Tuesday, January 10, 2017

Trump inauguration - artists to strike or not to strike?

An interesting development in the run-up to 20 January and the new President Elect's inauguration is the notion of artists going on strike!

I was amazed at the number of articles this idea has generated and I'm guessing most of you won't have read them. Some are worth reading if you want to get an idea of the pros and cons for this idea which seems to revolve around when is a strike just a posture rather than an act with real impact.

I decided to line them up in terms of whether they are
  • broadly supportive
  • think the action is futile and/or there are better ways of making a stand
  • just want to report the news and/or haven't made their minds up yet
The article most quoted by other articles!

But first the facts...


A document entitled ‘J20 Art Strike Letter’ has been published for circulation. The letter is addressed to museums, galleries, studios, art schools, and other cultural institutions and is signed by various figures in the art world. These include:
  • artists - including Richard Serra, Cindy Sherman and a lot of people I've never heard of
  • art critics and educationalists - again the names mean nothing to me so I've no idea of their weight or otherwise.
The Art Strike Image
The letter states
We, the undersigned artists and critics, lend our support to the call for an Art Strike on Friday, January 20, 2017, the day that Donald Trump will assume the presidency of the United States.
The call reads:
#J20 Art Strike
  • An Act of Noncompliance on Inauguration Day.
  • No Work, No School, No Business.
  • Museums. Galleries. Theaters. Concert Halls. Studios. Nonprofits. Art Schools.
  • Close For The Day.
  • Hit The Streets. Bring Your Friends. Fight Back.
This is the Facebook Page for the event. I have to say that it doesn't look very promising in terms of numbers who have said they will be involved so far (if you remember these people will be spread across the USA). Thew comments are worth a read!

These are the media articles about the letter and the proposed strike - divided into the different camps.

PRO - it will make a difference

AGAINST - People are posturing and/or there are better ways of making a stand

  • ArtNet News | Artists Criticize Proposed Strike for Inauguration Day - The divisive event has art world players debating how to effectively protest Trump. (This is the counterbalance to the first article listed above) 
  • The Guardian (Jonathan Jones) | has responded from across the pond with this article The 'art strike' against Trump is futile – cultural elites cannot effect change - Calling on cultural institutions to close on inauguration day only serves to make the likes of Cindy Sherman and Richard Serra feel good about themselves Very widely quoted by other articles. Maybe significant he's the only art critic who is not American who works for a liberal newspaper? I'm very much behind a lot of what he says - see below for an extract.
Yet an art strike is just about the least effective idea for resisting Trump that I have heard. The American left is in for a long, wretched period of irrelevance if this is its idea of striking back. I admire some of these artists greatly, but the notion that museums will help anything by closing their doors, or students will scare middle America into its senses by cutting art classes, tastes not of real hard-fought politics but shallow radical posturing by some very well-heeled and comfortable members of a cultural elite.
I like this response by Weinberg (must be the "child of the 60s" connection!). So much so I'm going to quote his words - with my emphasis in bold
Everyone knows there’s the J20 Art Strike and we’ve been asked what we are going to do. Are we going to be closed?…We are opening our doors as wide open as possible. We are not closing down. We’re actually going to do the opposite: We’re going make the museum free—pay what you wish—all day Friday, 10:30 a.m. to 10 p.m.

Being a child of the ‘60s, all I could think of was the teach-ins [the response on college campuses, including mine, to the controversial Vietnam War]. So we are going to have a series of discussion groups that will be going on all day long. It will be open for people to bring their own contributions to this, whether their readings, artworks, songs or performances.

This our territory. This is America. And we really need to express what we believe….I feel strongly about the Whitney’s role in that. It is our role not to let them own what we think of as America but to express what we believe is America….

INDEPENDENT - we just report the news


What's also very interesting is the number of institutions and media outlets which have not taken a stand on this or written about it. I think it's presenting a number of them with a bit of a conundrum in terms of which way to lean!

....and what do I think?


My own take on it, for what it's worth, is that a strike only works when it represents a groundswell of opinion which has been grown over time.  

A strike has to be big and it has to be solid to count for anything.

The danger of a strike organised by those who like taking stands on things they feel strongly about - without any existing connection to a wider community - is that it can become a damp squib. In which case it only serves to undermine the perspective of those taking part and emboldens those they may be protesting against.

That's why for my part I think
  • there are more effective ways of making a stand
  • the action taken by the Whitney Museum is far more effective in the long run. 

Sunday, January 08, 2017

Mall Galleries Call for Entries Checklist 2017 - Federation of British Artists' Exhibitions

The dates for deadlines for submissions, receiving days and exhibition dates for all the 2017 open exhibitions at the Mall Galleries by national art societies - that are Federation of British Artists (FBA) members - are listed below.

Entrance to the the Headquarters of the Federation of British Artists
17 Carlton House Terrace, London, SW1Y 5BD

All dates have been announced on the Mall Galleries website. The link in the exhibition date below is to the page with all the details of dates and process re. submissions.

If you want a page of relevant dates for all the FBA Societies that you can print out try the 2017 Call for Entries Checklist of Dates pdf file produced by the Mall Galleries.

Note that some exhibitions are shorter or longer and that the dates of some submissions or exhibitions have moved by one week or more.

FBA Exhibitions in 2017

ALL work must be submitted online.

Art Society
Submit Online - DEADLINE
Receiving Day
in 2017
Exhibition Dates
in 2017
PAST
(November 2016)
7 January
PAST
9 December 2016
21 January
(6 days shorter than 2016)
PAST
6 January 2017
11 February
(1week longer than 2016)
20 January 2017
25 February
24 February 2017 earlier than 2016
8 April
30 June 2017
(1 week later than 2016)
5 August
(1 week later than 2016)
(1 day shorter)
21 July 2017
(2 weeks earlier than 2016)
26 August
(2 weeks earlier than 2016)
(1 week earlier / 1 day shorter)
dates not announced
25 August 2017
7 October
30 November - 10 December

The proper Checklist also includes dates for the following:
  • Online Submissions open
  • Login for Results of Online Assessment
  • Check for Results of Panel Assessment
  • Unaccepted Collection of artwork
  • Unsold Collection of artwork

FBA Exhibitions in 2018

The following dates are predictions based on the last two years.

Art Society
Submit Online - DEADLINE
Receiving Day
in 2018
Exhibition Dates
in 2018
November 2017
early January
February - March
December 2017
late January
March - April
January 2018
February
April

Wednesday, January 04, 2017

RA Summer Exhibition 2017 - Call For Entries

Today's the day that entry forms go on sale for the world's largest open art competition - the 2017 Summer Exhibition of the Royal Academy of Arts!

This post is for:
  • for those who have NOT submitted before;
  • for those who have need a reminder of what they need to do; and
  • all those who need to be reminded why entry effectively closes BEFORE the deadline!
NEW This year five of the eight selectors (62%) are women! I'm racking my brains and I can't remember the last time, if any, since the proportion of women selectors was this high.

Outside Burlington House during last year's RA Summer Exhibition

This is a LONG POST providing an overview of:
  • The Call for Entries Process
    • who can enter
    • what you can enter
    • the website and key documents you need to know about 
    • how to enter: the timeline and process
    • how the RA helps prospective entrants make a good job of their entry
    • why it's important not to delay making a start on your application
  • The Selection Process
    • how it works
    • Who's doing the selection and hang this year 
    • who's chairing the Panel (and I met her and had a chat at the back end of last year)
  • The Summer Exhibition - including
    • links at the end to my previous reviews of Summer Exhibitions at the RA - which include images so you can see what you're up against.
  • TIPS: how not to get caught out - things to beware of and things to think about
  • Anything NEW or changes I've spotted - compared to previous years - are also highlighted below in the relevant section. 

I probably haven't spotted all of them so if you can see any more please leave a comment and I will update this post.

Call for Entries Process - who/what/how and FAQs


The Basics


First the basics:
  • The How to Enter website is https://summer.royalacademy.org.uk/
  • Buy your entry form NOW!  This is the first day they are available for sale 
    • You cannot enter if you've not bought one
    • Once the first 12,000 forms have been sold, that's it. No more will be issued...
    • ...so don't leave thinking about your entry to the last minute!
Last year, entries sold out before the deadline so we encourage artists to purchase theirs as soon as possible.
  • Submission is digital - follow this process
    • EITHER You need to register first - and should do this now! This is the application form to register as an individual artist. You must ALSO activate the account (click the link in the email you will receive) 
    • AND/OR Login to your account (if you've submitted work in 2016 you can use the same account again)
    • Buy your Entry Form / pay the fee - one for each work (The link for purchasing a form will be available from Wednesday 4 January) You cannot get a refund and you cannot transfer the form to someone else.
There are two types of Entry Form: one for submitting one Work and another for submitting two Works. 
    • Fill in your artwork details using the online form. You can do this at a later date prior to the deadline once you've bought a form
    • Upload image(s) of your artwork. 
  • Deadline for Entries: 23:59 on Wednesday 15 February 2017. To complete your submission by that date you MUST have:
    • Stage 1: paid the non-refundable fee and got access to the digital online entry form (one for each work). 
    • Stage 2a: completed entry details and submitted the digital entry form (previously purchased).
    • Stage 2b: uploaded digital images of the artwork.
    • Late submissions and/or excuses are not accepted.
  • Who can enter: Anyone.  So long as you bought your entry form in time... (see below)
    • There are no constraints on age or where you live. 
    • You can enter as a member of a collaboration (but your membership of that collaboration counts towards the limit on your entries)
    • You can even be anonymous and use a pseudonym. 
    • (However if live outside the EU you will need to read this notice about VAT Information - International Artists (PDF) or your work won't get assessed.)
  • No. of works you can enter:  Two - that's 
    • two on your own 
    • or one on your own and one as a member of a collaboration 
    • or two which resulted from a collaboration. 
    • It costs you £25 to enter one work (£50 for two)
  • What you can enter
    • The exhibition showcases painting, sculpture, photography, printmaking, architecture and film.
    • Artwork must be original and capable of being exhibited. You either own the copyright or have all required permissions in writing.
By submitting a Work(s) when You are the Artist of such Work(s), You confirm that You hold all intellectual property rights in the Work(s) and that You have obtained any third party consents required for the use of third party owned material contained in the Work(s).
  • Ineligible works - what you cannot enter
    The following types of work are inadmissible:
    • works that are over the specified size limit of 244 x 350cm (excluding sculpture and architectural models, where any one part of a large sculpture or architecture model should not exceed 200cm on the longest side and the total weight may be no more than 3,000kg when packed);
    • works that have already been exhibited in a major institution in London (excluding prints);
    • printed reproductions of original artworks;
    • works that contain noxious or toxic substances, have flammability below 50°c or incorporate dangerous electrical appliances;
    • editions of sculptures cast in materials that are different to the materials of the exhibited work

The Important Documents

Monday, January 02, 2017

John Berger (1926 - 2017) Videos and Obituaries


John Berger has died aged 90.  His essay on art criticism "Ways of Seeing" was hugely influential within the art world.

Below you can
  • SEE videos of some of his programmes and 
  • READ his obituaries. I've very rarely seen so many overseas obituaries so fast after an announcement of a death in the art world.
This is a video of a BBC documentary to celebrate his 90th birthday in 2016. It's filmed at his house in France where he has lived for the last 50 years. Screenshots are from this BBC documentary John Berger: The Art of Looking - I'm sure the iPlayer link will be revived very soon. In the meantime here it is on YouTube.



Below are four videos of his seminal programme - Ways of Seeing - first broadcast by the BBC in 1972. His book associated with the programme became a set text for many art degrees in the UK.

Plus some tweets from those marking his death.



Sunday, January 01, 2017

Bookmark a list of major art exhibitions in London in 2017

If you'd like one bookmark for a list of art exhibitions in London in 2017 - at the major art museums and galleries:
  • TRY my new page Major Art Exhibitions in London in 2017. It includes:
    • title and dates of every exhibition plus direct link (embedded in the title) to the online exhibition page
    • links to museum websites and maps of locations
    • videos introducing (some) exhibitions
  • ACCESS it via
    • DESKTOP/LAPTOP: the pages listed at the top of the blog - it's inbetween 'Home' and Major UK Art Competitions 2017-18
    • SMARTPHONE: put a finger on the yellow 'Home" bar to see the other pages - it's the next page down

Art Museums and Galleries

Major

These are typically museums and galleries which are 
The National Gallery at night from Trafalgar Square
They are:
  • British Museum
  • National Gallery
  • Tate Modern
  • Victoria and Albert Museum
  • Courtauld Gallery (not listed seperately from Somerset House)
  • National Portrait Gallery
  • Tate Britain
  • Saatchi Gallery (unlisted by AVLA)
  • Royal Academy of Arts

Minor

These are typically not listed in the top 100 Art Galleries nor the AVLA listing
  • Dulwich Picture Gallery
  • Wallace Collection
  • Images of Nature Gallery at the Natural History Museum
  • Shirley Sherwood Gallery

Fine Art Galleries (commercial)

This section provides me with a space to list art exhibitions at commercial fine art galleries from time to time. - but only the ones which interest me! 

This is NOT an invitation to notify me about exhibitions. Do NOT drown me in marketing spam!