Friday, January 06, 2012

Gerhard Richter: Panorama at Tate Modern - Review

Gerhard Richter - entrance to Panorama Exhibition at Tate Modern
(note the blurry lady!)
Yesterday I went to see the Gerhard Richter Panorama Exhibition at Tate Modern before it closes on Sunday.

Of the two exhibitions about painting I've seen this week I liked this one less than the Painting Canada exhibition at Dulwich.  I'll try and explain why.  I do know I loved the colour I saw at Dulwich and I saw an awful lot of monochrome at Tate Modern - but there's more to it than that.

I guess the thing which threw me the most is the fact he hasn't maintained a consistent style.  It's not so much a Picasso progression through different styles over the period of his career so much as his ability to work in very different ways using very different tools at the same time!  The lack of commentary on technique of his paintings of "realism" was also somewhat frustrating.

On the other hand it is refreshing to see somebody who enjoys an exploration of what painting is and means.
Spanning nearly five decades, and coinciding with the artist’s 80th birthday, Gerhard Richter: Panorama is a major retrospective exhibition that groups together significant moments of his remarkable career.

Since the 1960s, Gerhard Richter has immersed himself in a rich and varied exploration of painting. Gerhard Richter: Panorama highlights the full extent of the artist's work, which has encompassed a diverse range of techniques and ideas. It includes realist paintings based on photographs, colourful gestural abstractions such as the squeegee paintings, portraits, subtle landscapes and history paintings
Two of the new CAGE Paintings by Gerhard Richter
exhibited at Tate Modern
- gives you a sense of size!

I didn't buy the catalogue so this post is going to be observations about his paintings which won't necessarily reference them by name.  However I am going to create a bit of a mashup with commentary by linking you to:
Do let me know what you think about this approach!

Wednesday, January 04, 2012

Painting Canada: Tom Thomson and the Group of Seven - Review

Today I saw Tom Thomson's plein air paintbox.  I was at Painting Canada: Tom Thomson and the Group of Seven which finishes at the Dulwich Picture Gallery on Sunday 8th January before going on its European Tour.  There's a late night tomorrow night (5th January)

This is an exhibition about a group of painters who were all determined to show that it was possible to paint the Canadian landscape and do justice to some of the features which were regarded as unpaintable at the time.

I wrote about the exhibition back in October - 'Painting Canada: Tom Thomson and the Group of Seven' at Dulwich Picture Gallery.  That post explained which the exhibition is so momentous and so I'm not going to repeat any of that in this post - save to say this is a once in a lifetime exhibition.

I'm not quite sure why it took me so long to get there, other than the fact that I always think I've got loads more time to see an exhibition plus it was at the Dulwich Picture Gallery which meant getting the satnav out!

Today at lunchtime there were queues of 30 minutes to get in - AFTER tickets had been purchased (at least you get to wait somewhere warm and dry!).  It will get worse before it finishes.  You can book tickets online.

This post will give you impressions of the exhibition and what you get from seeing the paintings up close which you don't get from images in books or websites.

This is also a fairly image heavy post.  I'll be doing another one on The Art of the Landscape and will also be posting the sketches I did somewhere!

Tuesday, January 03, 2012

Major Art Competitions in the UK 2012

This is my annual post listing all the Major Art Competitions in the UK in 2012. It includes an overview of what each competition is about plus key dates - including the deadline for entry where known.

This is a very long post - so best to get a hot drink, a comfy chair and a pen and paper before you start reading!

ING Discerning Eye - Private View (for the Artists)
Updates in 2012

I will also be updating information - as information becomes available - to include:
  • Call for Entries
  • Announcement of selected artists 
  • Shortlists for Prizes
  • Exhibition reviews 
More information and updates of links to official websites are provided in the TWO sites detailed below - these will both be constantly updated during 2012 so choose your bookmark!
  1. Major UK Art Competitions 2012 - this is a static page at the top of this blog (click the link just under the title of this blog to access this page) 
  2. My website Art Competitions in the UK  This also includes general and specific tips relating to entering art competitions:
If you want to be kept informed about updates:
  • you can subscribe to this blog (see right hand column).  Note that a subscription means you will either get an email or notification in your feed reader about every post I publish - and they're not all about art competitions, although you may well find them interesting!  
  • Alternatively bookmark one of the two sites listed above.  
  • Or do both!
Please note that this post EXCLUDES:
  • art competitions based in the UK which have a first prize of less than £10,000 (unless they are the major award for that type of art eg Jerwood Drawing Prize)
  • the major open exhibitions by national art societies which I covered in Key Dates for UK National Art Society Exhibitions in 2012 (first published 28 October 2011)
Exhibitions in London in 2012

Bear in mind that in 2012, London is going to have huge numbers of additional visitors from both the UK and other countries during the summer months because of the Olympics.  Exhibitions may well get even busier than usual - and if your work is selected it will be seen by even more people than usual!

Now for the listing......


Monday, January 02, 2012

POLL: First Impressions: what makes you leave an art website fast?

The Making A Mark Poll for January is about first impressions.  Does your art website make people want to stay a while or run away fast?

New Year is a time when many artists clean up their acts, remove clutter from their studios, clear the decks and generally get ready for action.  Many of us like to have a fresh start to a new year and most of us have got a lot of things to do in 2012!

However - do you do the same to your website?

The reason I ask is that recently I was struck very forcibly by how much we deduce about an organisation (or an artist) from their website.

A link took me to the website of an organisation related to art (which I won't name).  Its main aim was to help artists but was actually one of the worst designed websites I've ever seen - for all sorts of different reasons.  It goes without saying I was left with a poor impression of the scope for that organisation to provide effective help in the current climate.

That then got me thinking about what irritated me and why I thought it was poor.  Which led me to thinking about what are the things that create a poor impression and tend to prompt a swift departure from the website of somebody operating in the art world.  By which I mean the websites of artists, galleries (both B&M and online only galleries), museums, art tutors, art appraisers, art marketing experts, artists' mentors - you name it!

Lastly it struck me that we very probably react in the same way to websites as we do to people.  Those "first impressions" count for an awful lot.  Some aspects create positive impressions and some features make us want to move on fast.

Which is why the Making A Mark Poll for January asks what makes you leave an art website fast.

Sunday, January 01, 2012

The Old Year (2011) and The New Year (2012) & 11 Principles

How I want to live my life in 2012

I'm going to continue the tradition (started last year!) of having one post to review the past year and set down some ideas for the New Year.  This is it!

I like the fact I didn't have a set of clear plans and objectives for last year.  As a result I didn't feel any need to be in any way depressed about the fact I didn't meet my objectives.

Last year, the main reason why I didn't have any specific plans was because of the planned retirement of "himself".  I hadn't much of clue how that would affect my life, what I did and what I wanted to do next. Instead I had a set of principles - or mantras if you like - to guide me in what I did.

For 2012, I've added in three more and the principles are contained in the image above.  I'll start with the three new ones

I'm also not making any specific plans as the main objective is to get ready to make a move out of London.

#1:  Make space for people who matter

"Make space for people who matter" has been added in to my principles for 2012.  It was an aim for 2011 and I've been partially successful.

It's really great to finally have a partner who isn't working.  "He who must not be bored while I sketch" retired this summer and thinks it's great too and is thoroughly enjoying his retirement - as am I.  I've done all sorts of things in the second half of 2011 that I never would have anticipated being some of my highlights of the year.  All in all it's been a very positive experience and a change for the better - and I'd like more of the same please in 2012.

I'm also very lucky to have a bloke who is so accommodating about my sketching and buys me art books as presents!  I know a lot of my readers are a lot less lucky and so I also remind myself to be thankful.

For me the priority is that art activities and blogging has in future to be fitted in around "himself" and his wish for me to get off the computer more often.  We don't live in one another's pockets but if he wants to do something then I'm going to be flexible.

#2:  Be efficient and effective

This year I've decided to print out my new set of principles for 2012 and will put them on the wall in front of my desk in 2012 (right next to the lovely calendar of Gustav Klimt landscapes!) - to remind myself of what I need to focus on.

I need to recognise that health issues (I'm getting old!) have a practical impact on what I can do easily - both in terms of efficiency and effectiveness. After an extremely painful time, when I was more or less housebound I've finally got a diagnosis for why foot have been causing so many more problems than usual and now need to get on with doing what I need to do to help myself make life a bit easier than it has been in 2011.  I like walking and I'd like to continue walking and consequently I need to build in more walking again to my routine - this time wearing my new and very attractive(!) compression stockings.  Watch out for more "on the hoof" sketching.

One thing I also need to do is write blog posts in less time - so I'm up against a deadline for this one - I have to start cooking very soon!  (I failed - but it was 80% finished by the time I had to be in the kitchen).

#3:  Finish what I start - I continue to start far more than I finish.  I continue to want to do far more than I can fit in.  My head buzzes with ideas and if I have to get something done it has to be written down and put right under my nose to keep me focused!

In 2011 I tried to
  • do less rather than more - with only partial success
  • get more focused on the longer term
    • agreement to move secured (I think!)
    • discussions about where we move to underway
    • new places to live auditioned
    • the clearout has begun - I'm very definite about the fact I will paying to move what I want to have with me in the next home!
In 2012 I aim to:
  • continue to stop myself from taking on too much
  • finish what I start - by starting less and finishing more.  This means no new blogs in 2012!

    #4  Life is too short

    Many people think of life being too short to do everything they want to do.  I know there's never going to be enough time to fit in everything I want to do.

    I'm trying to be much more focused on the quality of what I do and how I do it.  Doing the right things in the way which suits me best within the timescale which works for me.

    That means:
    • I don't need to exhibit to feel good about my art - however it's nice to my work exhibited in good exhibitions.  I cut back to just the Society of Botanical Artists exhibition in 2011 and that worked really well.  I think that'll stay the same for 2012.
    • I do want to paint in oils - however that means I do need a better/safer set-up to do that safely - which is where the move comes in buy studio with house attached? ;)
    • I love my photography and started a photoblog - makingamark - a daily photo.  I've very much enjoyed doing it - it reaquainted me with all the thousands of photos I've taken.  However nobody ever visits and it took up more time than I would have liked (try finding photos to go with letters of the alphabet -  I've learned an awful lot of plant names and botany in just a few months!).  I think this one will be abandoned as a daily project as "life is too short" however it might continue on a less frequent basis. 

    #5 - Be Original and the Best You can Be

    Be yourself and do your best - isn't that what we all try to be?.  I got a bit pedantic about this in 2011 - however Make your own art! was one of the most popular blog posts in 2011

    I was really, really pleased to find that I developed a new interest and a new way of doing things in 2011.  I'm a real foodie and loved good food in nice restaurants.  I think sketching meals in restaurants and food sketches in general might just become an increasing focus of my travels with my sketchbook - see below for four examples from my travels through France.  Let me emphasise these were all sketched as I sat in the restaurant, with my coloured pencil case on the table and to the puzzlement of waiters as I whipped out my pen to draw a dish as it was served at table.  The trick is to work how much space you have to leave for the courses you've ordered when you don't know what they look like!  The best bit is you get to eat with your eyes before you eat for real - and you never ever get indigestion!

    A Menu in a Sketchbook (click the links in the title to read more)
    Épernay and The Grillade Gourmande
    pen and ink and coloured pencils, 16" x 11"

    Lunch at La Maison Jaune, St Remy de Provence
    pen and ink and coloured pencils, 16" x 11"

    Dinner and sunset at Le Mas des Vignes, Bedoin
    pen and ink and coloured pencils, 16" x 11"

    Lunch Chez Guy in Gevrey-Chambertin
    pen and ink and coloured pencils, 16" x 11" 

    Maybe a book about sketching food and interiors of restaurants and cafes in 2012?

    I've also enjoyed doing sketches of gardens in 2011 and will try to focus on doing more of these in 2012.

    A Cheshire Garden in July
    pen and ink and coloured pencils, 16" x 11"
    all images copyright Katherine Tyrrell

    #6 - Variety is the Spice of Life

    I have never been able to do just one thing.  I must have variety otherwise I get very bored.  However while allowing myself that variety I must recognise that I also get distracted too easily and need to focus more on my time management and getting done what needs doing.

    A reward system may need to be implemented in 2012 as an incentive!

    #7 - The Journey is the reward

    Two aspects to this one - making journeys for real and the journey of life.

    In 2011 I drove from London to Provence - and back again.  Mostly on the autoroute.  It did make me think it would be really nice to do it again but on the back roads and at a more leisurely pace - with another driver next to me so I get to stare at the scenery more - and more time for lunch!  I also need to remember that I get tired while driving and pacing myself is generally rather a good idea.

    In 2012 I'd like to take a trip with "himself" but we need to find a destination(s) and timing that works for the both of us.  I'll then produce another sketchbook and get on with filling it.

    I think I also need to start a bucket list of the places I do want to try and get to before I seize up completely and/or the driving over 70 insurance hits my wallet.  Hence there's a list to start with "himself" to find out which are joint escapades and which are mine alone.

    Most of all I try and remember that the end goal is only part of what it's all about - it's also about how much I enjoy the journey en route

    #8 - Remember there are no shortcuts!

    In 2011 I tried painting in oils - although they were alkyds because of the travelling.  I'm not going to turn into an oil painter overnight.  I need to work at it.  Which means I need to work out a way in which I can paint in oils more often.  Moving would be good......

    Homes don't empty down to the stuff you want to take with you just like that - you have to work at it.

    I'm working through first level screening at the moment and chucking the obvious.  I've not yet started on the art materials but think there's a good chance some of those might be heading for the bin or another home.  It's good to sit down and work out what really matters and what's just taking up space.

    #9 - Good enough is good enough

    I need to keep my perfectionism streak under control.  It takes up far too much time and stops me getting on with stuff.

    In 2011, I did very little formal artwork for various reasons - one of which is that I have problems with my hand which prevents me from gripping for too long.  I need to work out what I can do easily which avoids aggravating my hand problem.

    I also know that my first love will always be drawing and sketching and drawing from life is what I do best.  I draw fast which is why it's less of a problem with the hand.

    I might just try seeing if other people like my sketches enough to buy them in 2012.

    #10 - What goes around comes around

    I always think of this as being about relationships with people (a variation on "do as you would be done by").  Actions have consequences.  If you make a mistake then it's a good idea to try and address it.  I hope I'll always do that.

    It's also quite a neat way of dissipating aggravation when something or somebody has annoyed you.  I just need to get better at remembering that because focusing on the negative just creates such a drag.

    I'm going to try and spend more time focusing on the good and rather less on the negative in 2012.

    #11 - You get out what you put in

    I want to enjoy my life - so my aim is to do what I enjoy doing, associate with people I like being with and generally avoid anything which causes me grief or aggravation.

    A few numbers to finish with 

    Making A Mark in 2011
    • gained an extra 900 extra subscribers
    • received over 300,000 visits from people who looked at over half a million page views
    • achieved 1 million unique visits in total - and over 1.26 million by the end of the year
    • maintained its rank as #3 art blog in the UK and sustained a ranking of round about #15 in the world
    You can see all my posts really easily on my archived blog posts page at the top of this blog
      Travels with a Sketchbook is now 2 short of 600 subscribers while The Art of the Landscape has over 400.
        THANK YOU
        I'd very much like to thank all those who visit during the year
        with particular and especial thanks to 
        all those who have write comments, have conversations and let me know what you like

        and finally...........

        I'll be listing other people's reviews of 2011 and plans for 2012 in "who's made a mark this week?" next Sunday 6th January. If you've got a blog post about either do let me know - no matter what the format or how long or short it is. It can be a twitter addressed to @makingamark2 if that's what works for you!