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Showing posts sorted by date for query "pricing metrics". Sort by relevance Show all posts

Monday, September 21, 2026

Review: Royal Society of Marine Artists Annual Exhibition 2026

The Annual Exhibition of the Royal Society of Marine Artists returned to the Mall Galleries last week. I visited on Wednesday - before the Private View and announcement of award winners - to photograph the exhibition and have a good look at the artwork in relative peace and quiet!

RSMA Annual Exhibition 2026 - Feature Wall in the West Gallery

As always, the calibre of the work selected for this exhibition is very good overall. There is some work which is outstanding and others I would not personally have selected - but that's about whether I'd hang it on my wall or be able to hang it on my wall! I'm not a marine artist so what do I know!
Note: I'm afraid I am not linking to the RSMA website as it is insecure (i.e. http prefix only and no security certificate) and it's my policy to not link to sites which may present risks to readers. Hopefully they will get this sorted before my next post about them.
NOTE: Despite writing this note on my review last year, the RSMA have still not got the website fixed - hence no link. See more on this below

So below you can read about:
  • how to see the exhibition
  • my Making A Mark Review of the Exhibition
  • Some practical points (for artists, the RSMA and the Mall Galleries)

How to see the Exhibition


RSMA Annual Exhibition 2026 - East Gallery

IN PERSON
  • at the Mall Galleries
    • Dates: until 26th September 2026
    • Hours: 10am - 5pm
    • Admission: Admission £7, Free for Friends of Mall Galleries and under 25s. Concessions available. No booking required.

ONLINE

Catalogue Cover
  • E-Catalogue: you can see some of the artwork and all of the listings. Or you can get the catalogue proper if you visit the exhibition.
  • Online Exhibition - on the Mall Galleries sales website
  • My photographs of the exhibition - on Facebook

Three of albums of photos of the RSMA Annual Exhibition 2026
on my Facebook Page

Plus there's been a variety of demonstrations on every day of the exhibition - with more this week. Details on the front page of RSMA website (scroll down). (I've no idea why they aren't on the Mall Galleries website! An oversight??)

If I've got time, this is the one I'd be going to.

Thursday, August 20, 2026

Call for Entries: The Pastel Society Annual Exhibition 2027

Call for Entries: Pastel Society Annual Exhibition 2027

The Call for Entries for the 128th Exhibition by the Pastel Society in January 2027 has been published on the Mall Galleries website. 
Artists working in pastel and contemporary dry media are invited to submit their work for the Pastel Society Annual Exhibition 2027
This post summarises what you need to know. 
  • Submissions are ONLINE ONLY and 
  • open from 17 August to 20 November 2026

Benefits of Exhibiting with The Pastel Society


This is an OPEN ART EXHIBITION. If you submit and are selected for the exhibition your artwork will be
  • included in the catalogue
  • seen by visitors to the Mall Galleries - and it gets a LOT of visitors
  • viewed online via the Mall Galleries website and that of the Pastel Society - before, during and after the Exhibition
  • eligible for a number of prizes & awards - and some have significant cash awards (see below)if you want to become a member, you first need to get exhibited via the open entry
  • may well sell - but ONLY if you pay attention to what I have to tell you below about pricing and sales!!

Pastel Society | Annual Exhibition 2027 | Key Facts and Dates

What drew me to the Pastel Society was the thought of being surrounding by other people fascinated by dry media in particular
Curtis Holder
Venue: Mall Galleries, The Mall, London
Exhibition Dates: Wednesday 27th January - Saturday 6th February 2027
Private View (invite only): Wednesday 27th January 2027 - 5pm to 8pm, official opening at 6:30pm

Submissions: ONLINE ONLY and open until 12 noon Friday 20 November 2026
Notification of selection: Friday 4th December 2026, 12 noon
Receiving Day (if selected): Saturday 16th January 2027 10am to 5pmCollection of unsold work: Thursday 11 February 2027 10am to 5pm
Awards and Prizes - see listing near the end of this post

One of the walls in the Pastel Society's Annual Exhibition in 2026

Call for Entries


What you read below is most - but not all - the terms and conditions of entry and information about what and artist must and must not do. 
It's down to you to read the Full Details, Entry Terms & Conditions

Find out more about how to enter:

Thursday, June 18, 2026

Review: New English Art Club Annual Exhibition 2026

This is a very late review of the 2026 Annual Exhibition of the New England Art Club (NEAC) - which celebrates the 140th Anniversary Exhibition, which also remembered some of its past members.

NEAC 2026: The end of the West Gallery

I particularly liked the way that they included the surnames of past members on the title page of the Catalogue and also had paintings in the show by past member Paul Nash.

Title Page of the NEAC 140th Exhibition Catalogue

The 140th Annual Exhibition has 396 artworks and is on at the Mall Galleries until 20th June.

For some reason I didn't have the PV in my diary last week and since then my diary has been packed with hospital appointments.

However, on Monday, after the first physio date this week, I got myself to the Mall Galleries early and managed to see the exhibition with very few other people there - which is the way I like it. I can then see the art rather than people looking at art. PVs are a dreadful time to try and take pics of an exhibition!

You can see the results in the three Facebook albums I've created on my Making A Mark Facebook Page


First five photos in the album about the NEAC Exhibition
in the West Gallery

Observations

Overall, I thought this was an exhibition which included some really excellent artwork - but could also have looked better than it did. It impressed - in part.

This is a review which reflects my likes and dislikes. I find I'm repeating myself each year. So this year my review is shorter than usual.

Monday, May 25, 2026

Only 10 paintings sold?

The 159th Annual International Exhibition of the American Watercolor Society has finished at the Salmagundi Club. Some statistics - one jumped out to me (in red):
  • 3,300 visitors 
  • during the exhibition which ran for 3.5 weeks from April 7 – May 1
  • $54,000 in awards, and 
  • ONLY 10 PAINTINGS SOLD! 
  • That means 
    • only 0.3% of the visitors wanted to buy a painting!
    • only c.6% of artists sold a painting

You can find the names of the exhibited artists here (both AWS members and those selected from the open entry.)

These are the Award Winners. Paintings selected for awards can be viewed here.
Thirty-nine awards totaling over $54,000 were selected this year by the 159th Exhibiton Jury of Awards.
The only images online are those of award winners. They do not contain any details about size, materials or price.

Critique 

When art societies were first formed, the major reason was to share the costs of exhibitions of artwork so that artists could get their artwork in front of more people and stand a better chance of selling it.

It wasn't about showing off. It was about financing the artist to make money to enable them to continue being an artist. That's still - or should be - one of the primary reasons why artists exhibit today.

If an annual international exhibition by the one of the oldest and most prestigious watercolour societies in America can only sell 10 paintings then something they are doing is wrong!

AWS Facebook Page

Context

First, by way of comparison I'm going to highlight the number and percentage of sales of artwork exhibited at the Royal Institute of Painters in Watercolours last three annual exhibitions at the Mall Galleries (a large gallery supporting national societies of artists in the centre of London - accessible to fans, tourists and people walking up the Mall to/from Buckingham Palace)

As you can see, the RI have significantly more sales both in terms of actual paintings and percentage sold.

Tuesday, March 31, 2026

Review: Royal Institute of Painters in Water Colours 214th Annual Exhibition (2026)

I think the 214th Annual Exhibition by the Royal Institute of Painters in Water Colours is probably the best RI exhibition I've seen by them at the Mall Galleries on two counts:

  • excellent artwork
  • extremely well hung - it reads very well throughout both the West and East Galleries and most of the North Gallery.
It also has the unique distinction of:
  • a VERY colourful title wall in the West Gallery
  • a monochrome title wall in the East Gallery
RI Annual Exhibition 2026: Very colourful end wall in West Gallery
RI Annual Exhibition 2026: Very colourful end wall in West Gallery

RI Annual Exhibition 2026: Monochrome end wall in the East Gallery
RI Annual Exhibition 2026: Monochrome end wall in the East Gallery 

Also, given there are 462 artworks hung in the show, I can also say it's one of the very best hung exhibitions - of LOTS of artwork - that I've seen of the different FBA societies who exhibit at the Mall Galleries. 

Too often, I've found exhibitions with lots of artwork to be very difficult to look at because too little thought has been applied to how the works should hang. Indeed, I think maybe there should be a rule "don't come to the hanging if you haven't worked out what goes where if you are hanging in excess of 300".

I gather that the hang of this exhibition was planned in enormous detail by the new President Juliette Losq in her first year - and the effort has well and truly paid off.

It is certainly getting lots of visitors!

This blog post tells you:

  • how to see the exhibition - whether or not you can visit it at the Mall Galleries
  • how to check out the events during the exhibition
  • how to check out the standard of work by artists applying to become a member
  • observations about artwork in the exhibition
  • what can be improved for next year
Plus an extra post tomorrow - about the name and the importance of water.

How to see the RI Exhibition

You can visit the RI 214th Annual Exhibition at the Mall Galleries until 11th April (however it is closed in Easter Sunday and Easter Monday).

  • Venue: Mall Galleries, the Mall, London - North, East & West Galleries
    Hours: 10am - 5pm every day except Easter Sunday and Easter Monday when the Galleries are closed
  • Dates: 25 Mar 2026 - 11 Apr 2026 
  • Entry: Admission £7, Free for Friends of Mall Galleries and under 25s. Concessions available. No booking required.
You can also SEE ALL THE ARTWORK ONLINE
One of my photos of two colourful walls in the North Gallery

Sunday, March 15, 2026

FINAL Call for Entries: New England Art Club Annual Exhibition 2026

You have until 12 noon on Friday 20th March to submit your entries for the New England Art Club Annual Exhibition.

While the seriously committed will have submitted their entries already, there's still time to submit that work which you are pleased with.

Historically, the New English Art Club was founded by a group of artists dissatisfied with the entrenched attitudes of the Royal Academy

Today, its intent is spelt out by its President Patrick Cullen

At the heart of the NEAC is the search and propagation of meaningful, resonant art. It is committed to authenticity through the observation of life, as well as the task of articulating and communicating ideas with the beauty of skilful language.

FINAL Call for Entries: NEAC Annual Exhibition 2026


Entries from open artists are welcomed.
The NEAC Annual Exhibition is a showcase not only for its members but also for aspiring artists: with a history going back more than a hundred years, it is an opportunity for work to be seen alongside some of the best artists today.
I describe the process below. Here are the links to all relevant pages
NEAC is not an art society which is afraid of colour!
(NEAC Annual Exhibition 2025: End of West Gallery)

If you want to know what NEAC is about, take a look at my pics of the 2025 Annual Exhibition

Last year, the exhibition 389 artworks which included a lot which were big to very big - which made the hang look very crowded to me

Guidelines re Sales and Pricing

You can see the nature and price of the artworks which sold in 2025 by right clicking HERE and opening in a new tab

  • 60% were painted in oils
  • just over 20% were landscapes and cityscapes
  • just over 10% were portraits
  • just over 10% were still life
  • the remainder covered marine and coastal (4), other (1) and abstract (2)
In terms of sales, 17 of the 50 sales were by open artists - and the majority were by women. I think it not unlikely that most of the sales were heavily influenced by women too.

For the record, although I've not crunched the numbers for 2025, there are some guidelines for open artists if you want to achieve a sale
  • sales drop off once you breach £1,500 which I've identified for a long time as an important threshold for sales (i.e. not a lot above this, and these are mostly by members)
  • OPEN ARTISTS tend to do better in the £500-£1000 price range and pricing - and this is consistent across a number of the art societies exhibiting at the Mall Galleries

Wednesday, March 04, 2026

Review: Royal Society of British Artists Annual Exhibition 2026


Last year I was rather tough on the Annual Exhibition 2026 of the Royal Society of British Artists.
Principally because I thought they had hung far too many artworks and consequently it was difficult to "see" the art.

As a result I sent a four page critique of the exhibition to the President highlighting various aspects of the exhibition I thought needed addressing and suggestions as to how. I gathered from last week that he had used it as a checklist to review all the aspects I suggested could do with attention.

This year I'm very pleased to say that this year we have a much improved exhibition to view with fewer artworks hung. Plus a much nicer experience at the TWO PVs. The "payoff" seems to be that more artwork is selling.

The West Gallery on Monday

I've now visited it three times:

  • at the NEW Private View for Art Collectors - which was very pleasant. We could all see the art properly and the red spots started appearing!
  • at the Artists' Private View last Thursday evening when I got to meet a brand new first time exhibitor who I first met 11 years ago. She was so very pleased that her abstracted artwork had sold before the exhibition had even opened!
  • Monday afternoon when I was able to get round the West Gallery and view all the artwork in more detail. Plus sat and chatted for ages with former President Mick Davies and printmaker Austin Cole about "exhibitions" which was again very enjoyable.
You can visit the exhibition 
  • at the Mall Galleries
  • until Saturday 7th March (10am to 5pm)
You can view the artworks online - and buy - via the online exhibition 
BOTH give you an idea about media, size and price of artwork on display

RBA Annual Exhibition 2026 - view in the East Gallery

You can also see artworks hung on the walls in the three galleries in my Facebook Albums (after yesterdays' hiatus!)

Facts about the Exhibition


Artwork comprises paintings, fine art prints, drawings, sculpture, ceramics and other 3D work in all kinds of media and but mainly (but not exclusively) a figurative / representative style - and you can see them at the Mall Galleries until Saturday 7th March.

The Mall Wall in the East Gallery

There are 438 artworks hung in the show (compared to 554 last year) - which is still more than I would like to see (c.400 is the optimum number for me) split between:
  •  244 artworks by members - nearly 60% (compared to 275 in 2025)
  •  194 artworks by open entry artists - just over 40% (compared to 279 in 2025)
Consequently 
  • a marginal reduction in members' artwork but a major reduction in the number of artworks selected from the open entry.
  • Open artists might like to note that they had 2351 open entries so those selected represented about 8% of the open entry.  Hence you need your very best artwork to get selected!
As a result, this year it's an exhibition which is much easier to view. There is more space between artworks which enhances the individual artworks as well as preventing eye fatigue when viewing art - as happened to me last year.

As a result, they are selling more artwork. Just over half way through, they are one short of the sales for the whole exhibition last year. 

Wednesday, January 28, 2026

Review: The 127th Annual Exhibition of The Pastel Society

The 127th Annual Exhibition of The Pastel Society starts another year of annual exhibitions by the leading national art societies who are members of the Federation of British Artists - and hold all their annual exhibitions at the Mall Galleries. It's on until 7th February 2026.

For those who don't know, I'm an avid fan of pastels and pastel artwork and used to also produce pastels and exhibited at the Pastel Society in the 90s.

Facts about the exhibition - and how to see it


This is an OPEN exhibition
 and is not limited to work by members and it contains 377 artworks in.....
All types of pastel including: soft pastel, hard pastel, oil pastel, ink pastel, water-based pastel, conté crayons or sticks, sanguine, and other dry mediums that are similar in their application including charcoal, chalk, and pencil.
You can see the exhibition at the Mall Galleries until 7th February 2026.
  • Open every day (10am-5pm)
  • Admission £7, Free for Friends of Mall Galleries and under 25s. Concessions available. No booking required.

You can also see the artwork as follows

The Pastel Society 127th Annual Exhibition 2026
Cover of The Pastel Society Catalogue for the 127th Annual Exhibition

A week ago I attended the Private View - and that's when my problems started - and why this review has taken so long to write. 

A very popular Private View

It was very crowded and I was unable to sit down. I'd noticed a slight problem with my feet before I went - but standing up for two hours and not moving much really lacerated them. I had problems walking home, even more when I removed my shoes and I couldn't really walk very much for the next 2-3 days. Needless to say - but I will - with my mobility issues, I do not mess about when my feet scream very loudly at me!

I managed to photograph the artwork in the East and North Galleries at the beginning of the PV. So I returned on Sunday intending to do the West Gallery - but ended up talking (and sitting) for a long time with both the President and the Vice President - which was really interesting!

So I then went back AGAIN yesterday - and this time 
  • I saw the exhibition properly i.e. not so full of people that you can't see the art as happened at the PV, 
  • photographed the West Gallery - to be uploaded very soon
  • started making my notes about the exhibition - for this review - in the new Apple Journal.
So this is my review....

The 127th Annual Exhibition of The Pastel Society


This post provides you with:
  • events - and when they're on
  • prizes - who won what
  • what's different about the 2025 exhibition
  • what I liked and....
  • ....what I think can be improved

Events - and when they're on


I wrote a post about the Events Programme  last week, after I realised I couldn't walk and wouldn't be visiting the exhibition again last week!

Prizes - who won what


The Prizewinners with their Certificates

This page provides info about the prizewinners.

Winner of The Pastel Society Prize
Sunrise behind Tower Bridge by Benjamin Hope PS NEAC ROI RP RSMA

The top cash prizewinners were
  • Caran d'Ache Prize (£1,000 for the best work in the exhibition as selected by Caran d'Ache) 
  • Pastel Society Prize - £1,000 for the best work by a member, selected by the Pastel Society Council.
  • The Yoshimoto Prize £1,000 for an outstanding work in any dry medium by a non-member.
The one I liked the best was Benjamin Hope's artwork - not least because he seems to have done it on a new kind of wafer thin support. As he's also an oil painter, I'm guessing it is aluminium with some sort of abrasive material mixed in with the gesso.

Monday, January 19, 2026

Last Call for Entries for Royal Institute of Painters in Watercolours Annual Exhibition 2026

You have 4 DAYS LEFT to submit an entry to the OPEN Annual Exhibition 2026 of the Royal Institute of Painters in Watercolours.

Alongside the work of its elected members, leading figures in contemporary watercolour and water-based media, the RI welcomes both emerging and established artists who push the boundaries of the medium through traditional and experimental approaches.

 

Why enter this exhibition?

  • This is the biggest exhibition dedicated to paintings in water colours in the UK.
  • around 50% of the artworks are from the Open Submission
The exhibition is the largest of its kind, featuring over 400 of the finest works from around the world.
  • displays a wide diversity in approaches to paintings using watercolour media and subject matter - from traditional to the more contemporary.
  • although more contemporary artwork has a lower profile in the show and tends to favour acrylic and mixed media.
  • relatively little of what I tend to term the "can't draw, can't paint, won't sell" school of painting which lacks application to both concept and craft
The overall impression is that most of the artists in the show, on the whole, are very much more inclined to paint natural scenes associated with the outdoors - and have a distinct preference for more traditional media.

To be more precise, last year:
  • more than a third paint landscapes or cityscapes
  • just under 20% painted portraits and human figures
  • 14% painted still life and interiors
  • less than 10% painted Marine and Coastal OR Wildlife and Animals OR other topics.
  • very few people created abstract paintings

This is worth a study - in terms of what subjects get painted in what media
(from my review of the 2025 exhibition - see link above)
 

Call for Entries for RI Annual Exhibition 2026


The deadline for entries for the 214th Exhibition of the Royal Institute of Painters in Water Colours is 2pm on Friday 23 January 2026
  • Information about how to enter starts on the Mall Galleries website
  • Submission is via the OESS website
  • There is a single-stage virtual judging process for ALL submitted works.
  • Selected works should be delivered to Mall Galleries, London, for inclusion in the exhibition by Saturday 16th March (10am-5pm)
  • The Annual Exhibition opens on 25 March and closes on 11 April 2026

Who can enter

Wednesday, November 05, 2025

Open Call for Entries: Royal Society of British Artists - Annual Exhibition 2026

You have two months to prepare an entry for the Annual Open Exhibition of the Royal Society of British Artists (RBA). Online entries close on Friday 9 January 2026 (12 noon).

Find out how to enter the RBA Annual Exhibition 2026

This post explains:

  • why this is a good exhibition for artists submitting via the open entry
  • why the last two exhibitions have been very disappointing in terms of sales - particularly for member artists - but have lots of scope to "come back" and do as well as they have done in earlier years
  • how to enter

Why submit to this open entry?

This is a good exhibition for non-members to try and get selected for, because of the variety of media, subject matter and styles which are acceptable to the RBA

This is probably the most eclectic of all the art societies belonging to the Federation of British Artists BA Exhibitions - whose home is at the Mall Galleries. My comment in this post Artwork I liked at the RBA Annual Exhibition 2025

It also has an excellent range of prizes, many of which open artists are eligible to win.

However, there are always a LOT of entries and this exhibition gets more open entries than some of the top flight art competitions in the UK (

Those who enter have a good chance of being exhibited as the RBA aims to split the artworks hung in the exhibition 50:50 between RBA members/associates and the open artists. 


Why the last two RBA exhibitions have been disappointing 

These were my blog posts about the 2025 exhibition

The artwork selected comes from 3,843 submitted images. To give you a sense of what that represents it's bigger than the entry for some major art competitions. 
Mostly it was good work, although it certainly included artwork I personally would have edited out at the selection stage.
I start from the basic premise that major art exhibitions are for selling art as well as showing it. As in people want to recoup their expenses and generate income for an artist.

The reality is that the last two exhibitions have have had VERY LOW SALES
  • 2025: 63 artworks sold (just 11% of the artwork hung) which is VERY LOW
  • 2024: 52 sold from 491 hung (10%) last year - but only just (11%!!)
This is in the context of a society which, in the recent past, has generated in excess of £100K in sales at its annual exhibition (as another FBA Society did recently).

Moreover, in 2025, 60% of the artwork SOLD was generated by the Open Artists (selected via the Open Call to exhibit with the members of the RBA).

My thinking is this is because:

  • open artists tend to submit smaller and more affordable artworks - priced to sell (I will allow myself to think some have been reading my blog posts which have provided clear signposts as to what sells!)
  • member artists are sometimes self-indulgent and submit large works which have little chance of selling - and too many don't read my blog posts about the exhibition metrics!
  • the Selection Panel sometimes seems to be 
    • too indulgent to its members in terms of what they what they want to exhibit and 
    • thinking too little about the business of making money from the exhibition - to fund their contribution of the costs of running the Mall Galleries.
A guide to price brackets at the last RBA Exhibition

I should emphasise that it's not just my opinion it was the members who were mainly responsible for the overall level of low sales. It's a FACT.
  • There were 554 artworks hung in the show (which in my opinion is about 200 too many) split between:
    • 275 artworks by members
    • 279 artworks by open entry artists
  • In terms of the number of artworks which sold
    • 60% were by open artists
    • 40% were by RBA Members and Associates
Most sales were, as I constantly reiterate, BELOW £1,500
Most sales in this RBA show were also by OPEN ARTISTS

This sort of performance is a function of:
  • artwork submitted for exhibition
  • the critical faculties of those selecting the work that gets on the wall.

Selection for 2026


In relation to the 2026 Annual Exhibition (26 February - 12 March), I'm really hoping that the panel of selectors will get their critical and business faculties in gear and become more discriminating by aiming to:

  • RADICALLY REDUCE the number of artworks they select (i.e. the more they hang, the less they sell). 
  • BE MUCH MORE RIGOROUS IN THEIR SELECTION - in relation to BOTH members and open entries - about preferring artwork that will sell rather than artwork which will just hang on a wall for 10 days and do very little for art, the artist or the RBA wanting to generate funds to run future exhibitions.  After all, this is what commercial galleries need to do all the time if they are to stay in business.
The key is to select the best and not just everything you like the look of it. 

artwork at the entry to the West Gallery in 2025


How to Enter


Artists are invited to submit work for exhibition alongside members of the Royal Society of British Artists at the RBA Annual Exhibition 2026. More details below.

Monday, October 27, 2025

Entries for PASTEL SOCIETY's 127th Annual Exhibition 2026 - closing soon

You have just under three weeks left to get a submission into the Annual Exhibition 2026 of The Pastel Society.


I've been trying to get round to this post for a while, which makes it much later than usual. However you still have time to start and finish a new work, or review what you did last year that you are proud of and submit that to the exhibition.

Benefits of Exhibiting with The Pastel Society


This is an OPEN ART EXHIBITION. If you submit and are selected for the exhibition your artwork will be
  • included in the catalogue
  • seen by visitors to the Mall Galleries - and it gets a lot of visitors
  • viewed online via the Mall Galleries website and that of the Pastel Society - before, during and after the Exhibition
  • eligible for a number of prizes & awards - and some have significant cash awards (see below)

Pastel Society | Annual Exhibition 2026 | Key Facts

What drew me to the Pastel Society was the thought of being surrounding by other people fascinated by dry media in particular
Curtis Holder
Venue: Mall Galleries, The Mall, LondonDates:
Exhibition Dates: Wednesday 21st January - Saturday 7th February 2026
Private View (invite only): Tuesday 20th January 2026 - 5pm to 8pm, official opening at 6:30pm

Submissions: ONLINE ONLY and open until 12 noon Friday 14 November 2025
Notification of selection: Friday 28th November 2025, 12 noon
Receiving Day (if selected): Saturday 10th January 2026, 10am to 5pm
Collection of unsold work: Thursday 12 February 202610am to 5pm
Awards and Prizes - see listing near the end of this post


Call for Entries

Find out more about how to enter:


Who is eligible to enter?

  • This is an OPEN exhibition and is not limited to work by members.
  • There is also no restriction of where you live. It's open to artists in the UK, EU, and outside the EU
  • Any artist over 18 may submit.

What media is acceptable for entries?

  • All types of pastel including: soft pastel, hard pastel, oil pastel, ink pastel, water-based pastel, conté crayons or sticks, sanguine, and other dry mediums that are similar in their application including charcoal, chalk, and pencil.
  • Mixed media and three-dimensional works are welcome where pastel or another dry media is the primary medium.
  • HOWEVER.....
ALL work that is submitted must have a full description of the media used and any process which has been employed in the finished work beyond drawing and painting, e.g. printing, photography. 

Please note that failure to do this may result in unnecessary rejection on the grounds that work deserves to be judged on a like for like basis and because any buyer should be made aware of what they are buying.
Bottom line - no sleight of hand! This exhibition emphasises the use of dry media and the expertise of the artist in using it.
 

What can you enter?

Wednesday, October 22, 2025

Review: 62nd Annual Exhibition of the Society of Wildlife Artists

The Annual Exhibition of the Society of Wildlife Artists has got off to an excellent start - with LOTS of red (and green) dots adorning various of the artwork hung in all three galleries at the Mall Galleries.

The end wall of the West Gallery

This is my annual review of the SWLA Annual Exhibition 2025. It's taken a long time to write at the same time as posting albums of photos of the exhibition and I'll probably come back and add bits in I've forgotten!

Except where otherwise indicated, quotations are from either the SWLA website or my past posts about this exhibition. They underline key points about the society and their particular approach to producing artwork and exhibiting

The Society of Wildlife Artists seeks to generate appreciation and delight in the natural world through all forms of fine art inspired by the world’s wildlife. SWLA website

In summary:

  • there are 363 framed artworks and 3D artworks in the exhibition - and you can see them online here
  • 71 were sold in the first six days (excluding the numerous sales of unframed prints) which 
    • equates to 20% of the artwork hung or displayed 
    • AND exceeds last year's total sales.
  • about 90% of the wildlife seem to be birds this year - there are lots and lots of birds from around the UK and further afield
  • there is also artwork portraying 
    • UK mammals including field mice, squirrels, hares, foxes, wolves, stags, otters, seals, slugs, butterflies and insects!
    • plus wild animals from other countries including elephants, pangolin, sting rays, jellyfish and octopus
  • the artwork is from life - not photos - and is based on artists working in the field to sketch and make studies. A number of the framed artworks are in fact studies made in the field - literally! To illustrate what happens the exhibition also has a display of many photographs of working in the field
It's worth remembering that it's not coincidental that the name of this annual exhibition is "The Natural Eye". This connects to the emphasis which the SWLA places on artwork conceived, started and sometimes developed to completion while observing wildlife "in the field / sea / air"
The exhibition opened on 16th October and is open every day 10am to 5pm until 25 October.
In my opinion, one of the best annual art society exhibitions at the Mall Galleries every year is that by The Society of Wildlife Artists. (Me  - in Call for Entries: Society of Wildlife Artists - Annual Exhibition 2025 
East Gallery Feature Wall

This review is a multi-media experience! I have published and annotated three albums of photos from each of the three galleries over the last three days and the links are below
Some of the comments I might have included in this post are actually in the annotations of individual photos in these albums.  So this is in effect a multimedia post!

Some of the artworks which stood out to me below are highlighted in these albums and below.

Wednesday, September 24, 2025

REVIEW: 80th Annual Exhibition of the Royal Society of Marine Artists

The quality of most of the 395 artworks in the 80th Annual Exhibition of the Royal Society of Marine Artists is very high. 

View of some of the artwork in RSMA Annual Exhibition in the East Gallery

You can view all the artwork online - however there is nothing quite like seeing it on the wall

If you can't get to London (and I know many have issues re. time and/or expense), the next best thing is to see it on the wall in my photographs of the entire exhibition which I've been posting on Facebook ever since my visit last week. You can see them here 

A view which highlights some of the 3D artwork in the East Gallery

My post last week RSMA Annual Exhibition 2025 - Award winners and Catalogue references the catalogue and awardwinners.

Note: I'm afraid I am not linking to the RSMA website as it is insecure (i.e. http prefix only and no security certificate) and it's my policy to not link to sites which may present risks to readers. Hopefully they will get this sorted before my next post about them

Review of the RSMA 80th Annual Exhibition


I always sit and write my comments in the catalogue after doing my first tour round the exhibition - and then add in more comments later after I've been around again. 

However this time I nearly did not get a catalogue for free. Long gone are the days when the people behind the desk at the Mall Galleries are permanent staff who are the same on every visit who greet me because we've known each other for ages. People who know that I both review the exhibition and "drum up" both visitors to the exhibition and entrants for the call for entries in the following year.

Many of the artists who exhibit in exhibitions I review do so because they have heard about those exhibitions from me - and they tell me!  I don't often boast but I have a very long and robust track record of "growing competitive exhibitions" over the last 20 years of blogging MAM. As well as the FBA Shows at the Mall Galleries, these range from the BP Portrait Award - where the entrants grew exponentially and internationally following my comprehensive coverage of it to the RHS Botanical Art Show - which has moved out of the Horticultural Halls and now exhibits at the Saatchi Gallery for several weeks each summer.  

Those running the FBA Exhibitions know that my blog often provides the only decent length review they get. I have had thanks from many Presidents over the year online and in person for the profile I give to the societies. I don't need thanks - I would do it anyway. But it's always nice to be recognised for a constructive contribution - even if it is sometimes is critical of some aspect of a society/exhibition/arrangements. At the end you can find links to past reviews.

But apparently the people at the desk think I need to pay for a catalogue. Yes, I was miffed. Hence the delay in this review because I knew I was going to say something and a little distance seemed judicious....

ANYWAY.... back to the exhibition and the comments in my catalogue


The end wall in the West Gallery

I thought it a very well hung exhibition for the most part. It was helped of course by having 57 fewer artworks in the show compared to last year. 

From my perspective, so long as you don't select lots of large artwork, 400 artworks should be the figure most societies should aim to hang. Less if you want big artwork - of which there was also a lot less in this exhibition.

Mezzanine wall of smaller artworks

However, the main thing I noticed this year is that this an exhibition which is much more "marine" and much less about "boats." So lots of:

  • seascapes
  • waves and wave formations - by the men and not just the women!
  • nature  and wildlife - animals, fish and plants associated with the sea
Although it appears not everybody is happy. This was one comment on the RSMA Facebook Page where my photos were shared.