Sunday, July 31, 2022

REVIEW: "Winners" Exhibition at the Mall Galleries (Part 1)

On Friday I visited the Winners Exhibition at the Mall Galleries in London. Artists who have work on display are members of national art societies who exhibit at the Mall Galleries and artists who submitted to their open annual exhibitions.

This is a BRAND NEW exhibition which displays artwork from all the winners of awards and prizes at the Annual Exhibitions of the Societies which belong to the Federation of British Artists between 2020 and 2022 (i.e. during the course of the Pandemic when fewer people were travelling to exhibitions).  It's open until Saturday 6th August (10am - 5pm) - with a late night opening until 8pm on Wednesday 3 August.

Below you can find out more about the exhibition and read Part 1 of my Review plus view images of some of the artworks on the walls of the exhibition. (I'll be uploading more to my Facebook Page)



View of East Gallery

The national art societies are:

  • Royal Society of British Artists
  • Royal Institute of Painters in Water Colours
  • Royal Institute of Oil Painters
  • New English Art Club
  • Royal Society of Portrait Painters
  • Pastel Society
  • Hesketh Hubbard Art Society
  • Royal Society of Marine Artists
  • Society of Wildlife Artists
There's no printed catalogue for the exhibition. However 
  • there is an online catalogue on Issuu - I can't work out the order of the artists and artwork. It's not alphabetical, it doesn't seem to relate to the societies and those who have more than one artwork in the show only get one artwork in the catalogue. It seems to be loosely based on colour. However I keep getting the impression it's not dawned on anybody that if it's not printed and only online you can do much larger images for each artwork / artist. You can do up to 500 pages per upload and unlimited published documents for not very much at all.....
  • you can also see THUMBNAILS of the artwork online (scroll down) and 
  • there is a handout providing brief details of every artist available from the front desk.
Below is a video of the exhibition.


Review of Winners 2020-2022

Wednesday, July 27, 2022

Call for Entries: ING Discerning Eye Annual Exhibition 2022

The Discerning Eye is a visual arts focused educational charity. Its principal activity is to hold a rather unique annual exhibition sponsored by ING - and known as the ING Discerning Eye Exhibition. 

This post is about the call for entries for the 2022 Exhibition to be held at the Mall Galleries in November - and whats involved in submitting an entry or six!

The ING Discerning Eye Exhibition


ING Discerning Eye 2021: View of the West Gallery

Six Selectors

Once a year they invite different people - two artists, two collectors and two critics / people who have art-related occupations to select artwork to hang in the exhibition.

Hence it's not an open exhibition where you have to please all the Jury of Selectors - you only need to please one!

The selectors this year are:

  • David Ferry - Printmaker
  • Ansel Krut - Painter
  • Gurinder Chadha - Film Director
  • Kate Enters - Director of Artcan
  • Aindrea Emelife - Curator and Writer
  • Alison Bevan Director of the Royal West of England Academy

The selectors:

  • invite artists they know or whose work they admire 
  • select artwork submitted via the open entry

Small Works

The other aspect which is unique is that this is an exhibition about small artworks. Details below of what that means

Prizes

There are a range of prizes and in this era of disappearing art competitions, it's worth noting that some are valuable. 

  • ING Purchase Prize* – £5000
  • The Discerning Eye Founder’s Purchase Prize** – In honour of Michael Reynold’s £2500
  • The Discerning Eye Chairman’s Purchase Prize** – £1000
  • The Mervyn Metcalf Purchase Prize* – £500
  • Discerning Eye Sculpture and 3D Work Prize** – £250
  • Discerning Eye Original Print Prize** – £250
  • Discerning Eye Cityscape Prize** – £250
  • Discerning Eye Landscape Prize** – £250
  • Discerning Eye Portrait Prize** – £250
  • Regional Prizes** – There will be up to 8 prizes of £250 each awarded to an outstanding entry from the national regions
  • Parker Harris Mentoring Prize*: Parker Harris will give a one-to-one mentoring session covering all aspects of professional development to a selected artist
NOTE:
* These prizes are selected by the individual prize givers, not the selectors.
**These prizes are selected by members of the Discerning Eye Educational Board, not the selectors.

ING Discerning Eye 2021: North Gallery

The Exhibition 2022

The exhibition is to be held at the Mall Galleries in central London - from the 11th - 20th November 2022

The website also has a Virtual Exhibition of the artwork in the exhibition.

However......

This year I have an ALERT for all artists wishing to submit work - which I summed up in a facebook post last year. Nobody has written to me to say it's a "return to normal" hence why I'm raising this issue here.



I am giving the organisers the benefit of the doubt and assuming that last year this was an effort to reduce costs given there was no knowing whether the exhibition might have to be cancelled. 

However... it was, in my opinion, an absolutely ludicrous idea given that galleries do not have effective broadband reception throughout the galleries and not everybody likes to open their phone (and security!) to open access wifi!!! 

DO READ Cons and Pros of ING Discerning Eye Exhibition's tech makeover in which I voice my concerns at some length!

I sincerely hope the organisers are going back to proper professional practice of having:
  • proper labels - stating names, titles, media and price
  • a proper catalogue - including the same data which interested purchasers can consult and make notes as they go round.
I'm optimistic we've had a return to normal as the call for entries indicates the following
All exhibiting artists will be included in a fully illustrated print catalogue.
However I also work on the principle of I believe it when I see it - especially when it has such a significant impact on artists. Do feel free to enquire what's happening this year via the normal contacts. 

If you have not submitted before - or if you have submitted but not been selected, you can read more about past exhibitions and see the sort of artwork this exhibition attracts:
Welcome to The Discerning Eye Archives, here you can browse nearly 30 years of works exhibited annually. To start your search either select a year to view a full overview, or use the search bar to lookup particular artists, work titles or selectors.

The archive consists of nearly 15,000 selections, over the years we have expanded the data we store on individual works to include images, dimensions etc. However some earlier years may not have this information available.
Oddly it does NOT include images for the 2021 exhibition!!

Call for Entries: ING Discerning Eye 2022

Tuesday, July 26, 2022

Fred Cuming 1930-2022

I was so sorry to see in the NEAC Newsletter that Fred Cuming died in June. 

I very much recommend that anybody who admired his work takes a look at the Obituary about him on the gets on the NEAC - Remembering Fred Cuming (plus others below).

His landscape paintings were always a joy to behold and I very much regret I'm not going to see them anymore - except online.

Fred Cuming's paintings - which I'm very happy to stare at for absolutely ages. You can see more of his work on his website - Fred Cuming RA. Those who like the coastline and skies around Britain will appreciate his work.
Central to his practice was to be the sketchbook, the making of what he called “notes” en plein air. Cuming would, as he said, “sketch and sketch … [keeping] sketchbooks everywhere, in my studio, in my bag, in the car”. At his peak, he would get through a hundred a year. Fred Cuming - Obituary | The Guardian
"Four Seasons" by Frederick Cuming RA (oil, 378 x 163 x 5 cm £115,000)
RA Summer Exhibition 2017
 

Below are some highlights of his life, formal obituaries elsewhere, some examples of his work and a reference to a previous blog post in which I highlighted a wonderful video about his work 

Monday, July 25, 2022

The Wild Table of Love

I had to visit Bart's Hospital today for more treatment for my osteoarthritis (this time in the hip!) and walked over to St Paul's Cathedral afterwards via Paternoster Square - which is where I came across The Wild Table of Love

The Wild Table of Love in Paternoster Square, City of London

The Wild Table of Love

I came home and looked it up on the Internet. You can read more about it on this page on the website of Gillie and Marc who created this extremely large bronze sculpture.
This public sculpture experience is an invitation to join the best banquet in the world. Expertly crafted in bronze, the table is set and the animals are already tucking in, all that is left is for the public to take their seats.

Rabbitwoman and Dogman, the internationally beloved hybrid characters who have travelled the world spreading messages of love, acceptance, and adventure, play host to the party. They sit at a huge banquet table, six metres long, adorned with some of the most delectable foods imaginable. Their guests; ten of the world's most endangered animals. Rabbitwoman and Dogman have opened their table to the animals as a symbol of love and support, welcoming them into their family and promising to protect them in every way they can.

The Animals
The ten endangered animals include; a hippo, Masai giraffe, African elephant, Bengal tiger, koala, chimpanzee, Grevy’s zebra, Northern white rhino, lion, and mountain gorilla. They have each been invited to the table as representatives of some of the best-known species in the world. And yet they all are dangerously close to the same threat, extinction.
A closer look

Copyright Making A Mark Publications

Another perspective

Gillie and Marc - creators of public art

Gillie and Marc Schattner are an Australian collaborative artist couple. This is what it says about them on their website.
Gillie and Marc have been called “the most successful and prolific creators of public art in New York’s History” by the New York Times. Creating some of the world’s most innovative public sculptures, Gillie and Marc are redefining what public art should be, spreading messages of love, equality, and conservation around the world. Their highly coveted sculptures and paintings can be seen in art galleries and public sites in over 250 cities. They’re Archibald Prize Finalists and have won the Chianciano Biennale in Italy, together with winning 2 years in a row People’s Choice Award in Sydney’s Sculpture by the Sea, among many other notable awards and accolades.
You can follow Gillie and Marc on 
  • https://gillieandmarc.art/
  • https://www.facebook.com/gillieandmarc and 
  • https://www.instagram.com/gillieandmarcart/ 
Copyright Making A Mark Publications

By way of counterbalance - Jerry Salt said....

Jerry Saltz - the art critic , who won a Pulitzer Prize for Art criticism in 2018 - wrote about a work they created in 2018 in an article in Vulture titled The New Astor Place Rhino Sculpture Is a Kitschy Monstrosity - and below are some extracts which articulate his feelings further
It is an ugly, bathos-filled folly that proves my adage that 95 percent of all public sculpture is crap. Thank goodness this crap is only temporary.

The artists may be ditzy and clueless when it comes to sculpture, but their hearts are in the right place.

The sculpture is bad burlesque recklessness, a travesty that theatricalizes calamity.

As an art critic, I also feel compelled to add that if you like the sculpture, I’m afraid it means that you have pretty bad taste.
I'm not quite sure where my feelings lie. I much confess that although I found it interesting I'm also glad it's only temporary!

Friday, July 15, 2022

Life Events

Yesterday afternoon, my mother passed away peacefully at home in her sleep age 93. It was not unexpected 

I need a break. So I've decided there won't be any blog posts on Making A Mark for a short while.