Wednesday, July 03, 2013

Better vision - occupational lenses for artists

Have you ever heard of occupational lenses for near and intermediate vision?

I learned something new when I visited my optician yesterday to get new prescriptions for intermediate and reading distances following my eye surgery (see Normal vision will be resumed as soon as possible). 

 I commented that I'd been thinking of having a pair of bifocals for computer and reading vision - but wanted to wait to see how I got on with my new computer glasses for occasional reading.

Occupational lenses


The optician told me that if I did a lot of reading at the same time as computer work I might be better off having some specific occupational lenses.  (Interestingly this is a topic which has not yet found its way onto Wikipedia!)

She told me that these are typically used by people who work with different and relatively short distances in their immediate workplace - basically any working situation where the emphasis needs to be very much on the whole of their near and intermediate vision.

People who benefit are crafts people like watchmakers, jewellers where the near sight can then be magnified to the level required for the precision and details required and the intermediate used for their vision of their workbench.

Occupational lenses are also commonly used by office workers whose working day is dominated by having to read (looking down - near) and use a computer screen (intermediate) at the same time.  Some of these are bifocals and others are varifocals.

It struck me that this is a solution for the many artists who work in a studio with repeated use of similar distances - such as the botanical artist working from life (ie why I was asking!)

I found this blog post Glasses for the office by Neil Dixon (stuph...) to be very useful to understanding how they work.  It's by somebody who had occupational lenses prescribed for the office but found them particularly beneficial for his leatherwork as well.  His diagram is very helpful.

Diagram by Neil Dixon which contrast regular varifocals with occupational varifocals
What they mean is much less bobbing or tilting of the head to find the best part of your lens to focus on what you're looking at.  

I found regular varifocals to be unsatisfactory for computer vision and opted for single vision lenses - however a much bigger intermediate area for screen / easel distance would seem likely to make a big difference to how useful they would be.

Enhanced near vision lenses


It's also possible to have glasses made with enhanced near vision lenses - with magnification to a specific distance.  This struck me as a much more straightforward solution for miniature artists than wearing the head magnifiers - particularly as the lenses in glasses can then be adjusted for any other optical quirk your eyes might have.  Prescription lenses would then reduce the scope for headaches. I know some artists have obtained these type of lenses as they've found them much easier to use than a freestanding or headband magnifier.

Assessing what sort of lenses are best - the visual task analysis


Unlike normal glasses where the optician is testing your ability to see letters and definition, the nature of occupational lenses means that the opticians needs to know a quite bit more about the nature of your workplace.

The following is an abbreviated extract from Occupational Dispensing - a detailed guide for dispensing opticians.  It highlights the sort of issues a dispensing optician needs to consider.
Visual task analysis
Before spectacles can be dispensed for occupational reasons, it is important to first conduct a visual task analysis to determine the patient’s specific needs. The primary details that need to be elicited are:
  • Task size – consider the size of the text/task and the field of view;
  • Working distance (WD) – this will dictate the power of the near addition and the range of distances which need to be catered for. 
  • Lighting – accurate perception needs optimum lighting, especially when reading, writing, driving and using a VDU. 
  • Contrast – black writing on a white background gives the best contrast so consider the patient’s tasks as to whether there will be difficulty in seeing objects in the work area; 
  • Colour vision – this is imperative in some occupations so lenses prescribed must be of a suitable material in order to maintain the quality of colour perception and not induce chromatic aberrations.
  • Stereopsis – the ability to judge depth is vital in certain occupations 
  • Whether the task is still or moving
  • The position of the patient and the task – the occupation may involve moving around the working environment and so the lens dispensed ideally should cater for this or at least not cause inadvertent increased risk of injury. 
  • Possibility of hazard - the dispenses lenses must provide adequate protection

My tip

Take the guesswork out of a consultation with your dispensing optician and provide facts! A very good way of giving the optician the sort of information they need is to:
  • Take a few photos of where you sit/stand and where you work - to show the nature of the set-up in your immediate working environment
  • Record measurements relating to the typical distances between your eyes and things you need to see clearly.  Get a long ruler or somebody to help out with the measuring.
  • Do some diagrams which show your normal set-up and the distances involved.

More information about occupational lenses

Here are some links to websites which provide more information about occupational lenses.  This is by no means an index of best articles. I'm also NOT recommending the lenses identified so much as recommending the articles as a way of understanding more about how such lenses can help artists and the options on offer.  Your best way forward if you think this is something you'd like to know more about is to have a detailed discussion with your optician.

Tuesday, July 02, 2013

Selected Artists - UKCPS 12th Open International Exhibition 2013

The United Kingdom Coloured Pencil Society have announced the names of the artists whose artwork has been selected for the UKCPS 12th Open International Exhibition 2013  are as follows.
  • the link in an artist's name is to his or her website
  • links to a UKCPS gallery page or other related website are noted separately
  • I'm also including Facebook pages where these are evident
Exhibition: UKCPS 11th Open International Exhibition 2013
Where: Patchings Art Centre, Oxton Road, Calverton, Notts, NG14 6NU
When: 1st September to 6th October 2013

Selected artists


A

Sue Andrew
Elisabeth Aubury UKCPS Silver UKCPS Gallery Page

B 

Marilena Balint UKCPS Gallery Page 
Colin P Brown
Tiffany Budd UKCPS Silver  Blog

C 

Jean Canter UKCPS Gold related website
Angela Cater UKCPS Silver
JY Chang member of CPSA - District Chapter 210 San Francisco, CA
Kate Clarke UKCPS Silver
Sue Clinker UKCPS Silver
Beverley Courtney UKCPS
Sarah Cronin
Malcolm Cudmore UKCPS

60 x 90cm pure CP (Derwent Artist and Studio) on cradled wooden panel prepared with gesso
© Malcolm Cudmore

D

Mike Daniels
Kathy Dennett
Sandra Dewsberry UKCPS Gallery Page 

E 

Roy Eaton
Margaret Edwards UKCPS UKCPS blog interview

G 

Irina Garmashova-Cawton UKCPS UKCPS Gallery Page
Antonio Sanchez Gonzalez
Jo Goudie UKCPS Silver

H 

Davina Halliday
Angela Hammond UKCPS
Judith Heilbronn-Crown UKCPS Silver
Suzy Herbert UKCPS Gold UKCPS Gallery Page
Cathy Holtom UKCPS
Amy Horton UKCPS Gallery Page
June Horwood 
Denise Howard Blog |  member of CPSA - District Chapter 210 San Francisco, CA
Maureen Howard
Diana Hudson

J 

Julie Jenkinson
Betsy Jones (moderator of the Colored Pencil Artists and Lovers on Facebook group)

L

Roger Lewis UKCPS Silver related website
Bev Lewis UKCPS Silver
Pauline Longley UKCPS Silver

M 

Morryce Maddams UKCPS Gallery Page
Alan McMahon UKCPS Gallery Page
Liedia van de Mortel UKCPS
Lesley Moyer UKCPS Gallery Page
Barbara Murray 

O 

Ryoko Ohara
Sylvia Oliver-Smith
Kris Owen 

P

Victoria Parsons UKCPS
Alison Perkins
Rachel Pesterfield UKCPS UKCPS Gallery Page
Janie Pirie SBA UKCPS
Susan Poole
Pamela Preller
Vivienne A Priest 

S UKCPS Gallery Page

David Sandell
Judith Selcuk
Lesley Sharman UKCPS
Celia Smith
Janet Suffield
Ron Swainger 

T

Hazel Tucker 

V

Martin Vela
Maria Villioti 

W

Isobel Wardley
Ruth Whitington
Ursula Williams UKCPS
Helena Wilsen-Saunders
Lesley Woodhouse

Judges


This year's judges who selected the artwork for the exhibition are:
  • Liz Wood from Patchings
  • John Hope-Hawkins - Chairman of the SAA
  • Lesley Crawford UKCPS Silver - founder member of the UK Coloured Pencil Society
Stephen Ashurst - a local artist - will decide the Exhibition Awards

Links:

Sunday, June 30, 2013

1 July 2013 - Who's made a mark this week?

12 Most Striking Tendencies of Creative People by Kim Phillips is a very interesting brief summary of what makes people creative. I can think of at least one more striking tendency - the ability to work on your own.

How about you?

The Vanity of Small Differences - a book by Grayson Perry
Hayward Publishing
One of the most creative artists I know whose work I much admire has got a new book out - and I've been sent a review copy - see above.

So tomorrow I should get my post surgery revised prescription and new reading glasses and I can get back to reading books as opposed to giant text on screen!

Artists and Art Blogs 


Art Societies



Artists' Books



Drawing and Sketching



Honours


Four people in the art world received four 'heavyweight' honours in the Queen's Birthday Honours list. The honours they received come after their name. They included
Anish Kapoor is regarded as one of the most influential and pioneering sculptors ofhis generation. He is famous for his monumental public sculptures and for hisenigmatic sculptural forms, which have been exhibited all over the world. He becamethe first living British artist to take over the Royal Academy in 2009. A Turner Prizewinner, he has twice won the Premio Duemilia at the Venice Biennale and has sincereceived many other international honours.
  • Thomas Heatherwick CBE (Commander of the Order of the British Empire) - Founder, Heatherwick Studio. For services to the Design Industry  (This is the chap who designed the Olympic Cauldron)
  • Grayson Perry  CBE (Commander of the Order of the British Empire) - Ceramic Artist. For services to Contemporary Art.  I just wish he'd get his own website - I just know it would be strikingly different to anybody elses!

Painting


  • Andrew Wyeth's top 20 American painters in watercolor. It's an interesting selection and I confess I haven't heard of one or two.  
  • I very much recommend this video documentary of Carl Randall. It shows him:
    • collecting material for his portraits of people in contemporary contexts within Japan (see my post about his Travel Award exhibition) 
    • painting portraits from life in his studio in Tokyo
    • painting elderly survivors of the atomic bomb at Hiroshima
  • I'm going to highlight some of the websites of artists whose work made me stop and stare when I was finding their website links for the BP Post about selected artists
    • Here's the first - a man with a wonderful name who will interest all those who like realism.   Comhghall Casey is a Dublin based artist.
    • Greg Kapka created one of those - "I need to look at this again" portraits with Heterochrome 
    • Agnes Toth's website is frustrating, fascinating and illuminating
  • Calling all watercolour painters.... Are you a tubes or a pans person. Or both? Try my poll

Pastels and Pencils


  • I've started experimenting with the new colours I bought in my haul of Luminance coloured pencils and Girtin in coloured pencils was the result
After Girtin - The White House at Chelsea
Caran d'Ache Luminance coloured pencils on Arches Hot Press


Who painted this?


  • First we had Who painted this? #32? Congratulations to Bernadette Madden in Dublin who was the first person to guess that this is a self-portrait by Artemesia Gentileschi. Speed of response seems to have been entirely dictated by whether or not people knew that she was playing a lute in the painting.
  • then we had Who painted this? #33.  I'm finding more and more I'm tempted to go with an image which echoes whatever it is I've been writing about.  Which is how come this week I noticed how few painters put people in their urban landscapes!

Art Business & Marketing


Amazon Art Gallery


  • Yes - you read that right! Amazon is planning to open a virtual art gallery to sell art online.  The venture is targeted at the smaller galleries and apparently 109 have agreed to go online.  Some dealers are indicating they may well operate under a pseudonym until the venture becomes successful.  Amazon is not commenting as yet.  However note that, unlike books and authors, there's no sense at present that individual artists could represent themselves online at Amazon.

Art Business



Art Fairs


Galleries are increasingly splitting their sales and curatorial teams. Some, however, are sceptical 

Copyright



Marketing and Communication



Art Competitions


Lots about portraiture this week


Art Education


  • I'm starting with a couple where announcements are a little lacking and I personally would want to know more before signing up and parting with cash
    • ArtPlantaeToday announces a coloured pencil workshop with Ann Swan at the Los Angeles Arboretum at the end of September.  Which is odd because it doesn't appear on either Ann's website or that that associated with the Arboretum.  I suggest checking with Ann first before handing over any money!
    • I've got a lot of time for Paul - but I think maybe his new Art Practice Community website called Creative Triggers will get a better response if he identifies himself better (ie surname!) and shows us his artwork.  People need to trust you to complete a subscription form with their personal details and agree to pay a monthly subscription.
  • Ester Roi provides us with a lesson - How to Mount Paper on Board

Art Exhibitions


Major Art Galleries and Museums in London



Other galleries in the UK



Major art galleries and museums in the USA



Art Equipment and Supplies



Techies


  • The end of Google Reader is today - or so we were led to understand - it's still working as I write.  While it's still up and running you can export your subscriptions from Google Reader which dies tonight. You have to export via Google Takeout which gives you a zip file of your Reader subscriptions https://www.google.com/takeout/#custom:reader

and finally......


Life as an art-going dachshund can be a bit hectic and very tiring - see Too much art for little me on The Adventures of Miss Marple.

Friday, June 28, 2013

Who painted this? #33

This week I've been looking at cityscapes.  A review of landscape painters from all over the world reveals that most painters do NOT paint urban landscapes with people!  Maybe LS Lowry ought to be revered a bit more for being a painter who unhesitatingly filled his paintings of the industrial north west with people!

Here's another painter who's not averse to peopling his cityscapes.  I've had to remove the signature.

Who painted this? #33

How to participate in "Who painted this? #33"


PLEASE make sure you read the rules before posting a comment - and ONLY POST ON THIS BLOG what you think is the answer.

Thursday, June 27, 2013

Girtin in coloured pencils

I spent this afternoon developing a drawing based on The White House at Chelsea by Thomas Girtin.  I wish I'd bothered to check the original - which is at the Tate.  I kept being bothered by the fact the White House was not on a  "sweet spot" and didn't look quite as I remembered it. It's now clear the reference I was using had cropped the original and removed a significant chunk from the right hand side

After Girtin - The White House at Chelsea
Caran d'Ache Luminance coloured pencils on Arches Hot Press
Never mind - the exercise got me back into drawing again now I can see colour properly again.  I had my magnifiers perched on the end of my nose and they did an OK job in terms of me being able to see the paper.  However next week I can start the process of getting a new prescription for reading and computer glasses.

It also reminded me of why I like copying good paintings - I always learn something relating to colour or tone or how to relate a 3D shape or mark on a piece of paper

I'm minded to do some more drawings using past masters as my models and focusing on skies.

This particular drawing was done using my new batch of Caran d'Ache Luminance coloured pencils.

Caran d'Ache Luminance Coloured Pencils
- a recent purchase at the Pastel Society Annual Exhibition