I went to the Private View last night which was a very convivial happy
affair with many people and rather a lot of red dots.
I was very impressed by it - and I'll explain why below.
You can see all the artworks via this page on the BPAP website. Click the pic to see a page of bio and artworks for each artist. All sold paintings are clearly marked up.
Why this exhibition looks impressive
Membership of the group: While this is a plein air group, it's not open
to all painters who are plein air painters. Those being invited to become members over the
course of the last three years are:
-
all experienced artists generally - many are professional artists with some
having a career that has lasted decades
- many have been to art school
- they are all very experienced in working plein air and
-
all have produced a lot of quality artwork over a longish period of time.
I would suggest that a page on their website talking about how to apply to become a member would be useful.
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Exhibiting artists at the British Plein Air Artists PV (30th October 2023)
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Many of them are also members of one or more of the National Art
Societies. The majority are Full or Associate members of the Royal Institute of Oil
Painters and some are members of the Royal Society of Marine Artists and/or
the Wapping Group of Artists.
There is a little bit of a sense of the group being the plein air arm of the
ROI - although I think it might also be that the ROI has taken on more active
plein air painters in recent years!
The 27 exhibiting artists for the 2023 exhibition are listed
below.
The 7 women artists make up 26% of the exhibiting artists. I suggest
this could be more - maybe a point for consideration when considering future
members?
Five of the seven female painters pictured below.
Nature / quality of artwork: 215 artworks are on display
(which is a good indicator for anybody thinking about hiring this gallery for an exhibition of similar sized artworks).
Most of the artwork are plein air paintings. They cover a very wide range of
locations ranging from "home turf" for individual painters, to various places
in London and other locations - typically in the UK - that the painters have
visited.
The one thing for me is I'd have liked to have seen an indication of which:
- started plein air
- completed plein air
- completed in the studio
- studio art from a plein air sketch
I think that's helpful to the viewing public and also helps to keep the group
focused on what the exhibition is all about.
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| Private View |
Size of artwork: It's the first time for a long time that I've
seen an exhibition which is made up of medium and small size artworks.
The three galleries and the exhibition all looked well designed with walls with two rows of
paintings small and medium sized paintings at a good height - with the eyes
moving up or down easily. They are all well lit.
I gather the previous exhibitions had established that larger studio finished
artwork is much less likely to do well at an exhibition which is being
promoted as being about plein air painting - and the decision was made to go
with small and mediums sizes for this one.
I think that was an inspired decision as it results in a very coherent
exhibition where the smaller sized works do NOT appear to be filling in the
gaps between the larger artworks.
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| A wall of small and medium sized paintings |
Media used: Most of the paintings are in oil. This is not uncommon in
terms of media often used by plein air artists and by members of the ROI!