Grayson Perry has had a project of one sort or the other with either Channel 4 or the BBC every year going back to 2012 (see details at the end - plus links to my blog posts about the same). It's now officially time to start guessing what the next one might be - it's probably happening right now!
The latest series is called Grayson Perry - All Man and it's recommended viewing for all artists interested in art created out of exploring themes of importance within our society.
You can catch up on their On Demand Service - see Grayson Perry - All Man Episode 1
The series has three episodes.
This first one was focused on 'The Hard Man' and was set in the North East - the home of industrial decline over the last three decades. (The quotes relating to the episodes below all come from the website of the production company)
Episode 1 – HARD MAN – sees Grayson spend time with a group of cage fighters in the North East. As a self-described ‘lifelong sissy’, Grayson thinks the desire to be tough is holding modern men back. But as he explores the vulnerabilities that lie behind the fighters’ public personas, takes part in the Durham miners’ gala and meets the friends and family left behind in the wake of one young man’s suicide, what he uncovers reverses his expectations.
Grayson was back investigating different groups of people. What I always find amazing is how he (a) manages to find them and (b) how they all seem to like him and (c) why they tell him all sorts of things about their lives.
Maybe because his natural manner is so disarming? How could anyone not like Grayson?
What was also very touching was the way he revealed more about himself during the course of the programme. I do value an artist who creates art based on research and investigation of a subject but at the same time grounds it in his own emotions and values.
His aim was to make art out of his findings from his meetings with different groups. There are two works
When I say tapestry it is of course a tapestry reincarnated as a Miner's Gala Banner.
Which was then processed through (I think) Durham Cathedral at the end of the programme where it is revealed to those who participated in the programme and whose images features in the two works he produced.
The next two episodes are
Maybe because his natural manner is so disarming? How could anyone not like Grayson?
What was also very touching was the way he revealed more about himself during the course of the programme. I do value an artist who creates art based on research and investigation of a subject but at the same time grounds it in his own emotions and values.
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| The Death of a Working Hero - as seen in "Grayson Perry - All Man" |
- a tapestry - The Death of a Working Hero (above)
- a ceramic urn - Shadow Boxing (below)
I do hope we'll get to see them at some point in the future.
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| Shadow Boxing - as seen in "Grayson Perry - All Man" |
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| Grayson Perry drawing with a digital stylus - as seen in "Grayson Perry - All Man" |
I must confess I found it fascinating to watch him making the artwork for his tapestry direct on the huge (Wacom?) tablet with a digital stylus. He's a very fine draughtsman who has found a way of making his style work through digital software and into weaving!
When I say tapestry it is of course a tapestry reincarnated as a Miner's Gala Banner.
Which was then processed through (I think) Durham Cathedral at the end of the programme where it is revealed to those who participated in the programme and whose images features in the two works he produced.
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| "The Death of a Working Hero" being processed as a Banner- as seen in "Grayson Perry - All Man" |
Episode 2 – TOP MAN – Grayson goes to Skelmersdale, Lancashire to meet two groups of men concerned with rank and territory: the police and the drug dealers they regularly arrest – as well as the local residents who live with this turf war. More than 80% of the crime and anti-social behaviour in the UK is caused by men, but the issue is rarely addressed in gender terms. As Grayson joins officers on a raid, and walks the boundary of the estate with some of the young men who live there, he finds universal male preoccupations bound up in this very local conflict.
Episode 3 – RATIONAL MAN – finds Grayson among traders and hedge-fund managers in the City of London. The modern City, they tell him, is all about calm, cool rationality, but Grayson suspects that in the long journey from hunting mammoths to clicking mice, impulsive aggression and raw passion haven’t disappeared quite so easily. A tense final exhibition sees the financial powerbrokers come face to face with the work that Grayson has created.
- The Guardian:
- Grayson Perry: ‘Boys think they’re breaking the man contract if they cry’
- Grayson Perry: All Man review – making touching art out of machismo
- What is it like to be a man in the modern world?
- All Man: Grayson Perry on masculinity
- Huffpost: 'Grayson Perry: All Man’ - Channel 4 Show Exposes Pressures Of Modern Masculinity
- The Telegraph: Grayson Perry: All Man - review: who better to talk about modern manhood?
- New Statesman: Whither big balls? Grayson Perry investigates masculinity better than anyone else on TV
Grayson Perry on Television and Radio
There have been previous collaborations between Grayson Perry and Channel 4
- his first Channel 4 series was All In the Best Possible Taste (2012) won a BAFTA for his exploration taste and class. This resulted in his series of six tapestries titled The Vanity of Small Differences which were shown at the RA Summer Exhibition in 2013. Perry and his gallery gifted this major work to the Arts Council Collection and the British Council and they have subsequently toured the country.
- The next series was Grayson Perry: Who Are You? in 2014 - which resulted in an exhibition at the National Portrait Gallery.
- Grayson Perry’s Dream House has been nominated for a BAFTA and two RTS Awards
- and his Reith Lectures in 2013 were a resounding success and are still available on BBC iPlayer
