Portrait Award 2026 - Artists with their paintings (Children and Parents)

Posting my photographs of artists with their portraits selected for the the HSFK Portrait Award at the National Portrait Gallery is an absolutely mammoth exercise. This year I confess I found it daunting!

I've been doing photos of the artists with their portraits in the Portrait Award exhibition for very many years - and it's not a post I want to give up on doing. However this year 

• I took more photographs than ever more 
• and was posting in the June Heatwave which then became the July Heatwave - so starting this post has been somewhat daunting for me as I don't function at all well in heat (I've no thyroid and the medication for normal times does not seem to be so effective in constant very hot weather)

That's why why I've taken so long to start it in this heatwave which has been running since the exhibition opened!

In the end I've decided to go with the same format as last year - which has been amended to make it more manageable.  Each group now gets its own post 

1. Portraits of Children (and Parents)
2. Portraits of Older People
3. Self Portraits
4. Portraits of Women
5. Portraits of Men
6. Portraits of Groups

This also allows people intending to paint a subject akin to one of those groups to look at what the competition which got selected looked like this year.

I'm also posting larger images to my Making A Mark Facebook Page with shorter profiles.

The profiles are part based on those developed for my two former posts and part based on the labels in the gallery

• Selected Artists (Part 1: A-H) for The Portrait Award 2026 at the National Portrait Gallery
• Selected Artists (Part 2: I - Y) for The Portrait Award 2026 at the National Portrait Gallery

You can vote for the People's Choice Award at the Gallery and also online.

The exhibition continues at the National Portrait Gallery until 7th October 2026 - and then goes on tour.

Portraits of Children (and Parents)

One of the things I noticed about this year's exhibition was how many more portraits there were children and parents. There are eight portraits of children (and parents) in total in the exhibition.

I'm used to seeing the odd child but not this many. Interestingly 

• they make for some of the most relaxed looking portraits
• they also seem to be connected to the artist wanting to record forever a time that is passing - which is a jolly good reason for a portrait

TIP: Note that, with the exception of one portrait, the artist is painting their own child / children.

Adebanji Alade

Copycats, 2025 by Adebanji Alade
© Adebanji Alade

Adebanji Alade PROI - (First Time Exhibitor) B. 1972 in Nigeria. He did an HND

in fine art at Yaba College of Technology, in Nigeria followed by a diploma in portraiture at Heatherley's School of Fine Art, London.

Adebanji is a professional artist, teacher, author and television presenter (BBC One Show). He has a studio on Lots Road in Chelsea, London. He is also the founder of The Addictive Sketcher movement, seen on television and in books. His work has been seen in numerous exhibitions including the annual exhibitions of the Royal Institute of Oil Painters (2007-2026) and he is now the current President of the Royal Institute of Oil Painters. 

I first met Adebanji years and years ago. I think I've known him almost as long as I've had this blog! I've also seen this portrait before - and I think it's wonderful. It was exhibited at the Annual Exhibition of the Royal Institute of Oil Painters last November and it just blew me away.

His family have always been a very big part of who Adebanji is and this is a really great record of his two kids painting with him at home when they were small.

The viewer's eye darts across the canvas, delighting in details such as the translucent drapes, the glossy reflection on the television screen and the range of colour cluttered across the domestic interior. Portraying himself and his children engrossed in the act of painting, Alade 'reveals how children copy their parents, whether good or bad, they are copying what they see more than what they are told!'

I expect his next submission to be of his lovely wife!

 

Frances Bell

 

HEADS UP - HMRC Self Assessment: Payment on Account due 31 July

I find that tax is a matter that few artists become expert on as they are starting out - or sometimes at any point of their careers!

This is a HEADS UP for British artists! If you are 

• EITHER: self-employed as an artist 
• OR are employed AND earn more than £1,000 from your art, 

then you have a tax payment coming up! 

The deadline for your second payment on account is 31 July each year

HM Revenue & Customs (HMRC) requires individuals to make advance payments towards their next tax bill if you are self-employed or have untaxed income. (HMRC - Payments on Account)

How do "payments on account" work?

Payments on account based on your estimated tax bill and are 

• advance payments towards your next Self Assessment tax bill (including Class 4 National Insurance if you’re self-employed).
• split into two equal instalments due each year on 
• 31 January (final payment for previous year plus payment on account for current tax year) and 
• 31 July 
• Each payment is worth 50% of your previous year's total tax bill

So if you completed and submitted your HMRC Self Assessment Form by 31st January this year, then you know how much you paid in tax and hence how much you have to pay (ie half of less years' bill)

How payments on account are calculated

• Payments on account are calculated based on your estimated earnings (usually the amount you earned the previous year). Each payment is usually half of the tax you owed the previous year.
• If you actually earn more than estimated, you may still have tax to pay on top of your payments on account. This is known as a ‘balancing payment’.
• If you earn less than estimated, you may be able to claim a tax refund. (HMRC - Payments on Account)

Am I automatically exempt?

However, you are automatically exempt if either of the following apply:

• Your last Self Assessment tax bill was £1,000 or less
• 80% or more of your total tax is already deducted at source (e.g. through PAYE on an employment income)

If your income has dropped, then you can apply to reduce these payments via 

• your HMRC Online Account 
• or by submitting form SA303 to HM Revenue and Customs

How to pay HMRC

They spent a lot of money developing the HMRC app
- and they're rather keen you should use it

TIP Speaking personally, the only way I ever make a tax payment is via a device which allows me to print off the payment details and create a PDF for my tax files.

That way you then have a precise record of the date and time you made the payment - and how - should there be any dispute

You can pay HMRC via

• Direct Debit
• Approve a payment through your online bank account
• Make an online or telephone bank transfer
• By debit or corporate credit card online
• At your bank or building society
• By cheque through the post
• Pay weekly or monthly
• Through your tax code

REFERENCE

My "Art Business Info for Artists" website

• UK Tax Tips for Artists - Tax Tips for Artists | Art Business Info for Artists

HMRC

• Self Assessment - Includes filing, deadlines, pay and tax records | HMRC


• Paying your tax bill
• Pay your Self Assessment tax bill
• Understand your Self Assessment tax bill
• If you cannot pay your tax bill on time

Diploma Graduates Exhibition at the Heatherley School of Art

I was at the Heatherley School of Fine Art in Lots Road, Chelsea yesterday evening for the PV of the Diploma Graduates Exhibition.

You can visit this for free between now and Sunday afternoon (10.30am-4.00pm) at the School at 75 Lots Road, London, SW10 0RN. The nearest tube is Fulham Broadway and then it's an approx. 12 minute walk - right past the entrance to Chelsea Football Club!

I'd been invited by Sarah Jane Moon (who teaches there) to come and see what those following the Portrait Diploma Course had been producing. There are also other courses exhibiting their work. 

I often come across Heatherley graduates doing well in other exhibitions and art competitions so I made the trek from East to West London!

You can 

• see some of my photos from the show on my Facebook Page
• find out more about the courses on the website

I was very impressed by four of the artists who were producing portraits which looked like they will be followed by even better in the years to come.

As it happens they were all women!

One of the very interesting aspects of Heatherley's is the number of middle aged women students it attracts - which I find a very refreshing aspect of its student body.

Akiko Saiko with me
Her portrait had been commended by Andrew James RP

Standout artists for me were:

• Akiko Saiko (above) who has a very refined approach to painting a portrait which reveals the tonal light and shade and hence the form - which was something of a weakness in some of the portraits by some other artists. I also really liked her profile text which was engaging, simple and direct. That's the kind of effective communication which gets through to the most people. She does however need a website!
• Amy Roberts is a former fashion designer who works primarily from observation. She is very obviously not phased by either large groups, complex compositions or more complex dress. I've been waiting for somebody brave enough to take on group portraits for a long while - and it looks as if we might have somebody at long last!

Amy Roverts won the Worlds End Studio Prize with this group painting

• Marlies Forster (Instagram) - who last year won The Composition Prize 2025 awarded by the Royal Society of Portrait Painters and consequently had her painting hung in the RP Annual Exhibition

View this post on Instagram

A post shared by Forster London Art (@forsterlondonart)

• I also really liked Janet Marsh's Holbeinesque self? portrait of a women with a squirrel (see my blog post The King's Painter: The Life and Times of Hans Holbein by Franny Moyle for the original) which won the Susan Engledow Portrait Prize

By Janet Marsh

Note to the School: Please update your galleries with the artwork from the show so it's online at the same time as it's on show at the school. Everything on the website seems to relate to 2025.

PS My five year old post about Favourite Quotes about Portraiture has been attracting a lot of visitor of late - so I'll include it here as well to share the love some more!

Major LS Lowry Exhibition in the autumn

There is to be a major exhibition of the paintings of LS Lowry in the Autumn. 

The exhibition L.S. Lowry: The Theatre of Life marks the 50th anniversary of Laurence Stephen Lowry (1887 – 1976) and opens at MK Gallery in Milton Keynes in October.  It represents a culmination of a nationwide celebration and features over 140 works, including A Football Match (1932). 

• The new exhibition is the first major career survey of his work in over a decade. In addition to iconic “matchstick men” industrial scenes, the showcase will explore lesser-known works such as portraits and surreal pieces. 
• a rare overview of his career, bringing together lesser-known aspects of his practice, including pencil and charcoal studies from the antique and life, detailed urban drawings, and works in pastel and watercolour that reveal the breadth of his practice (MK Gallery)
• A key theme of the exhibition is a re-examination of the myths that grew around him, situating his life and career within the wider transformations of twentieth-century Britain, as the mills, terraced streets and working communities he depicted were bombed, cleared and replaced.

L.S. Lowry, Our Town (1943). Oil on canvas.

Purchased from the artist, 1944.

© Touchstones Rochdale, Rochdale Arts & Heritage Service.

Basics: 

• L.S. Lowry: The Theatre of Life
• When: 24 October 2026 – 28 February 2026
• MK Gallery, 900 Midsummer Boulevard, Milton Keynes MK9 3QA
• Tuesday – Sunday, 10am – 5pm. Closed Mondays
• You can book tickets on the MK Gallery website.

L.S. Lowry: The Theatre of Life is also accompanied by a fully illustrated catalogue.

Why people like Lowry's art

London is the best city for art! (Time Out Survey)

London has been declared to be the best city in the world for art galleries - according to Time Out’s latest guide to the planet’s top places for culture.

This conclusion arises out of a survey of more than 24,000 people around the world about culture in their cities.

An impressive 81.1 percent of surveyed Londoners said that the city does art galleries better than it does anything else. London was a clear gold medal winner in the category, scoring much higher than Paris (which came second with 67.9 percent) and New York (third with 67.7 percent).

Of course, one of the main reasons for this is that so many are free to access - which is a very significant bonus for both residents and visitors alike.

In addition, 88.4 percent of London’s residents backed London’s museum venues. That put us third, only behind Paris and Madrid. 

Below is a summary of Time's Out View - based on its survey - of:

• the top 50 art galleries in London
• the top 25 museums in London.
  

I really out to get back to doing my twice a year overview of what's on where at the major art galleries....

The Top 50 Art Galleries in London

This is the Time Out Guide to The 50 best art galleries in London

Frankly, I don't think they're in any order of "best". 

• Rather this is a collection of what they think are the best. 
• I guarantee that the majority of Time Out Readers will not have heard of the majority of them - which makes it a very odd list in that sense.
• It also excludes rather a lot of very active art galleries which are well worth a visit - mainly because they forgot to say.....

There is a VERY STRONG Contemporary Art bias

Hence they EXCLUDE:

• any of the long running and very respectable art galleries (eg Cork Street and associated area) which a lot of artists would give their eye teeth to get into
• anything to do with art societies - which is sad, because it basically indicates that anything associated with an art society is of no interest. Which is very far from the truth.

As such I'll tell you which I think are the best!

Plus all the ones I have never visited

They are listed in a very odd order - so I have reordered into my particular order of preference

The Sainsbury Wing is now effectively the main entrance to the National Gallery
- and all temporary exhibitions

Would you like to win a medal for your art?

One group of artists have the scope to win a medal for their art. 

Every year, leading botanical artists and illustrators from across the world come to London to see if they can win a coveted RHS Gold Medal.

The Royal Horticultural Society's Botanical Art Show is the most prestigious botanical art exhibition in the world.

Nothing else even gets near - because to exhibit in this exhibition

• you first have to be assessed as good enough to exhibit - without having seen what you propose to exhibit!
• you get five years to prepare your exhibit
• which comprises a minimum of six artworks on a botanical or horticultural theme/topic which might be:
• Family or Genus Names (of Plants)
• Exhibits related to specific locations/habitats
• Habit / Lifecycle / Growth
• Common and Generic Names
• Medicinal Plants
• Theme names related to botanical history

Raucous Glaucous: Lichens of Texas Hill Country 16X 2026
Christiane Fashek (New York, USA)
these are shown in wet and dry mode magnified 16 times
It won a Gold Medal.

Medals are assessed by an expert panel according to strict and defined criteria

This is a brief characterisation of what each medal represents, written after a discussion about the meaning of the colour of the different medals, back in 2018.

• A Gold medal exhibit has to be outstanding in all areas and really have the ‘wow’ factor.
• A Silver-Gilt medal is a very high award and still an exceptional achievement. In many cases a Silver-gilt will have only been missing a couple of elements that meant it was not quite a Gold.
• The Silver medal will usually have numerous areas for improvement.
• A Bronze medal is rarely awarded as the standard is generally so high, but it may be awarded if the artist has really only achieved one or two elements from the criteria.​
• EXTRACTED FROM: RHS Botanical Art Show #3: Medals Awards and Feedback (2018)

Jenny Hyde-Johnson (South Africa) achieved a "first"
She was awarded Best Exhibit, Best Artwork and a Gold Medal for
"Fynbos Diversity of the Coastal Limestones on Grootbos"

The RHS Botanical Art Show 2026 can currently be seen at the Saatchi Gallery in Chelsea until 2nd August.

• open 10-6 daily
• admission FREE to those with membership of the RHS or Saatchi Gallery
• £6 for everybody else

I've been writing posts about this and the Portrait Award in tandem as they both opened at the same time!

Here are the posts relating to this year's show​ - which have been posted on the blog on my Botanical Art and Artists website (#1 in the world for botanical art!)

• RHS Botanical Art Show 2026: Awards and Gold Medals
• RHS Botanical Art Show 2026: Silver Gilt Medals
• RHS Botanical Art Show 2026: Silver Medals

AND

• How to exhibit at RHS Botanical Art Show 2027 (Part 1: How to get approved to exhibit)

I've got another couple of posts still to write....

Service is interrupted due to the heatwave

I feel a bit like the train people who announce that the heat has warped the railway lines and you can't get to where you want to go.

In my case, my blogging has completely tailed off because I'm finding it difficult to focus on writing. 

I'm afraid I'm really suffering with the heatwaves and seem to be entirely focused at present on 

• how to stay cool indoors - I'm living in semi darkness most of the time.
• how to be able to get some exercise outside when it's so very hot.
• how to eat without using any heat!
• changing what I'm wearing about three times a day!
• buying more hats with wide brims
• sleeping with my feet up on a wedge to reduce the swelling in my ankles!

Me at Knole last Monday. 
We spent most of the time trying to find shade....

Part of the explanation is that I have no thyroid - which is what regulates your body temperature - due to it being surgically removed back in 2005 after hot soup made my throat close up so much I couldn't breathe properly! I had a goitre which was growing fast.

• I now take medication to regulate instead - but that can get out of whack. 
• So making sure that my body is responding appropriately to the excess heat feels a bit like a full time job at the moment. 

I went for my blood test for my annual thyroid check-up this morning and hopefully we'll know soon whether an adjustment needs to be made.

I'm hoping to get back to normal blogging - just as soon as this heat retreats!

The Tale of the Portrait Award Catalogue 2026 - and two major mishaps

This is about the debacle of The Portrait Award Catalogue 2026 - and why I do not have a copy.

Portrait Award Catalogue 2026 - as advertised on the NPG website

Every year I usually get the catalogue of The Portrait Award at the National Portrait Gallery. I use it when writing my review of the exhibition. You'll note no review to date....

However this year there have been two major mishaps

1. The Printing Error
2. The "ready to ship" date.

The Printing Error

This year, 2026, the catalogue, sponsored by Herbert Smith Freehills Kramer, was found to have a serious error in the original printed version.

Now printing errors in museum publications are not unheard of

• many are relatively minor (eg a name spelt incorrectly) and 
• they are normally corrected in the next print - 
• and an errata slip put in the edition with the error.

My guess as to why the original catalogue was NOT released at all is that it the error is too significant/important - and this most likely reason is it involves the sponsor's name.

The name that keeps changing. It started as "Herbert Smith Freehills" - and last year it became "Herbert Smith Freehills Kramer".

That's important enough to stop the release of a catalogue.

The alternative might be that the colours were badly wrong. Except, as somebody who used to be responsible for producing marketing material for my professional qualification, I know that sort of error gets caught very easily at the proofs stage. So long as you have somebody competent doing the job and piping up as soon as they spot a problem. 

Approving proofs is the signal to "go to print". 

When I did it, my publications lady did all the checking - but the proofs were signed off by me after I had checked them carefully too. It's much too expensive to get wrong hence all mistakes have to be spotted!

So I can only assume that whoever was responsible for collating, drafting, designing and checking - and double checking and authorising - the catalogue proofs did not do their job properly.

That's a very expensive mistake. That's because once you have approved the proofs, you are agreeing liability for the costs of the print run. Which means NPG will be charged for that error and in effect will have paid for the catalogue twice.

For the record, I did ask what the print error - but was nobody knew and/or was prepared to say.

The "Ready to Ship" date

I was thinking of going into the NPG today to pick up a catalogue. However I wasn't optimistic it would be there (I know how long print runs take - particularly if a job is contracted out to Asian printers as many are - ships take a long time to dock!) so checked the website first.

That's when I found the page related to the Portrait Award Catalogue for sale in the shop.

Which states

Expected to ship from 29 July 2026.

That's seven weeks late - given the exhibition opened to the public on 25th June.

Which leads us to the next issue.....

Details of the Portrait Award Catalogue

The cost of the mistake

The RA Summer Exhibition and AI: Submission to Display to Sale

I think I've uncovered a bit of a problem relating to the legislation and regulations which apply to all info provided to buyers in art exhibitions (who have protected rights) - from Submission to Display to Sale.

Earlier this week, I wrote about how the Royal West of England Academy allows AI into its Annual Exhibition

There have been a lot of comments on the post on Facebook as a result - which you can see here. Mainly this has been confined to whether or not AI should be eligible or only serves to undermine the original work of artists.

What I didn't realise at the time, is that the RWA were not the first.

The Royal Academy of Arts Summer Exhibition and AI

This year's Royal Academy of Arts Summer Exhibition indicated in its Frequently Asked Questions that it was OK to use AI as part of an artwork

Can I enter an AI work?

If your work is generated, partially or entirely, using artificial intelligence, then you must declare it on your artwork form by adding ‘AI’ to the medium field.

Extract from RA Summer Exhibition 2026 - FAQs

In other words, the RWA appears to have just copied what the RA did!

Omission of fact / poor descriptions of art for sale

So I went to look at all the artworks - to find the clearly displayed "AI" in the medium field

I found 59 entries were listed in "all the artworks" when I searched the database for "AI".

I didn't sample everyone. But of all the ones I looked at in detail, not one declared the AI as having contributed to the image or the artwork.

So the RA may know that AI contribute to the artwork - but they aren't sharing that information with the general public.

I then did another sample - of all those that were available to buy online. 

• This time I got 54 entries.
• I looked at a few more - and still could not find any exhibit which openly declared that AI was used in its creation.

AI Findings: Submission to Display to Sale

• The Royal Academy of Art required all artists to declare AI on their form If your work is generated, partially or entirely, using artificial intelligence, then you must declare it on your artwork form by adding ‘AI’ to the medium field.
• The Royal Academy of Art appears to have chosen NOT to disclose the use of AI in any of the information provided to the buying public.
• it's not listed in the catalogue under the medium
• it's not listed on the Sales website for any of the artworks which were triggered by the search term "AI"

I wonder why.

I'm also wondering if anybody asked the RA Solicitors for their advice as to what needs to be disclosed within the context of the range of legislation and regulations which are pertinent eg see "How to sell art" on my website Art Business Info for Artists

• Trading Law and Regulations - see my Trading Law & Regulations for Artists (mainly UK) page
• the various regulations relating to selling online and consumer rights - see my E-Commerce for Artists page

One of the requirements of the Consumer Rights Act 2015 is that

Every contract to supply goods by description is to be treated as including a term that the goods will match the description.

In other words, when describing the medium for an artwork, if AI was used then AI needs to be highlighted.

• I am sure this requirement is essentially what is behind the RA requirement for the artist to spell out AI in the medium box if relevant. 
• So why has that info not translated through to the description of the artwork for the purposes of sale to the public (ie the people protected by the Consumer Rights Act 2015!)?
• My conclusion is that we appear to have "a left hand and a right hand within the RA who are not talking to one another"!

Clearly, use of AI is new and mistakes may be made at the outset. 

However I personally would expect that an organisation like the Royal Academy of Art which has, over time, been absolutely exemplary in its highlighting of changes in legislation (eg re VAT registration for overseas artists; new money laundering regulations for art etc) and spelling out what that means for artists entering the Summer Exhibition SHOULD have picked this up and dealt with it better. 

I have frequently highlighted RA advice contained in its T&Cs and FAQs to other art societies as "this is the way to do it" (whatever "it" was)

I'm now expecting that all mistakes made this year will be corrected for 2027.

I also expect to see next year that the same standard of exemplary guidance produced by the RA in the past will now be also applied to EVERY ASPECT OF AI where people (i.e. ALL THE BUYERS!) have a "need to know" 

In other words - that next year all relevant legislation and regulations will be covered by all necessary parts of the T&Cs and FAQs and any other guidance the RA sees fit to issue.