Monday, August 07, 2006

The latest chapter in the Moleskine story

I'm just getting back into my big backlog of blog posts to read (thank goodness for Bloglines!). As I am a big fan of Moleskine sketchbooks, Moleskinerie is one of the blogs I keep up with on a regular basis. I was surprised to read that the Italian owners of the Moleskine brand/company have sold it to a French company. Big smiles all round apparently as the Moleskine was originally a french product and a lot of money has just changed hands.

There are a couple of interesting blog posts about this:
It reminds me very much of the business evangelism which Seth Godin has been preaching for some time - small is the new big. It's a heartwarming message for all those artists who have a mind to use the internet to market their work.

Links:
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Robert Genn "In praise of drawing"

Last week, on August 1st, Robert Genn wrote a piece on "In Praise of Drawing". He obviously touched a nerve as by last Friday more than 1,000 people had responded to his letter. You can read both his letter and a selection of some of the responses he got in this clickback link

His letter comments on the fact that drawing has exploded on to the internet.
It seems to me that these days, while a lot of the fine art drawing has turned to forms of tracing, and high quality drawing is somewhat rare, there is still lots of it around. Particularly with the advent of the Internet, there's an outbreak of drawing-for-its-own-sake. With over 9 million visual artists in North America, and over 70,000 new blogs coming on stream daily, drawing is alive and well and living online.
The level of response he's had on this topic has presumably had an impact as his next letter - concerning John Ruskin - continues the drawing theme.

The stimulus for "In Praise of Drawing" appears to have been the recent exhibition of drawing instruction manuals called "Teaching America to Draw" at the Grolier Club in New York - which has now closed. A summary of the exhibition can be found here

Robert Genn concluded his letter
Folks who never thought they could draw are now drawers.
For many, drawing represents low commitment and high joy.
For others, drawing's the key to everything good.
Fact is, drawing is still important, still relevant, and still irresistible.
So do any of you folks out there identify with any of the above characterisations and, if so, which is the one which describes you best?

Note: You can subscribe to Robert Genn's twice weekly letter to artists at his Painter's Keys website.

Links: Click here to visit the Painters Keys website and here to subscribe

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Sunday, August 06, 2006

CPSA entries to the 2006 annual exhibition

When I attended the Annual Convention of the Coloured Pencil Society of America (CPSA) in Albuquerque last month, I was able to see the slideshow on the Thursday night. Although the exhibition only had some 100+ entries, all 781 entries to the annual exhibition were displayed (in 10 slide carousels - it was very long evening!).

There's no analysis by CPSA of the entries beyond how many fall into which category of art (architecture, abstract, landscape etc) and how many of those are then successful at getting into the exhibition. This information is made available to members.

It is possible to draw conclusions from the slide exhibition. However, it needs to be remembered that:
  • initial entry is done on the basis of slides only (ie how it looks on the slide is what matters for selection purposes)
  • CPSA has no connection with the analysis which follows.
Pieces that had most impact typically appeared to have one or more of the following:
  • a strong value pattern
  • dramatic lighting
  • very simple subjects
  • very simple colour schemes (based on a limited range of colours)
  • or a monochromatic emphasis (eg emphasis on one main colour or mono with one colour)
  • very strong saturated colours
  • a sense of humour
  • demonstrated original concepts
  • had an unusual titles which made you think
Pieces that did not appear to "succeed" in terms of the impact made during the slideshow typically came across as:
  • 'too perfect' i.e. too much technique and too little concept (ie why would you want to look at it?)
  • had poor composition and/or lacked a clear focal point
  • appeared confused as an image on a slide - with too many items competing for attention
  • lacked a good range of values
  • lacked a good crop of the image
  • were vignettes only
  • an emphasis on monochromatic - but lacked a good range of values
  • florals - which were not 'showstoppers'
  • poor presentation in the slide medium (eg image far too dark)
Neither the slideshow nor the exhibition appear demonstrated a lot of:
  • open optical mixing
  • landscapes
It goes without saying that not all the pieces I liked were in the annual exhibition and I was somewhat puzzled by some of the omissions. However, it's always salutary to remind ourselves that it's very often the case (for some at least) that there sometimes appears to be no accounting for the choices and decisions which a judge or juror makes! Those of us comparing notes afterwards at least managed to agree that we wouldn't have picked the same pieces as winners!

Links: CPSA 14th international Exhibition 2006 - prize winners

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Saturday, August 05, 2006

Whoops!

Somehow or other my template has been corrupted and it's lost all the coding for the links in the right hand column. Now I'm back at my own computer I'm trying to:
  • sort out what went wrong
  • retrieve the links from various files
  • recreate the various reference sections
This mishap is enabling me (rather faster than I would have liked) to get to grips with a new project I had in mind for organising all my reference links. So maybe it was a good thing...............?

If the link to your blog appears to have disappeared do not fret - all will be restored in due course - which hopefully will be not too long! ;)

Blind Contour First Friday - "Cool"

The subject for this month's image is "cool"

Apologies for the lack of image - I only got back to my computer after 4 weeks away tonight and will be posting tomorrow!

To see other people who contribute to Niff and Sutter's Blind Contour First Friday visit this link

[NB This post will be updated when I post]