Thursday, August 16, 2018

The Andrew Wyeth Movie

Here's the extended trailer for the new documentary film about Andrew Wyeth. It was originally planned for a 2012 release - but it's now going to be next month!


WYETH - Extended Trailer from FreshFly on Vimeo.


This is what I can find out:
WYETH is a documentary film telling the story of one of America’s most popular, but least understood, artists. While his exhibitions routinely broke attendance records, art world critics continually assaulted his work. Through unprecedented access to Wyeth family members, archival materials, and his work, WYETH presents the most complete portrait of the artist ever - bearing witness to a legacy just at the moment it is evolving.

The film:
  • tells the story of one of America’s most popular, but least understood, artists
  • examines the mastery of technique in Wyeth's work (drawings, watercolors, tempera, drybrush)
  • reviews the sources of the emotional undercurrents and exposes the influences on his creativity.
  • includes hundreds of Wyeth's paintings in the film - you can see a complete list of all the artwork here
It has its own website https://www.andrewwyethmovie.com/ and it also has the support of the Andrew Wyeth Office and Wyeth knew it was planned before he died.

This is the review of the film by Hollywood Reporter - which is very complimentary....
this is an expertly made, exhaustively researched documentary with a suitably painterly feel in its widescreen visuals. There is compositional beauty in cinematographer Phil Bradshaw's textured images, but also the harshness and darkness that were quintessential elements of Wyeth's art. Given the ongoing rediscovery and deeper appreciation of his work that has continued since his death in 2009, the film should find a receptive audience at festivals and art forums.
Image of Wyeth's Studio, © Phil Bradshaw, FreshFly
Another perspective on his studio -  © Phil Bradshaw, FreshFly

The Andrew Wyeth Prints website - a site authorised by the family to deal in prints of his paintings - comments as follows
The Andrew Wyeth MovieCurrently titled “Wyeth”, the movie line was written in 2008 and personally approved by Andrew Wyeth himself, who cited a desire for the screenwriter “not to take it easy on him at all.” The project not only has Andrew’s personal blessing, but also the approval of the Wyeth family, who have confirmed that the events in the screenplay are based on facts and actual events. Unfortunately, ninety-five year-old Andrew passed away in late 2009, before the film could be completed.
Andrew Wyeth, © Christian C. Sanderson

This is how you can see it

  • PHILADELPHIA PREMIERE - WYETH will screen at the Kimmel Center on September 5, 2018. Click here for tickets.
  • WYETH will be broadcast during PBS' American Masters on September 7, 2018. Check your local listings.
  • WYETH is available for pre-order on DVD at Amazon and ShopPBS.
No news yet of how it can be seen outside the USA. 

I do hope it's going to Netflix!

Monday, August 13, 2018

Art on Television #2: Bendor Grosvenor and Britain's Lost Masterpieces returns

Britain's Lost Masterpieces returns for a third series tonight - on BBC4 at 9.00pm - with "art sleuth" Dr Bendor Grosvenor and social historian Emma Dabiri

Home page for Britain's Lost Masterpieces

Britain's Lost Masterpieces


This is the third series of Britain's Lost Masterpieces. The series depends on:
  • visiting Britain’s local museums and country houses to look for lost and hidden public treasures.
  • being able to spot a painting which appears to be misattributed - which Bendor Grosvenor has a talent for and has developed a career on the back of it
  • looking beneath or undoing the work of earlier "restorers" who have obscured the original painting
His female sidekick's role is devoted to the social history of the time a painting was painted and/or the place where it was found.

To be honest, while interesting, I'd prefer more technical art history and less social history. However the latter makes sense if you know that Bendor Grosvenor started off as a historian rather than an art specialist.

I don't know how many episodes there are going to be because the BBC has not seen fit to share that information! However there are at least two!

The first episode is about this Rembrandt study

Episode 1: Devon - Rembrandt study 

Bendor discovers a small portrait of Rembrandt in the collection of a National Trust house, Knightshayes Court in Tiverton, Devon. The painting is thought to be a later copy of a self-portrait by Rembrandt now in the Rijksmuseum in Amsterdam, but Bendor believes it is in fact a study for the finished picture by Rembrandt himself.
The programme also involves a visit to the world expert on Rembrandt, Ernst van de Wettering, in Amsterdam - who is chair of the Rembrandt Research Project, the team of scholars that is charged with tracking down Rembrandt's works, authenticating them and, when needed, conserving the paintings.


Epsidode 2: Manchester - Zoffany 

(and aspects of the history of the Manchester Art Gallery - including The Manchester Art Treasures Exhibition of 1857
At the Manchester Art Gallery, Dr Bendor Grosvenor discovers a painting of a country gentleman from the 1770s which he believes has been misattributed to Nathaniel Dance. He feels sure it is in fact by theGerman painter Johann Zoffany, a favourite portraitist of the royal family under King George III. While the painting is restored, Bendor investigates the life of Zoffany - a chancer and adventurer who squandered his royal patronage through a series of predictable errors of judgement.
Note: You can see the Catalogue of the art treasures of the United Kingdom: collected at Manchester in 1857 in an online archive - interleaved and extensively annotated by the original owner, John Peck, of Wisbech St. Mary!

Series 3 Episodes are available on iPlayer for 28 days AFTER being first broadcast - and they are typically repeated on different days and different times.  You can also see clips from all three series of the programme

I don't get the sense that the BBC is really backing this programme - or alternatively the people in the BBC Arts/Media Centre don't know what they're broadcasting.  It doesn't rate a mention in the Media Centre release about A sizzling summer of Arts TV on the BBC in June! It's a bit like producing a book and then forgetting to do the marketing for it!

However it might also be something to do with the fact that there was some sort of spat by Philip Mould of Fake or Fortune occurred when Bendor Grosvenor got to host the first series of this show in 2016.

Grosvenor used to be a Director of Mould's Gallery but left in 2014 and....
Grosvenor maintains that the two series are different, as "Fake or Fortune?" looks at art in private ownership while "Britain’s Lost Masterpieces" focused on paintings in public galleries.
So there! 


More about Bendor Grosvenor


I very much RECOMMEND Bendor Grosvenor's
  • blog Art History News - always a good and often very interesting read and 
  • his Twitter account @arthistorynews - which can be very to the point at times
I offer just one tweet by way of illustration - coincidentally posted the same day as the first episode of Fake or Fortune.....
By way of "street cred" for Bendor we have the following:

Education:

  • Pembroke College, Cambridge University - English history degree
  • University of East Anglia - PhD on ‘The Politics of Foreign Policy: Lord Derby and the Eastern Crisis, 1875-8,’ 

Career:

  • Grosvenor started his career in politics, as adviser to several members of parliament in the UK, including being an adviser to the Conservative Party on culture policy.
  • 2005 - 2014 Grosvenor worked in and for the London art trade - latterly as a Director of Philip Mould & Company
  • set up his his own company, specializing in establishing the authenticity of paintings by Old Masters. 
  • did the research for and appeared on the BBC programme Fake or Fortune? (2011-2016)
  • researcher and presenter for Britain's Lost Masterpieces since
  • also works as a journalist and writer - he writes regularly for The Financial Times and The Art Newspaper, and has written articles for The Guardian, the British Art Journal, History Today and Country Life.

    Notable achievements - discoveries

    • 2003: first major art discovery was a mis-catalogued portrait by Sir Thomas Lawrence
    • 2013: discovered the lost portrait of Charles Edward Stuart ("Bonnie Prince Charlie") by Scottish artist Allan Ramsay at Gosford House - now owned by Scottish National Portrait Gallery
    • 2014: recognised a painting put up for auction as being by Joan Carlile, Britain's forst pofessional artist - see Typical! How Britain's first professional female artist was assumed to be a man - now owned by the Tate
    • 2017: he discovered the ‘lost portrait’ of George Villiers, first Duke of Buckingham at Pollok House, Glasgow, Scotland. 

    Notable achievements - art history groups/committees/bodies

    • helped establish the All Party History Group in the Houses of Parliament;
    • member of the Arts Taskforce set up by David Cameron, under the Chairmanship of Sir John Tusa.
    • member of the Lord Chancellor’s Advisory Council on National Records and Archives
    • member of the Lord Chancellor’s Forum for Historical Manuscripts and Academic Research.Grosvenor often can be seen on British television shows. From 2011 until 2016, he appeared in the BBC1 series Fake or Fortune, the BBC’s highest-rated fine art program. As of last year, he presents the BBC4 series Britain’s Lost Masterpieces with art historian Jacky Klein.
    He's now based in Edinburgh, and is on the board of Scotland's leading auctioneers, Lyon & Turnbull.

    Paul Riley's New Lightweight Travelling Studio

    Many painters like to travel to paint. However it can be a challenge to take all the kit that you like to use! Especially if you want to make the kit lightweight and easy to mobilise so as to stay within any weight restrictions and not make life too difficult getting around.

    If you like to paint large using watercolour you have an even bigger challenge!

    Watercolour artist and author Paul Riley has been teaching his students watercolour painting in the studio and in the field in this country for a very long time - and has also been taking them abroad for over 25 years. Many of you will have read his articles for The Artist magazine.

    A long time ago - when I painted in watercolour - I was one of those students and used to be fascinated by what he'd come up with to resolve the challenge of painting large and travelling light 

    He's still coming up with new solutions.... and this is the latest.

    (This has been adapted with Paul's permission from a post in his (closed) Facebook Group for ex students Art Lovers, Students and Professionals)

    Paul Riley's NEW Lightweight Travelling Studio


    This is the latest version of his painting studio kit for his next course abroad - on the Greek island of Skopelos - September 9-19th 2018

    The Backpack


    The Backpack
    This is Paul's current - and simple - backpack solution - it's an Art storage bag by Kurtzy
    • Total loaded weight 5.5kilos
    • Dimensions: length of 43cm (16.9") and a width of 64cm (25.1")
    • Features:  5 outer pockets; can be carried on the back as a back pack or carried on the side
    • Benefits: comfortable, lightweight and compact A3 size
    Below you can see the bag and its numerous pockets in more detail showing - in particular:
    • Special round one for water pot and 
    • A long one for the Easel.
    Art storage bag by Kurtzy

    Additional Kit


    Sunday, August 12, 2018

    Art on Television #1: Fake or Fortune returns

    BBC has two new series starting this week

    Fake or Fortune

    The team for Series 7 is the same as the last series - Fiona Bruce and Philip Mould
    What's changed is that it now occupies a prime time slot of 9pm on BBC1 (albeit in  dead month TV wise).

    There are 5 episodes in this series programmes but we only know the artists involved in the first two episodes so far. What we know so far is.....

    Episode 1 - British artist William Nicholson

    The subject of Episode 1 of Series 7 - and those pears look a bit suspect to me...
    Can the team prove that a beautiful still life of a glass jug and pears is the work of celebrated British artist William Nicholson? 
    Portrait of William Nicholson
    Normally the first episode is a cracker - but I confess I've never heard of the artist, although had worked out it was likely that William Nicholson had a connection to Ben Nicholson (he's the father) !  I'm wondering if this one is a very good example of techniques used in a case.

    The problem with the painting is it cost £165,000 to buy - and Patricia Read, the expert on Nicholson, left it out of the Catalogue raisonne - which effectively reduces the painting to the value of a decorative item.

    If you want to do your homework and get acquainted with him before tonight.....

    REFERENCE:
    Nicholson's wife, the painter Mabel Pryde, is standing by the door. Sitting at the table from left to right are the Nicholson children: Nancy, who married the writer Robert Graves; Tony, who died during the war in 1918; and Ben, who would become Britain's foremost abstract artist. Standing in the foreground is Christopher or 'Kit'

    'A Bloomsbury Family' depicts the artist William Nicholson and his family.

    Episode 2 - Toulouse Lautrec

    Saturday, August 11, 2018

    Comments are suspended on Making A Mark



    I've changed how comments work on Making A Mark i.e. you can't.

    This is what the preamble to the comment section on Making A Mark now says.....

    COMMENTS HAVE BEEN SUSPENDED

    There are lots and lots of very silly people who don't understand that Google is not stupid and that links posted to a Blogger comment are:

    • NOT LIVE and
    • CARRY NO LINK JUICE. 
    They continue to post spam comments - despite this blog using both word verification and moderation that states very clearly that no spam will be published.

    So I've SUSPENDED COMMENTING BY EVERYBODY but me. This allows past comments to still be seen.
    Feel free to comment on my Facebook Page when my blog posts are posted there
    BUT but do note: 
    Spammers on Facebook will always be blocked and reported to Facebook if  they spam my FB Page.

    I'm left wondering if my NEW blog settings for comments  will mean most people wanting to leave a comment won't see the message.

    Whatever - it's better than having to get rid of the number of spam comments I have been receiving everyday!

    Google is very definitely NOT on top of spam comments and those who leave them and pay for them

    Google owns Blogger and needs to get a LOT better at removing those firms which keep sending/paying for the same spam comments - because I keep reporting the spam and the spam keeps on coming - with a significant proportion being from the same people.

    If their policy was to BURY every website in the Google Index that is left as an unrelated and spurious link in comments - UNLESS the blog owner approves it - that would be a start.

    What would be the point of paying for spam comments if you effectively achieved the reverse of what you, in theory, are trying to achieve?

    I think the message might get around pretty fast about that one.....