Prizewinners received their prizes from Eileen Cooper RA, Keeper of the Royal Academy at the Awards Ceremony at the Mall Galleries this evening where the exhibition is being held all this week.
The scope of the works in the Derwent Art Prize exhibition are determined by the terms and conditions and the judging panel
The work entered must be created in pencil (including water-soluble, pastel, graphite, charcoal or coloured pencils). The work must not exceed 182cms in its greatest dimension. There is no minimum size limit. The Prize is open to both 2 dimensional and 3 dimensional works. All entered work must have been completed within the last 3 years.Overall, in my opinion this is the best Derwent Art Prize exhibition yet - and I'll be writing more about it later this week.
The most noticeable difference this year is that all the main prizewinners are well established artists with a considerable body of work who work in pencil in addition to work in other media.
View of some of the work in the North Gallery |
- the exhibition for the Sunday Times Watercolour Competition in the Main Gallery and
- a very strong and visually stunning solo exhibition by the Threadneedle Prize winner Lewis Hazelwood-Horner in the Threadneedle Space - which also includes drawings and sketchbooks. (see Lewis Hazelwood-Horner wins £20,000 Threadneedle Prize 2016)
About the Derwent Art Prizewinners
First Prize (£6,000) - Agim Sulaj
The winning work has huge impact visually - even more so when seen in the gallery where it is large (and unframed).Agim Sulaj with his pencil drawing "Refugees" graphite, 170x150 cms |
The capsizing of the boat full of immigrants reminded me of Turner's The Wreck of a Transport Ship. It certainly seems to me to be a contemporary reworking of a recurrent image in art across the centuries - relating to the potential vulnerability of those who take to the sea. Made more poignant by the fact no immigrant would choose the journey if they had any other option.
Bitingly political, his work has captured the imaginations and consciousness of audiences across Europe, Africa, South America and the Middle East.b. 1960 in Tirana in Albania; now lives in ItalyEducation: 1985 Graduated from the Academy of Fine Arts in Tirana (Albania)
Practice: He creates paintings, cartoons and illustrations. Immigration has been a recurrent theme of his work.
Exhibitions: Widely exhibited throughout the world since 1979.
Prizes: an award-winning artist who was winning prizes before he graduated and has continued to do so consistently ever since.
Agim Sulaj said about his work
"This work is dedicated to the refugee drama; the people who are in search of a better life often find a tragic ending. Their dreams drown in the big immigration vortex. As the author of this work, I have experienced immigration when I moved to Italy many years ago, where I faced the harsh reality and the difficulty of adapting to the new “world”, where your best friends are the drawing table and the painting brushes. "Those of us who attended the Awards Ceremony won't forget his reaction to winning the award in a hurry!
Second Prize (£3,500) - Lee Wagstaff
Second Prize: Evil by Lee Wagstaff Graphite, 100 x 100 cms |
Lee Wagstaff won the Second Prize of £3,500 for Evil - a work in graphite on a fine canvas. He previously exhibited in the Derwent art Prize 2013.
b. 1969 in London. Now based in Essex.
Education and studies: MA Royal College of Art, London, England (1998-2000); Kyoto City University of Art, Kyoto, Japan (1999); Currently undertaking a Ph.D at the Royal College of Art, London (2013 - date)
Practice: Studied printmaking and sculpture since 1987. Also uses complimentary processes (photography, drawing, tattooing, yoga and live art)
Co-founded the artists project space RISE berlin; Director and curator until 2013.
Exhibits his work at fine art and performance art venues worldwide.
Best known for a full body suit of tattoos and large format self portrait photographs of the same
My academic research compliments my physical practice by exploring the aesthetic and theological dimensions of digitally enabled artefacts.I talked to Lee about this fascinating work and the process he used to develop it. He started with a pack of Derwent Pencils which he stripped of wood and then ground down to create graphite dust. The dust was then applied to a ground on very finely woven material which has been fixed to a board (so that it stays flat during the creation of the work). To do this he used his own unique process of screen printing using graphite (you can see a video of this practice (on paper) developed during a research project about inkless printing during a research artist residency at the Frans Masereel Centre in Kasterlee, Belgium on his website). The graphite is then manipulated on the canvas using a feather duster (above the work - twirled to create air currents which move the graphite dust) and his own fingers. Periodically the graphite dust is stabilised on the canvas using a water spray.
All in all, not a conventional drawing or a conventional process! It's certainly does not appear to be one that is easy to emulate!
Third Prize (£1,000) - Tim Wright
Third Prize: Helen Schone 14 by Tim Wright Watersoluble, 104 x 112, |
The body, the observed world and their expression assert themselves in Wright’s work as is evident in his winning piece "Helen Schone 14".born in London, where he continues to live and work
Education: mid-1980s he graduated in Fine Art from Middlesex University
Practice:
- Lengthy experience of teaching and lecturing in fine art at most of the principal London art colleges, particularly Chelsea School of Art and Middlesex University. Continues to teach courses in painting at his studio in London
- 2011 until 2013 - engaged as painting consultant on the Mike Leigh directed film 'Mr Turner'. Taught the actor Timothy Spall to paint in preparation for his role in Mr Turner. (Note: This is an absolutely transcript of a talk he gave about the process - which included teaching Spall to draw)
The Young Artist Award (£500) - Apple Wong Hiu Fung
This award is given for the best artwork from an artist under the age of 25. It was won by Hong Kong based Apple Wong Hiu Fung for her piece entitled ‘Hiding ’.Young Artist Award: Hiding by Apple Wong Fiu Hung Coloured pencil on wood board, 55 x 55cm |
Apple Wong Fiu Hung with Eileen Cooper RA |
Wong’s commitment to experimenting with a variety of media is clear in her winning piece ‘Hiding’, a captivating coloured pencil drawing on wood board. The delicately rendered image of a man crouching in a forest explores abstract concepts such as isolation and separation.Born and lives and works in Hong Kong
Education: Academy of Visual Arts of the Hong Kong Baptist University
Exhibitions: exhibited widely across Asia
Prizes: awarded the Hong Kong Clifton’s Art Prize in 2011.
Social Media: Apple Wong Hiu Fung on Instagram | Blog | Facebook
There are two People’s Choice Awards of £750 each.
These awards are given to those getting the most votes according to
'Poor old Kitty has had her day' by Angharad Pelling coloured pencils, 87.1 x 62.4 cms |
The UK Coloured Pencil Society Award for Excellence
This prize was awarded for a work using coloured pencils and was awarded to Angharad Pelling for 'Poor old Kitty has had her day'
The People's Choice Awards (£750 each)
There are two People’s Choice Awards of £750 each.
These awards are given to those getting the most votes according to
- those visiting the exhibition and
- those viewing it online. Visit www.derwent-artprize.com to place your vote.
The winners will be announced at the end of the exhibition tour.
Previous posts about the Derwent Art Prize
2016:
- The 3rd Derwent Art Prize - Call for Entries (January 2016)
2014:
2013:
- Chrys Allen wins inaugural Derwent Art Prize for ...
- Derwent Art Prize 2013 - Selected Works & Artists
- The Derwent Art Prize - a discussion
2012:
Hi Katherine, the ongoing quality of your blog is astonishing. I'm following it for years and always find something interesting to see, to think about, to dream of. Thank you so much for that.
ReplyDeleteOn the Derwent prize, I really prefer the works that are after the first one. Less temporal and more original composition... Just my opinion.
All the best
Eric, Brussels