a plant over six paintings rather than showing all the elements of its life in one painting.

TIP: Have a Project in Mind and take your time

Working out what plants or species to tackle and then how to approach it is probably one of the most challenging parts of the process of creating an RHS Exhibit. Don't under-estimate the amount of time needed to think this through prior to making a choice.

In general two years are required for a submission. You need a complete life cycle - and the plants need to "perform" re flowering and fruiting.  It's possible to do it in one cycle but two years makes it easier to maximise your chances of the best possible result.

Gold Medal winners emphasised that there's a lot of preparatory work involved in putting a submission together. In Laura's opinion, by the time you sit down to start the paintings you're probably already halfway through the project in terms of the hours of work for the entire project.
There's no point in having perfect brushstrokes if composition is no good or you're not showing the parts of the plant which matters.

TIP: Check out National Collections and Botanic Gardens local to you

Finding quality plants can be a challenge.  Two great sources are Botanic Gardens and National Plant Collections - used by two of the Gold Medallists at this show.

Laura Silburn found that the Botanic Gardens she approached had friendly Botanists who helped her get to know the range of plants

All of the Irises in Ruth's exhibit came from the same place - Aulden Farm which hosts the National Collection of Siberian Irises.  The farm in Herefordshire is very close to where Ruth lives in Powys - just across the border in Wales. This made it much easier to come and go to collect specimens. Ruth emphasised that the specimens she has painted are a small proportion of those available.

Why not check out whether you have any National Collections of Plants located close to where you live?

Three watercolour paintings of Aristolochias of British Botanic Gardens by Laura Silburn GM
Three more watercolour paintings of Aristolochias of British Botanic Gardens by Laura Silburn GM

TIP: Keep the same external dimensions

Ruth Kirkby's paintings were all one panel. Interestingly she kept the external dimensions identical for all paintings - and then varied the internal dimensions. There are some very subtle differences in margins - however the same external size for the six smaller paintings gives them a much better unity and better presentation across the exhibit as a whole.

I recommend that you always think about the overall presentation and the size of the painting and how it will be matted BEFORE you start to paint.

Iris Sibirica by Ruth Kirkby GM
Ruth Kirkby with her exhibition of seven watercolour paintings of Iris Sibirica (Siberian Iris)

TIP: Paint more than you need

Ruth had painted ten paintings and was able to bring the best seven to the show. If you have the time and you are dedicated to pursuing a particular species it's great if you can select the best of those you have painted to take to the RHS Show.

TIP: Think about your pricing

Artists can sell their artwork at this exhibition. Ruth's smaller works were selling well - and in part that was probably because of the price. Pricing for art varies around the country and naturally varies between different sizes.  Do some research about prices typically paid top notch botanical art sells for in London - or enjoy giving botanical art collectors a bargain!

TIP: Find a good Tutor

A lot of botanical artists are self-taught. At least two of the Gold Medallists at this show have had the benefit of being taught by tutors who are themselves RHS Gold Medal winners and who can recognise whether their student has reached the standard of work which merits applying for a place in an RHS Botanical art Exhibition.  Both Denise and Ruth were encouraged by their tutors to make a submission.

More Top Tips for winning an RHS Gold Medal 

Top Tips

Interviews with RHS Gold Medallists