Saturday, December 10, 2016

Sky Arts Landscape Artist of the Year 2016 - Heat Winners & Finalists

The winner of Sky Landscape Artist of the Year 2016 on Sky Arts was declared at the end of November and The Turner Contemporary is currently holding an exhibition of the paintings of Margate by the finalists in the 2016 Sky Arts Landscape Artist of The Year competition

The exhibition also includes works submitted as entries by selected artists and is being held between 6 December 2016 and 8 January 2017 at the Turner Contemporary Gallery, Rendezvous, Margate Kent CT9 1HG

Below is a list of the heat winners, links to their website and interview and a synopsis about them.  I've summarised the tips from the finalists at the end from their interviews with Cass Arts.

The approach was to select 8 pre-selected artists and to host up to 50 wildcard entries at each venue

The Heat Winners and The Overall Winner


The Judges were
  • Award-winning artist Tai Shan Schierenberg, 
  • independent curator Kathleen Soriano and 
  • art historian Kate Bryan

Episode 1: Scotney Castle


The winner was Howard Weaver. This is:

Facts about Howard Weaver

  • grew up in Amersham, in Chiltern Hill
  • lives in Wales
  • Started as a scenic artist in the film industry age 18
  • for scenic art, he uses big rollers and six inch brushes to capture a scene for film
  • used to deadlines but found the 4 hour restriction for the competition painting a real challenge

Episode 2: Wray Castle


Eight more artists and 50 wildcard entries went to Wray Castle in Cumbria.

Gregor Henderson won Heat 2 at Wray Castle.  This is:

Facts about Gregor Henderson

  • lives in Kilsyth, just outside of Glasgow
  • works as a Youth Development Officer
  • graduated from Glasgow School of Art with a degree in Fine Art with Painting and Printmaking
  • he currently has paintings on show at Take me to another place II ' Winter Exhibition' in Angus in Montrose, Angus in Scotland.
One of the things that I wasn't really prepared for at all was the amount of starting and stopping we had to do in order for them to get the right shots. Obviously they need to capture as much of the process as possible so we were constantly pausing to re-position the cameras or repeat simple little motions. It meant the whole four hour time-frame was a bit disjointed and start-stop and at times it was difficult to get into any sort of rhythm.

Episode 3: Stowe



Heat Three was won by Philip Edwards. This is
The wildcard winner was Kim Whitby

Facts about Philip Edwards

  • born in Perth, Scotland in 1980
  • MA (Hons) Fine Art (With Distinction in The History of Art), from Edinburgh University and College of Art.
  • studied at Florence Academy of Art
  • has exhibited in New York, London, and all over Scotland
  • has won various awards
  • draws in charcoal and sanguine - but is very fussy about the brands he uses (see interview)

Episode 4: Scotney Castle


Titus Agbara won Heat 4 at Scotney Castle in Kent with this painting.  This is:
I’ve noticed that paintings selected are not often after the traditional landscape picture or just copying the landscape slavishly however, its often to do with people’s emotions and their subjective rendition of the space, not just copying what is directly in front of you.

Facts about Titus Agbara

  • Born in Nigeria, Africa
  • studied at the Auchi Art School, a Federal Polytechnic in Edo State
  • 1999: awarded Higher National Diploma in Painting and General Art.
  • works as a full time studio artist in Nigeria
  • moved to UK in 2007
  • lives and works in Manchester
  • now paints as a hobby
  • paints with a palette knife, mostly in oil

Episode 5: Wray


Anna Perlin won Heat 5 at Wray Castle - this is:

Facts about Anna Perlin

  • grew up in Oxfordshire
  • 2001: Graduated in Textile design and marketing
  • a self-taught artist
  • paints what pleases her and what she'd like to see on her own wall
  • full time artist
  • uses acrylic for initial layers; may add in cold wax medium and/or oil bars as she develops mixed media artwork\
  • usually works in her studio rather than plein air

She's also been shortlisted for the Artists & illustrators Artist of the Year 2017.
The exhibition will be held in the Threadneedle Space at the Mall Galleries from 23 to 28 January 2017
(I'm not quite sure what the rationale is for having an artist for a year which hasn't yet happened - but that's nothing to do with Anna!)

Episode 6: Stowe

Richard Allen won Heat 6 - this is

Facts about Richard Allen

  • He lives and works in Bournemouth.
  • He studied fine art - specialising in painting - at Central Saint Martins in London
  • He was awarded a Masters Degree in Illustration
  • He works as a professional illustrator. He has numerous prestigious and international clients
  • In 2012, he returned to painting
  • he uses Winsor and Newton, Michael Harding, Daler Rowney, and Schmincke Mussini paints
From what I know of the judges I think that they look for technical accomplishment and an idiosyncratic point of view.

Episode 7: Semi-Final - Margate Harbour

Kim Whitby won the wild card and made it all the way to the semi final. This is:

Facts about 

  • BEd Art graduate from King Alfred's College in Winchester 
  • taught full time as an infant teacher for many years. 
  • recently relocated to Portsmouth
  • worked as a supply teacher in Hampshire
I had always been frustrated with my painting and as a teacher I knew that being around people who taught art all the time would get me much further more quickly
  • December 2014 - got a Fine Art Masters degree from Aberystwyth University
  • previously selected for exhibitions for:
    • the Sunday Times Watercolour Competition and 
    • the Kyffin Williams Drawing Prize
I gained some valuable feedback from judges last year which reinforced my suspicions that my better work is produced when I respond directly to my surroundings. I am now learning to trust my instinct about selecting my focus and subject matter.
  • works in ink on blotting paper
  • use a range of tools for making marks - large house painting brushes to sable watercolour brushes and Chinese ink brushes and tiny dipping pens.

Episode 8: The Final - Loch Ness


The finalists were Richard Allen, Kim Whitby and Gregor Anderson.

Richard Allen, Gregor Anderson and Kim Whitby

...and the winner of  2016 Sky Arts Landscape Artist of the Year  was - Richard Allen

This is the interview with Cass Arts following his win.

You can also read all the comments stimulated by the Final on the Sky Arts Facebook Page

If you watched what did you think about the competition?

Episode 9: The Winner

This episode follows the path of the winner to the Final and tackling the challenge of the commission for the winner to paint a view of Petworth House made famous by paintings of Turner.

Richard Allen is undertaking a number of commissions for the National Trust as part of his prize and an exhibition of his work will be at Petworth House, Church St, Petworth, West Sussex GU28 0AE, between 25 March and 21 May 2017

and finally......


Next summer, Landscape Artist of The Year will be filmed at locations around the UK in June and July 2017. Details of these and how to apply will be released in early 2017. Terms and conditions apply.

The video below shows you what the wild card entry was like this year.

TIPS FOR 2017 from the finalists

As for what makes a Sky Arts winner, I’m bound to say that I trust implicitly the judges’ critical faculties! From what I know of the judges I think that they look for technical accomplishment and an idiosyncratic point of view. Richard Allen
Have in your mind what you are capable of in respect of time, scale and materials. If you are not an experienced outdoor artist you WILL need to practice. There are any number of practicalities you will overlook when you first head out to work outdoors, which you can correct with experience, forgetting water pots, paper towel, even really obvious things like paint brushes can get overlooked. Kim Whitby 
firstly it's really important to think about what you can produce in 4 hours. Although some people work quickly and the time limit isn't an issue, for me it's only a tiny fraction of what I would usually spend on a piece so I had to work hard to condense my process and try and squeeze enough out of it to have a reasonably resolved painting at the end. I'd also say don't try something quirky or gimmicky to try and stand out - just concentrate on what you're good at and work hard to let that show. Other than that just go for it Gregor Henderson
All quotes from their interviews with Cass Arts 



Friday, December 09, 2016

Review: Royal Institute of Oil Painters 124th Annual Exhibition 2016

I went to see the annual exhibition of the Royal Institute of Oil Painters (ROI) at the Mall Galleries last Friday.  There was a demonstration in the gallery and a tour of the exhibition.

Tour of the Exhibition by Peter Graham ROI whose painting is on the catalogue cover
- in the Main Gallery
The exhibition has
  • 269 paintings in the main exhibition and 
  • 27 paintings in the the section devoted to the Winsor & Newton Young Artist Awards (for artists aged 35 and under)

Threadneedle Space
The exhibition is across all the galleries - so looks bigger than last year - opened on 30 November and closes at 1pm on Saturday 11th December.
"The ROI has a proud and independent tradition of providing a vehicle for working artists to gather and exhibit their work, without the need for state patronage or the temptation to submit to the whims of a few big money collectors and dealers"
extract from the President's Foreword in the catalogue 
Below is my review and LOTS of photos of the exhibition. First some comments and then who won which prize.

"Exclusively oil painting"


The ROI describes itself as being "the only national art society devoted exclusively to oil painting" whereas the reality is that it also includes quite a lot of painting in acrylic. It occurs to me that I also probably see as many (if not more) paintings in oil at other annual exhibitions of some national art societies.

That said if you cast an eye over the catalogue there's a LOT more oil paintings this year than there have been in the past.

I must confess I have a bit of a "niggle" about media-based art societies which describe themselves in one way when actually they do another. I'm particularly fed up with the infiltration of acrylic across both oil and watercolour societies when it's neither!  We seem to have arrived at definitions of a media based society which revolves around "looks like" rather than "really is". Why the acrylic painters can't get their act together to create a credible national art society of their own is totally beyond me!

How about a rule for ROI members and non-members of ONLY oil paintings in the exhibition next year?

What hangs where

Monday, December 05, 2016

£30,000 BP Portrait Award 2017 - How to enter and how to get selected

This is my Annual Guide to the Call for Entries for the BP Portrait Award 2017 - how to enter and how to improve your chances of being selected for the major annual exhibition at the National Portrait Gallery next summer!

In 2016, 53 artists had their portraits selected for the 2016 Annual Exhibition of the BP Portrait Award - out of 2,557 entries from 80 countries

Will you be one of those artists in 2017?


The wall of prizewinners in 2016 - left to right First, Second and Third

What this post covers


People who win prizes read this blog post! ;)

This post covers the Basics
  • a review of the entry details 
  • what's different this year - the deadline is earlier! (If any of you spot anything else that has changed please leave a comment and I'll do an update.)
Plus context and background (this provides an answer to the question "What do the portraits that get selected look like?")
  • The Judges - I tell you something about each Judge and give you links to find out more
  • I also link (at the very end) to all my blog posts about the BP Portrait Award in the last 10 years - covering selected artists, interviews with the prizewinners and exhibition reviews - and my videos of past exhibitions.
Plus - at the end of this post - you can find my take on
  • how to get selected - my suggestions for ways to improve your chances of selection - in terms of both your art and your approach to the competition
  • reasons why this is a competition worth entering - including details of the significant prize money.

How to enter for those who don't like the small print


The website contains:

What's different in 2017

The most important thing to tell you is that
  • the closing date has been moved and is now a week earlier!
  • The closing date for entries is 26 January 2017.
  • Entry forms and payment of entry fees must be completed by 23.59 on Thursday 26 January 2017.
If any of you spot anything else that has changed please leave a comment and I'll do an update.

The RULES

There are no changes to the entry process or eligibility for this year’s exhibition.
..however they have moved the deadline for entries back a week!

The Rules provide the full and complete information for every entry.

They are complemented by The FAQs about How to Enter which focuses on:
  • the digital entry
  • the judging process
  • your entry
Both are much easier to read now they're on a white background.

We can only live in hope that at some point the competition organisers will make the rules even more readable by
  • increasing the font size still more (it's online - no need to be concerned about how much paper is being used!)
  • increase the line spacing - so words are more readable (i.e. the font size has increased since 2016 but the line spacing remained unchanged so the words are now even more compressed)
  • and/or convert The Rules to a pdf document like the FAQs!
I recommend you read The 2017 Rules three times! That's because the worst mistakes you can make when entering art competitions is to
  • create a work for a competition 
  • and then realise that it isn't eligible 
  • submit it before you realise you breached the rules eg signed it on the front!
  • or you can't present it in the right way by a deadline
  • and/or you're in a rush at the end and are not quite sure what you need to do - which is when mistakes get made.
All due to the fact YOU didn't read the terms and conditions and/or the rules properly.

Note in particular that works can be disqualified - even if selected for exhibition - if they have not adhered to the rules!

Every year I try and make the rules more accessible. I review and revise it each year. I've split the rules up into sections relating to
  • the artist
  • the portrait

Sunday, December 04, 2016

The Drawing Year - end of year exhibition

...otherwise known as the The Drawing Year 2015—16 Postgraduate Programme end of year exhibition is now on
at: the Royal Drawing School Shoreditch
until: Tuesday 17 January 2017 (Monday to Friday 9am—9pm)

It opened on Friday and includes over 300 works by the MA level postgraduate students.

It's always worth taking note of what The Drawing Year students are up to as many of them go on to feature prominently in the "selected artists" lists I post on this blog in relation to prestigious national art competitions from time to time - and some of them win the big prizes!

The Best of The Drawing Year
Drawings by Matthew Booker, Emma Inge and Eleanor Watson
It's also a good indication of the nature of contemporary drawing - the nature of which might surprise those who favour the photorealistic version of drawing.

The Drawing Year


The Drawing Year is a one year postgraduate level course run by The Royal Drawing School founded by HRH Prince of Wales (and previously known as the Princes Drawing School).
The place to learn to draw. Drawing is a primary language. It is a crucial route to innovation across the creative disciplines and beyond, from fashion, fine art and animation to filmmaking, product design and engineering.
Important features of the Drawing Year are:
  • post-graduate MA level 
  • full-time
  • bursary/scholarship approach i.e. no fees
  • free studio space
  • one year - three terms of 10 weeks each
  • Students are expected to attend:
    • a minimum of two taught full days a week at classes
    • Wednesday evening forum, lecture series and 
    • personal studio practice days.
The Drawing Year is a full scholarship MA-level course offering up to thirty students the opportunity to focus on drawing from observation for one academic year. There are no tuition fees for The Drawing Year – all students are awarded a full scholarship and receive a free studio space.
Find out below how to learn more about the course and how to apply for a place.

The Drawing Year postgraduates 


Those taking part in this exhibition are as follows.

I was rather surprised at the extent to which students didn't have websites and/or have done little to make themselves easily found on Google.
  • Euphrosyne Andrews, 
  • Daniel Blumberg, 
  • Matthew Booker, 
  • India Boxall, 
  • Becky Brewis Becky graduated from Oxford University of Oxford in 2010 with a degree in English (2.1) and then spent a delayed postgraduate year at the Royal Drawing School doing The Drawing Year (MA-level bursary) September 2015-December 2016 (Twitter)
  • Grace Exley Prior to the Royal Drawing School, she studied at the Ruskin School of Art in Oxford. This is a podcast about her drawings.
  • Oscar Farmer
  • Aisha Farr - studied English and Ancient Greek at the University of St Andrews and UCL prior to The Drawing Year.
  • Holly Froy
  • Shanti-Om Gorton - graduated from Brighton University with a BA Fine Art Painting
  • Thomas Harrison - While a student on the Drawing Year, Tom Harrison had a drawing of a view from a flat selected for the Jerwood Drawing Prize 2015. He then went on to win the £8,000 First Prize.  This is a blog post about that achievement - Below are two more views of the view of scaffolding from a flat.

Friday, December 02, 2016

The only English painter of 'Loving Vincent'

Sarah Wimperis is the only English painter on the painting team who have created Loving Vincent - the world's first fully-painted feature film which brings to life the paintings and subjects of Vincent van Gogh - and Vincent himself.

Some 100+ members of the team have been painting 62,450 frames in oil paint - in the style of Vincent Van Gogh - over the last six years

The makers of the film claim that if all the paintings were laid on the ground they'd cover an area the size of London AND Manhattan!

Sarah is based in Cornwall and works full time as a professional artist and illustrator. She is represented by the Beside the Wave Gallery in Falmouth.

She signed on for a job in Poland which sounded intriguing and unique and which she thought would take five weeks. In the end it turned out that she was involved for five months during 2016.

The BBC recently made a film about the process used to create the film and their correspondent went to meet Sarah in Gdansk where the film was made.  

The BBC finds Sarah Wimperis at work on a painting for Loving Vincent
This short video is very much recommended viewing - the process (as explained by sarah) is absolutely fascinating.


You can also see on the website: