ING Discerning Eye 2013: Call for Entries

ING Discerning Eye - selected works

The 2013 ING Discerning Eye Art Competition is an opportunity for artists who produce small artworks.

The Call for Entries has been issued and the deadline is 7 September 2013

Below you can find:

• a summary of the information for artists re who can enter what etc
• informaiton about the deadlines and dates and where to find information about regional collection points
• a note about the judges - with links to websites
• a summary of information about prizes
• links to websites and my blog posts showing images of the art selected and hung in past exhibitions for those unfamiliar with this art competition.

Do bear in mind that the selectors change each year.

The exhibition comprises both publicly submitted works and works independently selected by six prominent figures from different areas of the art world: two artists, two collectors and two critics. Each section is hung separately to give each its own distinctive identity. The impression emerges of six small exhibitions within the whole.

The competition is sponsored by  ING Commercial Banking.

Summary of Call for Entries - core information

Liz Steel is in London and sketching High Tea!

Sketching High Tea at Fortnum & Masons - 3 hours after we started.....

I was 'missing in action' yesterday because "the famous Liz Steel" (Liz and Borromini; Sketching Architecture) arrived in London and together we visited the 245th Summer Exhibition at the Royal Academy of Arts. (See 10 reasons to visit the RA Summer Exhibition 2013).

Followed by a walk across the road to the 4th floor of Fortnum & Mason in Piccadilly and High Tea in the Diamond Jubilee Tea Salon.

Liz and I arrived at 4.15pm and we left nearly 5 hours later - such a lot of catching up, talking and sketching with my fellow Urban Sketcher!

This is the scene at 7.30pm. I'm sketching in Coloured Pencils and Liz is painting in watercolour (in her 4th sketchbook of her trip!).  At this stage we've both eaten a savoury starter and our cream tea and sketched the patisserie twice and eaten none of them.  One more cake and one more sketch to go!

Right click the photo and open in a new tab to see a much bigger image of our unfinished sketches.

You can see:

• my sketches of our High Tea on my Travels with a Sketchbook blog later today.  See
  Sketching High Tea at Fortnum & Mason with Liz Steel.  Plus, for the foodies, I'll tell you what I had to eat!
• more of my foodie drawings on my Pastels and Pencils website.

You can also see more sketches of Liz's trip to Europe and photos of her participation in the Urban Sketchers Symposium in Barcelona on her Flickr Photostream.

Note:  We had a big giggle about the number of times she's now heard the term "the famous Liz Steel" in introductions or responses from people on first meeting her.  It's truly amazing how sketching can change your life - and international status! :)

Animal and Wildlife Art - Two exhibitions

There are two exhibitions this month for animal and wildlife art. You can find details below of:

• the Summer Exhibition of the Association of Animal Artists
• the National Exhibition of Wildlife Art (NEWA)

Finally, I offer some points to ponder for groups of artists who want to mount exhibitions of artwork in places which are not commercial galleries.

The Association of Animal Artists - Summer Exhibition

The Summer Exhibition of the Association of Animal Artists (AAA) opens today at The Haworth Gallery in Accrington, Lancashire and continues until 15th September 2013.

Below are a few facts about the association for all those animal art fans who are not familiar with it

This is a relatively new art society. It was founded in 2009 with the aim of focusing on all types of animal art.

We are unique in that, not only do we welcome work of ANY animal, be it mammal, bird, reptile, fish or even insect, but, importantly, we also include the domestic animals we share our lives with, such as dogs, cats, horses and farm animals.

It welcome all styles of art - from traditional and detailed to more painterly and expressive.

AAA  is also an association which places a big emphasis on supporting charities which help animals - which I've found to be very common characteristic across groups founded by animal artists.  These are people where the subject matter really matters!

AAA is committed to supporting its animal charity partners and actively works to promote them, including Lancashire Constabulary Retired Police Horse Benevolent Fund, World Horse Welfare, Wildfowl and Wetlands Trust (Martin Mere Wetland Centre) and the Thoroughbred Rehabilitation Centre.

It's also an association which encourages artists to work from life or to try something new and learn how to do so.

Their preview event today is being filmed by the Society of All Artists.

A spot of red (Woodpecker) by Gayle Mason

My friend animal and wildlife artist Gayle Mason (Fur in the Paint | Facebook Page) is a member of AAA and is displaying three works of art in the exhibition. 

Venue: Haworth Art Gallery, Manchester Road, Accrington, Lancashire BB5 2JS

Dates: 27 July - 15 September 2013

Times: Wednesday, Thursday, Friday 12 noon to 4.45pm and Saturday, Sunday 12 noon to 4.15pm

Admission: Open to all and admission is free - plus free parking.

National Exhibition of Wildlife Art

The 2013 National Exhibition of Wildlife Art opened last Friday and continues unto August 4th at its normal venue - the Gordale Garden Centre, Chester High Rd South Wirral, Burton CH64 8TF

This year is their 20th anniversary and in 20 years it has grown to become a very popular show - particularly with collectors who don't like to spend the time or the expense of visiting London.  That said visitors actually come from all over the UK.

You can see an online gallery of the artwork in the exhibition online.  They've always been overlayed with a watermark but this year it's absolutely HUGE watermarks which completely spoils the viewing of the artwork.

There's a balance to be struck between making sure images aren't stolen and actually being able to see the image in the first place.  Maybe the organisers could experiment with smaller images with a much smaller watermark and one page of images per artist?

The exhibition is usually very successful and has consistently sold a large percentage of the works on show.  In 2011, they sold 50%.  Whether this is via the show or because they put large images on the website is unclear.

The exhibition also siphons money from sales of original artwork to support the charitable work of Tusk, Chester Zoo and the Wildlife Trusts.

Prizewinners

Below are the names of the artists who have won prizes at the show.  I've also included links to their websites in their names - which means you can see better images of their artwork on their websites.  The links in the titles are to the artists websites.

Arquadia Award: Catalogue Number: 367 Tawny Owl and 368 Back At The Hen House by Julie Vernon

Chester Zoo Award: Catalogue Number: 18 I Spy by Susan Baxter

Daler Rowney Award: Catalogue Number: 108 Jungle Spirit (jaguar), 109 My Girl (wigeon) and 110 Peacock Butterfly  by Paul Dyson

David Cook Drawing Award: 

• Catalogue Number: 2 Shadow Of The Forest by Irfan Ahmed 
• Catalogue Number: 85 Come And See by Michael Cook (see Fauna Gallery) 

Focus Optic Award: Catalogue Number: 264 Cuttlefish and Catalogue Number: 264 Seahorses by Nicolas Pain 

Great Art Award: Catalogue Number: 327 The Coalition and Catalogue Number: 328 The Procession by Katy Sodeau (Equestrian and Wildlife Artist)

Iris Print Award: Catalogue Number: 333 Living Fossil, agama Lizard by Ann Squire 
Rosemary & Co Award

Rosemary & Co Award: Catalogue Number: 342 In Harmony With The Water and Catalogue Number: 343 Otter Branching Out by Rhian Symes

The Countryman Award - for  'The most outstanding work on an avian theme'
Catalogue Number: 23 Godwits At Dusk; Catalogue Number: 24 On The Edge (dunlin) and Catalogue Number: 25 To The Air (turnstone) by Andrew Beckett

Welsh Border Life Award 

• Catalogue Number: 73 Red Squirrel by Sara Butt 
• Catalogue Number: 185 What Comes Naturally by Alan M Hunt 
• Catalogue Number: 359 Thistle Visitors by Richard Tratt

Venue: Gordale Garden Centre, Chester High Rd South Wirral, Burton CH64 8TF  View On Map

Dates: July 19th - August 4th

Times: open daily from 9:30am - 6:00pm with late night viewing on Thursdays until 8:30pm.

Admission: Free - plus free parking

Putting on an art exhibition - points to ponder on

For those thinking of getting new ventures off the ground in terms of exhibitions to display artwork by groups of artists here are a few points to to ponder on.

• Art Collectors also live outside London! ;) Think about venues which have easy access from all parts of the UK.  Being near to a motoroway junction can make a big difference.
• Free car parking can make the difference between people coming once and coming again this year and next year and in years to come.
• Venues which are accessible by public transport can help visitor numbers (although I personally suspect free car parking is more important!  Views on this topic are most welcome!)
• You can exhibit art in a gallery - but it doesn't need to be a commercial gallery.  Check out the opportunities offered by local authorities
• You can exhibit art outside galleries - think about the type of venues which are compatible with your art and the interests of your collectors
• Check the set-up in terms of people handling sales and the need to staff the exhibition with artists involved in the exhibition
• Never ever under-estimate the time involved in planning, setting up, running and taking down an exhibition.  There is a very good reason why most art groups only have one big exhibition a year!
• Do NOT forget the marketing or the time this needs.  These days marketing often means website, blog, twitter account, Facebook Page, flyers, articles for journals, mailshots to interested parties and advertising in relevant national and local press.  The important bit is to assess afterwards which aspects of marketing made a big difference and which were a bit of a waste of time.

QUESTION: What are your best tips for new art groups who want to exhibit their the artwork of their members?

Links to my related "Resources for Artists" websites

• Wildlife and Natural History Art - Resources for Artists This is a compendium of links to information and resources for artists who portray natural history, nature and wildlife.
• Art Societies in the UK - Resources for Artists This site is developing a comprehensive list of the websites of all Art Societies in the UK.
• Art Society Exhibitions (UK) - Resources for Artists Find out about the Annual Open Exhibitions of National Art Societies and other prominent art societies based in the UK.

Who painted this? #37

Who painted this? #37

I make no secret of the fact that I like artists who can paint a group of people in a naturalistic way - as this artist has done with this painting.

But where are they - and who painted them?  (...and the rest!)

My clue this week is that I once tried portraying the same scene but ended up opting for the architecture rather than the people - who I ended up sketching separately.

For those who've not risen to the challenge before please take a minute to read the rules - see below.

How to participate in "Who painted this? #37"

PLEASE make sure you read the rules before posting a comment - and ONLY POST ON THIS BLOG what you think is the answer.

Derwent Art Prize 2013 - Selected Works & Artists

This is the Gallery of  Artwork selected for The Derwent Art Prize.

Below you can find the list of artists with the works selected for the Derwent Art Prize Exhibition.

This post follows on from my earlier posts:

• The Derwent Art Prize - a discussion (20 July 2012)
• NEW! The Derwent Art Prize - for pencil art (November 2012)

Derwent Art Prize - a further selection of the images in the Website Gallery

For some reason it was announced in any old order - neither alphabetical by first name, surname or title of the work. Which is great if you believe that the alphabet plays a part in selection and not so good if you're looking for the name of a particular artist!

I've reordered them into an alphabetical order - see below.

The link in the artist's name is to their website - if they have one.  One of the reasons I've done this (this post has taken two days to write!) is because I think all those who are critical of the selection should maybe take a longer look at the artwork produced by the artists whose artwork has been selected.

There's always a question of taste when it comes to selection - but there's also a question of the extent to which people have dedicated their lives to being a contemporary artist and the extent to which this is recognised by people viewing the work.

The link in the title of the work is to the web page where you can see a large image of the pencil art selected by the judges.  I've then given the art medium used - although I understand there was no scope to state if more than one pencil medium had been used

I'm also including references I can find to any other prizes they've been selected for and/or won - in part to illustrate to those who are questioning the selection that more than one set of judges has rated an artist's work.

Derwent Art Prize - Selected Works & Artists