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Tuesday, September 30, 2025

Two BBC Arts Programmes about JMW Turner and LS Lowry

There is to be a 50th anniversary season of Arena classics on BBC Four this Autumn. As well as creating access to new documentaries about JMW Turner and LS Lowry (see below) they are also releasing a further 50 titles from the archive available on BBC iPlayer.

Two of the new documentaries are about much loved English Artists of note. 

Given the absolute annihilation of anything about art history on the BBC after the cuts, these documentaries are very welcome - but I have some reservations. I hope they're going to be good - but I think people have maybe taken the opportunity to be "creative"

Turner: The Secret Sketchbooks


This is the BBC press release about it. 
This groundbreaking documentary unlocks the hidden psychology of J.M.W. Turner through his 37,000 private sketches, drawings, and watercolours – an extraordinary archive that reveals the man behind the masterpieces. For the first time on television, these pages – Including erotic sketches previously thought to have been destroyed – are used as a window into Turner’s inner world, exposing his private thoughts, creative obsessions and emotional life. Rarely writing about himself, Turner left behind few clues to his personality. But in his sketchbooks, his restless imagination and vulnerabilities come vividly to life.

Helping unlock Turner’s life story is legendary actor Timothy Spall, who famously portrayed the artist in Mike Leigh’s Mr Turner. He is joined by Britain’s most renowned living artist Tracey Emin, artist and filmmaker Sir John Akomfrah, Rolling Stone’s Ronnie Wood, psychotherapist Orna Guralnik, naturalist Chris Packham, and an array of leading art historians. Together, they guide viewers through Turner’s life and art, revealing how his 37,000 sketches not only chart his creative evolution but also provide an unprecedented psychological portrait of a man both visionary and vulnerable.
What some of these people have to do with Turner is totally beyond me. It's got a whiff of "which names have most pull?" about it. I want to know which leading art historians are contributing to it, not what gimmick the company which made the documentary came up with.

Jury is out for me based on this "insight" into what's coming.


Lowry: The Lost Tapes


Self Portrait” by LowryCC BY-NC-ND 2.0
Oil on board, 57.2 x 47.2cm
This was painted when the artist was 37.
 Lowry later recalled,
I had a great tussle with it, and when it was done said “Never again, thank you.” '

© The Lowry Collection, Salford

The film has been commissioned by the BBC  to commemorate the 50th anniversary of the death of L.S. Lowry in 2026.

This looks promising - but for some more nonsense in this press release as well.

Monday, September 29, 2025

BEWARE National Gallery Members!!!

The National Gallery is doing something I am sure is illegal. 

My guess is James Beardsworth-Shaw, Head of Loyalty at the National Gallery has not read the law and regulations around ecommerce and subscriptions. 

I am pretty sure that my Art Business Info for Artists page about e-commerce for artists covers cover the specific aspect that went "Kerpinnngggg" about distance selling and ecommerce in my head when I read my subscription reminder from the National Gallery just now.

Here is what is wrong

This is what I read - in the middle of the letter. Not up top where people skim read before deciding to read the rest.  

It was the £185 which got my attention first. 

  • I don't pay that amount of money to an annual subscription organisation I visit regularly - for exhibitions only. 
  • The RA lost my subscription when they started a hefty building programme and getting silly with subscriptions. 
  • Looks like the National Gallery will now go the same way


That's right it says 

To ensure you continue to enjoy everything the Gallery has to offer, your Membership will AUTOMATICALLY RENEW to a House Membership Plus Guest on 1 November 2025 for an annual payment of £185, so you don't need to do anything.
The extra bold and capitals and change of colour is to draw attention to the fatal flaw in what I'm sure Mr Beardsworth-Shaw will come to regret.

He's adding in an additional service without requiring explicit agreement - and automatically chargeing people for this service. That's FRAUD!

To continue on the current basis I have to fill in an additional online form.
To renew to Exhibition Membership Plus Guest, please complete this short online form. Your new Exhibition Membership would start on 1 November 2025 and cost £123 annually.
So basically - do absolutely nothing, as most annual subscribers do every year - and you will get charged an extra £63 for something you have NOT said you wanted or explicitly consented to.

I KNEW this was wrong.

IT IS EXACTLY THE WRONG WAY AROUND.

You cannot change the terms of a contract - which is what a subscription is - without the EXPLICIT CONSENT of the customer.

To confirm this, as a short cut, I asked Google this question

Can you upgrade a subscription via online marketing without explicit consent of the person who is the subscriber?
Google AI answer follows - and said exactly what I expected!
No, you generally cannot upgrade a subscription via online marketing without explicit consent from the subscriber. Data protection laws, like the UK GDPR and the Privacy and Electronic Communications Regulations (PECR), require clear, affirmative, and freely given consent before any direct marketing activities, including promoting upgrades. Simply sending an upgrade offer without active permission would violate these regulations, as consent cannot be implied, pre-ticked, or assumed from previous interaction
AND
Clear and Affirmative Action:
Consent must involve an active step from the individual, such as ticking an unchecked box, rather than passive acceptance or pre-ticked boxes 
Which means:
  • I'm right
  • Tomorrow I will be reporting the National Gallery to the relevant authority.
  • I may just notify the news media re this - to access the membership at large
What they are doing is STRICTLY ILLEGAL
My recollection is such offences come  with a hefty fine and/or a prison sentence.
You must provide certain information if you’re selling goods or services through digital TV, by mail order or by phone or text message. This is called distance selling.

If you do not follow the rules you could be made to provide the goods or services as agreed, pay compensation or be given an unlimited fine or a prison sentence.
The National Gallery would do well to STOP ALL COLLECTION OF SUBSCRIPTIONS AS A MATTER OF URGENCY until such time as they have adjusted their system to only collect the ongoing exhibitions subscription.

I am not any sort of legal eagle but I'd recommend that the National Gallery read the 

Friday, September 26, 2025

Start date for Portrait Artist of the Year Series 12

The start date for the 2025 edition of Portrait Artist of the Year has been announced. Series 12 of PAOTY is starting at 8pm next Wednesday 1st October on Sky Arts TV - available on Freeview.

The series was filmed in April this year at the Battersea Arts centre, where the last few series have been filmed.

You can expect short videos to drop about participants just before each episode - and they are frequently posted on Instagram and/or Facebook.

The Making A Mark Reviews of each PAOTY episode

I will of course being doing my long and detailed reviews of each episode which will drop 1-2 days after the episode airs. The first review will be published on Friday 3rd October (as I have a prior commitment on the 2nd!)

Stuart Prebble 1951-2025

Sadly, going forward the Artist of the Year series will no longer benefit from the wisdom and guidance of Stuart Prebble, the Chairman of Storyvault Films (who make the Artist of the Year series) - who died on 21 August of pancreatic cancer. Below is the tribute to him on the Artist of the Year Instagram account.

Wednesday, September 24, 2025

REVIEW: 80th Annual Exhibition of the Royal Society of Marine Artists

The quality of most of the 395 artworks in the 80th Annual Exhibition of the Royal Society of Marine Artists is very high. 

View of some of the artwork in RSMA Annual Exhibition in the East Gallery

You can view all the artwork online - however there is nothing quite like seeing it on the wall

If you can't get to London (and I know many have issues re. time and/or expense), the next best thing is to see it on the wall in my photographs of the entire exhibition which I've been posting on Facebook ever since my visit last week. You can see them here 

A view which highlights some of the 3D artwork in the East Gallery

My post last week RSMA Annual Exhibition 2025 - Award winners and Catalogue references the catalogue and awardwinners.

Note: I'm afraid I am not linking to the RSMA website as it is insecure (i.e. http prefix only and no security certificate) and it's my policy to not link to sites which may present risks to readers. Hopefully they will get this sorted before my next post about them

Review of the RSMA 80th Annual Exhibition


I always sit and write my comments in the catalogue after doing my first tour round the exhibition - and then add in more comments later after I've been around again. 

However this time I nearly did not get a catalogue for free. Long gone are the days when the people behind the desk at the Mall Galleries are permanent staff who are the same on every visit who greet me because we've known each other for ages. People who know that I both review the exhibition and "drum up" both visitors to the exhibition and entrants for the call for entries in the following year.

Many of the artists who exhibit in exhibitions I review do so because they have heard about those exhibitions from me - and they tell me!  I don't often boast but I have a very long and robust track record of "growing competitive exhibitions" over the last 20 years of blogging MAM. As well as the FBA Shows at the Mall Galleries, these range from the BP Portrait Award - where the entrants grew exponentially and internationally following my comprehensive coverage of it to the RHS Botanical Art Show - which has moved out of the Horticultural Halls and now exhibits at the Saatchi Gallery for several weeks each summer.  

Those running the FBA Exhibitions know that my blog often provides the only decent length review they get. I have had thanks from many Presidents over the year online and in person for the profile I give to the societies. I don't need thanks - I would do it anyway. But it's always nice to be recognised for a constructive contribution - even if it is sometimes is critical of some aspect of a society/exhibition/arrangements. At the end you can find links to past reviews.

But apparently the people at the desk think I need to pay for a catalogue. Yes, I was miffed. Hence the delay in this review because I knew I was going to say something and a little distance seemed judicious....

ANYWAY.... back to the exhibition and the comments in my catalogue


The end wall in the West Gallery

I thought it a very well hung exhibition for the most part. It was helped of course by having 57 fewer artworks in the show compared to last year. 

From my perspective, so long as you don't select lots of large artwork, 400 artworks should be the figure most societies should aim to hang. Less if you want big artwork - of which there was also a lot less in this exhibition.

Mezzanine wall of smaller artworks

However, the main thing I noticed this year is that this an exhibition which is much more "marine" and much less about "boats." So lots of:

  • seascapes
  • waves and wave formations - by the men and not just the women!
  • nature  and wildlife - animals, fish and plants associated with the sea
Although it appears not everybody is happy. This was one comment on the RSMA Facebook Page where my photos were shared.

Thursday, September 18, 2025

RSMA Annual Exhibition 2025 - Award winners and Catalogue

I'm very pleased to report that one of the art societies at the Mall Galleries - the Royal Society of Marine Artists - has opened its annual exhibition - with ALL relevant information online.

Royal Society of Marine Artists - cover of Catalogue of the Annual Exhibition 2025
at the Mall Galleries

I spent the first few years of reviewing annual exhibitions by FBA Societies asking Presidents and officers why they didn't have all relevant information online at the start of the exhibition e.g.

A lot of progress has been made in the years since - notably all the artwork now being online before the exhibition and also available for sale - but it's still irritating to see when marketing opportunities are lost for both art society and artists.

Hence, it's a real pleasure to go to the Mall Galleries website this morning and find everything I want to see on the RSMA page - BEFORE I visit the exhibition of the Royal Society of Marine Artists today!

A review of the exhibition will follow either tomorrow or at the weekend.

The Royal Society of Marine Artists | Annual Exhibition 2025 is at the Mall Galleries between 17th and 27th September 2025 (10am to 5pm)

and so.....

Award Winners at the Royal Society of Marine Artists Annual Exhibition

You can find the images of the artwork and the names of the artists that won prizes 

  • on the Mall Galleries website - Click the "View Award Winners" button on this page
  • in the catalogue - see below
The latter means that some of the award winners must have been chosen some time in advance because of the time required to set up and print a catalogue.

Catalogue of the RSMA Annual Exhibition 2025

You can buy the catalogue or read the e-catalogue without visiting the exhibition.

Most of the FBA societies now use Issuu to provide a very pleasing e-catalogue online for viewing all the pages in the catalogue - including the lists of all all the artwork. 

Examples of work by non members

The online catalogue is particularly useful for those thinking of applying in future as it gives you a good sense of 

  • not only some of the artwork by non members - and the media used 
  • but also the pricing by non members who were selected (ie those artists without RSMA after their name in the list of artworks at the end).

I noted that it seems many artists people have become more realistic in pricing of late - but I'll look at this in more detail in a subsequent post about sales.

One more thing....security!

One more thing which does still need fixing!

The website of the Royal Society of Marine Artists is INSECURE.

As in its prefix is http rather than https - meaning 

  • Google will look down its nose at it and will not give it a high ranking in its search listings 
  • it's not a great idea to link to it.

Or as Google's AI Overview puts it

You need the https prefix to encrypt your communication with a website, using the secure protocol Hypertext Transfer Protocol Secure (HTTPS) to protect your data from eavesdropping and tampering. This security is provided by an SSL certificate and ensures your information, such as passwords and payment details, remains private between your browser and the server. In addition to user trust and data integrity, search engines like Google prioritize HTTPS-secured sites, which can also improve your website's search engine ranking.
By and large I usually make it a rule now never to look at http websites.

Best to stick to the Mall Galleries website for the exhibition where you can now find all you need to know - until RSMA invests in a new website!

Tuesday, September 16, 2025

Winners at Wildlife Artist of the Year 2025

The Winner of Wildlife Artist of the Year 2025
Nicole Kolekova "Beloved"

The annual exhibition of the Wildlife Artist of the Year 2025 at the Mall Galleries had the most frightful luck this year.

  • on the first four days there was a tube strike - which realistically meant the only visitors were those on trains into Charing Cross or Victoria or those who could get there by bus or bike.
  • then on the Saturday, two marches (one of them absolutely enormous) were very close to The Mall - one of them being kettled on Whitehall.
There was no way I was going to go into town to see the exhibition because I'd have had to cross the route of at least one if not both marches. Plus I always make a point of never ever going into town on big march days as you never know how it might "kick off".

It's especially sad since entry income and 50% of the proceeds from all artwork sales support DSWF and their field partners

So by way of recompense to the artists, this is my post about those who won their categories and who was Highly Commended.

Wildlife Artist of the Year 2025

The Overall Winner of the David Shepherd Wildlife Foundation's 2025 Wildlife Artist of the Year is Nicole Kolekova for her piece "Beloved". 

Winner of the Wildlife Artist of the Year Award 2025
Beloved 

a clay sculpture by Nicole Koleko

Nicole said this about her work
The most powerful love is maternal love and it would be difficult to find in nature a symbol as strong as a monkey mother who loves her child so much, that she cannot accept the reality long after her loss... 

As a child, I watched a documentary about a group of monkeys living happily in a city. One day, the group was attacked by a rival family of monkeys. The attack was loud and full of bites, but it didn’t last long. Both groups scattered and disappeared. The battlefield was silent, except for a small body lying in the middle. Motionless, in the middle of a stone path, its face turned to the ground. It was a painful sight, but you often saw it in documentaries, often children died. Suddenly, a mother ran to her, started wailing, and took her child in her arms. Then the narrator spoke: “Mother monkeys feel such great love for their young that they cannot accept the loss of them, even after their death. They hug their dead child for weeks after death and carry it with them and take care of it...” 

This moment was so powerful for me that it lives in my thoughts to this day and touches me…
The David Shepherd website says this about the work
This year’s overall prize went to Slovakian artist Nicole Koleková for her ceramic sculpture Beloved. The piece depicts a monkey mother unable to let go of her lost child, a heart-wrenching meditation on maternal love, grief, and the fragility of life in the natural world. Created using the rare technique of wood kiln-fired ceramics, each sculpture bears the unpredictable marks of fire and ash, echoing the wild essence of the subject itself. Nicole’s work, rooted in raw emotion and technical mastery, moved judges and audiences alike. 

Runner Up

RUNNER UP
Waiting on the World to Change
Matthew Polluk

London-based artist and wildlife fan Matthew Polluk was the overall runner-up.
From an exceptional field of entries, we are thrilled to announce the Overall Runner-Up for Wildlife Artist of the Year 2025.

Congratulations to Matthew Polluk for a work that stood out for its impact, artistry, and resonance.
The David Shepherd website characterised Matthew Polluk as follows
Matthew Polluk is self taught artist who has carried his childhood passion for animals and the natural world into the fervent creation of wildlife art that he is recognised for today. He holds a strong passion for giving back to the natural world that inspires his art and uses his art to raise awareness for wildlife conservation. His paintings are often characterised by his use of a minimal colour palette - typically black, white and gold - and his use of metallic paints and precious materials, such as 24ct pure gold leaf, has become a trademark feature in his wildlife art.

Category and Special Award Winners

Links in the names of the prizewinners are to their websites or Instagram sites.
The text comes from this webpage celebrating the award winners where you can see large images of their artwork

Michelle Lee Howk First Time Entrants Award

The Black Baza, a striking raptor from southern India, is both elusive and ecologically significant. In his delicate watercolour, Mumbai-based artist Aniruddha Gupte celebrates this bio-indicator species, working with handmade paper and embracing the unpredictable qualities of the medium. A designer by training, Aniruddha only began painting wildlife in 2021, but his sensitivity and skill have already made a mark.

Elizabeth Hosking Watercolour Award

Inspired by young elephants play-fighting on a dusty dam wall, Julia Cassels’ watercolour bursts with energy and movement. Having spent many years in Africa before returning to the UK, Julia’s art is alive with the sounds, scents, and rhythms of the wild. Her work not only captures wildlife but also raises awareness for conservation, connecting audiences to the places and creatures she loves most.

The Painters Online Award

Marabou storks may not fit traditional ideas of beauty, but Andrew Pledge challenges us to see them differently. In The Undertaker, he celebrates their adaptability and ecological importance, reminding us that even “unattractive” species play vital roles. Andrew’s award-winning work focuses on overlooked birds, encouraging us to find wonder in unexpected places.

Youth Exclusive

  • How to Crawl While Stuck in the Darkness by Sunghyun Chun 
At just 17 years old, South Korean student Sunghyun Chun impressed judges with his intricate pencil drawing of a snake emerging from darkness. A newcomer to art, he was initially inspired by manga, and Sunghyun is now pursuing his dream of studying at an art college in England. His work demonstrates how new generations are embracing wildlife art with originality and dedication.

Wings

The Southern Ground Hornbill is a bird full of charisma, with its striking plumage, resonant call, and proud strut across African grasslands. Emma Swift’s oil painting captures this bold personality with vivid colours and confident brushstrokes. An award-winning artist, Emma has been shortlisted for Wildlife Artist of the Year seven times. Her work underscores the interconnectedness of wildlife and environment, reminding us that every species has a role to play.

Into the Blue

Made from recycled magazines, First Dance flows with the rhythm of the sea, celebrating the harmony of marine life. Sarah Jackson’s innovative use of collage and ink mirrors the ocean’s currents, transforming discarded material into textured, painterly compositions. Growing up on the Cornish coast, Sarah’s practice is deeply rooted in sustainability, proving that beauty and renewal can emerge from the everyday.
You''ll also find her work via Google in several art galleries.

Facing Extinction

  • 96 Elephants a Day – The Daily Poaching Rate in Africa by Holly Budge
Every day, an estimated 96 elephants are killed for ivory in Africa. Holly Budge transforms this devastating statistic into wearable art: a necklace made from vegetable ivory, with one elephant turned in the opposite direction to symbolise hope. As founder of the NGO How Many Elephants and World Female Ranger Week, Holly combines adventure, activism, and design to amplify conservation causes. Her work has been praised by Sir David Attenborough for its ingenuity and impact.

Environmental Artivism

Orcas are majestic apex predators, but also indicators of ocean health. Derek Robertson’s mixed-media piece highlights their vulnerability to overfishing, climate change, pollution, and plastic waste. With a career spanning 35 years, Derek is internationally recognised, with works held in collections from the Tate Gallery to the Royal Family. His art often bridges science and storytelling, collaborating with conservationists to bring urgent ecological narratives to life.

Earth’s Wild Beauty

Standing between Argentina and Brazil, Iguazu Falls is one of the natural world’s most awe-inspiring sights. Hazel McNab’s linocut captures the delicate balance between fragility and force, with a slender tree holding its own against a backdrop of roaring water. Working in reduction linocut, Hazel layers colour and texture with precision, producing scenes infused with both movement and stillness. Her Cornish-based practice often celebrates coastal landscapes, but here she expands her gaze to a global wonder.

Animal Behaviour

Few images are as powerful as a tiger carrying her cub. In Into the Light, Phillip Allder contrasts the ferocity of a top predator with the tenderness of motherhood, imbued with just a trace of threat. Based in the Lake District, Phillip is a wildlife and landscape artist whose career spans exhibitions in the UK and USA. His evocative style has earned him regular recognition in Wildlife Artist of the Year.

Abstract World

  • A Dazzle of Zebra by Jonathan Truss (insecure website which takes a LONG time to open)
Zebra stripes are nature’s ultimate camouflage, confusing predators by merging into a dizzying pattern of black and white. Jonathan Truss captures this dazzling spectacle in his painting, placing viewers in the position of a lioness confronted with the impossible task of singling out her prey. A professional wildlife painter for 30 years, Jonathan has exhibited internationally and led art safaris across continents. His ability to blend science and spectacle continues to inspire.

You can find previous blog posts about the Wildlife Artist of the Year under this label in my Archive Wildlife Artist of the Year 

Thursday, September 04, 2025

24 Million Pageviews for Making A Mark

I've been writing this blog for very nearly 20 years having started after I took early retirement. 

In December 2005 I started to work out how it all worked with four posts. This was the second 

from Two of my favourite occupations

and  as you can see I hadn't yet mastered how to get a graphite drawing not look overly grey!

Red Onion
from Working Smaller
I then went public at the beginning of January 2006 with these first three posts

and started to focus on producing small works, thinking I might eventually sell them....

I'm used to Blogger which is why I stick with it - and its archive (see below) although I have been tempted by Substack.

I have a 71st birthday coming up soon and I now write an awful lot less than I did in that first year when I aimed for a post each day and actually wrote 348 blog posts. 

Basically osteoarthritis limits gadding about now but also requires regular longish walks - which in turn limits time for blogging. However I now aim to do as much gadding about as I can before I creak too much - and have had a wonderful hot summer visiting various gardens across London and the southeast! So blogging comes second to filling my eyes with things I like to see - whether it's art exhibitions or plants, gardens and walks.

You can read any of my past posts by browsing the blog archive (see links below and in the side column in the desktop/tablet view) - which probably helps explain how come I've now had 24 million pageviews for Making A Mark!!! i.e. more than a million pageviews a year for every year this blog has been published!

Many posts are what might be called "perennials" and worth a second or third look! People have been known to get lost in my archives for hours at a time.....

Browse the Blog Archive


Wednesday, September 03, 2025

Wildlife Artist of the Year 2025 - now online

Next week the exhibitions for the David Shepherd Wildlife Foundation | Wildlife Artist of the Year 2025 open at the Mall Galleries on 9th September and continues for 5 days until the 13th September. (more details at end)

The exhibition offers a rich and varied display, featuring everything from bold oil paintings and intricate pencil drawings to eco-conscious sculptures and inventive mixed-media creations, all inspired by the beauty and fragility of the natural world. DSWF website
The Wildlife Artist of the Year 2025 exhibition features all the artworks selected across the nine competition categories. In the view of the competition judges, these represent the very best from thousands of international submissions.


However, you can now see which entries for the Wildlife Artist of the Year 2025 were selected for exhibition.  

Each year we ask the general public to vote for their favourite piece from Wildlife Artist of the Year. The winning artist receives our coveted DSWF People’s Choice Award AND each voter will be entered into a prize draw with the chance to win two tickets to the stunning black tie DSWF Wildlife Ball on Friday 7 November 2025 at The Dorchester in London, including a champagne reception, three course meal and entertainment. Please show your support for your favourite artwork by casting your vote. DSWF website
  • you have the option to buy - however all pieces sold prior to the exhibition have to stay on display during the 2025 exhibition and delivery will be confirmed and arranged after September 15th, 2025.
50% or more of the proceeds go directly to DSWF’s conservation efforts. Every purchase helps to secure a better future for endangered species, communities living alongside them, and our future generations. DSWF website

This annual exhibition is organised by the David Wildlife Foundation and has been going for years. It attracts top notch art from UK and international artists and a lot of collectors of wildlife art. If this is the sort of art that interests you, it's well worth a visit.

Event Details

  • LOCATION: Mall Galleries, London SW1 - see Google Map
  • DATE: 9–13 September 2025
  • TIME: 10am – 5pm (Tuesday 11am – 3pm)
  • ENTRY: Free – donations welcome in support of our conservation work