Monday, February 04, 2013

POLL: What's your best time of day for painting?

Do you have a best time of day (or night) for painting?  That's the topic for the Making A Mark Opinion Poll for February.  There is of course no 'right' answer!

I've known a few "through the night" painters. I've noted some artists seem to favour particular times. Others like to have distinct and regular sessions during the day when they paint while others just fit it in as and when they can.

Personally, I'm into early starts when on my own - it'a amazing what you can get done before breakfast!

Breakfast sketch from the terrace
11" x 16", pen and ink and coloured pencils in Moleskine
© Katherine Tyrrell
You can find the Making A Mark Poll for February in the side column.  It finishes very early on 28th February and a post will follow later in the day discussing the results.

What's your best time of day for painting?

The options are:
  • up with the lark - bright and early
  • it's a job - in the studio before 10am
  • midday gives me the longest period of static light
  • afternoons are for painting
  • sunrise and sunset
  • late nights are best
  • all day long - however long it takes
  • when I've got a brush in my hand
  • whenever I have free time
  • whenever it's quiet and nobody else is around
The sketch is of one the times I like best - and was done in Provence in June 2011 - see Breakfast sketch from the terrace / Morning View from the House


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Sunday, February 03, 2013

3 February 2013 - Who's made a mark this week?

Who had an Etch a Sketch when they were little?  AndrĂ© Cassagnes, the Etch A Sketch inventor AndrĂ© Cassagnes (has died) at 86 and memories - and etch a sketches - have been making an appearance.

and this is a video of George Vlosich using an Etch a Sketch to do what he does so well.



Artists and Art Blogs

Drawing and Sketching
Ballpoint Illustration Print.
Schooldays Excercise Book revisited - Converse to Rulers via scribbles
©  Andrea Joseph
Landscape Painting
This site is about landscapes and the arts. It highlights ways in which landscape has been evoked, depicted or transformed in painting, photography, literature, music and film.Some Landscapes
Painting
Marc Hanson's new Etsy Store - Small Impressions
    Pastels and Pencils


    Plein Air

    • The Plein Air Convention is rounding up those who want to attend on its website and on Facebook   However I was very puzzled by the feature images on the website.  Why don't the images related to the artists who are mentors feature their plein air work rather than their studio paintings? "Lost the plot" were the words which sprang to my mind! Authentic advertising which is congruent with the message wins hands down every time for me.  Take a look and see what you think.
    Portraiture

    There's a strong royal theme this week!
    • The Queen of the Netherlands abdicated this week in favour of her son as she reaches her 75th birthday.  A competition has been running for people to produce a portrait of Queen Beatrix - and there's now a YouTube video Beatrix in Beeld of some of the entries.  Including that by Sophie Ploeg
    • The furore about the portrait of the Duchess of Cambridge rumbles on - see this article in last week's Washington Post  - In uproar over portrait of Duchess of Cambridge, its artist speaks out.  The same trite comments are being trotted about the same trite people who don't understand the difference between a photograph and a painting. I tried loading the video and it didn't work.   I think maybe the Washington Post needs to make sure all its employees understand about file size and load times!

    Who painted this? 
    Art Business & Marketing
    Copyright
    Art Collectors & Economy

    Commentary on the art market in:

    Art Competitions

    Art Exhibitions

    Current Exhibitions
    Upcoming Exhibitions - UK
    • Tate Britain has a new exhibition about Looking at the View (12 February – 2 June 2013) which looks at continuities in the way artists have framed our vision of the landscape over the last 300 years.
    • The Fitzwilliam Museum has an exhibition about illustrator Quentin Blake: Drawn by Hand12 Feb – 12 May 2013 Quentin Blake is one of the best-known illustrators of his generation.  The exhibition includes a selection of individual works, book illustrations, etchings, lithographs, drawings and works done for hospitals in various and contrasting media. Plus a display of pens, brochures, inks, watercolours, quills and other materials from the artist’s studio.
    • The Artists & Illustrators First Annual Exhibition runs from 6 - 19 February 2013 at the Osborne Studio Gallery, 2 Motcomb Street, London SW1X 8JU. www.osg.uk.com.
    Upcoming Exhibitions - USA
    • The first major survey of the art of the Pre-Raphaelite painters opens this month in the United States. Pre-Raphaelites: Victorian Art and Design, 1848–1900 is opening February 17 at The National Gallery of Art in Washington DC.  It continues until May 19.  It's moving next to Russia will be at The State Pushkin Museum of Fine Arts, Moscow, June–September 2013.
    Art History & Art Museums
    • 82nd & Fifth is the Met's address in New York City. It is also the intersection of art and ideas. We've invited curators from across the Museum to talk about works of art that changed the way they see the world: one work, one curator, two minutes at a time. This yearlong series of 100 episodes offers a new way to see the Met's collections through the eyes of our curators and an "explore" feature that allows you to make your own discoveries.
    • Curator, Tear Down These Walls is an interesting comment on Folk Art in American Museums in the New York Times 
    • I came across the website of The Indian Museum for the first time.  It celebrates its bicentenary next year
    Art Education

    Art Books
    Online Art Education
    • Has anybody had any dealings with the Teaching Art Online website?  On the face of it seems like a good idea - and then I got three "wake-up calls" which suggest it's somewhat dormant and completely unlike, for example, the education set-ups on sites like Alyson Stanfield's Artbizblog
      • The blog http://www.teachingartonline.com/blog/ hasn;t had a post since May 2012
      • the next course starts - oddly enough - today and lasts for a year.  I suspect if you looked it up tomorrow the same would apply.  Everything is looking very automated to me.
      • comments are closed on the tutor's profile and distinctly lacking on the blog
    Tips and Techniques
    • The Matthew Effect is one of Robert Genn's posts which make you want to sat "Yes!" as you read it - it's about art education
    • Controlling M-Faces by Stapleton Kearns (Stapleton Kearns) is about that old truism If everything in a painting is of equal importance, then nothing is important! and he messes abbout with some paintings by famous painters to demonstrate how they too could have made them look amateurish if they hadn't used some good judgement. I liked his signoff
    Nature in itself is not art, art is the product of a human decision about how to portray nature.
    Art Supplies
    Techies

    Web analytics


    This month, I topped 50,000 visitors to the blog in January. According to ClustrMaps 51,057 visitors visited my blog in January - which the first time it's topped 50,000 visits in a month.  What I like about using ClustrMaps is it gives me such visual feedback about where the audience for this blog lives and also whether they like the content!  Plus I can see very easily how it has changed over time.
    Making A Mark - ClustrMaps for January - One picture worth 50,000 visits!
    and finally......

    Those trying to think of a new twist on how to produce a self-portrait might like to take a look at this Guardian article - Ahn Jun's self-portraits are a high art and this slideshow of her photographic self-portraits Ahn Jun: self-portraits of a fearless artist.  Not for the vertically challenged!



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    Saturday, February 02, 2013

    Review: CPSA's 9th Explore This! Exhibition

    I'm extremely impressed with the quality of the artwork in this year's Explore This! 9 Exhibition.  It's the best exhibition I've ever seen by CPSA.

    Eileen Sorg, CPSA, CPX of Kingston, Washington has won the best of show “EXPY” award of $2,000 (sponsored by Prismacolor) with her intriguing narrative piece in a panoramic format.  

    Eileen Sorg, CPSA, CPX (WA) 
    “Foiled Again” 
    Colored Pencil,Watercolor, Ink 12 x 27 inches
    Not for Sale

    The Colored Pencil Society of America (CPSA) organises this juried competition of mixed-media artwork which focuses on the main medium of colored pencil - and how it can be combined with other art media and surfaces and supports to create fine art.  It's an online exhibition which is available on the website until January 31, 2014.

    This year 298 entries were submitted to the exhibition of which 53 were selected for the exhibition and 13 were awarded prizes.

    Overall, I noted more originality, more creativity and more artwork which looked like the type of contemporary art which one might expect to see in an art gallery than I think I've ever seen before in any CPSA show.  All the artwork was interesting and went way beyond technical competence in the laying down of colours.  Very little is 'straight' realism, which to my mind swamps the summer show.

    It left me wondering whether this is a sea change or whether in previous years more traditional jurors have picked more traditional pieces.  I'd like to hop it's the former.

    One thing which struck me is that since the change in rules, it's also very clear that some artists are very likely to focus on this exhibition as Neocolors are now no longer eligible for the International Open in the summer.

    The Awards

    I think I'm right in saying there are more awards than ever before.  This show is now for certain rivalling the main International Open show for the quality of awards on offer

    I took a look at the artwork before reviewing the award winners and I have to say I wasn't at all surprised by either of the two top awards as these were both pieces which prompted me to stop and look longer.  I think it's also very interesting to see how big an impact can be achieved through the use of understated and almost monochromatic colour - particularly when there is a level of content to the artwork which goes beyond keen observation and impeccable technique.

    It's also worth noting that both pieces contained humour - and I'm always keen to applaud those who meet the challenge of including humour in a subtle way.

    The juror

    The juror was Mana Hewitt, the Director of the McMaster Art Gallery and Director of Undergraduate Studies in the Art Department of the University of South Carolina. I note she stated
    As juror I view myself as an art patron. I asked myself which of these artworks moves me aesthetically, emotionally, viscerally as well as meets the criteria of the CPSA in terms of colored pencil. In selecting the award winners I found that First place and Best in Show, "Foiled Again" by Eileen Sorg, was exceptional in process and content. Sorg skillfully pushed beyond the expected to create a wonderful visual pun. Second place "Spirit Stones" by Deborah Friedman, manipulated transparency, light, and reflection with exceptional skill and good humor. Could those rocks be smiling?
    The award winners

    The award winners are as follows - the link in the name and the title of the piece is to the artwork.  The artist's website is listed in italics.

    Friday, February 01, 2013

    Who Painted This #14

    There's a couple of quick and a slow way to work out who painted this and all the rest of the details which I want to know (which are slightly different this week).   It also has a rather good back story which I shall tell you about next week - unless you tell me first!

    Who painted this? #14
    How to participate in "Who painted this? #14"

    What I want to know this week


    It's slightly different this week due to age and provenance - as indicated below
    • Title of the artwork: not applicable this week
    • Name of the artist who created this artwork: who the painting is attributed to (either spelling will do)
    • Date it was created: the century it was produced in (the more accurate the better)
    • Media used: doesn't count - but take a guess
    • Where it lives now: I'll take either of two possible answers
    • Which ruler the painter worked for:
    • The significance of this painting: 
    • and as usual - how you found this out:
    ONLY POST ON THIS BLOG what you think is the answer.

    PLEASE make sure you read the rules before posting a comment. Click this link to read THE COMPLETE RULES for participating in this challenge (this saves having to copy them out for each post!).

    In short:
    • use your brains not image software to find the answer (ie do NOT look for similar images using software)
    • search using words only on a database of images
    • leave your answer as a comment on this blog
    • if correct it will not be published until the next post - which provides the answer
    • if wrong it will be published
    • do NOT leave the answer on Facebook!
    • the winner - who gets a mention and a link on/from this blog - is the first person to give me a completely correct answer for ALL the things I want to know
    Who Painted This #13 - The Answer

    Artists prefer real art books (Poll result)

    Two thirds of artists prefer real art books to ebooks about art.  However one third of those responding to the Making A Mark Opinion Poll in January read art instruction ebooks.  
    Can we expect that this balance might change significantly in the next five years?
    Making A Mark Poll: January 2013
    number responding: 120; number of responses 189
    The January Making A Mark Poll asked about ebooks for artists.  The aim of the poll was two-fold

    1. to try and track whether there has been any significant change in the way artists consume art books.
    2. to find out which type of ebooks artists like best

    The poll revealed a number of interesting indications of how things have changed in the last couple of years.

    • 120 artists responded suggesting that this sample, although self-selecting, should be pretty reliable in terms of how art book readership is changing
    • They provided 189 responses because they could select all responses they agreed with
    • The number of responses have been divided by the number of artists to provide a percentage figure which indicates what percentage of the artists indicated a specific response.
    • the structure of the poll (multiple response) and the way the responses were phrased suggest that the types of books read and whether or not people could read ebooks are a pretty good indication of the current status quo on ebooks.

    Key Findings


    Reading Art Books
    • Artists gets the most satisfying experience from real art books rather than ebooks - 63% of artists prefer real art books to ebooks about art
    • many artists are following national trends and have tablets or ebook readers for reading ebooks - only 20% said they don't have an ebook reader
    • almost all artists tend to read books about art - only 5% said they didn't read any kind of art book
    It's not surprising that many artists prefer real art books.  The ability to scan images across a double page spread and to flick through a book looking at images - or what people have to say - is easier with a real art book than an ebook reader.  The latter work fine for text but less well when the text comes with images - unless the layout has been very carefully thought through and uses hyperlinking for navigation.  

    I've personally noticed that the performance of both publishers and ereaders are very variable at the moment in terms of formatting and readability and I think it's very likely this influences some of the responses.  What do you think?

    The figures also indicate that it's very likely that more artists have tried ebooks than currently read them.  Publishers need to find out what it is that deters people from ebooks about art.

    Which type of art ebook works best?

    This is a problematical area as it's highly dependent on what artists have selected to read as ebooks. Pne of the interesting aspects about art is that the drive to make books more accessible has put a lot of the older art instruction textbooks online and these can be read for free.  (see The Practice and Science of Drawing and In praise of older art books - free and digital)

    I was very surprised at what a high percentage of artists are using ebooks - particularly for art instruction.
    • 30% read art instruction ebooks
    • 20% read art history ebooks
    • 15% read art business ebooks
    I'm guessing, from my experience of trawling through the art books on Amazon, that the percentages reading different types of art book relate in part to the fact that, for example, there are many more art instruction books than there are art business books.

    It also occurred to me that those who bought early versions of ebook readers which can only cope with black and white would not bother to buy an illustrated art book until such time as they had access to a colour screen

    Conclusion

    It's been an interesting poll.  While I always expected most people to prefer real art books the nature of some of the responses were very interesting.  

    I was left wondering whether the 30% who are reading the art instruction ebooks are the counterpart to the 63% who prefer real art books.  I now expect that in five years time, we will have a very different status quo.

    For me, the critical issue in terms of how things change in the future is going to be the formatting of art books and people being able to access ebook readers which can cope with colour.  There's nothing publishers (or artists/authors) can do about the technology end of things except run to keep up with the changes.  Those publishers who will do well will be those that create layouts and formats which work well on a screen - no matter what the size of the screen.

    The February Making A Mark Poll will be posted on Saturday 2nd February.




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