At the revamped National Portrait Gallery on Tuesday evening, Egg Tempera
painter
Antony Williams
was announced as the winner of the very prestigious £35,000 Portrait
Award
- now sponsored by Herbert Smith Freehills, a law form and long time sponsor
of the NPG.
We were all very thankful to return to the formal Awards Ceremony, given the
combination of the refurbishment of the National Portrait Gallery and Covid
meant we hadn't had an Awards Ceremony since 2015 - and five years is a very
long time to wait....
I'll comment on the differences I
noticed in a future post - but first the awards....
The HSF Portrait Award opened to the public at the NPG today and continues until 27th October 2024. It is however not where it used to be due to the reconfiguration of the gallery. You'll find it at the far end of Floor 2. It's free to enter.
HSF Portrait Award - First Prize (£35,000): Antony Williams
Antony Williams winning first prize is a testament to all those who are
willing to keep trying and to keep entering and who can wait 29 years to win
the first prize!
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Winner of the Herbert Smith Freehills Portrait Award 2024
Jacqueline with Still Life by Antony Williams RP NEAC
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I, for one, will very much miss seeing Antony's wonderful egg tempera portraits
in this competition - I've seen seven of them. He is an absolute master of the
egg tempera medium and has won a number of other awards during his career to
date.
Antony is an artist who has previously had his artwork selected to hang in the
Portrait Award Exhibition on 10 previous occasions (in 1995, 1998, 2005, 2007,
2010, 2014, 2015, 2017, 2018, 2020) and, notably, won Third Prize in 2017.
I had a chat with him recently and told him that I confidently predicted he
would win. He does after all fall very neatly in to the category of one type of winner -
who is selected on a regular basis over the years and has previously won
either second or third prize - or the Young Artist Award. I simply could not
see him being shortlisted for an award this time and not winning
(although
Michael Gaskell
will attest to the fact it does happen!). I have to say I was much more confident that he would win than he was,
although that might be because he's had so many entries accepted which have
not won! He does know I crunch the numbers though....
As I
remarked in my blog post about the
Shortlist for The Portrait Award 2024 Antony had become the last of "the regulars" who has been not yet won
this Award.
He and I both knew he had won as soon as they began to introduce the second
prize winner. As soon as the word "Florence" was said, I knew he'd won it. I
have to say he was very calm about it all. I found him in the crowd with my
iPhone and was taking pics of him waiting for him to be announced as the
winner of the First Prize. Apparently some of those in his party also realised
he had won and were a tad more emotional about it!
The next day I
got a pic of him with his winning painting of one of his regular models and
some of the still life which he paints regularly. I thought it was a really
interesting composition. It presents a really interesting interrelationship
between the different objects in the picture plane and enhanced the potential
for narrative explaining how they came about.
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Jacqueline with Still Life with Portrait Award Winner 2024
- Antony Williams
Egg Tempera on wooden board;
1222cm x 668cm (48 inches x 26 inches)
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The Judges were impressed with Williams confidence and mystery of the
egg tempera medium. They felt the composition was nuanced and
surprising. The painting sustains your attention, encouraging the viewer
to unpack and make sense of the connections between Jacqueline and the
still life elements in the background, creating an intriguing and
enigmatic portrait.
Still life is in fact one of Antony's main interests and I think most of the
paintings I've seen from him in the past in this competition had some element
of still life in them. It helps to tell the story of the artist, the model and
the place where they are both working. However he does also paint very
intricate interlaced paintings of heads as well. His website is well worth a
good look (see link embedded in his name at the top) to see why egg
tempera is so very different from painting in oils or acrylics.
I've always been attracted to it because of the scope to create optical mixes
of colours, and Antony told me about the way he approaches a painting like
this. I have to tell you there's a lot more sitting underneath all the various
mark-making than you might think!
More about egg tempera
I now know where I went wrong when I did an egg tempera course at the V&A!
Below I've listed the egg tempera posts I've written for all those now
interested in the media who want to know more - which also references famous
paintings in egg tempera
Second Prize (£12,000): Isabella Watling
The second Prize of £12,000 was awarded to Isabella Watling for Zizi.