|The Scream being sold at auction at Sotheby's in New York for $107 million|
(excluding buyer's premium)
Photo courtesy of Sotheby's
However it's an iconic painting.
Few images have burnt themselves on our collective retina as the Scream hasThe four versions of The Scream are:
Simon Shaw, Head of Sotheby’s Impressionist & Modern Art, New York
- The Scream (1893) Tempera and crayon on cardboard, 91 x 73.5 cm) - one of two painted versions which can be seen at The National Gallery, Oslo
- The Scream (1910?) Tempera on board. 83.5 x 66 cm. This second painted version and a pastel version are held by The Munch Museum in Oslo
- the fourth and most colourful version (Pastel, 1895), owned by Petter Olsen, for $119,922,500 at Sotheby's Impressionist and Modern art auction on 2 May 2012 to a private buyer - for the highest ever hammer bid price paid for an artwork at auction. It took 12 minutes and an initial group of eight bidders to push the piece up to its eventual hammer bid.
The present version of The Scream, which dates from 1895, is one of four versions of the composition and the only version still in private hands. The work is owned by Norwegian businessman Petter Olsen, whose father Thomas was a friend, neighbor and patron of Munch.
|The Scream (1895) by Edward Munch|
Sold at auction by Sotheby's New York for $107 million
($119,922,500 including buyer's premium)
Photo courtesy of Sotheby's
“I was walking along the road with two Friends /
the Sun was setting – The Sky turned a bloody red / And I felt a whiff of Melancholy – I stood / Still, deathly tired – over the blue-black / Fjord and City hung Blood and Tongues of Fire / My Friends walked on – I remained behind / – shivering with Anxiety – I felt the great Scream in Nature – EM”
The artist’s hand-painted inscription on the frame of the present work.
- the first provides an introduction to The Scream in Munch's own words
- the second is an introduction to and commentary on The Scream by Simon Shaw, Senior Vice President and Head of Sotheby’s Impressionist & Modern Art department in New York
and Adam Gopnik, author, critic and a staff writer with 'The New Yorker'
- The third includes film of the auction where it sold for $119, 922,500 (excluding buyer premium - sale price $107 million). It was the first time that a hammer bid has exceeded $100 million and, to date, is the highest ever price paid at auction for a painting.
“The Scream “ for me shows the horrifying moment when man realizes his impact on nature and the irreversible changes that he has initiated, making the planet increasingly uninhabitable. The image of “The Scream” could make more of us fathom the magnitude of the consequences of our continuing emissions of greenhouse gases. This will inevitably lead to the triggering of uncontrollable feedback mechanisms that lie latent in the physics of nature.
Petter Olsen (owner of the painting prior to auction and son of Thomas Olson - a friend, neighbor and patron of Munch)